cameron dan text (9 Ergebnisse)

First Edition. First edition. Softcover. 87 pages. Exhibition catalog for a show that ran February 12, through March 21, 2015. Features essays by Barbara Rose, Dan Cameron, Dore Ashton, and the text of Manuel J. Borja-Villel's 1995 conversation with Tapies. Includes numerous illustrations, list of previous exhibitions, a list of selected awards and honors, and a checklist. A fine copy in wrappers and from the library of Lucas Samaras with estate stamp to the front free endpaper. A very nice copy with an interesting provenance.

Zustand: Good. 4to. 80 pp. Stiff green wraps with white lettering and French folds. Good with marginal edgewear. Color plates. Includes text by Dan Cameron. Catalogue created on occasion of exhibition "Tony Bevan" at Louver Gallery New York's exhibition "Tony Bevan: April 27 - May 25, 1991." From the Collection of the Art Historian Peter Selz.

Logroño; Sala Amós Salvador, 1994. 28x23 cm. 124, (1, 1 blank) pp. Illustrated. Publisher's boards with printed dustjacket. Extremities are a bit bumped, otherwise fine. Catalogue for the exhibition of Uslé's paintings, with text in Spanish, but with Cameron's essay "Hope springs eternal: Juan Uslé & the post-modern folly of painting" in both Spanish and English. From the library of Anders Tornberg Gallery in Lund, Sweden, and with a stamp confirming this on the last blank page.

Hardcover. Zustand: Sehr gut. 1. Auflage. Z : 72 pp., 29 ills. - With his embroideries, the Milan and New York based artist Francesco Vezzoli deals with stars and divas from the fields of film, advertising, fashion and television. Vezzoli is a rising star among contemporary artists of the 21st century, becoming widely known through his participation in important group shows such as the Venice Biennale and a growing number of solo exhibitions. This first large publication focuses on one of his most popular and visually powerful bodies of work, the needleworks.

Ostfildern-Ruit/Stuttgart; Edition Cantz, 1992. 31x24 cm. 71, (1, 2 blanks) pp. Illustrated. Original printed boards. A fine copy. The book treats Spitzer's sculpture at Biltmore Financial Center in Phoenix, Arizona. From the library of Anders Tornberg Gallery in Lund, Sweden, and with a stamp confirming this on the last blank page.

SOFTCOVER. Zustand: Fine. 1st Edition. Quarto size (4to) in stiff card covers, unpaginated, approx. 28pp, illustrated etc. PLUS private view invitation card loosely inserted . [CONDITION: FINE, a well preserved clean and tight unmarked copy (few spots of slight shelf rub to cover edges) ] . __To see more of our Art Monographs etc type DBBARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Hard cover. Sewn binding. Paper over boards. With dust jacket. 240 p. Contains: Illustrations, color. Audience: General/trade. Very good. No dust jacket. Missing dust jacket. Light wear to cover. Text unmarked.

Softcover. Zustand: Sehr gut. 1. Auflage. Z : 148 Seiten, 110 Abb. - »Taking Place«, ihr Projekt für die Kunsthalle Zürich, stellt eben einen solchen Prozess ins Zentrum. Sie verwandeln darin die Kunsthalle in eine Baustelle, in der sich die Arbeit an einer »permanenten Installation« der beiden Künstler als zukünftige Display-Situation der Kunsthalle darstellt: Elmgreen und Dragset zeigen die Umlagerung der Büros, den Abriss und Aufbau von Wänden, den schwebenden Zustand der Re-Organisation des nichtöffentlichen Raumes, in dem Kunst verwaltet wird, und des öffentlichen Raumes der Kunstpräsentation, bevor er sich wieder als solcher zur Verfügung stellt.

Zustand: Good. 4to. Hard cover [ca. 125 pp.], B&W and Color Plates. Very Good, Dust Jacket also Very Good.Text in Spanish and EnglishProvenance: From the library of the San Francisco Gallerist Pasquale Iannetti.