Bustard bruce i (31 Ergebnisse)
Sprache: Englisch
Verlag: Univ of Washington Pr (edition First Edition), 1997
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Paperback. Zustand: Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.
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Hardcover. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
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Hardcover. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
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Paperback. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.
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Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
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Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.
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Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.
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Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
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Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
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Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
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Zustand: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.
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Zustand: As New. Like New condition. A near perfect copy that may have very minor cosmetic defects.
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Zustand: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.
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Zustand: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.
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Zustand: Good. Bilingual. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
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Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
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Zustand: Very Good. Very Good condition. Very Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.
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- Signiert
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Zustand: Good. Signed Copy . Inscribed by author on title page. Slightly dampstained. Writing on front cover. (West United States, pictorial works, exhibitions).
Sprache: Englisch
Verlag: National Archives & Record Administration, Washington D. C., 2000
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Paperback. Zustand: Very Good. Paperback. Superficial marks on covers. Leading corners, edges and spine ends are slightly worn. Binding is intact, contents are clean and clear. AM. Used.
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Zustand: New. pp. 96 100 Illus. (Col.).
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Hardcover. Zustand: Brand New. bilingual edition. 82 pages. 10.25x7.50x0.75 inches. In Stock.
Verlag: Foundation for the National Archives
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In den WarenkorbZustand: Very Good. Very Good condition. (Working Class, United States, Labor, History) A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.
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Zustand: New. A fascinating, thematic exploration of some of the millions of immigration files in the US National Archive, focusing on 29 case studies. Num Pages: 96 pages, 100 Colour. BIC Classification: 1KBB; JFFN. Category: (G) General (US: Trade). Dimension: 259 x 187 x 15. Weight in Grams: 596. Faces and Stories from Americ…a's Gates. 96 pages, 100 Colour. A fascinating, thematic exploration of some of the millions of immigration files in the US National Archive, focusing on 29 case studies. Cateogry: (G) General (US: Trade). BIC Classification: 1KBB; JFFN. Dimension: 259 x 187 x 15. Weight: 596. . 2012. Bilingual. Hardcover. . . . . Books ship from the US and Ireland.
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Zustand: New. pp. 208.
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Zustand: New. Includes a Foreword by leading documentary filmmaker, Ken Burns, creator of the award-winning film 'The Civil War'. The highly visual approach makes the reader experience the excitement of finding unusual stories in the Archives. A "must-have" for anyone interested in US history in general and the Civil War in part…icular. Num Pages: 208 pages, 185 col, 70 b&w. BIC Classification: 1KBB; 3JH; HBJK; HBLL; HBWJ. Category: (G) General (US: Trade). Dimension: 308 x 238 x 22. Weight in Grams: 1300. . 2010. Hardcover. . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: The Foundation for the National Archives, in association with D. Giles Limited, Washington DC, 2005
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Anbieter: Ground Zero Books, Ltd., Silver Spring, MD, USAGround Zero Books, Ltd.
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Trade paperback. Presumed First Edition, First printing. The format is approximately 8.25 inches by 9.75 inches. 176 pages. Decorative covers. Illustrations (some in color). Discovering American History in the National Archives. A beautiful account of the most striking events in American's past and an essential resource of democ…racy. This is a celebration of the permanent exhibition at the National Archives Building in Washington, D.C., providing a visual version of American political, social and economic history. Priceless collections of letters, maps, drawings, photographs and films tell the story of our nation. This demonstrates how preservation creates history. A number of those responsible are acknowledged elsewhere in this book, but several deserve special mention here. The National Archives' Director of Museum Programs, Marvin Pinkert, provided leadership for the entire National Archives Experience project. He has been ably assisted by Christina Rudy Smith, Head of Exhibits for Museum Programs. The Executive Director of the Foundation for the National Archives, Thora Colot, and her staff offered the support and spearheaded the commitment needed to develop the Public Vaults program. Finally, without the efforts of my predecessor, the Eighth Archivist of the United States, John Carlin, and NARA's other senior officials, the Public Vaults program could not have been initiated much less completed. The "vaults" of the National Archives and Records Administration have been "unlocked." Vast resources held by the National Archives in Washington, DC, and elsewhere can now be explored in a permanent exhibition, the Public Vaults, installed in the National Archives Building in Washington. Like the redesign of the Rotunda's treasured trio of America's founding documentsthe Declaration of Independence, the Constitution, and the Bill of Rights, the Public Vaults is part of the multi-component National Archives Experience. And what an experience! Moving from the records of ordinary American families to films of modern Presidents as youngsters, from the papers documenting the evolution of American Government from its origins to those of postCivil War African Americans assisted by the Freedmen's Bureau, visitors discover the nation's history anew. The mosaic of documentary set pieces and exciting interactive modules that make up the Public Vaults dramatically deepens the visitor's experience of the National Archives and the role it plays in American life. Creative achievements such as the Public Vaults require the skills and collaboration of enormously talented individuals. All those involved in the project deserve the gratitude of visitors who now pass through the building daily, delighting in and learning from the unlocking of the Archives' documentary cornucopia. In short order, the National Archives has replaced the "behind the scenes" vaults previously unavailable to most Americans with our amazing Public Vaults. Like new [removed from shrinkwrap for cataloguing].
Sprache: Englisch
Verlag: The Foundation for the National Archives in Association with D Giles Limited, London, Washington, DC, 2012
- Hardcover
- Erstausgabe
Anbieter: Ground Zero Books, Ltd., Silver Spring, MD, USAGround Zero Books, Ltd.
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Hardcover. Zustand des Schutzumschlags: Very good. The format is approximately 7.25 inches by 10.25 inches. viii, [4], 84 pages. Illustrated endpapers. Illustrations (some with color). With a message from David S. Ferriero, Archivist of the United States. Further Reading. Associated with a National Archives exhibition. A fascina…ting, thematic exploration of some of the millions of immigration files in the US National Archive, focusing on twenty nine case studies, this book explores beyond the literal by looking at the "attachments" of immigrants to family and community. Included are many previously unpublished photographs and other documents. Career: National Archives and Records Administration, curator, exhibits staff, Washington, DC, 1989. MEMBER: Organization of American Historians, National Council on Public History, American Association of State and Local History. WRITINGS: Western Ways: Images of the American West, National Archives, 1992. A New Deal for the Arts, National Archives/University of Washington Press, 1997. Picturing the Century, National Archives/University of Washington Press, 1999. (With Kenneth Kato) Treasures of Congress, National Archives/University of Washington Press, 2000. Attachments The Foundation for the National Archives (2012). A National Archives exhibition in Washington, DC, Attachments: Faces and Stories from America's Gates, draws from the millions of immigration case files in the Archives to tell a few of these stories from the 1880s through World War II. It also explores the attachment of immigrants to family and community and the attachment of government organizations to immigration laws that reflected certain beliefs about immigrants and citizenship. These are tales of joy and disappointment, opportunity and discrimination, deceit and honesty. Attachments is organized into three sections: "Entering," "Leaving," and "Staying." Entering America meant being able to join a spouse or parent; it meant a chance to marry, start a business, pursue an education, and bring family members to the United States. For U.S.-born Asian Americans returning to their birthplace, it was a test of their citizenship. For those escaping religious or political persecution, the outcome of their immigration application could mean life or death. The records in "Attachments" reveal that the answer to the question of who could pass through America's gates and be allowed to join our national community often depended on such factors as where a person was from, race and gender, and when and where the person tried to enter. For example, when Chun Sik On arrived in San Francisco in 1883, he had to bring a certificate proving that he was a "trader" and therefore not covered by the general ban on Chinese entering the country under the recently passed Chinese Exclusion Act. In 1927, Wong Lan Fong and her new husband, Yee Shew Ning, fashioned strategies that permitted them to enter the United States despite the commonly held belief that most Asian women were trying to enter the United States for immoral purposes. Richard Arvay, a Jewish refugee from Austria, benefited from a brief relaxation in immigration regulations that allowed him to come to the United States during World War II. Americans see their country as "a nation of immigrants"a place to get a fresh start and a chance to make a new home. Millions who came here found freedom and opportunity, if not for themselves, then for their descendants. But others who came to America's gates could not enter, and some who entered later decided to return or were sent home. For some, leaving was part of their original planto make money on a temporary sojourn or to simply visit the United States. Immigrants who wanted to enter but failed to qualify because of laws or regulations were cut off from their dreams. Even those who crossed America's threshold were subject to government control and deportation if, as aliens, they committed a crime, supported an unpopular political cause, or violated a regulation. Mary Yee, a white woman.
