carol fraser (26 Ergebnisse)

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. 1st Printing. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Very Good condition. Very Good dust jacket. In protective mylar cover. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Zustand: Good. 1 Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Zustand: Very Good. Fors, C.L. (illustrator).

Paperback. Zustand: Used; Very Good. Dispatched, from the UK, within 48 hours of ordering. Though second-hand, the book is still in very good shape. Minimal signs of usage may include very minor creasing on the cover or on the spine.

Paperback. Zustand: Used; Very Good. Dispatched, from the UK, within 48 hours of ordering. Though second-hand, the book is still in very good shape. Minimal signs of usage may include very minor creasing on the cover or on the spine. Aged book. Tanned pages and age spots, however, this will not interfere with reading.

Paperback. Zustand: Very Good. Reprint; Second Printing. Light reading and cover creases, light foxing to edges of reading block. ; Nice tight copy, no names inside. Cover artwork by Edward Miller. ; The Caper Court Series; Vol. 1; 288 pages; Of the two pupil barristers in the prestigious chambers at Caper Court headed by Sir Basil Bunting, only one can win the coveted place of junior tenant at the end of the year. Penniless Anthony Cross is brilliant, but up against it - for his rival, the not so bright Edward Choke, is Sir Basil's nephew. Mass Market PB.

Paperback. Zustand: Very Good. Reprint; First Printing. Spine extremities slightly chewed, minor foxing. ; First printing of Phoenix reissued mass market edition, 1997. Nice tight copy, no names inside, appears unread. Cover artwork by Edward Miller. ; The Caper Court Series; Vol. 1; 288 pages; Of the two pupil barristers in the prestigious chambers at Caper Court headed by Sir Basil Bunting, only one can win the coveted place of junior tenant at the end of the year. Penniless Anthony Cross is brilliant, but up against it - for his rival, the not so bright Edward Choke, is Sir Basil's nephew. Mass Market PB.

Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Soft cover. Zustand: Fine. 1st Edition. 95 Pages Illus.

Pictorial Cover. Zustand: Good. No Jacket. Reprint. Size: 4to - over 9¾" - 12" tall.

Hardcover. Zustand: Fine. 48 p. 21 cm. B&w and colour illustrations. Burgundy cloth.

Wrappers. Zustand: Bueno. 1st ed. 18.5x23.5. 121pp. Wrappers. Good. . English.

Taschenbuch. Zustand: Befriedigend. 276 Seiten; Artikel stammt aus Nichtraucherhaushalt! EX5045 Sprache: Englisch Gewicht in Gramm: 159.

Zustand: fine. l'article peut presenter de tres legers signes d'usure, petites rayures ou imperfections esthetiques. vendeur professionnel; envoi soigne en 24/48h.

SOFTCOVER. Zustand: As New. 1st Edition. 4to in colour printed stiff glossy card covers, unpaginated, approx. 40pp on glossy art paper, plates in colour and (mainly) b/w, etc . [CONDITION: An extremely well preserved AS NEW unmarked copy ] . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Hardcover. Zustand: Very Good+. Zustand des Schutzumschlags: Very Good. 254 pages in very good condition. Pages are clean and unmarked, with colour photographs and recipes throughout. Endpapers are white and feature a list of names in red. Red hardcovers with gilt titles on the spine. Lighlty worn and bumped around the edges and corners. Illustrative dustjacket in very good condition. Lightly worn around the edges. Jacket is lightly smudged. NPC. VG+/VG Size: 9 1/2 x 12. Book.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. First Printing. 254 pages. Recipe Index. Includes a superb decade-by-decade bibliography of Canadian cookbooks. "A lavish, loving overview of our twentieth-century culinary history, celebrating both the traditional and the creative new styles found in meals prepared at home. Takes a chronological approach, layering decade upon decade, each showing how the flavour of Canada has evolved and how our tastes have changed. Highlights the major influences in each decade through text and pictures, captions and sidebards." - from dust jacket. Clean, bright and unmarked with negligible wear. A beautiful copy of this wonderful work. Gift quality.

Paperback. Zustand: Brand New. 1st edition. 295 pages. 9.00x6.00x1.00 inches. In Stock.

SOFTCOVER. Zustand: Fine. 1st Edition. Large landscape 4to. in illustrated stiff glossy card covers, 80pp on glossy art paper, plates etc. . [CONDITION: A well preserved FINE very clean and tight unmarked copy ] . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Encuadernación de tapa blanda. Zustand: Muy bien. Zustand des Schutzumschlags: Muy bien. Issue edited by Tim Griffin. Essays "Passages: Ann Temkin on Walter Hopps," by Ann Temkin; "Books: Richard Meyer on 'Art Since 1900,'" by Richard Meyer; "On Site: Rachel Harrison on Paul McCarthy," by Rachel Harrison; "Film: Geoffrey O'Brien on Alexander Mackendrick," by Geoffrey O'Brien; "Film: Jonathan Romney on Lodge Kerrigan," by Jonathan Romney; "Slant: Robert Storr on Ron Gorchov," by Robert Storr; "Slant: Svetlana Alpers on the Life of Painting," by Svetlana Alpers; "Top Ten," by Donald Urquhart; "Fall 2005 Exhibitions: 50 Shows Worldwide"; "US News: Elizabeth Schambelan on PERFORMA05," by Elizabeth Schambelan; "From the Vault: Stephen J. Campbell on Fra Angelico," by Stephen J. Campbell; "On the Road: Traveling Exhibitions"; "International News: Miriam Rosen on the Cinémathèque Française," by Miriam Rosen; "The Curse of Empire," by Benjamin H.D. Buchloh; "Palazzo Intrigue," by Scott Rothkopf; "Candide Cameras," by Elisabeth Sussman; "Dawn 'til Dusk," by Daniel Birnbaum; "Stealing the Show," by Alison M. Gingeras; "Debt Collectors," by Anne Pontégnie; "On 'The Matter of Time': Richard Serra at Bilbao," by Hal Foster; "1000 Words: Christoph Büchel & Giovanni Carmine," by Marc Spiegler; "From the Critique of Institutions to an Institution of Critique," by Andrea Fraser; "Frames of Mind: The Films of Robert Beavers," by Henriette Huldisch and Chrissie Iles; "Openings: Dave McKenzie," by Glenn Ligon. Reviews by Elizabeth Schambelan, Carol Armstrong, Brigid Doherty, Carroll Dunham, Ryan Holmberg, Lisa Pasquariello, Johanna Burton, Nico Israel, Jan Avgikos, David Frankel, Frances Richard, Martha Schwendener, Donald Kuspit, Nell McClister, Suzanne Hudson, Margaret Sundell, Michael Wilson, Brian Sholis, Emily Hall, Larissa Harris, David Carrier, James Yood, Julie Caniglia, Michael Odom, Glen Helfand, Bruce Hainley, Jan Tumlir, Christopher Miles, Michael Ned Holte, Maria Gainza, Filippo Romeo, Giorgio Verzotti, Alessandra Pioselli, Barry Schwabsky, Hans Rudolf Reust, Felicity Lunn, Sabine B. Vogel, Gregory Williams, Jennifer Allen, Noemi Smolik, Liutauras Psibilskis. Cover: Ed Ruscha.

Paperback. Zustand: Very Good. First Edition. Melbourne, Outback Press, 1974. Quarto, 144 pages with 131 illustrations (including the cover illustrations). Pictorial card covers lightly rubbed at the extremities and a little bumped at the top corners (impacting unobtrusively on the textblock); small tape stain on the plain verso of the front cover (where the publisher's small complimentary 'review copy' slip was originally attached - now loosely inserted); overall, an excellent copy. The National Portrait Gallery, Canberra, posted the following observations (on 7 December 2024) in advance of its exhibition 'Carol Jerrems: Portraits': 'In 1974, on the eve of the United Nations' International Women's Year, Carol Jerrems and writer Virginia Fraser published "A book about Australian women". This earnest and timely collaboration was conceived as a "collective portrait" of Australian women, and captures a significant period of change and activism. The book was launched by the very first Women's Advisor to an Australian Federal Government, Elizabeth Reid, which drew what might otherwise have been a niche cultural object into mainstream discourse. It remains one of the most important photobooks made in Australia'. The introductory comments by Carol Jerrems in the book are worth quoting in full: 'The photographs are mostly portraits of artists . painters, sculptors, writers, poets, filmakers [sic], printmakers, photographers, designers, dancers, musicians, actresses and strippers. Others include women's liberationists, Aboriginal spokeswomen, activists, revolutionaries, teachers, students, drop-outs, mothers, prostitutes, lesbians and friends. Each portrait is honest. Some are extended in the form of a sequence, with between four and sixteen images, which like an individual photograph reads as a "whole"; the interrelated "parts" flow from left to right. The women are not intended as an elitist minority group, like a who's who; some are well known, others are not; each is of equal importance. It is difficult to exist as an artist, being almost impossible to live off one's "art" alone. It is more difficult for a woman. And if her tool of creative expression is a camera, there is yet another struggle because photography is not fully recognised as being an art form in Australia. There is so much beauty around us if only we could take the time to open our eyes and perceive it. And then share it. Love is the key word'. Carol Jerrems (1949-1980) died of illness shortly before her 31st birthday.