Burton hannah (11 Ergebnisse)

Paperback. Zustand: Brand New. 142 pages. 11.00x8.50x0.36 inches. In Stock.

Zustand: New. In English.

Paperback. Zustand: Brand New. 349 pages. 8.75x5.75x1.00 inches. In Stock.

Zustand: Sehr gut. Zustand: Sehr gut | Seiten: 350 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Zustand: Hervorragend. Zustand: Hervorragend | Seiten: 350 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "Passages: Manuel Borja-Villel on Antoni Tàpies," by Antoni Tàpies; "Passages: Richard Meyer on Anita Steckel," by Richard Meyer; "Passages: Elizabeth Willis on Adrienne Rich," by Elizabeth Willis; "Books: Matt Saunders on 'Kippenberger: The Artist and His Families,'" by Matt Saunders; "Performance: Michael Wood on Fiona Banner's 'Heart of Darkness,'" by Michael Wood; "FilmL Amy Taubin on Benh Zeitlin's 'Beasts of the Southern Wild,'" by Benh Zeitlin; "Film: Dennis Lim on António Reis and Margarida Cordeiro," by Dennis Lim; "Film: Melissa Anderson on Kleber Mendonça Filho's 'Neighboring Sounds,'" by Melissa Anderson; "On Site: Rosalind E. Krauss on William Kentridge's Norton Lectures," by Rosalind E. Krauss; "On Site: Vaginal Davis on Jabberjaw," by Vaginal Davis; "Music: Owen Hatherley on Neneh Cherry's 'The Cherry Thing,'" by Owen Hatherley; "Top Ten," by Patterson Beckwith; "Blow-Up: Taryn Simon and Brian de Palma in Conversation"; "A Progression of Forms: The Art of Daan van Golden," by Richard Aldrich; "1000 Words: Mario García Torres," by Tom McDonough; "Another World: Michelle Kuo talks with David Graeber"; "Declaration of Independent: The 50th Anniversary of the Oberhausen Manifesto," by Eric Rentschler; "The More Things Change: The Art of Roman Ondák," by Ina Blom; "Trace Elements: The Art of Nairy Baghramian," by André Rottmann; "Openings: Pietro Roccasalva," by Jan Tumlir. Reviews by Huey Copeland, Jack Bankowsky, Jakob Schillinger, Hannah Feldman, Isabelle Graw, Jordan Kantor, David Frankel, David Rimanelli, Robert Pincus-Witten, Jeffrey Kastner, Suzanne Hudson, Lloyd Wise, Barry Schwabsky, Johanna Burton, Frances Richard, Donald Kuspit, Ida Panicelli, Emily Hall, Lauren O'Neill-Butler, Eva Díaz, Michael Wilson, Francine Koslow Miller, Ivy Cooper, Michelle Grabner, Jennifer King, Lisa Turvey, Jan Tumlir, Ben Carlson, Sarah Lehrer-Graiwer, Travis Diehl, Zehra Jumabhoy, Jo Applin, Gilda Williams, Lauren Dyer Amazeen, Declan Long, Lillian Davies, John Beeson, Astrid Mania, Noemi Smolik, Quinn Latimer, Yann Chateigné Tytelman, Giorgio Verzotti, Alessandra Pioselli, Astrid Wege, Hans den Hartog Jager, Ronald Jones, Javier Hontoria, Martí Peran, Lee Ambrozy, and Shinyoung Chung. Cover: Fiona Banner.…

48 pp.; 26 x 19 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Fall 1975 issue of Art-Rite, on Performance, edited by Edit deAk and Walter Robinson. Contents include: "Warm-Up," by David Antin; "Ralston Farina," by A.R.; "A Few Things We Know About Her," by John Howell; "Performance: A comment from Outside," by Jeremy Gilbert-Rolfe; "Performance: State of the Art in Arts," by John Howell; "Camoflage: Films by Holt & Horn," by Lucy R. Lippard; "The Chorus Line: Role, Style, Media," by Walter Robinson; "Dance: Orderly Pleasures," by John Howell; "Notes on 'Painter/Patient' Performance (Not Realized): Paris, July-August, 1975," by Diego Cortez and "Charlemagne Palestine." Cover: Joseph Beuys. References : No. 372 in "Joseph Beuys : The Multiples" by Jörg Schellmann, Dierk Stemmler, Joan Rothfuss, Peter Nisbet. Munich-New York / Cambride / Minneapolis, Germany / MA / MN : Edition Schellmann / Busch-Reisinger Museum, Harvard University / Walker Art Center, 1997, 2006, pp. 297, 477. "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 239. Very Good. 5 mm. tear to spine edge. Four small tears at edges of staple binding. 2 mm. and 1 mm. tear to top edge of recto and chipping along top edge of verso. Light yellowing of covers and pages. Contents clean and unmarked.…

48 pp.; 26 x 19 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Fall 1975 issue of Art-Rite, on Performance, edited by Edit deAk and Walter Robinson. Contents include: "Warm-Up," by David Antin; "Ralston Farina," by A.R.; "A Few Things We Know About Her," by John Howell; "Performance: A comment from Outside," by Jeremy Gilbert-Rolfe; "Performance: State of the Art in Arts," by John Howell; "Camoflage: Films by Holt & Horn," by Lucy R. Lippard; "The Chorus Line: Role, Style, Media," by Walter Robinson; "Dance: Orderly Pleasures," by John Howell; "Notes on 'Painter/Patient' Performance (Not Realized): Paris, July-August, 1975," by Diego Cortez and "Charlemagne Palestine." Cover: Joseph Beuys. References : No. 372 in "Joseph Beuys : The Multiples" by Jörg Schellmann, Dierk Stemmler, Joan Rothfuss, Peter Nisbet. Munich-New York / Cambride / Minneapolis, Germany / MA / MN : Edition Schellmann / Busch-Reisinger Museum, Harvard University / Walker Art Center, 1997, 2006, pp. 297, 477. "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 239. Very Good / Fine. 5 mm. tear with creasing to top left corner of recto. 2.9 cm. tear to spine edge of recto. 3.6 cm. dog-ear to bottom left corner of verso with light 1 cm. dog-ear to bottom right corner of most pages. Contents clean and unmarked.…

Softcover. Zustand: Near Fine. Magazine. Edited by Vito Acconci and Bernadette Mayer. Quarto. About near fine with crease to rear corner, miniscule chip to front corner and a hint of toning. The seventh and final issue of Vito Acconci and Bernadette Mayer experimental and uncommon magazine. Contributors include Anne Waldman, John Giorno, Hannah Weiner, Lewis Warsh, Marjorie Strider, Adrian Piper, Lil Picard, Arakawa, Bobbi Gormley, Matthew Klein, Deborah Hollingworth, Keith Hollinger, Gregory Battcock, Scott Burton, James Lee Byars, Rosemarie Castoro, Eduardo Costa, Bill Creston, Stephen Kaltenbach, Les Levine, Lucy Lippard, Meridith Monk, Ben Patterson, and John Perreault. …

[1] pp.; 71 x 55.2 cm.; monochrome; edition size unknown; unsigned and unnumbered; offset-printed Poster published in conjunction with the series of actions of "Street Works IV" opening held October 2, 1969 featuring all eleven artists and continuing through various locations through October 25, 1969. Coordinated by Hannah Weiner, Marjorie Strider and John Perreault. Artists included Vito Acconci, Arakawa, Scott Burton, Eduardo Costa, Stephen Kaltenbach, Les Levine, Abraham Lubelski, Bernadette Meyer, John Perreault, Marjorie Strider and Hannah Weiner. Poster incorporates photograph by Ira Joel Haber. Very Good. Unmailed copy folded in nine as issued. Very light discoloration of verso edges when folded. Closure seal broken. Otherwise clean and unmarked. …

[1] pp.; 28 x 21.6 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Flyer / announcement published to promote events held between 13th and 14th Streets and 6th and 5th Avenues, New York City, on April 18, 1969. Participating artists included Vito Hannibal Acconci, Terence Anderson, Arakawa, Gregory Battcock, Matthew Benedict, Michael Brownstein, Scott Burton, James Lee Byars, Rosemarie Castoro, Eduardo Costa, Bill Creston, Larry Fagin, Madeline Gins, John Giorno, Bobbi Gormley, Tom Gormley, Dan Graham, Katherine Greef, Stephen Kaltenbach, Joseph Kosuth, Leandro Katz, Alcides Lanzy, Lucy Lippard, Rosemary Mayer, Ben Patterson, John Perreault, Lil Picard, Adrian Piper, H Alexander Roberts, Marjorie Strider, Mr. T., Bernar Venet, Frank Lincoln Viner, Anne Waldman, Lewis Warsh, Luis Wells, Hannah Weiner and Lawrence Weiner. These organized street works can be understood as extensions of both the Pop art Happenings of the earlier 1960s and the street protests taking place in New York City and throughout the country during the 1968 elections, the Civil Rights Movement, and the Vietnam War. Whereas the Pop happenings usually took place in galleries and performance spaces, the street works were unconfined by physically walled-in spaces. Enacted in open environments, comingled with the natural flow of pedestrians, these performances created unlimited possibilities for happenstance with the sidewalk as the stage and the city as backdrop, the inhabitants of New York became active participants with the artists, willingly or not. Fair / Good. Folded in three and two tape stains. Name of recipient on verso in ink. …