carrick edward (31 Ergebnisse)

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Good condition. Good dust jacket. (actors, great britain ) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Poor. Carrick, Edward (illustrator). First American Edition. Light wear, thin book; pages yellowed; name inside ;a good solid book. Bookstore sticker inside from the cover from 3 Musketeers book shop, Memphis. The dust jacket is present but heavily chipped, torn and soiled. Illustrator: Carrick, Edward. Quantity Available: 1. Category: Antiquarian & Rare; Inventory No: 199823.

Zustand: Fair. Acceptable condition. No Dust Jacket (movies, film making, set design) A readable, intact copy that may have noticeable tears and wear to the spine. All pages of text are present, but they may include extensive notes and highlighting or be heavily stained. Includes reading copy only books.

First American Edition. Fine cloth copy in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. ; 398 pages; Description: 398 p. Illus. 25 cm. Subjects: Craig, Edward Gordon, 1872-1966. Notes: Includes bibliographical references. 3 Kg.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Near Fine. Carrick, Edward (illustrator). 1st Edition. 75 pages. First Canadian edition, first printing. Translated by David Garnett. Wood engravings by Edward Carrick. Fine book in a near fine dust jacket with very slight wear to the corners. A beautiful copy!

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Near Fine. Carrick, Edward (illustrator). 1st Edition. 75 pages. First edition, first printing. Translated by David Garnett. Wood engravings by Edward Carrick. Fine book in a near fine dust jacket with very slight wear to the top of the spine. A beautiful copy!

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. Edward Carrick (illustrator). 1st English Ed. 19.0 x 13.5 cm. Pp. 63, wood engravings by Edward Carrick. Original hard back with paper-covered boards, gilt lettering. Dust wrapper darkened and slightly frayed, in protective sleeve.

Zustand: Sehr gut - gebraucht. Jub.-Ausg. Taschenbuch 128 S. Sehr guter Zustand, ohne Namenseintrag Zustand: 2, Sehr gut - gebraucht, Taschenbuch Ravensburger Buchverlag Jub.-Ausg., 2007 128 S. , 1000 Gefahren zum Gruseln Sammelband 50, Laban Carrick Hill, Edward Packard, et al., 3473544108, BU383745.

Zustand: Gut. 1. 320 S. Gebrauchsspuren. Innerhalb Deutschlands Versand je nach Größe/Gewicht als Großbrief bzw. Bücher- und Warensendung mit der Post oder per DHL. Rechnung mit MwSt.-Ausweis liegt jeder Lieferung bei. Sprache: Deutsch Gewicht in Gramm: 240 Taschenbuch, Maße: 12.3 cm x 2.4 cm x 18 cm.

ONE: Christmas card. 12mo bifolium, with coloured illustration of Christmas candle on cover. Pearson writes: 'FOR [corrected from 'from'] | Edward. A. Carrick | from his old inspirer | George Pearson | 1970'. The association between the two men was warm. In the acknowledgments to his 'Designing for Moving Pictures' (1941) Craig writes that chief among those in the film industry who helped him was 'George Pearson, who gave me my first job as Art Director to his film company in 1927 and who has encouraged me ever since.' In the acknowledgments to the revised edition, 'Designing for Films' (1947), Pearson's name is the only one given in block capitals, as Craig writes: 'To GEORGE PEARSON, as friend and teacher, a special debt of gratitude is owed, for his encouragement at all times has made the future of the films seem worth striving for.' Craig's entry in the Oxford DNB describes his 'first break into the film world. In 1927 Edward Carrick, as he was to be known professionally for the rest of his film career, began working for the enlightened film-maker George Pearson at the Welsh-Pearson-Elder company, at Stoll Studios, Cricklewood.' See also Pearson's entry in the Oxford DNB. TWO: 'Photographic Journal' article. 4pp., 4to. Extracted from magazine. 'This paper, illustrated by films, was read by Mr. Pearson at the Western Conference on 29 February 1948.' In fair condition, with slight discoloration to one corner. Accompanied by a slip of paper with typed cutting from the end of a letter::'PS . . . And here is the shade of the palm into which I have had to withdraw from the dazzling light of the highway. GP'. From the Edward Carrick papers.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. 398 pages. Index. Red cloth covers with gilt title on spine. Dust jacket has wear and tears around edges and tape repair at top and base of spine. Bookplate of previous owner on front pastedown. Size: 235mm Tall, 8vo. Book.

Zustand des Schutzumschlags: dj. New edition. Hardcover. 128 pages. Text by Carrick. How to Do It series Number 27. Includes some color and numerous black and white illustrations. A tight near fine copy with a former owner signature to the front free endpaper in a very good price clipped dust jacket with some edge tears and tape repairs to the verso. Uncommon.

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pencil markings. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:0405039131.

Soft cover. Zustand: Good. 1st Edition. 15 Pp. Softcover, First And Only Edition. Color Title On Both Covers And On Inside Of Rear Cover. Text Is A Memorial Poem By Edward James For His First Cousin Edward Vii. Surrealist Photo Montage On Cover, Artist Unknown; This Could Be By James, Or One Of His Surrealist Friends. Covers Worn, Small External Tape Repairs To Top, Center, And Bottom Spine Edge; 1" Triangular Chip At Center Of Right Edge Of Front Cover; Content Clean, But All Pages Detached As A Group While Still String-Bound. Edward James, British Heir, Usually Considered To Be A Son Of Edward Vii, Author, Was An Important Collector And Supporter Of Surrealism. His Family Home, The West Dean Estate, He Donated To Found A College Devoted To Fostering Skilled Useful Arts.He Took As His Personal Home A Smaller House On The Estate, Monkton, Which He Filled With Surrealist And Other Fine Art, Including Work On The House Itself By Noted Surrealists. While In Hollywood, He Advocated For The Saving Of The Watts Towers After They Were Abandoned By Simon Rodia. By His Design And At His Own Expense. Las Pozas ("The Pools") Was Created By James Circa 1949-1984, More Than 2,000 Feet (610 M) Above Sea Level, In A Subtropical Rain Forest. It Includes More Than 80 Acres (32 Ha) Of Natural Waterfalls And Pools Interlaced With Towering Surrealist Sculptures In Concrete. Las Pozas Is Near The Village Of Xilitla, San Luis Potosí, A Seven-Hour Drive North Of Mexico City.Where It Is Now Maintained As A Foundation.

Hardcover. Zustand: Fine. First Edition. Hardback. 4to. pp 13. Original publishers light blue papered boards, lettered gilt on front cover. 150 copies printed for Matrix, & 55 for Edward Craig and The Whittington Press. Wood-engravings originally published in: The Georgics of Virgil (London : G.W. Jones, 1931). Fine.

Hardcover. Zustand: Very Good. Hardcover. 8vo. Published by George W Jones at The Sign of the Dolphin, London, UK. 1931. 28 preliminary pages, 129 pages, illustrated with woodcuts by Edward Carrick. Unumbered copy of 500 copies on specially made paper. Bound in 1/2 grey clothand green paper covered boards with titles present to the spine and front board. Boards have shelf-wear present to the extremities (corners are lightly bumped and worn). No ownership marks present. Text is clean and free of marks. Binding tight and solid. The second major work by the greatest Latin poet, attractively presented in a large paper edition. The work is from the limited edition but is unumbered. Carrick was an art designer, author and illustrator. He illustrated this book as a young man. He ended up at one point as the Art Director at Pinewood Studios. EB; 8vo 8" - 9" tall.

Cloth. Zustand: Near Fine. Zustand des Schutzumschlags: Good. Edward Carrick (illustrator). First edition. The first edition in English of this satirical Utopian novel by Andre Maurois, with illustrated by Edward Carrick. The first edition in English.In the original unclipped dust wrapper.'A Voyage to the Island of the Articoles' is a satirical sci-fi tale, in which a man and woman travel to an Utopian island where the dominant class are artists who provide the other classes with their raisons d'etre.Originally written in French by Andre Maurois, here translated into English by David Garnett.Illustrated throughout with wood engravings by Edward Carrick. In the original publisher's cloth binding, in the original unclipped dust wrapper. Externally, smart. Spine is faded. Very light bumping to the head and tail of the spine and to the extremities. Gift inscription to the recto of the front endpaper. Dust wrapper is edge worn, with chips to the head and tail of the spine. Head of the spine is lifting. Spine is a little age-toned. Only a few light handling marks to the wraps. Internally, firmly bound. Pages are bright and clean. Near Fine. book.

Zustand: Very Good. First edition. Hardback. Octavo. (iv), 27pp + 25 tipped-in plates. Original quarter red cloth over printed boards with gilt spine titles. Some wear and foxing to covers with slight bump to head of spine, scattered foxing throughout, otherwise very good. No jacket.

Limited numbered 1st edn (70 of 280) signed in pencil by author on Jan C. de Vos bookplate. Tall 8vo (10½ x 7¼ ins). Original gilt lettered red buckram cloth (boards faded at edges - otherwise VG). Pp. [ix] + 26, illus with 51 tipped-in coloured and b&w bookplates (armorial bookplate of Geoffrey Drew Wood on front paste-down; no other inscriptions).

First Edition. Near fine copy in the original stiff-card wrappers; edges very slightly dust-dulled and toned. Remains particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description; 8 p. : ill., cuts ; 28 cm. Notes; Chairman of the Fund: Sir Johnston Forbes-Robertson. Imprint from rear cover. Includes a statement of the objects of the Fund and its management. Programme editor: Edward Carrick. Woodcut portrait of Ellen Terry, 1899, by Gordon Craig. Subjects; Terry, Ellen (1847-1928) - Celebrations. Palace Theatre. 3 Kg.

Hardback. Zustand: Very Good. Edward Carrick (illustrator). First edition. One of ten limited lettered editions of this privately printed seasonal poem by Herbert Palmer, signed by him and the illustrator. This is one of ten lettered copies signed by the author and decorator, with a verse in the Poet's MS (hand-written to the tail of the poem) and a decoration hand-coloured by the artist (title page illustration). There were also 250 numbered copies, each signed by the author only.This copy is letter M. Very scarce to find copies from this limitation.In the original paper covered boards, with label to the front board. With the original glassine.Containing 'In Autumn', a lovely celebration of the transition into the season, from English poet and literary critic, Herbert Palmer. Decorated by Edward Carrick, an English art designer for film, an author and illustrator. In the original paper covered boards. With the original glassine.Externally, with an instance of sunning to the top of the front board, otherwise smart, with minor shelf wear. Glassine is sunned, with chips to the spine and front panel. With a few spots to the wrapper. Internally, firmly bound with bright and clean pages. Very Good. signed by author. book.

Cloth. Zustand: Very Good Indeed. Zustand des Schutzumschlags: Good. Edward Gordon Craig (illustrator). A scarce copy of Gordon Craig"s study on bookplate art, featuring his commentary, a catalog of his ex-libris designs from the years 18951912. In the publisher's original quarter cloth binding with paper covered boards, complete with the original clipped dust wrapper.This copy is a reissue of the original 1924 first edition published by Chatto & Windus.This work is Gordon Craig"s reflection on the art of the bookplate, offering his witty commentary and reproductions with a catalog of his own ex-libris designs arranged by E. Carrick, created between 1895 and 1912.Illustrated 26 tipped in plates, may of which are in colour. Collated, complete.Edward Gordon Craig (18721966), was an influential modernist theatre practitioner, actor, director, designer, and theorist, the son of actress, Dame Ellen Terry. In the publisher's original quarter cloth binding with paper covered boards. Externally, very smart. Fading to spine. Slight rubbing, bumping and fading to extremities. Bookplate of "Richard Luckett" to front paste down. The odd slight spot with very slight offsetting to endpapers. Dust wrapper, generally smart. Clipped. Slight loss to upper extremities at front joint. Slight rubbing to wraps. Slight soiling to wraps. Age toning to spine and upper perimeter of rear wrap. The odd small chip, closed tear and crease to extremities. Internally, firmly bound. Pages bright and clean. Very Good Indeed. book.

Single Issue Magazine. Zustand: Fair. Savage, Edward (illustrator). First Edition. A magazine for collectors and others interested in times past and in articles of daily use and adornment devised by the forefathers. Features: Frontispiece engraving by Edward Savage entitled 'Liberty and the American Eagle'; Milestones; Trends in Collecting; The Integrity of the Antique; What Would I Save in Case of Fire?; Is There an American Design?; Craftsmen at War; Decorating with Antiques; John Janvier - Delaware Cabinetmaker; An Antique Dealer's Yesterdays; The Ornamentation of Silver - A Pictorial Demonstration; William Mount - Long Island Genre Artist; A Rare Engraving by Kensett Identified; Antiques in Domestic Settings - 'Shandy Hall' in the Western Reserve; The Springfield Rifle of the Civil War; Firing Glasses - American (?); and more. Many pages of nostalgic ads from a broad assortment of prominent dealers. Profusely illustrated with excellent black and white photos. 96 pages. Printed upon glossy stock. Unmarked with above-average wear. Covers detached but present. A worthy reference copy of this informative issue.

Wood engravings by Edward Carrick include color title page, 9.25 x 6", pale green patterned boards with front cover title label, unpaginated, covers heavily worn, spine sunned and spine cover heavily chipped, hinges loose, front and rear flys toned, contents good. Privately printed for Terence Fytton Armstrong; with last four lines of poem added in holograph. "SPECIAL EDITION" LIMITED TO JUST TEN COPIES LETTERED A-O (this copy 'O'), SIGNED BY EDITH SITWELL AND EDWARD CARRICK. VERY SCARCE INDEED!

Hardcover. Zustand: Very Good. Text in english, 4to, hardbound with black cloth and marbled boards with gilt titles, beautiful marbled endpapers, unpaginated, illustrated. This edition, limited to 750 copies, is decorated with 106 drawings by Edward Carrick and set up in Bruce Rogers' Centauer type. This is copy 63. Spine very slightly sunned, overall in very good to fine condition.

Hardcover. Limited Edition, Out of Series/85. Octavo, 14 pages. In Very Good condition with slip case in Very Good minus condition. Quarter bound in red cloth with paper boards. Slip case covered in plain paper, showing mild soiling and some foxing to boards. Signed by John Gawsworth and Arthur Machen on the limitation page, with "out of series" instead of limitation number. A small Siegfried Sassoon posthumous monogram library dispersal label to front pastedown. Inscribed on the front free endpaper by Gawsworth to Siegfried Sassoon, "with the author's kindest remembrances.October 1931." Additionally with a sheet of paper reading "With The Author's Compliments" and in ink "17 Sunderland Terrace W.2." and "(alias Terence Fytton Armstrong!)." CX Consignment. Shelved in Case 0. Terence Ian Fytton Armstrong (1912-1970), better known as John Gawsworth, was a British writer, poet and compiler of anthologies, both of poetry and of short stories. Siegfried Loraine Sassoon (1886-1967) was an English poet, writer, and soldier. Decorated for bravery on the Western Front, he became one of the leading poets of the First World War. A lovely connection between two leading British poets. 1346674. Shelved Dupont Bookstore.

Zustand: Very Good. Illustrated by Edward Carrick. (illustrator). Duckworth & Co. London. [1933]. Limited to 750 copies, this copy being no. 3. Inscribed by the author to the first blank prelim - 'For Penelope "Lovejoy" with best wishes from the author. Edward James Selsey of Selsey Bill.' With the addition of a pencil drawing of red lips above the inscription. Hardback, quarto; three-quarter black cloth with marbled boards, gilt titles, marbled endpapers. [c.110 pages]. 106 drawings by Edward Carrick illustrating the text. English. 280x195mm. 0.65kg. Very good; slight rubbing to boards, light browning to marbled boards; slight spotting to first few pages, slight rubbing to 'lip' drawing. An improbable tale from the Surrealist art patron Edward James, revolving around a circus on the planet Venus. James wrote the book under the pseudonym Edward Selsey, presumably as a reference to Lord Selsey who previously owned the West Dean estate. Edward Carrick, who provides the lively illustrations to each page, was the son of Edward Gordon Craig and grandson of Ellen Terry. This copy is inscribed by James to Penelope "Lovejoy" with a rakish drawing of a pair of red lips. We presume the recipient to be Penelope Betjeman née Chetwode. The pair were well acquainted and James had published John Betjeman's first book of poetry Mount Zion in 1931. Selsey Bill, referred to in the inscription, is a headland on the Sussex coast, not far from West Dean. Beaux Books specialises in fine and rare books on art and culture in the 20th and 21st centuries. We welcome questions about our books and we are happy to provide any extra images. Buy with confidence from an experienced bookseller. [1933]. Limited to 750 copies, this copy being no. 3. Inscribed by the author to the first blank prelim - 'For Penelope "Lovejoy" with best wishes from the author. Edward James Selsey of Selsey Bill.' With the addition of a pencil drawing of red lips above the inscription. Signed.

Both items in good condition, lightly-aged. ONE: 2pp., 4to. Having returned from 'a rather long painting expedition to France' he finds that 'circumstances have arisen in regard to the administration of the Society' [ the Society of British Film Art Directors and Designers, of which Craig was a leading light], and in the light of these circumstances Irving feels compelled to resign. 'It is [.] unlikely that I shall design any more films. Life is short and there is so much to be done that even if anybody wished me to, I should hesitate to commit myself to the months not only of work but of preoccupation which a film production involves. Quite apart from this I feel that the principles of film design which, however wrongly, I have always advocated, are being abandoned, naturally, in the face of economic pressure and the general registration of film making. I am old fashioned enough to believe that the situation into which films have fallen is very largely due to the insistance [sic] of those who have misguidedly and not very successfully tried to make it into an industry rather than a medium of expression for groups of artists of enterprise and imagination.' Two more paragraphs follow before the letter ends. TWO: 1p., 4to. Following the last letter Irving has been offered honorary membership of the Society, and writes: 'I do not feel that I deserve such consideration, for you and several others have striven hard to maintain the prestige of Art Directors in the gruelling factory conditions of commercial studios through good and bad times. However, as you well know, to an artist, the only commendation or criticism which really touches him is that of his fellow craftsmen [.]'. He offers his assistance to the Society, before ending: 'I heard from Flower that your meeting in London was a success, and that you are going to get out drawings and plans for the proposed Elizabethan theatre. I am very glad to hear this, and I know you will find the Stratford people charming to deal with.'.