Cariani peter (7 Ergebnisse)
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In den WarenkorbZustand: Very Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDVery good copy with clean pages. 4to. Published in Binghamton, 1989. 213 pages.
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Weitere Bilder- Softcover
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Taschenbuch. Zustand: Neu. Auditory and Visual Sensations | Yoichi Ando | Taschenbuch | xxv | Englisch | 2014 | Springer | EAN 9781489984074 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu.
- Softcover
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Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Ando establishes a theory of subjective preference of the sound field in a concert hall, based on preference theory with a model of human auditory-brain system. The model uses the autocorrelation function and the interaural crosscorrelation function…for signals arriving at two ear entrances and considers the specialization of human cerebral hemispheres. The theory may be applied to describe primary sensations such as pitch or missing fundamental, loudness, timbre, and duration. These four primary sensations may be formulated by the temporal factors extracted from the autocorrelation function associated with left hemisphere. Spatial sensations such as localization in the horizontal plane, apparent source width, and subjective diffuseness are described by spatial factors extracted from the interaural crosscorrelation function associated with the right hemisphere. Any important subjective responses of sound fields may be described by use of both the temporal and spatial factors. The theory may also be applied to visual sensations as well as subjective preference of visual environments. Remarkable findings in activities in both auditory-brain and visual-brain systems in relation to subjective preference as a primitive response are described.
- Hardcover
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Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Ando establishes a theory of subjective preference of the sound field in a concert hall, based on preference theory with a model of human auditory-brain system. The model uses the autocorrelation function and the interaural crosscorrelation function for sig…nals arriving at two ear entrances and considers the specialization of human cerebral hemispheres. The theory may be applied to describe primary sensations such as pitch or missing fundamental, loudness, timbre, and duration. These four primary sensations may be formulated by the temporal factors extracted from the autocorrelation function associated with left hemisphere. Spatial sensations such as localization in the horizontal plane, apparent source width, and subjective diffuseness are described by spatial factors extracted from the interaural crosscorrelation function associated with the right hemisphere. Any important subjective responses of sound fields may be described by use of both the temporal and spatial factors. The theory may also be applied to visual sensations as well as subjective preference of visual environments. Remarkable findings in activities in both auditory-brain and visual-brain systems in relation to subjective preference as a primitive response are described.
- Hardcover
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Zustand: Sehr gut. Zustand: Sehr gut | Seiten: 344 | Sprache: Englisch | Produktart: Bücher | Professor Yoichi Ando, acoustic architectural designer of the Kirishima International Concert Hall in Japan, presents a comprehensive rational-scientific approach to designing performance spaces. His theory is based on systematic psycho…acoustical observations of spatial hearing and listener preferences, whose neuronal correlates are observed in the neurophysiology of the human brain. A correlation-based model of neuronal signal processing in the central auditory system is proposed in which temporal sensations (pitch, timbre, loudness, duration) are represented by an internal autocorrelation representation, and spatial sensations (sound location, size, diffuseness related to envelopment) are represented by an internal interaural crosscorrelation function. Together these two internal central auditory representations account for the basic auditory qualities that are relevant for listening to music and speech in indoor performance spaces. Observed psychological and neurophysiological commonalities between auditory and visual sensations and preference patterns are presented and discussed. This book thus spans the disciplines of physics, acoustics, psychology, neurophysiology, and music production, thereby blending science, engineering, and art.
