buren e douglas van (30 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: Good. General wear to boards. Light toning to pages. Ex Library.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Zustand: Very Good. No Jacket. First. xx, 168, 80 figs over 19 pls. Brown pictorial boards, an ex-library copy from London County Council Brixton School of Building with marks on fpd, title page, verso of title page and spine. The Introduction is followed by a catalogue of archaeological sites and buildings and then by a catalogue of crestings, spouts, palmettes, antefixes, akroterion, pediments, metopes, friezes and reliefs. A little wear to head of spine, mild browning of half-title and title pages. 4to - over 9¾" - 12".

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Zustand: Very good. First Edition. 208p plus 39 pages of plates. quarto, illustrated. A very good copy in rust cloth without dj. Non-authorial inscription on the front fly leaf., starting at the crown.Long non-authorial inscription neatly written on the front fly leaf, bookplate Signed by Author(s).

Zustand: New. KlappentextrnrnUnlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketc.

London, 1921. X,74 pp. 32 plts. Orig. hardcover.

Gebunden. Zustand: New.

Gebunden. Zustand: New.

Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.

Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Zustand: New. pp. 430.

XX, 208 S. Gr. 8°, Ln., mit Gold-, Farb- und Blindprägungen. Rückenetikett; Rücken oben eingedrückt, Klebstoffreste; Einband bestoßen, hinten Einschmutzungen, Etikettenreste. Fingerflecken im Spiegel, Ablöseschaden an hinterem Spiegel. Papier gebräunt, Randläsuren. Insgesamt noch ordentlicher Zustand. Text englisch, 39 Bildtafeln im Anhang, eine farbige als Frontispiz. Bibliotheksexemplar, handschr. Signaturen und Stempel in Vorsatz und Titel verso. 1300 gr.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: No Dust Jacket. First Edition. Light foxing. Scholar's name to ffep (T. J. Dunbabin). Corners bumped.; 74 pages.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: No Dust Jacket. First Edition. Light foxing. Scholar's name to ffep (T. J. Dunbabin). Corners bumped. Pencil marginalia on a few pages with 1 page in pen.; 34 plates at rear and a coloured frontispiece.; 208 pages.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: No Dust Jacket. First Edition. Scholar's name to ffep (T. J. Dunbabin). Corners are bumped and slightly worn. Pages very slightly tanned. Pencil marginalia on a few pages (1 page in ink).; Introduction is followed by a catalogue of archaeological sites and buildings and then by a catalogue of crestings, spouts, palmettes, antefixes, akroterion, pediments, metopes, friezes and reliefs. 19 b/w plates at rear; 168 pages.

London, 1926. XX,208 pp. 39 plts. Orig. hardcover. - Minimal shelfwear.

X, 74 S. Gr. 8°, Ln. it Gold-, Farb- und Blindprägungen. Rückenetikett; Einband bestoßen, Tintenfleck an vorderer Decke, hinten Einschmutzungen, Etikettenreste. Ablöseschaden an hinterem Spiegel. Papier gebräunt, Randläsuren. Insgesamt noch ordentlicher Zustand. Text englisch, 32 Bildtafeln im Anhang. Bibliotheksexemplar, handschr. Signaturen und Stempel in Vorsatz und Titel verso. 1000 gr.

Hardcover. Zustand des Schutzumschlags: No Dust Jacket. Ex-library with the usual marks. Top spine; Ex-Library; quarto; 287 pages Very Good- a bit frayed, some wear to corners. Spine tanning.

3 vol. : [unpaginated] ; [unpaginated] ; [unpaginated]; 3 vol. : 13.5 x 16.9 cm. (each); glue bound; black-and-white; edition size 700; unsigned and unnumbered; offset-printed; Three volume publication documenting the exhibition Sonsbeek ''71 held in and around Park Sonsbeek. Book produced as graduation projects by Paul Bonger and Rick Vermeulen at art school in Rotterdam, now know as Willem de Kooning Academy. Introduction by Bonger and Vermeulen. Artists include Vito Acconci, Bas Jan Ader, Carl Andre, Ben d''Armagnac, Richard Artschwager, Bruce Baillie, Douwe Jan Bakker, Joseph Beuys, Ronald Bladen, Marinus Boezem, Stanley Brouwn, Daniel Buren, Javacheff Christo, Tony Conrad, Hanne Darboven, Walter de Maria, Ad Dekkers, Ger Dekkers, Jan Dibbets, Ger van Elk, Pieter Engels, Groep Enschede, E.R.G., Hans Eykelboom, Barry Flanagan, Fluxus, Hollis Frampton, Ernie Gehr, Dan Graham, Robert Grosvenor, Michael Heizer, Douglas Huebler, Ken Jacobs, joepat, Donald Judd, On Kawara, W (Imi) Knoebel, Hans Koetsier, Axel van der Kraan, Peter Kubelka, George Landow, Standish Dyer Lawder, Sol LeWitt, Richard Long, Mass Moving, Yutaka Matsuzawa, Mario Merz, Jack Moore, Robert Morris, Bruce Nauman, Robert Nelson, Groep Noord-Brabant, Claes Oldenburg, Dennis Oppenheim, Nam June Paik, Panamarenko, Egbert Philips, Emilio Prini, Klaus Rinke, Peter Roehr, Ulrich Rückriem, Edward Ruscha, Fred Sandback, Jean-Michel Sanejouand, Wim T. Schippers, Richard Serra, Paul Sharits, Eric Siegel, Tony Smith, Robert Smithson, Kenneth Snelson, Michael Snow, Koert Stuyf, Ellen Edinoff, Shinkichi Tajiri, Sajiki Tenjo, Yokoyama, Carel Visser, André Volten, Hans de Vries, Lex Wechgelaar, Lawrence Weiner, Joyce Wieland, Annemiek Backer, Marijke Boon, Cor Blok, Pieter Brattinga, K. Schippers, B. van Garrel, Ton Haak, Les Levine, Titia Tybout, Odufré Joes and Wim Crouwel. Texts in English and Dutch. "The tripartite catalogue Sonskeek [sp] ''72 arose from the notes and photos we made of a project that we executed during the period November ''71 - June ''72. What was the starting point of the project? Of all the Sonsbeek exhibitions in ''49- ''52- ''55- ''59 and ''66 one could or one can find back all the sculptures; although not in the original place, in the park, they are to be seen somewhere. Yet the transiency of the projects and objects as exposed during the manifestation ''Sonsbeek buiten de perken'' for us was a reason to trace back what happened to these projects and objects. Doing this we considered ourselves as visitors who came after the closing of the manifestation. We visited the original place of the object/project, made photographs and described it and did so with the present place as well. E.g. from the gigantic wedge by Ronald Bladen at the place in park Sonsbeek hardly anything could be found, except a slight difference in colour of the pavement. The wedge itself we discovered in pieces against the wall of a shed of a firm in Arnhem. Most of the projects and objects we also found back in totally different state: at rubbish dumps, on heaps of scrap- iron, dismantled and packed in boxes, in peoples homes on the cupboard. In some cases nothing was to be found back. We sent a stencil to the 35 filmmakers asking them to send a photo and a description of the present place of their films. Description and photo were their part in our project, the original place always being the place at the lawn where in a tent the films have been shown, during the manifestation. From some filmers we didn?t get an answer within a certain period, then the second card is dropped out. Some artists played a part by the publication they got in one of both Sonsbeek cataloques. When their project had a relation with a location, we visited it and made a photo, if not, we reproduced the concerning pages out of the cataloques. The definite form of the three booklets as they now appear, is the result of collecting and combining the 360 cards on one side a photo, on the other side the description. We thank everyone who helped us to realize this project." -- Paul Bonger and Rick Vermeulen from book''s English introduction. Good. Curl to bottom right quadrant of the three volumes. Rubbing, scratching and light edge wear to covers. Volume 1 has 6.2 cm., 1 cm. and 1 mm. areas of surface tearing to verso. Volume 2 has 10 cm. area of surface tearing to recto. Contents of all volumes are clean and unmarked.

4to. 20, 208 S., 39 Tafeln (davon 1 farbig). OLwd (Schnitt, Titelbl. u. 2 Taf. braunfleckig). Sprache: Englisch.

John Murray, London, 1926.XX,208p. XXIX plates with 145 B&W photographs. Original brown pictorial cloth. Small personal library mark and name on free endpaper. From the library of the late Sir Kenneth James Dover.