Ca 1674 (28 Ergebnisse)

Loose Leaf. Zustand: New. Reproduction. Original title: Genovefa d'Urphe German: Genovefa d'Urphe French: Genovefa d'Urphe Spanish: Genovefa d'Urphe High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 17th century (ca. 1635). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Zustand: New. Reproduction. Original title: Ioannes Snellincx German: Ioannes Snellincx French: Ioannes Snellincx Spanish: Ioannes Snellincx High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 17th century (ca. 1635). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Zustand: New. Reproduction. Original title: Henricus Liberti German: Henricus Liberti French: Henricus Liberti Spanish: Henricus Liberti High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 17th century (ca. 1635). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Zustand: New. Reproduction. Original title: Quintinus Simons German: Quintinus Simons French: Quintinus Simons Spanish: Quintino Simons High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 17th century (ca. 1635). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Zustand: New. Reproduction. Original title: Ferdinandus Austriacus German: Ferdinandus Österreichkus French: Ferdinandus Austriacus Spanish: Ferdinandus Austriacus High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 17th century (ca. 1635). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No. …

Loose Leaf. Zustand: New. Reproduction. Original title: Petrus de Iode Iunior German: Petrus de Iode Iunior French: Petrus de Iode Iunior Spanish: Petrus de Iode Iunior High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 17th century (ca. 1635). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No. …

Loose Leaf. Zustand: New. Reproduction. Original title: Genovefa d'Urphe German: Genovefa d'Urphe French: Genovefa d'Urphe Spanish: Genovefa d'Urphe High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 17th century (ca. 1635). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Zustand: New. Reproduction. Original title: Erycius Puteanus German: Erycius Puteanus French: Erycius Puteanus Spanish: Erycius Puteanus High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 17th century (ca. 1635). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Zustand: New. Reproduction. Original title: Ioannes Snellincx German: Ioannes Snellincx French: Ioannes Snellincx Spanish: Ioannes Snellincx High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 17th century (ca. 1635). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Zustand: New. Reproduction. Original title: Cornelius Poelenbourch German: Cornelius Poelenbourch French: Cornelius Poelenbourch Spanish: Cornelius Poelenbourch High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 17th century (ca. 1635). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No. …

Loose Leaf. Zustand: New. Reproduction. Original title: Paulus Halmalius German: Paulus Halmalius French: Paulus Halmalius Spanish: Paulus Halmalius High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 17th century (ca. 1635). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Zustand: New. Reproduction. Original title: Albuert Dux German: Albuert Dux French: Albuert Dux Spanish: Albuert Dux High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 17th century (ca. 1635). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Zustand: New. Reproduction. Original title: Erycius Puteanus German: Erycius Puteanus French: Erycius Puteanus Spanish: Erycius Puteanus High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 17th century (ca. 1635). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Zustand: New. Reproduction. Original title: Iacobus Iordaens German: Iacobus Iordaens French: Iacobus Iordaens Spanish: Iacobus Iordaens High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 17th century (ca. 1635). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Zustand: New. Reproduction. Original title: Genovefa d'Urphe German: Genovefa d'Urphe French: Genovefa d'Urphe Spanish: Genovefa d'Urphe High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 17th century (ca. 1635). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Zustand: New. Reproduction. Original title: Paulus Halmalius German: Paulus Halmalius French: Paulus Halmalius Spanish: Paulus Halmalius High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 17th century (ca. 1635). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Zustand: New. Reproduction. Original title: Diodorus Tuldenus German: Diodorus Tuldenus French: Diodore Tuldénus Spanish: Diodoro Tuldenus High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 17th century (ca. 1635). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Zustand: New. Reproduction. Original title: Iacobus Iordaens German: Iacobus Iordaens French: Iacobus Iordaens Spanish: Iacobus Iordaens High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 17th century (ca. 1635). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Zustand: New. Reproduction. Original title: Ioannes T'Serclaes German: Ioannes T'Serclaes French: Ioannes T'Serclaes Spanish: Ioannes T'Serclaes High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 17th century (ca. 1635). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Zustand: New. Reproduction. Original title: Ioannes T'Serclaes German: Ioannes T'Serclaes French: Ioannes T'Serclaes Spanish: Ioannes T'Serclaes High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 17th century (ca. 1635). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Music for London Entertainment: Series C, vol.2. Size: Folio. xxii pp., 64 ff., 8pp. + facsimile libretto. Publisher's brown cloth (faded), gilt. As new. Facsimile. Folio. xxii pp., 64 ff., 8pp. + facsimile libretto.

Zustand: Good. Two parts in one volume, folio (333x220 mm). XI, [5], 211, [1 blank], 16 pp. and one engraved folding table. *-**4 A-Cc4 Dd2 A-B4. Title printed in red and black with an engraved illustration. Full-page author's portrait engraved by Paulus Pontius after Gertruda van Veen and overall 103 large engraved illustrations (ca. 180x150 mm, 60 in the first part and 43 in the second) by Pierre Daret after Otto Vaenius in the text. Contemporary mottled calf, spine with six raised band and gilt ornaments and title (joints weak, slightly rubbed and worn, top and bottom of the spine damaged). Some light browning and foxing, outer margin of the portrait and outer and lower margin of the plate slightly trimmed, tear restored to the lower margin of the plate, all in all a good, genuine copy. Lavishly illustrated edition in French, the first printed in Brussels, of Otto Vaenius's Quinti Horatii Flacci Emblemata, one of the most successful emblem books of the 17th century first published Latin and Dutch in Antwerp in 1607, alongside Le Roy Sieur de Gomberville's La doctrine des Moeurs. Gomberville's work was first printed in Paris in 1646 with new illustrations created by the engraver Pierre Daret, who had enlarged and retouched Vaenius's emblems. The Brussels editor Foppens used Daret's plates for his edition, crediting Vaenius as the author while retaining Gomberville's instructive comments. The combination of Vaenius's educational emblems based on Horace's poetry and Gomberville's moral doctrine based on Stoic philosophy, gave new impetus to Vaenius's emblems more than sixty years after their first appearance. Vaenius work was published in more than 25 editions in various languages. It ?is rightly considered a work of primary importance for seventeenth-century Horace reception, and for the development of emblematics: Veen ?translated' the works of the Roman poet into catchy, innovative, and artistically demanding images, engravings of high technical quality, to be used for philosophical and moral meditation. He equipped each engraving with a number of text fragments that he selected from Horace and other ancient, primarily Latin, authors. His work not only opened up new dimensions for the genre of emblematics that arose in the sixteenth century, but also for ethical didactics and for the way illustrated books contributed to the transmission of knowledge. [the work] was extraordinarily successful? (K.A.E. Enenkel, The Invention of the Emblem Book and the Transmission of Knowledge, Leiden, 2018, p. 365). ?L'Emblemata Horatiana d'Otto van Veen a exercé une influence considérable sur les cours européennes du XVIe siècle, tant par sa diffusion que par son intégration dans l'éducation des élites aristocratiques. Conçu comme un recueil d'emblèmes moraux inspirés des maximes d'Horace, l'ouvrage s'inscrit dans la tradition des miroirs des princes, destinés à inculquer aux jeunes souverains et nobles les vertus indispensables au bon gouvernement. Son appropriation par Marin Le Roy de Gomberville en 1646, sous le titre Doctrine des M?urs, tirée de la philosophie des Stoïques, en est une illustration éloquente. Dédiée à Anne d'Autriche et destinée à l'éducation du jeune Louis XIV, cette réédition témoigne du rôle pédagogique de l'ouvrage dans la formation des futurs monarques. Loin d'être un simple traité moraliste, l'Emblemata Horatiana s'impose comme un outil de légitimation politique, visant à inculquer aux élites des principes stoïciens et humanistes en parfaite adéquation avec les exigences du pouvoir. Son influence dépasse d'ailleurs la seule cour française: il trouve un écho dans les cercles humanistes et politiques européens, où la formation des princes repose sur l'appropriation des enseignements antiques et sur l'idéal du souverain éclairé. La présence attestée de recueils d'emblèmes dans les bibliothèques royales et princières, ainsi que l'intérêt manifeste de souverains tels que James VI d'Écosse pour la littérature emblématique, suggèrent qu.…

Publisher's cloth. Handel Sources: Materials for the Study of Handel's Borrowing. Size: Nine volumes. Folio and oblong folio.

Publisher's cloth. Handel Sources: Materials for the Study of Handel's Borrowing. Size: Eight volumes. Folio and oblong folio. xxvii, 392; xxii, 296; xxxiii, 337; xxi Eight volumes. Folio and oblong folio. xxvii, 392; xxii, 296; xxxiii, 337; xxi.

Hardcover. Zustand: Very Good. No Jacket. 2nd Edition. Folio. Two parts in one. Greek & Latin. [6 ff.], 183 pp., [1 blank], [28 pp. index]; [5 ff.], 174, [15 pp. index], [1 addenda], [1 leaf publisher ads]. Engraved frontis. by M. Burghers. Engraved vignette of the Sheldon Theatre on first title. Woodcut vignette to second title. A nice crisp copy in contemporary calf, rebacked preserving spine label. Scuffing to calf, corners worn. From the library of Thomas Cushing Aylwin [1816-71], lawyer, politician, and hight court justice of Lower Canada, signed & dated in his hand. Second and best edition edited by John Potter, Bishop of Canterbury [1674?-1747]. The first was published in 1697. The Greek text is accompanied by Tzetze's commentaries, Scaliger's Latin translation, and the annotations of Meursius and Canter, as well as those of Potter himself. "These are beautiful editions, and much fuller than either of the preceding: the latter is the Edit. opt. and dedicated to John George Graevius, from whom Potter received the Basil edition of 1546, collated with an ancient vellum Ms., and by the assistance of which he was enabled to correct and enlarge the commentaries of Tzetzes in no less than two hundred places. The edition of 1702 contains a much more copious index of authors.". (Dibdin) "An everlasting monument of the learning of the illustrious editor." (Harwood). Brunet III 1248. Dibdin (4th edn). II pp. 209-10. Graesse iV 309. Signed. …

Zustand: Good. Large format engraving. of Henrietta Maria (1609-1669), Queen of Charles I. 53 x 40.4 cm. Mounted on a supprt sheet. Tear in lower left corner. Ink annotation lower right margin dated 1669.New Hollstein (Dutch & Flemish) / The New Hollstein: Dutch and Flemish etchings, engravings and woodcuts 1450-1700 (391.IV)Hollstein / Dutch and Flemish etchings, engravings and woodcuts c.1450-1700 (61.II)O'Donoghue 1908-25 / Catalogue of Engraved British Portraits preserved in the Department of Prints and Drawings in the British Museum (10)In."Sir Anthony Van Dyck stands out as the solitary great etcher of the school. Portrait etching had scarcely had an existence before his time, and in his work it suddenly appears at the highest point ever reached in the art" (Hind, p. 165). "The plan of this publication took shape after Van Dyck returned from Italy (1626) and before he went to England (1632). He made careful preparatory drawings in chalk and brush for the publication. He directed and revised the work of the engravers, the best of the Rubens circle; he collaborated with his etching needle in some of the plates and himself etched the most beautiful set, mainly portraits of artists. One of the most brilliant in human characterization is the portrait of Peter Brueghel the Younger, son of the great Peasant Brueghel. It is remarkable that the etching appeared in this sketchy form in the book, proving that the master regarded it as finished. All interest is focussed on the wonderful had. The first edition was published in Antwerp in 1635-1636. Yet it was not complete, and the title-page did not appear before the Gillis Hendricx edition of 1645, engraved by Jacob Neels" (Benesch, Artistic and Intellectual Trends, p. 32.) Hofer, Baroque Book Illustrations 132.…

Mariners on the waterfront and men loading a donkey. In the port of Genoa, three people talk to each other by a barrel. Some men load a pack mule. In the background ships.From a set of four prints showing the harbors of Genua.[NL] In de haven van Genua spreken drie mensen (mariniers) met elkaar bij een ton. Een aantal mannen beladen een pakezel. Op de achtergrond schepen. Gemaakt door Anthony van Zijlvelt. Etching on laid paper, cut within the margins; total: 226 x 363 mm; despite a vertical folding crease, in very good condition; mounted on another sheet of paper, and within a paper passepartout. Hollstein 5.…

Antverpiae ( Antwerpen ) , apud Petrum de Jode chalcographum, s.d. ( ca. 1652) , in-folio, 30 x 20 cm, engraved title page + 92 engraved portraits , numbered in pencil in the upper right hand corner, one portrait (n° 91 , le conte Ian De Weert ) mounted on the verso of portrait 90. Bound in contemporary full vellum, Vellum a bit soiled, a marginal stain on portraits 20 and 21 but on the whole very well preserved. According to Thieme & Becker the work was first issued in 1651 and consisted of a title page and 78 portraits. Later issues followed and contained more portraits. The work was begun by father Pieter de Jode (I) and continued by his son Pieter (II). The title page is signed ; '' E. Quellinus inv. P. de Iode fecit ''. All the portraits are signed in the plate by the engraver (except n° 7 , 8 , 37 , 63 and 78 which are unsigned) and some also by the portraitist ; Anton van Dyck, Caspar de Craeyer, Titian , Rubens, Cornelis Galle, C. de Vos, Otto Vaenius, Rucholle , Franciscus de Nys , Willeboorts Bossaerts , Coenraard Waumans. Rare and extensive contemporary collection of engraved portraits of European public figures from the first half of the 17th century made by the foremost engravers of their time. It includes portraits of popes, emperors , princes and archbishops of the Holy Empire, kings of France, England, Poland, Sweden, Turkey. counts, dukes and military commanders.…