Paperback. Zustand: Fair. No Jacket. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.
Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.
Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.
Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Anbieter: World of Books (was SecondSale), Montgomery, IL, USA
Zustand: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.
Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.
Anbieter: libreriauniversitaria.it, Occhiobello, RO, Italien
Zustand: NEW.
Zustand: NEW.
Zustand: NEW.
Sprache: Italienisch
Verlag: Marsilio Ed., Venezia,, 1997
ISBN 10: 883176585X ISBN 13: 9788831765855
Anbieter: FIRENZELIBRI SRL, Reggello, FI, Italien
Zustand: BUONO. Venezia, Marsilio Ed. cm.15,5x21,5, pp.316, brossura con cop.fig. Collana Saggi. Cinema. Il volume si avvale dei contributi di studiosi italiani, inglesi, americani, francesi e dell'Europa dell'Est, che coprono pressoché integralmente ogni aspetto della creatività viscontiana. Il volume raccoglie saggi di: Lino Micchiché, Gianni Rondolino, Mario Musumeci, Roy Armes, William Van Watson, Millicent Marcus, Siuzanne Liandrat-Guigues, Guido Aristarco, Gaetana Marrone Puglia, Luciano De Giusti, Henry Bacon, Youssef Ishaghpour, Geoffrey Nowell-Smith, Mira Liehm, Sam Rohdie, Laurence Schifano, Renzo Renzi, Michèle Lagny, Valery I. Bossenko, Caterina D'Amico, Peter Bondanella, Sandro Bernardi, Alessandro Bencivenni, Bruna Conti. Con un saggio iuntroduttivo di Lino Micciché.
EUR 16,62
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: NEW.
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 49,08
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In.
Zustand: Buone. italiano Condizioni dell'esterno: Buone Condizioni dell'interno: Ottime.
Sprache: Italienisch
Verlag: CAROCCI EDITORE S.P.A., 2022
ISBN 10: 882901513X ISBN 13: 9788829015139
Anbieter: Brook Bookstore, Milano, MI, Italien
Zustand: new.
Zustand: new.
Sprache: Italienisch
Verlag: Italiana. Storie Di Cinema, 2013
ISBN 10: 8880336959 ISBN 13: 9788880336952
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 35,10
Anzahl: 1 verfügbar
In den WarenkorbPaperback. Zustand: Brand New. Italian language. 7.56x5.28x0.39 inches. In Stock.
Zustand: OTTIMO USATO. Universale film ITALIANO IL LIBRO È USATO, PERTANTO POTREBBE PRESENTARE LIEVI DIFETTI/IMPERFEZIONI. LA FOTO CORRISPONDE AL LIBRO IN VENDITA. "Roma città aperta" è un film la cui lavorazione resta circondata da una serie di leggende, alcune infondate, altre suffragate da testimonianze. All'epoca, per la sua capacità di interpretare una svolta storica epocale, caricandosi di una forte connotazione simbolica, venne definito il "Potëmkin italiano", ovvero la massima incarnazione cinematografica dello spirito alla base del 25 aprile e della Resistenza. Pur non riscuotendo consensi unanimi all'uscita, colpì da subito per il coraggio nel raccontare situazioni e fatti ispirati a una realtà tragica appena vissuta: l'occupazione nazista della capitale, quando Roma fu dichiarata, per ironia della sorte, "città aperta"; e venne presto considerato l'atto di nascita del neorealismo. Numero pagine 208. Il copyright dei dati è di Informazioni Editoriali I.E. Srl.
Sprache: Englisch
Verlag: Centre for Medieval and Early Renaissance Studies State University of New York At Binghamton, Binghamton, 1987
ISBN 10: 0866980296 ISBN 13: 9780866980296
Anbieter: Leaf and Stone Books, Toronto, ON, Kanada
Hardcover. Zustand: Good. Zustand des Schutzumschlags: No Dust Jacket. Kb60 .Xi, 417 pages. Notes, bibliography and index, some black and white images. Minor pencil underlining and marginalia throughout. Dark red cloth binding with gold text on spine, foxing on top edge of textblock, nice bookplate on inside front cover, minor bumping to head, tail and corners. ; Medieval & Renaissance Texts & Studies; Vol. 46; 8vo 8" - 9" tall; 417 pages.
Sprache: Italienisch
ISBN 10: 8838615497 ISBN 13: 9788838615498
Anbieter: medimops, Berlin, Deutschland
Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.
Zustand: NEW.
Anbieter: Brook Bookstore, Milano, MI, Italien
EUR 50,92
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: new.
Verlag: Frederick R. Weisman Art Foundation Santa Monica, CA, 1990
Anbieter: Specific Object / David Platzker, New York, NY, USA
5 vol.: vol. 1: 57 pp. ; vol. 2: 58 pp. ; vol. 3: 42 pp.; vol. 4: 66 pp. ; vol. 5: 50 pp.; 5 vol.: 23.2 x 14.6 cm. (each); glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Volumes I-V of "Summary of a Workshop," a biannual series of symposiums on contemporary art sponsored by the Frederick R. Weisman Foundation and held at various North American locations. Each symposium was accompanied by a catalogue which summarized the conversations that took place. Volume I: "The Relationship Between Art and Architecture," held in Santa Monica, CA, January 21-22, 1989. Participants included: Frank O. Gehry, Daniel Buren, Jean-Louis Cohen, Cesar Pelli, Donald Judd, Irving Lavin, Germano Celant, Henry N. Cobb, Christopher Knight, Mildred Friedman, John Chamberlain, Peter Eisenman, Robert Irwin, Michael Graves, Nancy Wexler, Henry T. Hopkins, and Michael Rotondi. Volume II: "Art + Architecture + Society," held in Toronto, Canada, July 22-23, 1989. Participants included: Henry T. Hopkins, Michael Rotondi, Diana Agrest, Lynda Benglis, Scott Burton, Adele Freedman, April Greiman, Alanna Heiss, Craig Hodgetts, Walter Hopps, Catherine Ingraham, Eric Owen Moss, Matt Mullican, Larry Richards, David Ross, Alexis Smith, and Leon Whiteson. Volume III, "Art Fairs : Plans and Process," held in Los Angeles, CA, December 5-6, 1989. Participants included: O. Kelley Anderson Jr., Brian Angel, Dr. Alberto Anfossi, Rosina Gómez Baeza, Dr. Emil Bammatter, Thomas P. Blackman, Van Deren Coke, Michelle De Angelus, Milton Esterow, Anita Kaegi, Claudio Bruni Sakraischik, Allan Schwartzman, Leif Ståhle, Tamara Thomas, Robert Thomson. Volume IV, "Conservation and Contemporary Art," held in Richmond, VA, June 4-5, 1990. Participants included: Henry T. Hopkins, Billie Milam, Albert Albano, James Bernstein, Sharon Blank, Victoria Blyth Hill, Tom Branchick, William Leischer, Carol Mancusi-Ungaro, Ross Merill, Roy De Forest, Tim Ebner, George Herms, Duane Hanson, Rotraut Klein-Moquay, Ida Kohlmeyer, Miriam Shapiro, Paul Brach, Zora Sweet Pinney, and Nora Halpern Brougher. Volume V, "Support for the Arts in Unsupportive Times," held in Los Angeles, CA, December 4-5, 1990. Participants included: Nora Halpern Brougher, Henry T. Hopkins, Cee Scott Brown, Marie Cieri, Pamela Clapp, Gary Garrels, Stanley Grinstein, David Ireland, Steven D. Lavine, Bella Lewitzky, Lisa Lyons, Anne MacDonald, Peter Norton, Max Palevsky, Claire Peeps, Dr. Thomas Reese, Joy Silverman, Tina Summerlin, Ella King Torrey, Joel Wachs, and Frederick R. Weisman. "Twice each year the Frederick R. Weisman Art Foundation conducts workshops dealing with issues of importance to those involved in the creation, exposition, collection, conservation and education of international contemporary art in all of its manifestations. These workshops bring together approximately eighteen experts in closed session for two days. The topic is determined by the Foundation but the direction that conversation takes is determined by the participants. There is no agenda. The workshops are taped, transcribed, edited, published in the present form and distributed to participants, interested parties, museums and libraries." -- Henry T. Hopkins, director. Very Good / Fine. Set of 5 volumes. Light rubbing and yellowing of cover edges and light yellowing of pages, otherwise Fine. Contents clean and unmarked.