Caccini giulio (20 Ergebnisse)

UNK. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Brand New. In Stock.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: Gut. Jahr: 1952. Einband: Heft. Beschreibung: Auswahl und Bearbeitung von Joachim Stutschewsky und I. Thaler. VN/Pl. no. 10903. Klavierpartitur und Stimme (vlc). c1931. Rückseite der Cellostimme mit "Zeichenerklärung". Umschlag lichtrandig. Je Namenseintrag mit Bleistift auf der ersten Seite. Gut erhalten. Sprache: de. 3, 1 S.…

4°. OBrosch. Mit Faksimiles. xxiv, [12] 96 S. Sprache: Englisch Gewicht in Gramm: 700.

Zustand: New.

Bibliotheca Musica Bononiensis, Sezione IV, No.3. Size: Folio. [viii], 52, [iii] pp Publisher's printed red cloth, gilt title. A facsimile of the edition of 1600.

paperback. Zustand: New. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

Pas de couverture. Zustand: bon. RO50027908: 1951. In-4. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 4 pages. Pages avec ornements. . . . Classification Dewey : 780.26-Partitions.

Gesellschaft fu?r Musikforschung: Publikation aelterer Musik-Werke, Jahrgang IX, Band X. Size: Folio. 229pp Publisher's printed boards with cloth backstrip (head of backstrip torn). Introduction printed in double columns.

4°. 103 S. OLn. Rücken etwas ausgeblichen, sonst sehr gut. Bibliotheca Musica Bononiensis, Sezione IV, N. 3.

Pas de couverture. Zustand: bon. RO50011448: début XXème. In-4. En feuillets. Bon état, Tâchée, Dos satisfaisant, Quelques rousseurs. 6 pages. Ornements couleur en couverture. Quelques petites déchirures et bouts de papier adhésif. Bande de papier collées sur le bord des plats. . . . Classification Dewey : 780.26-Partitions.…

Folio. Original publisher's dark orange boards with printed wrapper laid down to upper. 1f. (recto printed title, verso blank), 1f. (recto facsimile of original decorative title, verso blank), 1f. (dedication), [52] pp., 1f. (notes to facsimile edition by Rodolfo Paoli in Italian), 1f. (recto publisher's note, verso blank). Former owner's name to front free endpaper. Bibliotheca Musica Bononiensis Sezione IV. N. 3. A facsimile of the work first published in Florence in 1600. First performed at the Palazzo Pitti in Florence on 1 October 1600, with music mainly by Jacopo Peri (1561-1633) and Euridice's arias, some of the shepherd's and the nymph's, 3 choruses (Al canto, al ballo, Poi che gli eterni imperi and Sospirate, aure celesti) by Caccini. Caccini, an Italian composer, singer, singing teacher, and instrumentalist, "is especially important for Le nuove musiche, an epoch-making volume of solo songs with basso continuo, and for his essay prefacing it." Tim Carter and H. Wiley Hitchcock in Grove Music Online.…

Zustand: 1930-1980. Amarilli pour Chant et Piano par Giulio Caccini Setting by F. Campbell-Watson M. W. & Sons 19777 XXe siècle 1938 5 pages 30.5 x 22.8 cm Partition issue de la Bibliothèque de Joséphine LuccheseTrès bon état 033814 Chant et Piano.

Zustand: 1900-1930. Madrigale a voce sola di Giulio Caccini (1600) pour Chant et Continuo ou Piano par F.-A. Gevaert Paris, Heugel Editeur H.(39) XXe siècle 1926 5 pages 354.2 x 27.2 cm Très bon état 047760 Chant et Piano.

Zustand: Gut. Broschur sehr gut erhalten w-035b-0826 KEIN VERSANDKOSTENRABATT !!! Sprache: Deutsch Gewicht in Gramm: 450.

(From Robert Dowland's Musical Banquet, 1610). 1. "Dovro Dunque Morire?" 2. "Amarilli Mia Della." (= The Tudor Edition of Old Mucic. Transcribed and edited by Gerald M. Cooper, Series B. - No. 2). London. p. 11. 4to. Wrappers. London, Chester s.a. (um 1920). - - Waterstained.

Small quarto. Full light tan polished calf with spine in gilt-ruled compartments, all edges and inner dentelles gilt. 1f. (recto title with woodcut printer's device, verso blank), [iii] (author's dedication "Alla Christianissima Maria Medici" dated "Di Firenze il dì [space] Ottobre 1600"), [i] (blank), 1f. (recto cast list, verso blank) + 16ff. [A4-E4], with large woodcut printer's device to final page. Typeset. With decorative woodcut headpiece and initial to first page of dedication; decorative initial to first page of text. Binding slightly worn; minor worming to inner dentelles. Minor internal wear; occasional very minor stains and foxing; professional repair to blank area of title; some mispagination. First Edition, first of three issues identified by Fuld as the first variant. Allacci col. 317. Fuld p. 95 (not assigning precedence). Gaspari V, p. 393. Hirsch IV, 1391. Sartori II, 9398. Sonneck I, pp. 460-461. Watanabe O'Kelly and Simon 1229. Wotquenne p. 66. Euridice, an opera in 5 scenes with music mainly by Peri with additions by Giulio Romolo Caccini (1551-1618) to a libretto by Ottavio Rinuccini (1562-1621) after Ovid's Metamorphoses (Book 10) with borrowings from Virgil's fourth Georgic and Poliziano's Orfeo, was first performed in Florence at the Palazzo Pitti on 6 October 1600 as part of the celebrations of the wedding of Maria de' Medici and Henri IV, King of France; Peri himself played the part of Orpheus. "In Euridice, Peri goes further than he had in his Dafne (1597/8) in the devising of ways of writing a drama with continuous music. There are choruses to end each of the five scenes, and several set pieces - Orpheus's invocation of nature, Tirsi's strophic song of celebration, and the messenger's moving description of Eurydice's death, all in the second scene, Orpheus's lament before the gates of hell in the fourth and his strophic song of celebration and joy in the fifth. Euridice gives a clear impression of Peri's theatrical style and the nature of his contribution to the development of opera, of his special gift for expressive recitative and his imaginative use of dissonance and striking harmonies." Howard Mayer Brown, revised by Barbara Russano Hanning in Grove Music Online Rinuccini, an "Italian, courtier and author of lyric and dramatic poetry, is considered to be the first librettist and his libretto to the present work, in itself, a very important document relating to early opera. In his dedication to the Queen, Rinuccini states that it "has been the opinion of many" that Ancient tragedy was sung in its entirety, that he had longed believed it impossible to recreate this because of the weakness of modern music, but that Peri had overcome these doubts with his beautiful settings, first of Dafne and now even more so by his even greater setting of Euridice." Barbara R. Hanning in Grove Music Online "Although Caccini's name is inextricably linked with that of Peri in the creation of the first Florentine operas and although his setting of Euridice was the first such opera ever to be published, Caccini should primarily be viewed as a composer of songs." H. Wiley Hitchcock in Grove Music Online. His contributions to Euridice include Euridice's arias, some of the shepherd's and the nymph's, and the choruses ending scenes 1, 2, and 4 (Al canto, al ballo, Poi che gli eterni imperi and Sospirate, aure celesti). Peri was an Italian composer, singer and instrumentalist. "His most significant contribution was his development of the dramatic recitative for musical theatre. His most characteristic examples of this style are found in Euridice (1600), the earliest opera for which complete music has survived. . Euridice received high praise, particularly from Marco da Gagliano, who was impressed not only by the work but also by Peri's own expressive singing. . Peri and Rinuccini's second collaboration, Euridice, is a significant advance on the experimental Dafne. The longer libretto has a more intricate design, and the music a wider range of expressive techniques." William V. Porter and Tim Carter in Grove Music Online An attractive copy of the libretto for the earliest opera for which complete music has survived. …

Zustand: 1980 à nos jours. Le Nuove Musiche par Giulio Caccini Firenze 1601 Nuove Musiche e Nuova Maniera di Scriverle par Giulio Caccini Firenze 1614 pour Chant et Basse continue Fac simile Studio Per Edizioni Scelte XXe siècle 1983 34.3 x 24.5 cm Très bon état 058165 Voix.