Carol a hess (40 Ergebnisse)

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Taschenbuch. Zustand: Neu. Neuware - El amor brujo (trans. 'Love, the Magician') is a theater work by the Spanish classical composer Manuel de Falla. It showcases flamenco, the music of the Gitanos who traditionally form Spain's underclass. When it premiered in Spain in 1915, it proved controversial: some Spanish critics applauded Falla for celebrating the music of a marginalized culture while others attacked his mixing of classical and popular idioms. Since then, El amor brujo has intrigued arrangers and artists. It has been repeatedly reshaped, rearranged, and repackaged, either by Falla himself or by artists ranging from the concert pianist Artur Rubinstein to the super-showman Liberace or to various jazz and pop arrangers. El amor brujo has also figured in soundtracks, whether frothy movie musicals from the 1940s, somber accounts of recent Spanish history, or films on anti-Black racism, including one by Spike Lee. In Manuel de Falla's El amor brujo, author Carol A. Hess explores the ways in which music, class, and race are intertwined in this composition's unusually rich history.…

Zustand: New. pp. 444.

Zustand: New. 2018. Paperback. . . . . . Books ship from the US and Ireland.

Zustand: New. In English.

Zustand: New. pp. 206 52:B&W 6.14 x 9.21in or 234 x 156mm (Royal 8vo) Case Laminate on White w/Gloss Lam.

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Taschenbuch. Zustand: Neu. Aaron Copland in Latin America | Music and Cultural Politics | Carol A Hess | Taschenbuch | Englisch | 2023 | University of Illinois Press | EAN 9780252086953 | Verantwortliche Person für die EU: Mare Nostrum Group B.V., Doelen 72, 4831 GR BREDA, NIEDERLANDE, gpsr[at]mare-nostrum[dot]co[dot]uk | Anbieter: preigu. …

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Taschenbuch. Zustand: Neu. Neuware - Experiencing Latin American Music draws on human experience as a point of departure for musical understanding. Students explore broad topics--identity, the body, religion, and more--and relate these to Latin American musics while refining their understanding of musical concepts and cultural-historical contexts. With its brisk and engaging writing, this volume covers nearly fifty genres and provides both students and instructors with online access to audio tracks and listening guides. A detailed instructor's packet contains sample quizzes, clicker questions, and creative, classroom-tested assignments designed to encourage critical thinking and spark the imagination. Remarkably flexible, this innovative textbook empowers students from a variety of disciplines to study a subject that is increasingly relevant in today's diverse society. In addition to the instructor's packet, online resources for students include: - customized Spotify playlist- online listening guides- audio sound links to reinforce musical concepts- stimulating activities for individual and group work.…

Buch. Zustand: Neu. Neuware - In Representing the Good Neighbor, Carol A. Hess investigates the reception of Latin American art music in the US during the Pan American movement of the 1930s and 40s. An amalgamation of economic, political and cultural objectives, Pan Americanism was premised on the idea that the Americas were bound by geography, common interests, and a shared history, and stressed the psychological and spiritual bonds between the North and South. Threatened by European Fascism, the US government wholeheartedly embraced this movement as a way of recruiting Latin American countries as political partners. In a concerted effort to promote a sameness-embracing attitude between the US and Latin America, it established, in collaboration with entities such as the Pan American Union, exchange programs for US and Latin American composers as well as a series of contests, music education projects, and concerts dedicated to Latin American music. Through comparisons of the work of three of the most prominent Latin American composers of the period - Carlos Chávez, Heitor Villa-Lobos and Alberto Ginastera - Hess shows that the resulting explosion of Latin American music in the US during the 30s and 40s was accompanied by a widespread - though by no means universal - embracement by critics as an exemplar of cosmopolitan universalism. Aspects shared between the music of US composers and that of their neighbors to the south were often touted and applauded. Yet, by the end of the Cold War period, critics had reverted to viewing Latin American music through the lens of difference and exoticism. In comparing these radically different modes of reception, Hess uncovers how and why attitudes towards Latin American music shifted so dramatically during the middle of the twentieth century, and what this tells us about the ways in which the history of American music has been written. As the first book to examine in detail the critical reception of Latin American music in the United States, Representing the Good Neighbor promises to be a landmark in the field of American music studies, and will be essential reading for students and scholars of music in the US and Latin America during the twentieth-century. It will also appeal to historians studying US-Latin America relations, as well as general readers interested in the history of American music.…

Gebunden. Zustand: New. In this book, Carol A. Hess investigates the reception of Latin American art music in the US during the Pan American movement of the 1930s and 40s. Hess uncovers how and why attitudes towards Latin American music shifted so dramatically during the middle of.

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Hardcover. Zustand: Brand New. annotated edition. 224 pages. 9.75x6.50x1.00 inches. In Stock.

Zustand: New. Series: Currents in Latin American and Iberian Music. Num Pages: 336 pages, 24 halftones, 11 music examples. BIC Classification: 1KL; AVGC6; AVGW; HBJK; JFSL4. Category: (G) General (US: Trade). Dimension: 240 x 168 x 26. Weight in Grams: 618. . 2013. Illustrated. hardcover. . . . . Books ship from the US and Ireland. …