Carrie bess (4 Ergebnisse)

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Fine. Near Fine. First edition. 237pp. Binding slightly cocked, else fine in a near fine dust jacket with a sticker on the rear panel. "The most comprehensive work on the Simpson trial, written from the perspective of the foreman and two fellow jurors.".

156 pp.; 27.5 x 23 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; July 1988 issue of Art in America, edited by Elizabeth C. Baker. Contents include: "The Marriage of Art and Money," by Carter Ratcliff; "Interviews: 13 Dealers Talk," Leo Castelli, Ivan Karp, Paula Cooper, Lawrence Rubin, Phyllis Kind, Irving Blum, Bess Cutler, Larry Gagosian, Diane Brown, Joe Helman, Douglas Baxter, Holly Solomon, Richard Flood; "Pricing New York Galleries," by Dwight V. Gast; "What Becomes a Legend Most," by Carol Zemel; "Showcase in Arcadia," by Ken Johnson; "An Interview with Thomas Krens;" "Critics and the Marketplace: 10 Statements;" "Beuys and Warhol: Aftershocks," by David Galloway; "Cash Art; "Woman's Place," by Anne Higonnet; "The Sculpture of Camille Claudel," by Brooks Adams; "Issues & Commentary," by Douglas Davis; "On Art and Economic Reasoning," by J.M. Montias; "Artists vs. the Market," by Eleanor Heartney; "Review of Books," by Yve-Alain Bois and Peter Plagens; "Profit and Loss," by Walter Robinson; "Cinema," by Carrie Rickey; "Fashion," by Amy Fine Collins; "The Bottom Line," by Iain Pears; "Exhibition Reviews" and "Artworld." Cover: Joseph Beuys. Good / Very Good. Red soiling to bottom right corner of recto through to pages and back cover and ranging in size from 4 mm. to 1.5 cm. 2.1 cm. dog-ear to bottom right corners of page 43-50. Light rubbing and bumping of cover edges and yellowing of covers. Due to large size and weight additional shipping charges will be required for international orders.…

Soft cover. Zustand: Good. 60 pp . ; ill., ports. ; 28 cm. ; frequency Five no. a year in 1968, 4 no. a year, 1969-1971 ; LC: AP2; N6490; Dewey: 051; OCLC: 1518928 ; colorful, pictorial stiff paper wrappers ; foxing to covers ; Contents : What makes Nixon run? / Warren Boroson -- Galahad's pad / Julio Mitchel -- The hate mail of Captain Levy -- Let's reitre our most overworked four-letter word / L. Eric Hotaling -- Richard Lindner : The Rubens of the Love Generation -- The slaughter of civilians for sport by U.S. Pilots / Lt. Thomas F. Loflin III -- An obscenity bust in--would you believe?--India / Malay Roy Choudhury -- Drawings by Muhammad Ali -- Believe in God : you have teeth! / S. H. Margalith -- The Fugs : Nextness is godlier than cleanliness / Martin Cohen -- Metamorphic jewelry : Last word in found-object art / Ryszard Horowitz -- God/Love poem / Lenore Kandel ; repair to spine ; "Avant Garde was a magazine notable for graphic and logogram design by Herb Lubalin. The magazine had 14 issues and was published from January 1968 to July 1971. From January, 1968, through July, 1971, Ginzburg published Avant Garde. While it could not be termed obscene, it was filled with creative imagery often caustically critical of American society and government, sexual themes, and (for the time) crude language.Avant Garde had a modest circulation but was extremely popular in certain circles, including New York's advertising and editorial art directors. Herbert F. Lubalin (1918-1981), a post-modern design guru, was Ginzburg's collaborator on his four best-known magazines, including Avant Garde, which gave birth to a well-known typeface of the same name. It was originally intended primarily for use in logos: the first version consisted solely of 26 capital letters. It was inspired by Ginzburg and his wife, designed by Lubalin, and realized by Lubalin's assistants and Tom Carnese, one of Lubalin's partners. It is characterized by geometrically perfect round strokes; short, straight lines; and an extremely large number of kerned ligatures. The International Typeface Corporation (ITC) (of which Lubalin was a founder) released a full version in 1970."--wikipedia ; G. Book. …