Bullard beth (10 Ergebnisse)

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: As New. Unread book in perfect condition.

Taschenbuch. Zustand: Neu. Neuware.

Zustand: As New. Unread book in perfect condition.

Zustand: New. This early German 'do-it-yourself' manual tells us about music-making in the years just before the Reformation. Series Editor(s): Butt, John; Dreyfus, Laurence. Series: Cambridge Musical Texts and Monographs. Num Pages: 292 pages, 80 b/w illus. BIC Classification: AVR. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 229 x 156 x 18. Weight in Grams: 472. . 2008. Annotated. paperback. . . . . Books ship from the US and Ireland. …

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Musica getutscht (Basel, 1511) is the earliest printed treatise on musical instruments in the West. Written by a priest and chapel singer named Sebastian Virdung, it provided rudimentary instruction on playing three instruments: the clavichord, the lute and the recorder. This early 'do-it-yourself' manual of instruction not only tells us about music-making in that era, it also illumines other aspects of society in the years just before the Reformation. Its author communicates in a popular style, choosing a mixture of media: a written text in the guise of an informal conversation, coupled with woodcut illustrations and visual aids. Enthusiasts of early music and its performance as well as historians of art, society and the German language will welcome Beth Bullard's substantial introduction and annotations, which help explain the text of this important work and its place in intellectual history.…

Zustand: Near Fine. Zustand des Schutzumschlags: Very Good. 1st Edition. Dust jacket: Light shelf wear and very slight marking. Short tear to top edge of rear cover. Preserved in a removable jacket protector. Overall jacket condition is Very Good. Book: First English translation of the earliest treatise on musical instruments printed in the west, includes a substantial introduction. The book provides rudimentary instruction on playing the clavichord, lute and recorder. Black cloth binding. Slight marking to page edges, otherwise in first class condition throughout. Overall book condition is Near Fine. Size: 6.25 x 9.25 inches (16 x 23.5 cm). Hardback. Printed pages: xii, 275.…

First Edition. Fine cloth copy in an equally fine dust-wrapper. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Series; Cambridge Musical Texts and Monographs. Physical description; 275 pages. Contents; Preface; List of abbreviations; Part I. Translator's Introduction; 1. Why study Musica getutscht?; 2. A biography of Sebastian Virdung; 3. The publication history of Musica getutscht; 4. The offspring of Musica getutscht; Part II. Musica Getutscht: 5. A note on the translation; 6. Sebastian Virdung's Musica getutscht; Appendix. Transcriptions of documents pertaining to Sebastian Virdung and Musica getutscht; Notes; Bibliography; Index. Summary; Musica getutscht (Basel, 1511) is the earliest printed treatise on musical instruments in the West. Written by a priest and chapel singer named Sebastian Virdung, it provided rudimentary instruction on playing three instruments: the clavichord, the lute and the recorder. This early 'do-it-yourself' manual of instruction not only tells us about music-making in that era, it also illumines other aspects of society in the years just before the Reformation. Its author communicates in a popular style, choosing a mixture of media: a written text in the guise of an informal conversation, coupled with woodcut illustrations and visual aids. Enthusiasts of early music and its performance as well as historians of art, society and the German language will welcome Beth Bullard's substantial introduction and annotations, which help explain the text of this important work and its place in intellectual history. Subjects; Musical instruments - Europe - Early works to 1800. Tablature (Music) - Early works to 1800. Musical instruments & instrumental ensembles. Music / Musical Instruments / General. 2 Kg. …

First Edition. Fine cloth copy in an equally fine dust-wrapper. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Series; Cambridge Musical Texts and Monographs. Physical description; 275 pages. Contents; Preface; List of abbreviations; Part I. Translator's Introduction; 1. Why study Musica getutscht?; 2. A biography of Sebastian Virdung; 3. The publication history of Musica getutscht; 4. The offspring of Musica getutscht; Part II. Musica Getutscht: 5. A note on the translation; 6. Sebastian Virdung's Musica getutscht; Appendix. Transcriptions of documents pertaining to Sebastian Virdung and Musica getutscht; Notes; Bibliography; Index. Summary; Musica getutscht (Basel, 1511) is the earliest printed treatise on musical instruments in the West. Written by a priest and chapel singer named Sebastian Virdung, it provided rudimentary instruction on playing three instruments: the clavichord, the lute and the recorder. This early 'do-it-yourself' manual of instruction not only tells us about music-making in that era, it also illumines other aspects of society in the years just before the Reformation. Its author communicates in a popular style, choosing a mixture of media: a written text in the guise of an informal conversation, coupled with woodcut illustrations and visual aids. Enthusiasts of early music and its performance as well as historians of art, society and the German language will welcome Beth Bullard's substantial introduction and annotations, which help explain the text of this important work and its place in intellectual history. Subjects; Musical instruments - Europe - Early works to 1800. Tablature (Music) - Early works to 1800. Musical instruments & instrumental ensembles. Music / Musical Instruments / General. 2 Kg. …