C coquelin (33 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. With owner's name inside cover. In fair condition, suitable as a study copy. Dust jacket in poor condition. Heavy foxing. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,250grams, ISBN.…

Zustand: Good. 1954. Third Impression. 77 pages. Dust jacket over black cloth with gilt lettering. Minor foxing and tanning to pages. Slightly more prominent to text block edges, pastedowns and free endpapers. Annotations, underlining and marginalia in pencil and pen throughout; text remains unaffected. Light cracking to gutters but binding remains firm. Boards have minor corner bumping and edgewear. Spine has light sunning with soft crushing to ends. Lettering remains bright and clear. Unclipped dust jacket with minor rubbing, chipping and tearing to edges. Moderate tanning and scuffing overall.…

Zustand: Good. 1932. First Thus. 106 pages. No dust jacket. Light blue boards with navy lettering. Clean pages. Notable foxing and tanning to endpapers and page edges. Previous owner's name to front endpaper. Mild wear and bumping to spine, board edges and corners. Notable tanning to spine, with scuffing and soiling to boards.…

Zustand: Très bon. Nos envois se font avec suivi, pour tout problème n'hésitez pas à nous contacter pour trouver une solution.

Zustand: New. In.

Zustand: New. In.

In-12 broché ( 180x120 mm ) de 78 pages non rognées. Roman.

Hardcover. Zustand: Gut. XVI, 48 S. Mit gest. Front. (Portr. d. Verf.). Kl.-8°. Orig. schwarz- u. goldgepr. Ln. (stellenw. Etwas berieben bzw. fleckig). Übersetzung der Vorlesung L'art et le comédien" aus 1880 des bekannten französischen Schauspielers und Mitglieds der Comédie-Francaise" Benoit Constant Coquelin (1841-1909). Besitzvermerk im Vorsatz, ein weiterer am Titelblatt gelöscht, durchgehend leicht gebräunt, sonst guter Zustand.…

Couverture souple. Zustand: Bon. Un volume petit in12 , broché, 78 pages.Très petit manque en tête et queue du dos,très bon état intérieur.

Zustand: New. In.

Zustand: Very Good. . First Edition. Very good copy in good dustwrappers. DW has some shelf wear with nicks and tears, remains very good. . . . .

Couverture souple. Zustand: Moyen.

Zustand: Very Good. . First Edition. Very good copy in good dustwrappers. DW has some shelf wear with nicks and tears, remains very good. . . . . Books ship from the US and Ireland.

Taschenbuch. Zustand: Neu. Neuware.

éd. Paul Ollendorff, 1894. Petit in-12 broché, 72 p. Frais de port «indicatifs» pour un livre entre 500gr et 1kg, sans assurance. Suite à votre commande, vous recevrez une proposition de modification des frais de port si le livre est plus lourd ou si sa valeur justifie une assurance. "Default shipping" for a 500gr to 1kg book. After ordering you may receive a proposal for adjusted shipping if the book is heavier of if it is worth an insurance.…

1st ed. Owner's name; some foxing throughout; stain on fore-edge; dust jacket badly stained, with some wear and browned spine. Used - Very Good. VG hardback in Fair dustjacket Used - Very Good. VG hardback in Fair dustjacket.

Zustand: New.

Zustand: New.

Text Französisch. Kleine Broschur, 64 Seiten, stockfleckig, auf Büttenpapier gedruckt. --- Un texte court et charmant sur l'art du comédien. Sans date (vers 1910?), 64 pages, quelques rousseurs, broché. 0,07 Kg. 12 x 18 Cm. Gewicht in Gramm: 70 Quatrieme Edition Broschiert Altersspuren Aber Solide.

Zustand: New. KlappentextrnrnThis scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have.

Taschenbuch. Zustand: Neu. Neuware - This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.…

Hardcover. Zustand: Very Good. No Jacket. First American Edition. 63 Pp + 2 Pp Ads At Rear. Red Cloth Printed In Black, Green And White Endpapers. First American Printing, 1981 Date On Title Page. Light Wear, Lettering Strong, Three Tiny Frays At Ends Of Spine, Covers With Tiny Flecks To Color. Ownership Signature Of Andy Francisco (1866-1947); From Estate Of Artist J Bond Francisco's Nephew, Jack Okey, So Probably A Relative. Per Wikipedia, Benoît-Constant Coquelin (1841 - 1909), Known As Coquelin Aîné ("Coquelin The Elder"), Was A French Actor, "One Of The Greatest Theatrical Figures Of The Age." Coquelin Was Born In Boulogne-Sur-Mer, Pas-De-Calais. He Was Originally Intended To Follow His Father's Trade Of Baker (He Was Once Called "Un Boulanger Manqué" - "A Failed Baker" - By A Hostile Critic), But His Love Of Acting Led Him To The Conservatoire, Where He Entered Régnier's Class In 1859. He Won The First Prize For Comedy Within A Year, And Made His Début On 7 December 1860 At The Comédie-Française As The Comic Valet, Gros-René, In Molière's Le Dépit Amoureux, But His First Great Success Was As Figaro In The Barber Of Seville, In The Following Year. It Was An Honour For Coquelin To Be A Part Of The Comédie-Française At Such A Young Age. This Company Had Already Been In Existence For Around 150 Years. He Was Made Sociétaire In 1864. There Were 21 3⁄4 Shares And They Were Divided Among The Lead Actors, Known As Sociétaires. The Sociétaires Co-Manage, Choose Plays, And Share Profits. When There Was An Opening Caused By Retirement, Resignation, Or Death, It Was Filled By A Member Of The Pensionnaires. And Just Four Years After Joining The Comédie-Française, Coquelin Became One Of The Elite Sociétaires. During The Next Twenty-Two Years He Created The Leading Roles In Forty-Four New Plays At The Comédie Française, Including Théodore De Banville's Gringoire (1867), Paul Ferrier's Tabarin (1871), Émile Augier's Paul Forestier (1871), L'étrangère (1876) By The Younger Dumas, Charles Lomon's Jean Dacier (1877), Édouard Pailleron's Le Monde Où L'on S'ennuie (1881), Erckmann's And Chatrian's Les Rantzau (1884). In Consequence Of A Dispute With The Authorities Over The Question Of His Right To Make Provincial Tours In France He Resigned In 1886. Three Years Later, However, The Breach Was Healed; And After A Successful Series Of Tours In Europe And The United States He Rejoined The Comédie-Française As Pensionnaire In 1890. During His Time Away From The Comédie He Wrote His Book Art And The Actor. It Was During This Period That He Took The Part Of Labussière, In The Production Of Victorien Sardou's Thermidor, Which Was Banned By The Government After Three Performances. In 1892 He Broke Definitively With The Comédie-Française, And Toured For Some Time Through The Capitals Of Europe With A Company Of His Own; In New York, For Instance, He Performed At Abbey's Theatre In 1894, Playing The Lead In Tartuffe (His Son Jean Played Orgon) And Mascarille In Les Précieuses Ridicules.[3] In 1895 He Joined The Renaissance Theatre In Paris, And Played There Until He Became Director Of The Théâtre De La Porte Saint-Martin In 1897. Here He Won Successes In Edmond Rostand's Cyrano De Bergerac (1897), Which He Repeated In The Summer Of 1898 At The Lyceum Theatre, London, Émile Bergerat's Plus Que Reine (1899), Catulle Mendès's Scarron (1905), And Alfred Capus And Lucien Descaves' L'attentat (1906). In 1900 Coquelin Toured In America With Sarah Bernhardt, Appeared At Broadway's Garden Theatre In A Production Of Cyrano De Bergerac (Bernhardt Played Roxane). He Made His Only Film, The Duel Scene From Cyrano De Bergerac With Sound Recording On Phonograph Cylinder. The Film Is Thought To Be The First Ever Made With Both Color And Sound. On Their Return To France He Continued With His Old Colleague To Appear In L'aiglon, At The Théâtre Sarah Bernhardt. He Was Rehearsing For The Creation Of The Title Role In Rostand's Chantecler, Which He Was To Produce, When He Died Suddenly In Paris In 1909. …

Hardcover. Zustand: Good. No Jacket. First American Edition. 63 Pp + 2 Pp Ads At Rear. Light Brown Cloth Printed In Black, Green And White Endpapers. Wear, Lettering Strong, Fraying On Top Of Spine And At Tips. Signature Of Hollywood Art Director Jack Okey (It's A Wonderful Life, Etc.). Small Private Price Label On Rear Pastedown. Per Wikipedia, Benoît-Constant Coquelin (1841 - 1909), Known As Coquelin Aîné ("Coquelin The Elder"), Was A French Actor, "One Of The Greatest Theatrical Figures Of The Age." Coquelin Was Born In Boulogne-Sur-Mer, Pas-De-Calais. He Was Originally Intended To Follow His Father's Trade Of Baker (He Was Once Called "Un Boulanger Manqué" - "A Failed Baker" - By A Hostile Critic), But His Love Of Acting Led Him To The Conservatoire, Where He Entered Régnier's Class In 1859. He Won The First Prize For Comedy Within A Year, And Made His Début On 7 December 1860 At The Comédie-Française As The Comic Valet, Gros-René, In Molière's Le Dépit Amoureux, But His First Great Success Was As Figaro In The Barber Of Seville, In The Following Year. It Was An Honour For Coquelin To Be A Part Of The Comédie-Française At Such A Young Age. This Company Had Already Been In Existence For Around 150 Years. He Was Made Sociétaire In 1864. There Were 21 3⁄4 Shares And They Were Divided Among The Lead Actors, Known As Sociétaires. The Sociétaires Co-Manage, Choose Plays, And Share Profits. When There Was An Opening Caused By Retirement, Resignation, Or Death, It Was Filled By A Member Of The Pensionnaires. And Just Four Years After Joining The Comédie-Française, Coquelin Became One Of The Elite Sociétaires. During The Next Twenty-Two Years He Created The Leading Roles In Forty-Four New Plays At The Comédie Française, Including Théodore De Banville's Gringoire (1867), Paul Ferrier's Tabarin (1871), Émile Augier's Paul Forestier (1871), L'étrangère (1876) By The Younger Dumas, Charles Lomon's Jean Dacier (1877), Édouard Pailleron's Le Monde Où L'on S'ennuie (1881), Erckmann's And Chatrian's Les Rantzau (1884). In Consequence Of A Dispute With The Authorities Over The Question Of His Right To Make Provincial Tours In France He Resigned In 1886. Three Years Later, However, The Breach Was Healed; And After A Successful Series Of Tours In Europe And The United States He Rejoined The Comédie-Française As Pensionnaire In 1890. During His Time Away From The Comédie He Wrote His Book Art And The Actor. It Was During This Period That He Took The Part Of Labussière, In The Production Of Victorien Sardou's Thermidor, Which Was Banned By The Government After Three Performances. In 1892 He Broke Definitively With The Comédie-Française, And Toured For Some Time Through The Capitals Of Europe With A Company Of His Own; In New York, For Instance, He Performed At Abbey's Theatre In 1894, Playing The Lead In Tartuffe (His Son Jean Played Orgon) And Mascarille In Les Précieuses Ridicules.[3] In 1895 He Joined The Renaissance Theatre In Paris, And Played There Until He Became Director Of The Théâtre De La Porte Saint-Martin In 1897. Here He Won Successes In Edmond Rostand's Cyrano De Bergerac (1897), Which He Repeated In The Summer Of 1898 At The Lyceum Theatre, London, Émile Bergerat's Plus Que Reine (1899), Catulle Mendès's Scarron (1905), And Alfred Capus And Lucien Descaves' L'attentat (1906). In 1900 Coquelin Toured In America With Sarah Bernhardt, Appeared At Broadway's Garden Theatre In A Production Of Cyrano De Bergerac (Bernhardt Played Roxane). He Made His Only Film, The Duel Scene From Cyrano De Bergerac With Sound Recording On Phonograph Cylinder. The Film Is Thought To Be The First Ever Made With Both Color And Sound. On Their Return To France He Continued With His Old Colleague To Appear In L'aiglon, At The Théâtre Sarah Bernhardt. He Was Rehearsing For The Creation Of The Title Role In Rostand's Chantecler, Which He Was To Produce, When He Died Suddenly In Paris In 1909.…

Gebunden. Zustand: New.

86pp., br.orig., 18cm., bon état.

Orig. Pappband der Zeit mit farb. Titelvignette , Marm. Buchdeckel und farb. Seitenschnitt., Gr.8° --- 98 S. Zustand: Äußerlich berieben mit bestossenen buchrückenkanten. Inen gut ( fast ganz ohne Flecke ) ,Pappband.

Couverture souple. Zustand: Bon. Paris , Léon Vanier , 1890 . Broché in-12 de XII + 142 pp , orné d'illustrations in et H T de l' auteur . Pllats recartonnés avec manques angulaires , dos renforcé d'une bande cartonnée .

Zustand: Hervorragend. Zustand: Hervorragend | Sprache: Französisch | Produktart: Bücher | This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.…