Burn george (29 Ergebnisse)

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

hardcover. Zustand: Fine. Burn, Dawn (illustrator).

hardcover. Zustand: Very Good. Burn, Dawn (illustrator).

hardcover. Zustand: Fine. Burn, Dawn (illustrator).

Hardcover. Zustand: Brand New. 36 pages. 10.01x8.01x10.00 inches. In Stock. Burn, Dawn (illustrator).

288 pp.; 23.4 x 16.2 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Compendium of the statements, writings, manifestos, art works, and interviews of Gilbert & George from 1968 - 1997. Includes previously unpublished texts and conversations with Gordon Burn, Shere Hite, Wolf Jahn, Dave Stewart and others. Also includes multiple portraits of the artists by various artists. New. In publisher's shrink wrap. Due to size and weight additional shipping charges may be required.…

Cloth. Zustand: Near Fine. No Jacket. 1st Edition. 156 pages. Hardcover. Texts in English. Minimal shelfwear to the edges and associated faint rubbing to the covers. Lacking the printed paper wrapper. Otherwise, the binding is tight, the interior clean and unmarked. Bound in gilt-stamped red leatherette covered boards and published on the occasion of the exhibition held from September 23-December 16, 2000. Book.…

Hardcover. Zustand: Fair. Zustand des Schutzumschlags: N/A. 5th or later. Volume II (of five) only. 23rd edition. 846pp. Half bound in tan leather over marbled paper-covered boards, gilt titles on black spine label. 8vo. . Leather cornering no longer present, corners rubbed and bumped. Loss at spine ends, cracking along joints. Paper worn, rubbed, chipped and cracking on corners and edges. Dusty top text block edge. Hinges cracking. Some edge damage to first few leaves, rear free endpaper creased and dog eared else internally neat, clean and bright. This is the 23rd edition with corrections, additions and improvements. The cases brought down to the end of Easter Term 1 Geo IV 1820 & the statutes to 1 Geo IV 1820.…

Hardcover. Zustand: Fair. Zustand des Schutzumschlags: N/A. 5th or later. Volume IV (of five) only. 23rd edition. 722pp. Half bound in tan leather over marbled paper-covered boards, gilt titles on black spine label. 8vo. . Leather cornering no longer present, corners rubbed. Loss at spine ends, cracking along joints. Paper worn, rubbed, chipped and cracking on corners and edges. Dusty top text block edge. Hinges cracking. Some edge damage to first few leaves, and some mild page toning else internally neat and clean This is the 23rd edition with corrections, additions and improvements. The cases brought down to the end of Easter Term 1 Geo IV 1820 & the statutes to 1 Geo IV 1820. …

Hardcover. Zustand: Fair. Zustand des Schutzumschlags: N/A. Volume V (of five) only. 736pp. Half bound in tan leather over marbled paper-covered boards, gilt titles on black spine label. 8vo. . Leather front corners no longer present. Loss at spine ends. Heavily bumped corners. Dusty top text block edge. Hinges cracked and loose. Internally neat, clean, bright and tight, light foxing throughout. This is the 23rd edition with corrections, additions and improvements. The cases brought down to the end of Easter Term 1 Geo IV 1820 & the statutes to 1 Geo IV 1820.…

Soft cover. Zustand: Very Good. Rubbed spine otherwise in fine condition. ISBN 0140141332. Book.

156 pp.; 26.6 x 20.1 cm.; sewn bound; slipcase; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue / artist's book published in conjunction with show held September 23 - December 16, 2000. Book design mimics a medical journal. Content is heavy on necrology, autopsies [inclusive of many images related to the topic], crime scenes and gore galore. There's plenty of images of Hirst's work too. Embossed leatherette boards with printed paper sleeve. Very Good / Fine. Includes printed slipcase. Light yellowing of page edges with rubbing at edges of title page. Rubbing of cover corners and spine edges with light bumping of upper right corner of recto. 2 mm. rubbing of upper right corner, 1.5 cm. and 1.2 cm. rubbing/white staining of spine edge. 1.2, 1 mm., 1 cm., and 3 mm., rubbing/white staining of verso. Yellowing of slipcase edges and scratching with very light bumping of edges. 1.9 x 1.3 cm. partially removed pricing sticker on verso. Due to large size and weight of this publication additional shipping charges may be required for international orders.…

Encuadernación de tapa dura. Zustand: Bien. 2� Edición. Tapa dura. Buen estado. Dep. Legal: B. 20285-1970. 691 ilustraciones de ellas 222 en color. 469 fotografías, dibujos, mapas y tablas cronológicas. Dirigida por Michael Grant. Gran formato. Historia. Historia del arte. VV.AA. (illustrator).

156 pages, fully illustrated. Hardback in a slipcase 20.3 x 26.7cms. ISBN: 1880154420. Text in English.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Gebunden. Zustand: New. KlappentextThis work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original w.

Hardcover. Zustand: Good. Not present. pp. 360 / Geïllustreerd / Illustrated / Illustré / Illustriert German.

Taschenbuch. Zustand: Neu. Neuware - This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. …

Taschenbuch. Zustand: Neu. Neuware - This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. …

HARDCOVER. Zustand: As New. 1st Edition. 1st printing. Quarto size (4to) in gilt embossed red faux leather, 146pp, plates in colour and b/w, etc. Issued with a printed glossy card sleeve . [CONDITION: An extremely well preserved AS NEW unread and unmarked copy in a very slightly edge-creased but otherwise AS NEW sleeve ] . __To see more of our Art Monographs etc type DBBARTIST in the Keywords search box . . NOTE: Depending on destination this item may require an extra payment for insurance. If so, orders made by card will be completed only after you have approved any such extra cost. . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Hardcover. Zustand: Poor. Zustand des Schutzumschlags: No Dust Jacket As Issued. 24th edition. Four (of the five) are hardback volumes bound in matching full light brown calf with gilt titles on red & green spine labels, 5 raised bands, dentelles at edges. Volume three is the 25th edition of 1830, and is in original card wraps, page edges untrimmed, partly uncut. All 4 leather bindings are worn and the boards are off as follows - vol 1 both off, vol 2 rear board off, vol 4 both still attached, vol 5 rear board off. Both the spine labels are missing from vol 5, and the 'volume' label is missing from 1 - most of 2, and part of that to 4, are still present. The first three leaves of vol. 1 are bound in upside down. Volumes 1 and 2 have George Chetwynd's heraldic bookplate on the pastedowns and there is an old inked note on the front endpaper of vol 5, else they are internally unmarked. Would benefit from some TLC - but priced accordingly. Heavy set, near 7kg unpacked - usual postage rates may not apply to all destinations. …

Hardcover. Zustand: Sehr gut. 123 Seiten Das Buch behandelt die antike Welt Griechenlands und Roms, beleuchtet deren Kulturgeschichte und bietet zahlreiche farbige Abbildungen zur Visualisierung der Themen. Zustand: Einband mit geringfügigen Gebrauchsspuren, insgesamt SEHR GUTER Zustand! HC1-827-8/8-00823263 Sprache: Deutsch Gewicht in Gramm: 1063 Lizenzausgabe des Deutschen Bücherbundes. …

Mar 16, 2016. Zustand: gebraucht; wie neu. Komplett im illustrierten Kartonschuber, praktisch ungebraucht.

48 pp.; 21 x 15.3 cm.; staple bound; black-and-white; edition size 800; unsigned and unnumbered; offset-printed Exhibition catalogue for show of artists' books held September 20 - October 14, 1972. Text by Germano Celant. Exhibition checklist organized chronologically by Celant and Linda Morris. Show included books by Dick Higgins, Claes Oldenburg, Dieter Rot [aka Dieter Roth], Ben, Daniel Spoerri, George Brecht, Yoko Ono, Claus Bremer, John Cage, La Monte Young, Jackson MacLow, Nam June Paik, Emmett Williams, Walter de Maria, Malka Safro, Simone Forti, Richard Maxfield, Christian Wolff, Stanley Brouwn, Piero Manzoni, Edward Ruscha, Robert Filliou, Ray Johnson, Allan Kaprow, Alison Knowles, Joseph Kosuth, Eduardo Paolozzi, Gianfranco Baruchello, Mel Bochner, Terry Atkinson, Michael Baldwin, Ay-o, Oyvind Fahlstrom, John Giorno, Jerome Rothenberg, Wolf Vostell, Robert Watts, Philip Corner, Juan Hidalgo, Mel Ramsden, Carl Andre, Robert Barry, Sol LeWitt, Robert Morris, Lawrence Weiner, Ian Burn, Merce Cunningham, Terry Riley, Ben Vautier, Stephen Kaltenbach, Walter Marchetti, N.E. Thing Co. LTD., Giulio Paolini, Bernard Venet, Franz Erhard Walther, Andy Warhol, Vito Acconci, Stig Brogger, José Luis de Castillejo, Roger Cutforth, Hanne Darboven, Jan Dibbets, Dan Graham, James Lee Byars, Maloney, Bruce Nauman, Michelangelo Pisteletto, Emilio Prini, Allen Ruppersberg, Richard Tuttle, Harold Hurrell, Bernd & Hilla Becher, Christo, Dennis Oppenheim, Mark Boyle, Daniel Buren, Donald Burgy, Gerald Ferguson, Dorothy Iannone, Bejamin Patterson, Gilbert & George, Kathe Gregory, Marilyn Landis, Russell F. Lewis, David Crane, Scott R. Kahn, Lawrence Alloway, Gerard Hemsworth, David Lamelas, Mario Merz, Tom Phillips, Peter Roehr, Klaus Staeck, Art & Language, Derek Boshier, Marcel Broodthaers, Alessandro Carlini, James Collins, Giancarlo Croce, Giorgio Fabbris, Giorgio Spiller, Sandro Greco, Hamish Fulton, Bob Law, Richard Long, Philip Pilkington, David Rushton, Kevin Lole, Peter Smith, Giuseppe Penone, John Stezaker, Athena Tacha, Gérard Titus-Carmel, Vincenzo Agnetti, Giovanni Anselmo, John Baldessari, John Blake, Victor Burgin, Ger van Elk, Richard Hamilton, and Bruce McClean Reference : No. 3 and No. 135 in "The Book on Books on Artists' Books" by Arnaud Desjardin. London, England : The Everyday Press, 2011, pp. 15, 74. Very Good. Very light wear to covers. Name of previous owner in ink on first inside page, and small ink dash next to the names of Alison Knowles, Hanne Darboven, and Athena Tacha in the checklist. Otherwise Fine. …

31x44, grünes geprägtes O Ln. mit 5 Sthlstichen, gutes Exemplar Sprache: Deutsch.

Zustand: gut. 2016. Reclams Einführungen in die Mythen alter Kulturen: 6 Taschenbücher in Kassette (Reclam Taschenbuch) In deutscher Sprache. pages.

Finely bound set of this monumental work. Octavo, 5 volumes, bound in contemporary full calf, morocco spine labels. In near fine condition. "Burn constructed coherent categories for the discussion of the matters subject to the powers of justices and parish officers; and within each category he presented, in the order in which they arose in the performance of the justice's or officer's duty, the steps a justice or officer would take in dealing with each matter, and the law relevant to each step" (ODNB).…

London: Laurie & Whittle, 1794. 520 x 510mm. Wide margins. Harwich was important as the only safe anchorage on the east coast of England between the Thames and Humber. As such it was important for the Royal Navy, especially at the time this chart was published, as invasion by Revolutionary France was feared.…

Very good. Blueback chart. Exhibits some transference. Size 35.5 x 39 Inches. An impressive 1800 George Burn and Laurie and Whittle large format blueback nautical map of the entrance to the Thames River, England. A Closer Look The map covers parts of Kent, Essex, and Suffolk. It details the Entrance to the Thames River with its many shoals and coastal communities. A small inset map at the top of the chart continues the map westward from Canvey Island to London, with depth soundings and river towns noted. Throughout there are thousands of depth soundings in fathoms. The map is dedicated to Lord Viscount Adam Duncan (1731 - 1804). Duncan was a British admiral famous for defeating the Dutch fleet off Camperton on October 11 of 1797. Duncan was awarded the Large Naval Gold Medal and an annual pension of £3,000, to himself and the next two heirs to his title - this was the biggest pension ever awarded by the British government. Additionally, he was given the freedom of several cities, including Dundee and London. Laurie and Whittle, no doubt sensing a potential patron with influence at the Hydrographic Office, chose this apt map to court his attention. Blueback Charts Blueback nautical charts began appearing in London in the late 18th century. Bluebacks, as they came to be called, were privately published large-format nautical charts known for their distinctive blue paper backing. The backing, a commonly available blue manila paper traditionally used by publishers to wrap unbound pamphlets, was adopted as a practical way to reinforce the low-quality paper used by private chart publishers to cut costs. That being said, not all blueback charts are literally backed with blue paper, some are unbacked or backed with linen. Moreover, as blueback charts which were typically composed of multiple sheets, they were designed in a modular fashion, so that multiple charts could be joined to create truly massive custom maps suited for specific voyages. The earliest known blueback charts include a 1760 chart issued by Mount and Page, and a 1787 chart issued by Robert Sayer. The tradition took off in the early 19th century, when British publishers like John Hamilton Moore, Robert Blachford, James Imray, William Heather, John William Norie, Charles Wilson, David Steel, R. H. Laurie, and John Hobbs, among others, rose to dominate the chart trade. Bluebacks became so popular that the convention was embraced by chartmakers outside of England, including Americans Edmund March Blunt and George Eldridge, as well as Scandinavian, French, German, Russian, and Spanish chartmakers. Blueback charts remained popular until the late 19th century, when government-subsidized organizations like the British Admiralty Hydrographic Office and the United States Coast Survey, began issuing their own superior charts on high-quality paper that did not require reinforcement. Publication History and Census This map drawn by George Burn, a master in the British Navy, and was issued as chart 2 in the 1800 Laurie and Whittle's Channel Pilot . References: Library of Congress, Map Division, 79696093. OCLC 43216322, 6170751. Maps and Plans in the Public Record Office: I. British Isles, c.1410-1860, (London, 1967), entry 1304.…