Byerman keith e (30 Ergebnisse)

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. Book.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Zustand: Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: New. pp. 336 Illus.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: fine. First Edition. 249p octavo, A fine copy in dust jacket.

hardcover. Zustand: Fine. New & unread, however may have light shelf wear to cover face, edges or corners. Shipped from the UK within 2 business days of order being placed.

hardcover. Zustand: New. Shipped from the UK within 2 business days of order being placed.

Zustand: New. In English.

Zustand: New. In English.

Paperback. Zustand: Brand New. reissue edition. 308 pages. 9.00x6.00x0.75 inches. In Stock.

Paperback. Zustand: Brand New. reprint edition. 249 pages. 9.00x6.00x0.50 inches. In Stock.

Paperback. Zustand: Brand New. reprint edition. 275 pages. 8.75x6.00x0.75 inches. In Stock.

Hardcover. Zustand: Brand New. 336 pages. 9.50x6.50x1.00 inches. In Stock.

Zustand: New. In English.

Zustand: New. pp. 264.

Kartoniert / Broschiert. Zustand: New. Clarence Major is an award-winning painter, fiction writer, and poet - as well as an essayist, editor, anthologist, lexicographer, and memoirist. The Art and Life of Clarence Major is the first critical biography of this innovative African American writer a.

Taschenbuch. Zustand: Neu. Neuware - Clarence Major is an award-winning painter, fiction writer, and poet--as well as an essayist, editor, anthologist, lexicographer, and memoirist. He has been part of twenty-eight group exhibitions, has had fifteen one-man shows, and has published fourteen collections of poetry and nine works of fiction. The Art and Life of Clarence Major is the first critical biography of this innovative African American writer and visual artist. Given the full cooperation of his subject, Keith E. Byerman traces Major's life and career from his complex family history in Georgia through his encounters with important literary and artistic figures in Chicago and New York to his present status as a respected writer, artist, teacher, and scholar living in California. In his introduction, Byerman asks, 'How does a black man who does not take race as his principal identity, an artist who deliberately defies mainstream rules, a social and cultural critic who wants to be admired by the world he attacks, and a creator who refuses to commit to one expressive form make his way in the world ' Tasking himself with opening up the multiple layers of problems and solutions in both the work and the life to consider the successes and the failures, Byerman reveals Major as one who has devoted himself to a life of experimental art that has challenged both literary and painterly practice and the conventional understanding of the nature of African American art. Major's refusal to follow the rules has challenged readers and critics, but through it all, he has continued to produce quality work as a painter, poet, and novelist. His is the life of someone totally devoted to his creative work, one who has put his artistic vision ahead of fame, wealth, and sometimes even family. A Sarah Mills Hodge Fund Publication.…

Zustand: New. &Uumlber den AutorKeith E. Byerman is a professor of English at Indiana State University. He is the author or editor of six previous books including Remembering the Past in Contemporary African American Fiction. Klappentext.

Zustand: New.

Zustand: New. Byerman discusses how black writers such as Toni Morrison, Ishmael Reed, and Ernest Gaines have moved away from the ideological rigidity of the black arts movement that arose in the 1960s to create a more expressive, imaginative, and artistic fiction inspir.

Buch. Zustand: Neu. Neuware - Clarence Major is an award-winning painter, fiction writer, and poet--as well as an essayist, editor, anthologist, lexicographer, and memoirist. He has been part of twenty-eight group exhibitions, has had fifteen one-man shows, and has published fourteen collections of poetry and nine works of fiction. The Art and Life of Clarence Major is the first critical biography of this innovative African American writer and visual artist. Given the full cooperation of his subject, Keith E. Byerman traces Major's life and career from his complex family history in Georgia through his encounters with important literary and artistic figures in Chicago and New York to his present status as a respected writer, artist, teacher, and scholar living in California. In his introduction, Byerman asks, 'How does a black man who does not take race as his principal identity, an artist who deliberately defies mainstream rules, a social and cultural critic who wants to be admired by the world he attacks, and a creator who refuses to commit to one expressive form make his way in the world ' Tasking himself with opening up the multiple layers of problems and solutions in both the work and the life to consider the successes and the failures, Byerman reveals Major as one who has devoted himself to a life of experimental art that has challenged both literary and painterly practice and the conventional understanding of the nature of African American art. Major's refusal to follow the rules has challenged readers and critics, but through it all, he has continued to produce quality work as a painter, poet, and novelist. His is the life of someone totally devoted to his creative work, one who has put his artistic vision ahead of fame, wealth, and sometimes even family. A Sarah Mills Hodge Fund Publication.…

Taschenbuch. Zustand: Neu. Neuware - Seizing the Word makes available for the first time a comprehensive reading of the work of W. E. B. Du Bois (1868-1963), a pivotal figure in the intellectual life of nineteenth- and twentieth-century America. As a historian, journalist, novelist, poet, and social and literary critic, this extraordinary man profoundly influenced our understanding of the African-American experience. Following his initial discussion of Du Bois's earliest writing, Keith E. Byerman posits The Souls of Black Folk (1903) as a master text that established the tropes of double-consciousness and the veil for which Du Bois is known, and incorporated the various genres through which he voiced his understanding of the world. The remainder of the study discusses Du Bois's works as elaborations of the master text within and against the contemporary discourses on history, art, and self. Throughout Byerman examines the connections between the personal and intellectual aspects of Du Bois's life to reveal the intense engagement with moral and ideological issues found even in texts that Du Bois represented as 'objective.' At the same time, in order to present some of the complexity and conflict that runs through Du Bois's work, Byerman identifies the tensions and patterns in Du Bois's writing that cross disciplines or genres. Instead of focusing on one aspect of Du Bois's career, Seizing the Word attempts a more synthetic approach, primarily by examining Du Bois in terms of contemporary literary and cultural theory, most notably Lacan's Law of the Father and Erikson's work on identity. The analysis is thus informed by notions of language as power, discourse as site of conflict, and self and race as cultural constructs rather than unitary essences. In addition Byerman draws on much recent work in minority discourse, feminist theory, and studies in autobiography. According to Byerman, the guiding notion is that Du Bois's writing is always engaged in a confrontation with an existing discourse that Du Bois challenges through charges of arbitrariness and corruption, deconstructs, and then rebuilds in his own terms. Moreover, Byerman argues that Du Bois's career exhibits a clear pattern of the interaction of the personal, the intellectual, and the political. He repeatedly projects himself or those analogous to himself as heroic figures in battle for truth and justice against professional, personal, or ideological antagonists. All his major work, regardless of discipline or genre, offers a vision of this struggle.…

Taschenbuch. Zustand: Neu. Neuware - John Edgar Wideman is one of the most prominent African American writers today. He is the first author to have been awarded the PEN/Faulkner Award for Fiction twice-once in 1984 for Sent for You Yesterday and again in 1990 for Philadelphia Fire. His memoir, Fatheralong, was a finalist for the National Book Award. Yet, despite all of Wideman's accolades and renown, there are only three full-length studies on his work to date. TuSmith's and Byerman's Critical Essays on John Edgar Wideman takes a bold step in expanding Wideman scholarship. This volume is an indispensable study of Wideman's oeuvre, covering the full range of his career by addressing the key features of his fiction and nonfiction from 1967 to the present.The essays in this book reflect the most advanced thinking on Wideman's prolific, extraordinary art. The collection features at least one article on each major work and includes the voices of both well-established and emerging scholars. Though their critical perspectives are diverse, the contributors place Wideman squarely at the center of contemporary African American literature as an exemplar of postmodern approaches to literary art. Several position Wideman within the context of his predecessors-Wright, Baldwin, Ellison-and within a larger cultural context of music and collective history. The essays examine Wideman's complex style and his blending of African and Western cosmologies and aesthetics, the use of personal narrative, and his imaginative revisioning of forgotten historical events. These insightful analyses cover virtually every stage of Wideman's career and every genre in which he has written. A detailed bibliography of Wideman's work is also included.Informed yet accessible, this collection will be a rich source of information and intellectual stimulus for teachers, students, and scholars in American and African American literature, as well as general readers interested in Wideman's multilayered and challenging texts. …

Taschenbuch. Zustand: Neu. Neuware - In Fingering the Jagged Grain, Keith E. Byerman discusses how black writers such as Toni Morrison, Ishmael Reed, and Ernest Gaines have moved away from the ideological rigidity of the black arts movement that arose in the 1960s to create a more expressive, imaginative, and artistic fiction inspired by the example of Ralph Ellison's Invisible Man. Combining a strong concern for technique and craftsmanship with elements of African American heritage including jazz, blues, spirituals, cautionary tales, and voodoo, these writers have created a vital fiction that celebrates the strength and resilience of the black American voice as it recounts the painful details and brutal episodes of black experience. …

Zustand: New. 2013. Hardback. . . . . . Books ship from the US and Ireland.