camilli camillo (29 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: Good. Illustrated by Irolamo Porro. 3 vols. Decorative wrappers in matching slipcase. Facsimile reprint of 1586 edition. Text in Italian and Latin. Printed Sources of Western Art. Theodore Besterman, editor. Illustrated with a series of miniature copper engravings by Girolamo Porto (Brunet I, 1514). As new.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In.

Zustand: New. In.

SOFTCOVER. Zustand: Fine. 1st Edition Thus. 3 matching volumes all 8vo in patterned stiff card covers, variously paginated housed in a matching card slipcase. There is some offsetting from the woodblock prints to the facing pages - presumably reproduced from the original copy used to make the facsimile . [CONDITION: Spines moderately sunned else all FINE very clean and tight unmarked and unread copies, all still close to new, in a slightly faded but otherwise FINE slipcase ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Paperback. Zustand: Very Good. Portland, Oregon: Collegium Graphicum , 1972. 182; 95; 56 pp. 21.5 x 14.5 cm. Three volume set in decorative card wrappers with white spine labels, housed in a matching paper covered slipcase with a facsimile of the title page mounted on side of case. Some light rubbing and light soil to case, with a faint Library of Congress Duplicate Copy stamp on plate. Small label ghost to upper corner of plate. Very light toning and faint freckling to spines of books. Checkmark in red pencil on upper corner of first page of each volume (otherwise blank). Library of Congress Copyright stamp on copyright page of first volume. Interiors otherwise clean and unmarked. Binding firm; books appear unread. . Soft Cover. Very Good.

Zustand: molto buono. in-32, (106 x 56 mm), pp. 186, leg. del tempo p. pelle con bordura oro sui piatti, tit. e fregi oro al dorso. I Cinque Canti costituiscono la continuazione del "Il Goffredo, overo Gerusalemme Liberata" di Torquato Tasso. La prima edizione venne impressa a Venezia nel 1583. La presente è "la prima eseguita in Olanda, presumibilmente dagli Elzeviri" (cfr. Raccolta Tassiana Bergamo n. 216 e 219). Del Camilli non si hanno notizie bografiche precise. Nacque e visse nella regione di Siena ed Arezzo nel XVI secolo. I Cinque Canti nacquero dall'esigenza di rispondere all'osservazione pedantesca che accusava il Tasso di aver lasciato senza risoluzione degli episodi particolari della Gerusalemme. Grazioso e assai raro libretto (rifilato al margine esterno). Michel-Michel VIII, p. 24: "Imprimé par S. Marthys de Leyde, selon Ralier". Diz. Biogr, It., XVII, p.210-211.

Zustand: Fine. 3 parti in un vol. in-8 grande (205x145 mm), pp. (8), 182, (2 bb.); 95; 56; legatura settecentesca in mezza pergamena, titolo ms al dorso, piatti in carta marmorizzata. Dedica al card. Ferdinando de' Medici. Fregi ed iniz. xilogr. Con 3 titoli fig. inc.a diverso motivo architettonico e complessivi 108 emblemi entro bordure ornamentali (59+31+18) magistralmente realizzati da Girolamo Porro, uno dei più illustri incisori del XVI sec.  "Il Porro non esegui opera più bella e più de questa elegante" (Cicognara); le bordure ornamentali dimostrano una certa influenza di Enea Vico. Prima ed unica edizione. Opera di notevole fascino e pregio artistico. Ottimo stato. Praz p. 296. Mortimer, Harvard Italian, n. 99. Cicognara (con data errata 1585): «Sono 108 bellissimi emblemi intagliati con sommo magistro, e forse il Porro non eseguì opera più bella e più di questa elegante». Vinet 852. STC 140. Book.

Tre parti in un volume di cm. 20,5, pp. (8) 182 + 1 cb.; 95 (1); 56. Ciascun frontespizio interamente figurato e molti emblemi incisi in rame nel testo. Legatura d'inizio settecento in piena pergamena rigida con titoli ms. al dorso. Bei tagli decorati. Da segnalare solo una piccola slabbratura alla parte alta del piatto anteriore, peraltro esemplare genuino e ben conservato. Celebre libro di emblemi "Sono 108 bellissimi emblemi intagliati con sommo magistro, e forse il Porro non eseguì opera più bella e più di questa elegante" (Cicognara, 1870).

Tre parti in un volume di cm. 21, pp. (8) 182 + 1 cb.; 95 (1); 56. Ciascun frontespizio interamente figurato e molti emblemi incisi in rame nel testo. Legatura in mezza pergamena (1800 ca.) con titoli ms. al dorso ed in buono stato di conservazione. Da segnalare una piccola integrazione all'angolo bianco di due carte centrali (lontano dal testo) e l'assenza della sguardia posteriore. Celebre libro di emblemi "Sono 108 bellissimi emblemi intagliati con sommo magistro, e forse il Porro non eseguì opera più bella e più di questa elegante" (Cicognara, 1870).

Hardcover. Zustand: Very Good. CAMILLI, Camillo. I cinque cantiaggiunti al Goffredo del signor Torquato Tasso. Ferrara, Appresso Giulio Cesare Cagnaccini, & Fratelli, 1585. 12mo, pp. 181 (=151) (1), b-f12 g4. Predominantly Italic letter, some Roman. Woodcut initials and head-pieces, large d Este coat of arms on title-page. Light age yellowing and spotting throughout, marginal dampstaining. Imprint repeated on verso of last, no date, early ms. note underneath it. In modern quarter vellum, decorative paper over boards, gilt-tooled lettering on half olive green, half red morocco label to spine. A lovely booklet in good condition. First printed in 1584, this booklet is the second edition of Camillo Camilli s additional five cantos, or poems, to the Gerusalemme Liberata (Jerusalem Delivered, 1581) of Torquato Tasso (1544-95). Camilli (d. 1615) was a scholar from Siena who taught letters in the Republic of Ragusa (Dalmatia). He edited a reprint of Tasso s masterpiece in 1583 with the title of Goffredo, to which he added the present work in order to develop and conclude the love stories of the characters Armida and Rinaldo and Arminia and Tancredi. Camilli s prefatory letter addresses his dedicatee, Matteo Senarega, who held important political offices in the Republic of Genoa, becoming doge of this maritime power in 1591. Senarega studied law in Louvain and Latin in Venice, where the famous printer Paolo Manuzio was his tutor. Camilli mentions the efforts made by the then chancellor and saviour of the Republic in order to prevent further clashes of civil war between the old nobility (the Doria, Cicala, Spinola, Di Negro, Vivaldi, Cattaneo, Lomellini, Grimaldi families) and the new nobility, whose party had seized the power in the oligarchy. Camilli praises Senarega s diplomatic skills and tells the reader he learnt from Aldo Manuzio the Younger that the former doge retired to private life, after his successful political manoeuvres. Moreover, Manuzio told Camilli that Senarega enjoys the pleasure of reading poetry, which is the reason why the writer decided to dedicate this work of his to Senarega. Before the first canto begins, Camilli included some celebrative verses dedicated to the great poet Tasso, written by Francesco Melchiori from Oderzo. Adams C451; USTC 818083; EDIT16 41545.

Zustand: Good. 3 parti in un vol. , pp. (8), 182, (2 bb.); 95; 56; leg. ottocent. m. pelle, tit. oro al dorso. Dedica al card. Ferdinando de' Medici, fregi ed iniz. silogr. Con i 3 titoli racchiusi entro belle bordure figurate incise a diverso motivo architettonico e complessivi 108 emblemi entro bordure ornamentali (59+31+18) magistralmente inc. in rame da Girolamo Porro, uno dei più illustri incisori dell'epoca. Le bordure ornamentali dimostrano una certa influenza di Enea Vico. Prima ed unica edizione. Opera di notevole fascino e pregio artistico. Esempl. puro e assai bello, con i rami freschissimi (timbro di antica biblioteca nel margine inf. del primo titolo). Praz p. 296. Mortimer, Harvard Italian, n. 99. Cicognara (con data errata 1585): «Sono 108 bellissimi emblemi intagliati con sommo magistro, e forse il Porro non eseguì opera più bella e più di questa elegante». Vinet 852. STC 140. Book.

Soft cover. Zustand: Very Good. 2nd Edition. 8vo. pp. [24], 367, [1]. Italic letter, little Roman. Woodcut printer's device to title, decorated initials and ornaments. Light age yellowing, a little browning, small holes to outer blank margin of title and first, very light water stain at foot of last gathering. A very good copy in contemporary limp vellum, lacking ties, ms title to spine and lower edge, couple of ink marks or pen trials to covers, modern eps. C17 ms 'Conventus Heremit. Aug. Ex Libris(?) de Pi(?)eso', cont. ms. F. Thaddei Sbrozzij, and C17 ms 'Libro Proibito' to title. The second, expanded Aldine edition of the Italian translation of this intriguing work bringing together psychology and medicine. Juan Huarte de San Juan (1529-88) was a Spanish humanist and physician who trained at Alcalá. First published in Spanish in 1575, 'Examen de ingegnos' was his great masterpiece. The 'Essame' was included on the Index as a prohibited book at least by 1605, the present copy has a ms 'Libro proibito' on the titlepage. Nevertheless it was greatly successful, translated into several European languages (including German by the philosopher G.E. Lessing), and even English. Huarte used as a starting point the humanist pedagogical theories, to explore, with the help of Galenic medicine, the concept of talent, 'its diversity and richness, and how it affects the development of an individual in the professional sphere' (Morilla, p.161). It begins with a discussion of 'ingenium', various kinds of intelligence, and how the humours influence individual character and temperament. The first section demonstrates with an example how, if a child does not have the intelligence required for knowledge he has to acquire, not even good teachers, lots of books, and constant study will make him succeed. There follow sections on how and why some people are good at learning, and how this is helped by specific physical characteristics. Three chapters also explain how specific kinds of intelligence and memory may favour children for professions in the fields of theology, law, medicine, the military or royalty. These chapters examine physiology and diet in relation with 'ingenium', seeking 'to align each temperament with a kind of intelligence' (Morilla, p.164). A chapter is devoted to ways of having intelligent children who will benefit from education, with specific instructions on physical procreation, the most appropriate environment so that they may be born male, not female, and how their intelligence may be preserved as they grow up. A most interesting, most unusual work, in many ways ahead of its time. USTC 835991; EDIT16 CNCE 22981; Renouard 411:1; Durling 2501; Wellcome I, 3336 (1590 ed.). Not in Ahmanson-Murphy (but now at UCLA). S. Morilla & J. Tascon, 'El Examen de Ingenios de Huarte San Juan', Studia Philologica Valentina, 25 (2023), pp.159-68.

Zustand: buone. Elegante legatura coeva in pieno marocchino rosso alla \"Du Seuil\", filetti e angolari floreali in oro ai piatti; titolo, filetti e fregi in oro al dorso; tagli spruzzati. 419-(1b.)- da 421 a 539-(1b.) pagine numerate, compresi i due frontespizi: quello iniziale con titolo iscritto all`interno di ampia vignetta incisa e il secondo, collocato alla pagina 421. All`interno, capolettera e numerose piccole illustrazioni a silografia. Volume molto raro, manca alla Tassiana. Esemplare in buone condizioni e dalla legatura molto elegante, leggermente corto al margine superiore con diverse carte con intestazione superiore in parte tagliata.

Parte prima-terza; 3 Teile in 1. Bd. (=komplett). 8°. Kupfertitel, 3 Bll., 182 S. (Paginierungsfehler, Pag. statt 35 gedruckt 95), 1 w. Bl., Kupfertitel, 95 (Pagnierungsfehler, Pag. springt nach S. 64 auf 45 bis 47) S.; Kupfertitel, 56 (Pagninierungsfehler; S. 55 mit 65 paginiert) S. zusammen mit 108 Kupferstich-Emblemata im Text. Restauriertes Pgmt. d. Zeit mit goldgeprägtem Rückenschildchen. Einband minimal fleckig, sonst gut erhalten. Kupfertitel des 1. Teils mit zeitgen. Namenszug u. leicht gebräunt, S. 35-38 mit Tintenfleck, wenige Lagen stärker gebräunt, erste Bll. mit Wasserrand. S. 1 mit kl. Besitzvermerk des 19. Jhd. EA. Brunet I, 1514.; Graesse II, 26. - Erste und einzige Ausgabe dieses emblematischen Werkes von Camillo Camilli (1560-1615), das 108 berühmte iatlienische Persönlichkeiten, jeweils mit einem persönlichen Emblem enthält. Neben 107 männlichen Personen wird auch eine Frau, nämlich die Dichterin Orsina Cavaletti (gest. 1592) angeführt. Die Emblemata stammen von Girolamo Porro Padovano (aktiv in Venedig ca. 1567-1599). Brunet schreibt "Porro n`a peut-etre rien fait de plus beau que les 108 figure de ce livre". Die drei Kupfertitel sind jeweils in unterschiedlichen architektonischen Rahmungen gehalten. Mit gedruckter Widmung an den Kardinal Ferdinando I. de Medici (1549-1609). Gewicht in Gramm: 2000.

Engraved architectural border for each part and 108 emblematic engravings by Girolamo Porro, who is cited on the title-page. Sm 4to (200 x 140). 3 parts in two vols. [4]. 182pp. (lacking final blank); 95pp.; 56pp. 19th century Italian vellum over paste-boards, flat spines decorated in gilt, brown morocco labels. First edition of this fine book of imprese where Porro's perfectly executed devices and mottoes, each within a different ornamental border, are followed by the thorough iconographic analysis of the poet Camillo (d. 1615). The dedication is to Ferdinando de' Medici. "Il Porro non esegui opera piu bella e piu de questa elegante" (Cicognara). Provenance: bookplate of Gianni Boccoli. A few leaves browned, small wormhole to blank outer margins, but generally a fresh copy. Praz p. 296. Mortimer Italian no. 99. Cicognara 1870.

The Epistles and Gospels to be read throughout the year, according to the Church services. Originally written by the Jesuit Petrus Canisius (although only the Translators are mentioned in the title). Original full vellum binding, with titles written to a paper label on the spine. Gift inscription to the front end paper. vignette title page with inscription "librio di Guid Antonio Belerarni 1708" in ink. Publisher's introduction, Saint days of the year (with a small woodcut for each month), contents, and text. The pagination runs to page 572. The second part (Coninciano le Lettioni) has a separate pagination, but was always intended to be part of the same work, the main part finishing the register at Nn8 - the continuation beginning Aaa. There are a large number of woodcuts throughout, and each new date / lesson, has a historiated capital. A very nice copy. The vellum binding is somewhat darkened and with a little marking, but is still flexible and has no cracks to it. The hand written spine label is still legible. Internally, clean and tidy throughout. There is a little darkening to the pages with the odd page having foxing spots. A few of the pages have tiny nicks to the edges and there is a tiny amount of worm damage to the rear of the book, but none affecting the text. Overall a very nice copy of this work. This is a reprint of this work. There were numerous editions, and variations of the work by different publishers. This work is translated by Remigio Fiorentino. His real name was Remigio Nannini. He was born in Florence (Firenze) Circa 1521 He died in 1581, and was a Dominican. This was his most popular work. Angelieri published his edition from 1590. [xxvi], 1-572, 1-84 pp.

Rare first and only(?) edition of the Italian translation of the first (and only published?) part of a chivalric romance, generally known as the Félix Magno, translated by Camillo Camilli (d. 1615). The original Spanish was first published in four parts at Barcelona by Carlos Amorós in 1531 entitled Los cuatro libros del valerosisimo caballero Félix Magno. The romance deals with the life and history of Félix Magno, the son of King Falángriz of Great Britain and Queen Clarinea, on a quest for glory. A large part of the work is dedicated to struggles with Moors and Turks. Like most chivalric novels, it was heavily influenced by stories of King Arthur and similar romances like Amadis de Gaule. Our copy contains only the first part (with the running title Fatti di Felicemagno - parte prima through the whole work), and it appears the other parts were not published in translation at all. Lacking the final leaf containing only the colophon and its blank verso. With two owner's entries on paste-down. Small marginal hole on the title-page and following 3 leaves, very slightly browned with some occasional minor foxing. Binding with a few holes and the foot of the back board slightly damaged. Overall in good condition.l BMC STC Italian, p. 245; Palau 87526; USTC 806217 (8 copies); not in WorldCat. Contemporary limp sheepskin parchment sewn on 2 cords, manuscript title on spine together with a shelf label, remnants of ties. With woodcut device on title-page and some woodcut initials. Pages: [12], 298 ll.

Rare first and only(?) edition of the Italian translation of the first (and only published?) part of a chivalric romance, generally known as the Félix Magno, translated by Camillo Camilli (d. 1615). The original Spanish was first published in four parts at Barcelona by Carlos Amorós in 1531 entitled Los cuatro libros del valerosisimo caballero Félix Magno. The romance deals with the life and history of Félix Magno, the son of King Falángriz of Great Britain and Queen Clarinea, on a quest for glory. A large part of the work is dedicated to struggles with Moors and Turks. Like most chivalric novels, it was heavily influenced by stories of King Arthur and similar romances like Amadis de Gaule. Our copy contains only the first part (with the running title Fatti di Felicemagno - parte prima through the whole work), and it appears the other parts were not published in translation at all. Lacking the final leaf containing only the colophon and its blank verso. With two owner's entries on paste-down. Small marginal hole on the title-page and following 3 leaves, very slightly browned with some occasional minor foxing. Binding with a few holes and the foot of the back board slightly damaged. Overall in good condition.l BMC STC Italian, p. 245; Palau 87526; USTC 806217 (8 copies); not in WorldCat. Contemporary limp sheepskin parchment sewn on 2 cords, manuscript title on spine together with a shelf label, remnants of ties. With woodcut device on title-page and some woodcut initials. Pages: [12], 298 ll.

In Lucca, per Domenico Marescandoli, 1785. Fort in-12, 23-(1)-663-(1) pp., reliure de l'époque plein vélin de réemploi (reliure un peu ternie, mouillure sur une cinquantaine de pages, pâles rousseurs). Complet des 20 jolies figures gravées sur bois. * Voir photographie(s) / See picture(s). * Membre du SLAM et de la LILA / ILAB Member. La librairie est ouverte du lundi au vendredi de 14h à 19h. Merci de nous prévenir avant de passer,certains de nos livres étant entreposés dans une réserve.