candy stobbs (4 Ergebnisse)

Zustand: Good. Paperback, numerous (full page) colour photographs, 8vo.; Small name on first endpaper (circa 1cm).

Hardcover. Zustand: Brand New. 48 pages. 9.00x6.75x0.25 inches. In Stock.

Paperback. Zustand: Gut. 143 p. Mit beigelegter Schallplatte / With enclosed record. - Lediglich der Buchrücken ist lichtbedingt leicht ausgeblichen, sonst ein gutes und sauberes Exemplar ohne Anstreichungen / Only the spine is lightly faded due to light, otherwise a good and clean copy without markings. - CONTENTS AN OVERTURE UNA OUVERTURE IWONA BLAZWICK WE HAVE NO TIME FOR FEAR NONABBIAMO TEMPO PER LA PAURA LAURA SMITH HISTORY'S LONG SCORE LA LUNGA PARTITURA DELLA STORIA RIZVANA BRADLEY SEEING DEAD IN THE DOCKLANDS VEDERE DEFUNTI NELLE DOCKLANDS TAYLOR LE MELLE HELEN CAMMOCK IN CONVERSATION WITH / IN CONVERSAZIONE CON BINA VON STAUFFENBERG REGGIO PROJECT: CHE SI PUÒ DIRE ARTIST'S BIOGRAPHY ACKNOWLEDGEMENTS. / Helen Cammock is the seventh winner of the Max Mara Art Prize for Women. Her new project Che si può fare incorporates film, print and performance, and is the culmination of a six-month journey across Italy, during which she collected songs, stories and testimonies from performers, activists, artists, politicians, historians, migrants and refugees. Titled after an aria from 1664 by Italian Baroque composer Barbara Strozzi, the project explores the power of the lament - specifically women's laments and their potential to act as expressions of survival, resilience and hope. The result is a transhistorical, international, contemporary lament of its own, voiced by women across centuries and geographies, asking us all repeatedly, 'What can be done?' Texts by Rizvana Bradley, Taylor Le Melle and Laura Smith contextualise the project within Cammock's wider multidisciplinary practice and her investigations into histories of oppression and resistance, while a conversation with guest curator Bina von Stauffenberg explores the background to the artist's working methods. Also included are poems, drawings and photographs by Cammock, created while on her Italian residency, and contributions by women who participated in workshops led by the artist in Reggio Emilia. Sprache: Englisch Gewicht in Gramm: 550.

Softcover. Zustand: Very Good. No Jacket. First edition. 1st 2017. Slightly better than very good condition. Works from the ISelf Collection. Photography. Published on the occasion of the exhibition in four chapters at the White Chapel Gallery 2017 - 2018. Exploring the self in modern and contemporary art. Limp cardwraps with mottled cream cloth and pictorial onlay to front. White title label with black title to spine and front. Colour & b/w photos. Light fading to front cover. Contents clean. Packaged with care and promptly dispatched!