camberwell press (6 Ergebnisse)

Soft Cover. Zustand: Very Good. No Jacket. Folder containing 5 booklets - Conference Agenda; List of Private Press Exhibitors; List of Private Presses; List of Resources; List of Conference Participants. Slightest wear. A very pleasing copy. (p10).

paperback. Zustand: Ottimo (Fine). Fotografie in bianco e nerodi Liam Magee Copertina morbida (dorso doppio)  in busta di cartone. Progetto di Oliver Boulton. Curatori Liam Magee, Oliver Boulton, Duncan Wooldridge, Sigune Hamann. Cm 26x21. pp. 36. . Ottimo (Fine). . Prima ed. di 150 esemplari (First edition of 150 copies). . L'idea alla base del libro (Top / Top) è che deve essere vuoto prima di essere visto. Ho progettato il libro con due dorsi perforati, in modo che il dorso che si strappa determina l'orientamento con cui si guarda il libro. Tutte le immagini all'interno sono ambigue nel loro orientamento; ritraggono oggetti di uso quotidiano, ma in un modo che non consente di stabilire in quale modo si debba guardarle. Qualunque sia il modo in cui si ruota il libro, potrebbe essere il modo "giusto" o "sbagliato" di vedere le immagini. Questo si ricollega al mio interesse per la percezione e la comprensione degli oggettiVincitore del Camberwell Book Prize.Tutte le immagini all'interno sono ambigue; ritraggono oggetti quotidiani. In qualsiasi modo si ruoti il libro potrebbe essere il modo "giusto" o "sbagliato" di vedere le immagini. Questo si ricollega al mio interesse nella nostra percezione e comprensione degli oggetti. Prima ed. di 150 esemplari (First edition of 150 copies). Book.

Soft cover. Zustand: Fine. 1st Edition. Set in Monotype Bembo and printed in black and red. This, one of 25 (275) copies done of F.J. Head Medieval handmade paper. Pictorial covers (based on a sixteenth-century woodcut) bound over vellum thongs, titled in black on the front. A fine copy. In 1955, the Lion & Unicorn Press did an edition of Fugger's writing manual based on the copy in the V&A. This is much less common.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Near Fine. 1st Edition. Printed on various paper stocks with illustrations (many full-page) in many bright colours. Full orange cloth decorated with silhouettes of children, pictorial endpapers. Brown paper dust-jacket, titled by hand down the spine "Green is the Grass" Miss Jacky Grisley 'Major Project' 1967. A fine copy of a remarkable book. "Compiled and designed by Jacky Grisley permanently recording her interest in childrens Work. She gratefully acknowledges all the help given by Ivydale Primary School, Sedgehill Comprehensive High School, the little girl next door Wendy Barnes and the Printing Department, Camberwell." (Colophon).

15/20 COPIES OF THE DELUXE ISSUE (from an edition of 100 copies) signed and dated by the artist, with 4 loose, signed & numbered prints, numerous engravings by John Lawrence, with a foreword by Peter Guy, very faint crease at upper edge of inner margin through a few leaves pp. 53, [iii], folio, original quarter black morocco, backstrip gilt lettered, brick-red boards with a closely repeated pattern of an engraving by Lawrence printed overall, brown canvas clam-shell box, one box corner bumped, near fine. An appealing selection of wood engravings, printed from the block, by John Lawrence, who studied under Gertrude Hermes. The 4 loose prints, illustrating the seasons, were originally created for The Magic Apple Tree by Susan Hill. With additional hand-coloured and signed engraving by Lawrence ('All Afloat: Coat' from Rabbit and Pork, 1975, 53/60 prints, printed from the original block by Simon Lawrence of the Fleece Press, for Childhood Re-collected, 1994.).

14/75 COPIES (from an overall edition of 300 copies), signed by Professor Eileen Hogan of the Camberwell College of Arts, this, one of the deluxe edition issued in a folder with a set of prints (this copy without folder and prints), printed on Canaletto paper, monochrome full-page illustration, colour illustration of tickets, and 10 full-page colour-printed lithographed reproductions, title-page printed in blue and black, pp. [32], large 4to, publisher's sea-green morocco-backed boards covered with paper reproducing design by Tirzah Ravilious, upper board with printed label, label with faint mark, near fine. Ravilious' textured, highly evocative illustrations, created while he was an official war artist with the Admiralty, following the submarine, HMS Dolphin. The illustrations are punctuated by illuminating, playful extracts from letters to his wife, Tirzah, O'Rourke Dicky of the War Artists Advisory Committee and to his friend and fellow artist, Helen Binyon: 'The electric light has failed as it is Good Friday and I am writing by candle. The fire is poor and the room is like a cave. The submarine pictures are done but not as good as they ought to be. It is a pity. Some aren't bad: perhaps lithography in five colours is too much and the result tends to be a chromo, you shall see them one day.'.