burmese manuscript (3 Ergebnisse)

555 x 115 mm, housed in original case 770 x 310 x 325 mm. 92 ff. Pali manuscript on textile leaves, painted black and red and then lacquered. Pale yellow Burmese square script. Loose, housed in contemporary manuscript chest. Housed in a rare surviving manuscript case: a Burmese lacquered manuscript of a Buddhist monastic text. The manuscript case, called a sedaik, is rarely preserved alongside such manuscripts. Such cases were specially made for manuscripts held in monasteries and in the homes of wealthy Buddhist families; lavishly decorated and painted in gold, with five sides made up of a metal grille punched with geometric designs, the sedaik signifies the importance of the text housed inside. It had practical uses as well: raised off the floor on four legs, it kept manuscripts away from water damage, and its decorative metal grille was a useful defence against rats and mice. - The manuscript housed in this sedaik is a section of the Sutta Vibhanga which describes a parajika: one of the four forbidden failures of monastic life which, if perpetrated, would see a monk banned from re-entering a monastery for the rest of his current reincarnation. These parajika include sexual intercourse, theft, murder or inciting a death, and lying about one's spiritual level along the path to Enlightenment. The Sutta Vibhanga is an important text of Theravada Buddhism, and dictates many such aspects of Buddhist monastic life. - The text of this manuscript is written in creamy yellow Burmese square script on a field of black lacquer, bordered in red and decorated with gilt. This black lacquer field and pale script are an uncommon combination; similar manuscripts are more commonly seen in black ink on fields of red-and-gold. Fine lacquer manuscripts such as this one were commissioned by wealthy laypeople and donated to a local monastery, an action through which the donors would gain spiritual merit, as well as enriching their local monastic libraries. - Text gently rubbed or faded in a few places; gentle edgewear to lacquer leaves, with one or two minor chips (no loss to text). Case with light wear, fully functional, clasp likely later. In good condition. - From the collection of a private estate in Edinburgh, Scotland, acquired during the colonial era.

Palm leaf. Complete with 16 leaves (13 cm x 59 cm) of text in Pali, written in Burmese "square" script. The leaves consist of cloth, the fabric of discarded monk's robes, which has been lacquered to provide a rigid surface. (Copper is also used and more rarely ivory). The lacquered surface is gilded and the design is painted in red lacquer and finally the script applied in black laquer. Within wooden covers, similarly gilded and decorated, bevelled edges. A beautiful copy.The Kammavaca is a collection of extracts from the Pali Vinaya, the monastic code of discipline, outlining rituals and observances of the Buddhistic order. It was customary for a Burmese family to commission a copy of the Kammavaca on the occasion of their son entering the monkhood. This kind of manuscript was produced at Mandalay in the latter half of the 19th century. John Guy, "Palm-leaf and Paper. Illustrated Manuscripts of India and Southeast Asia", no. 37. p.61.

11. S.l.s.d. ( Burma , ca. 1900 ?), concertina album ( Leporello ) , 175 x 435 mm, 60 ruled pages of 9 lines, written on both sides, with stiff , leather like, decorated covers. Covers have a red ground colour with a gilt finish. Both sides have a double rectangle of small circular mirror stones (diameter 5 mm). The inside rectangle is made from green coloured glass. In between the glass mini mirror rectangles is an embossed floral decoration. In nice state of preservation allthough some pages show a very faint trace of an old waterstain.