Cannon hall (36 Ergebnisse)

Paperback. Zustand: Very Good. Illustrated. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Very Good. Second. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Zustand: Very Good. Second. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Zustand: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Zustand des Schutzumschlags: 48126240. 1783952709. 7/13/2026 2:25:09 PM.

Zustand: New.

Paperback. Zustand: Brand New. 2nd edition. 136 pages. 10.00x7.00x0.35 inches. In Stock.

Zustand: New. 2025. Hardcover. . . . . . Books ship from the US and Ireland.

Zustand: New. In English.

Paperback. Zustand: Brand New. 2nd edition. 136 pages. 10.00x7.00x0.35 inches. In Stock.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

No Binding. Zustand: Very Good. A splendid original antique hand coloured engraving. Mounted - matted - and ready to frame. Excellent condition. Colouring not contemporary but delicately and expertly executed. Shows a fine view of Cannon Hall , near Barnsley - the Seat of W S Stanhope r.

No Binding. Zustand: Very Good. An original antique engraving , printed circa 1829. Mounted and ready to frame. Mount size approx 10 x 8 ins, 29 x 24 cms. A fine opportunity to purchase an attractive and decorative engraving of Cannon Hall - The Seat of Walter Spencer Stanhope - near Barnsley.

Kartoniert / Broschiert. Zustand: New. &Uumlber den AutorMatt Upson is assistant professor and director of library undergraduate services at Oklahoma State University.

Original Wraps. Zustand: Near Fine. No Jacket, as Issued. First Edition. Ambit Number 20, published in 1964. Includes a two-page illustrated spread of "Martin's Mag" by William Burroughs - plus Anselm Hollo's long poem sequence "Heads to Appear" illustrated by Barry Hall, and Zulfikar Ghose reviews Philip Larkin's "Whitsun Weddings" + B. S. Johnson reviews books by Brian Higgins, Jeremy Robson & Keith Wright. Illustrated throughout in monochrome. ***Near fine in glossy card stapled covers. The covers are just very slightly rubbed. No bumps or creases. No tears. Internally also near fine with no inscriptions. Pages clean. No marks. Spine tight. ***222mm x 165mm. 56 pages. ***Contents - George Macbeth "The Ski Murders"; Colin Ward "Two Poems"; Max Cannon "Transition Down Under"; Samuel Bingham "The Death Ash Movement"; Taner Baybars "Four Poems"; Oswell Blakeston "Retrospect 12"; Keith Musgrove "Some People"; William Burroughs "Martin's Mag"; Anselm Hollo "Heads to Appear"; Barry Hall "Upon Stands"; Friere Wright "Three Drawings"; Robin Harland "Reviews MacNiece"; Zulfikar Ghose "Reviews Larkin" (B. S. Johnson doesn't appear in the Contents). ***'In the sixties AMBIT became well known for testing the boundaries and social conventions and published many anti-establishment pieces, including an issue with works written under the influence of drugs. Edwin Brock was poetry editor, and J. G. Ballard became fiction editor alongside, later, Geoff Nicholson. Henry Graham and Carol Ann Duffy joined Edwin Brock as poetry editors. Michael Foreman was art editor for 50 years. Across the magazine's history, Derek Birdsall (Omnific), Alan Kitching, John Morgan Studio and Stephen Barrett were notable designers.' (Wiki) ***'AMBIT started in '59; there were various impulses behind it. I'd been interested in the writer John Middleton Murray, who was married to Katharine Mansfield. He had run a magazine from about 1910 onwards for two or three years called Rhythm that attracted writers like D.H. Lawrence, and Katharine Mansfield of course. What was striking about it - you could look at it in the V&A library - was that Murray, who really knew nothing about art, had met a Scottish artist called Ferguson who was sending over from Paris artwork by "young" artists like Picasso, Miro, etc. They looked quite startling in this 1910 magazine. And the idea, that Murray never developed, of trying to produce a magazine that had literary and visual material really working together, came to me out of that. But the other initiatives were more simple. There weren't many magazines about then because the possibility of what everybody can do now -- produce a magazine from a 'desktop' in quite small numbers and for not very much money -- didn't exist. But electronic things were just starting to happen, and the first number of Ambit we partly set ourselves on a machine called a variotyper. It enabled us to paste down visual work of which we had some good drawings from an Australian artist, Oliffe Richmond, in this first number and enabled us to begin the notion of producing an arts magazine rather than the traditional poetry or Eng. Lit. magazine. I'd say there's still no magazine in the country that combines high class artwork, produced and found by Mike Foreman over the years, alongside writers who I think are exciting.' (Martin Bax interview with 3:AM magazine) ***A collectable 1960s edition of the magazine in near fine condition - this issue of particular interest for collectors of the work of William Burroughs, who features, and for collectors of AMBIT and poetry magazines in general. An uncommon issue of the magazine. ***For all our books, postage is charged at cost, allowing for packaging: any shipping rates indicated on ABE are an average only: we will reduce the P & P charge where appropriate - please contact us for postal rates for heavier books and sets etc. Max Cannon, Barry Hall, Friere Wright (illustrator).…

Original Wraps. Zustand: Near Fine. No Jacket, as Issued. First Edition. Ambit Number 20, published in 1964. Includes a two-page illustrated spread of "Martin's Mag" by William Burroughs - plus Anselm Hollo's long poem sequence "Heads to Appear" illustrated by Barry Hall, and Zulfikar Ghose reviews Philip Larkin's "Whitsun Weddings" + B. S. Johnson reviews books by Brian Higgins, Jeremy Robson & Keith Wright. Illustrated throughout in monochrome. ***Near fine in glossy card stapled covers. The covers are just very slightly rubbed. No bumps or creases. No tears. Internally also near fine with no inscriptions. Pages clean. No marks. Spine tight. ***222mm x 165mm. 56 pages. ***Contents - George Macbeth "The Ski Murders"; Colin Ward "Two Poems"; Max Cannon "Transition Down Under"; Samuel Bingham "The Death Ash Movement"; Taner Baybars "Four Poems"; Oswell Blakeston "Retrospect 12"; Keith Musgrove "Some People"; William Burroughs "Martin's Mag"; Anselm Hollo "Heads to Appear"; Barry Hall "Upon Stands"; Friere Wright "Three Drawings"; Robin Harland "Reviews MacNiece"; Zulfikar Ghose "Reviews Larkin" (B. S. Johnson doesn't appear in the Contents). ***'In the sixties AMBIT became well known for testing the boundaries and social conventions and published many anti-establishment pieces, including an issue with works written under the influence of drugs. Edwin Brock was poetry editor, and J. G. Ballard became fiction editor alongside, later, Geoff Nicholson. Henry Graham and Carol Ann Duffy joined Edwin Brock as poetry editors. Michael Foreman was art editor for 50 years. Across the magazine's history, Derek Birdsall (Omnific), Alan Kitching, John Morgan Studio and Stephen Barrett were notable designers.' (Wiki) ***'AMBIT started in '59; there were various impulses behind it. I'd been interested in the writer John Middleton Murray, who was married to Katharine Mansfield. He had run a magazine from about 1910 onwards for two or three years called Rhythm that attracted writers like D.H. Lawrence, and Katharine Mansfield of course. What was striking about it - you could look at it in the V&A library - was that Murray, who really knew nothing about art, had met a Scottish artist called Ferguson who was sending over from Paris artwork by "young" artists like Picasso, Miro, etc. They looked quite startling in this 1910 magazine. And the idea, that Murray never developed, of trying to produce a magazine that had literary and visual material really working together, came to me out of that. But the other initiatives were more simple. There weren't many magazines about then because the possibility of what everybody can do now -- produce a magazine from a 'desktop' in quite small numbers and for not very much money -- didn't exist. But electronic things were just starting to happen, and the first number of Ambit we partly set ourselves on a machine called a variotyper. It enabled us to paste down visual work of which we had some good drawings from an Australian artist, Oliffe Richmond, in this first number and enabled us to begin the notion of producing an arts magazine rather than the traditional poetry or Eng. Lit. magazine. I'd say there's still no magazine in the country that combines high class artwork, produced and found by Mike Foreman over the years, alongside writers who I think are exciting.' (Martin Bax interview with 3:AM magazine) ***A collectable 1960s edition of the magazine in near fine condition - this issue of particular interest for collectors of the work of William Burroughs, who features, and for collectors of AMBIT and poetry magazines in general. An uncommon issue of the magazine. ***For all our books, postage is charged at cost, allowing for packaging: any shipping rates indicated on ABE are an average only: we will reduce the P & P charge where appropriate - please contact us for postal rates for heavier books and sets etc. Max Cannon, Barry Hall, Friere Wright (illustrator).…

No Binding. Zustand: Very Good. A splendid original antique hand-coloured engraved view - mounted (matted) and ready to frame - excellent condition - colouring not contemporary but delicately and expertly done. A view of Cannon Hall, near Barnsley, which is now a museum.

No Binding. Zustand: Very Good. A splendid original antique hand coloured view . Mounted (matted) and ready to frame. Colouring not contemporary - but delicately and expertly executed . Rather scarce and printed in 1847. Shows the fine Country House and the surrounding parkland. The Seat of Walter Spencer Stanhope.…

No Binding. Zustand: Very Good. An original antique hand-coloured engraving , printed circa 1829. Hand-colouring not contemporary but delicately and expertly executed. Mounted and ready to frame. Mount size approx 10 x 8 ins, 29 x 24 cms. A fine opportunity to purchase an attractive and decorative engraving of Cannon Hall - The Seat of Walter Spencer Stanhope.…

No Binding. Zustand: Very Good. An original antique engraved view. Mounted and ready to frame. This is an excellent opportunity to puchase a decorative, unusual and attractive engraving. Hand colouring not contemporary but delicately and expertly executed. Printed circa 1822 . A splendid view of Cannon Hall - with Boat on Lake - Yorkshire - the Seat of Walter Spencer Stanhope.…