Burroughs catherine b (18 Ergebnisse)

Paperback. Zustand: Very Good. 1. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Softcover. Zustand: Very Good+. No Dust Jacket. First Edition. Crisp clean and tight w 14 pps of brackets/marginalia, underlining or highlighting of 273 total pages. A VERY NICE COPY overall otherwise showing light edge and corner wear only.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Fine. First Edition. 256pgs. Purple Cloth. 5 pages have highlighting, pencil parentheses, otherwise as new. Pictorial jacket as new. This book examines theater theory produced by middle- and upper-class British women-playwrights, actresses, and spectators-between 1790 and 1840. Shifting the focus away from the Romantic male writers to the journals, letters, and play prefaces in which women framed their relationship to the theater arts, Catherine Burroughs reveals how a concern with the performative aspects of daily life and the movement between public and private spheres produced a notion of theater that complicates the Romantic opposition between "closet" and "stage Size: Octavo. Book. …

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,750grams, ISBN:9781603290838.

Zustand: Very Good. From the Library of John Russell Taylor.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

First Edition. Fine cloth copy in a near-fine, very slightly edge-dulled dust wrapper. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description; 238 pages, 23.5 cm. Contents; Frontmatter -- Contents -- Preface -- 1. "The Value of Our Criticism": Constructing Women's Theater Theory -- 2. Representing the Female Actor: Celebrity Narratives, Women's Theories of Acting, and Social Theaters -- 3. Joanna Baillie's Theater of the Closet: Female Romantic Playwrights and Preface Writing -- 4. Conflicted Performance Styles in Baillie's First Volume of Plays on the Passions (1798) -- 5. Private Theatricals and Baillie's The Tryal -- Appendix: Selected List of Texts Containing Women's Theater Theory Published in Great Britain (1790-1850) -- Notes -- Works Cited -- Index. Subjects; Baillie, Joanna 1762-1851 Knowledge Performing arts. English drama 19th century History and criticism Theory, etc. Women and literature Great Britain History 19th century. Women in the theater Great Britain History 19th century. 1 Kg.…

Paperback. Zustand: Brand New. 1st edition. 273 pages. 9.25x6.00x1.00 inches. In Stock.

Zustand: very good. From the Library of John Russell Taylor.

Zustand: New. In English.

Hardcover. Zustand: Brand New. 256 pages. 9.50x6.50x1.00 inches. In Stock.

Zustand: New. Catherine Burroughs reveals how a concern with the performative aspects of daily life and the movement between public and private spheres produced a notion of theater that complicates the Romantic opposition between closet and stage. &Uumlber de.

Buch. Zustand: Neu. Neuware - Closet Stages examines theater theory produced by middle- and upper-class British women-playwrights, actresses, and spectators-between 1790 and 1840. Shifting the focus away from the Romantic male writers to the journals, letters, and play prefaces in which women framed their relationship to the theater arts, Catherine Burroughs reveals how a concern with the performative aspects of daily life and the movement between public and private spheres produced a notion of theater that complicates the Romantic opposition between 'closet' and 'stage.'.…

Burroughs, Catherine B., 1958-, ed. Women in British romantic theatre: drama, performance, and society, 1790-1840. Cambridge University Press, 2000, xvi, 344pp., very good dust-jacket, very good black cloth. 9780521662246 ISBN 0521662249.

Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - First published in 2000, this collection of essays examine the extraordinary contribution of women playwrights, actors, translators, critics and managers who worked in British theatre during the romantic period. Focusing on women well known during their day but neglected for some 150 years, the volume provides a crucial perspective that revises historical narratives and reflects the rapidly changing terrain of scholarship in the complex field of romantic theatre and drama. Eleven specially commissioned essays by a distinguished team of scholars explore the role of numerous theatrical women including the eminent actress Sarah Siddons and two of the period's most prolific playwrights Elizabeth Inchbald and Joanna Baillie. The book strikes a balance between literary and theatrical approaches, showing how the period's preoccupation with categories such as text and performance, closet drama and stage, provide a key to 'uncloseting' an important group of female theatre artists.…