bruce michael cooper (16 Ergebnisse)

hardcover. Zustand: Very Good. Condition Notes: Clean, unmarked copy with some edge wear. Good binding. Dust jacket included if issued with one. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Zustand: Fine (As New). The UK's oldest classical music journal, with 165 years of continuous publication (established in 1844) - this being its 1,908th issue. CONTENTS: (Articles) Whither 'music studies' (Williams); Purcell, the anthem, and the culture of preaching (Plank); Erik Satie's 'Uspud' (Orledge); The narrative of a composer's biography: Szymanowski (Cesetti); 'Miss Bonwick' identified: an 18th-century composer and organist (Cooper); An incident at Severn Stoke, 11 September 1830 (Bruce); Confused identities: the two Master Hummel(l)s (Simlett-Moss); Modern Nigerian Music: the postcolonial experience (Sadoh); The Emperor of Atlantis: the first British production (Graubart); plus book reviews and additional brief articles. 120 pages. CONDITION: a new, uncompromised copy - now in a clear, protective polypropylene bag with backing board.

Hardcover. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Soft cover. Zustand: As New (Fine). The UK's oldest classical music journal, with 165 years of continuous publication (established in 1844) - this being its 1,908th issue. CONTENTS: (Articles) Whither 'music studies' (Williams); Purcell, the anthem, and the culture of preaching (Plank); Erik Satie's 'Uspud' (Orledge); The narrative of a composer's biography: Szymanowski (Cesetti); 'Miss Bonwick' identified: an 18th-century composer and organist (Cooper); An incident at Severn Stoke, 11 September 1830 (Bruce); Confused identities: the two Master Hummel(l)s (Simlett-Moss); Modern Nigerian Music: the postcolonial experience (Sadoh); The Emperor of Atlantis: the first British production (Graubart); plus book reviews and additional brief articles. 120 pages. CONDITION: a new, uncompromised copy - now in a clear, protective polypropylene bag with backing board.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 224 p. : ill. ; 29 cm. ; LC: TR145; Dewey: 770/.28 ; ISBN: 0528810790; 9780528810794 LCCN: 78-50818 ; OCLC: 4202571 ; Contains professional advice and information for the creative photographer on such subjects as visualizing the picture, camera use, color sense, photographic themes and techniques, and a guide to choosing equipment ; grey cloth in color dustjacket ; sunning on edges ; Partial contents: The magic frame -- The world of the camera -- Thinking in color -- The great themes -- Home processing -- Equipment guide. ; FINE/FINE. Book.

108 pp.; 21.6 x 19.6 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held February 17 - March 14, 1981. Texts by Laurence Dreiband, Peter Plagens, Michael Kurcfeld, and Walter Gabrielson. Artists include Laurence Dreiband, Walter Gabrielson, Peter Plagens, Lita Albuquerque, Peter Alexander, Martha Alf, Chuck Arnoldi, Don Bachardy, Joel Bass, Billy Al Bengston, Tony Berlant, Doug Bond, Paul Brach, William Brice, Jerrold Burchman, Carole Caroompas, Karen Carson, Judy Chicago, Max Cole, Ron Cooper, Mary Corse, Ron Davis, James DeFrance, Tony DeLap, Richard Diebenkorn, Laddie Dill, Paul Dillon, Dan Douke, Bruce Everett, Llyn Foulkes, Sam Francis, Joe Goode, Scott Grieger, D.J. Hall, Marvin Harden, Charles Christopher Hill, Patrick Hogan, Richard Joseph, Craig Kauffman, Claude Kent, Peter Liashkov, Ron Linden, Peter Lodato, John Mandel, Jay McCafferty, David Mocarski, Ed Moses, James Murray, John Okulick, Margit Omar, Edward Ruscha, Miriam Schapiro, Don Sorenson, Masami Teraoka, Joyce Treiman, James Valerio, Guy Williams, Tom Wudl, and Norman Zammitt. Includes images of artworks included in the exhibition as well as photographs of the artists. Good. 1.6 cm. and 6 mm. tears to bottom edges of spine with additional rubbing of spine edges. Rubbing and dust soiling of covers with 1 cm., 1 mm., and 4 mm. areas of soiling to recto. Loosening of glue binding along inside of front and back covers, text block still attached to spine.

Paperback. Zustand: Brand New. 244 pages. 10.00x7.00x0.55 inches. In Stock.

Paperback. Zustand: Brand New. Louis-Dominique Bayle; Dudley Blauwet; Zbynìk Buøival; Bruce Cairncross; Michael P. Cooper; Joël Damase; Kevin Dixon; Jesse Fisher; Albert Gilg; Brice Gobin; Michael Gray; Tema Hecht; Terry Huizing; Matthias Jurgeit; Mark Kielbaso; Moki Kokorus (illustrator). 128 pages. 11.60x8.20x0.40 inches. In Stock.

72 pp.; 28 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held in dual venues : "The Eighties" at MIT List Visual Arts Center, Cambridge, MA, December 19, 1987 - February 7, 1988 and "Pioneers" at Bank of Boston Gallery, Boston, MA, November 23, 1987 - January 15, 1988. Artists included at MIT: Judie Bamber, Nancy Burton, David Bunn, Barbara Carrasco, Brad Dunning, Tim Ebner, Nancy Evans, Michael Gonzalez, John L. Graham, Connie Hatch, Jim Isermann, Mike Kelley, Liz Larner, Daniel J. Martinez, Patrick Nagatani, Luciano Perna, Lari Pittman, Stephen Prina, Ernest Scott, Jim Shaw, Mitchell Syrop, Andrée Tracey, and Christopher Williams. Artists at Bank of Boston included: ASCO, Michael Asher, Billy Al Bengston, John Baldessari, Chris Burden, Edward Kienholz, Kenneth Price, Bruce Nauman, Allen Ruppersberg, Edward Ruscha, Betye Saar, and "Futura" an installation by Jim Isermann. Essays by Friis-Hansen, Dennis Cooper, Rita Valencia, Benjamin Weissman, and "a conversation between two Los Angeles art critics" by Christopher Knight and Howard Singerman. Illustrations, biographies, checklist, and selected general readings. Very Good. Light rubbing of covers and bumping of corners. Contents clean and unmarked.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. SLANT Gary Indiana on George W. S. Trow and Daniel Harris BOOKS: SECRET AGENT Arthur C. Danto on Walter Benjamin PASSAGES: HEAD OVER WHEELS Carroll Dunham on Peter Cain FILM: GRRRL S LIFE Katherine Dieckmann on All Over Me SPIN CYCLE David Frankel on Golden Palominos SPIN CYCLE David Poole on Digital Hardcore SPIN CYCLE Mark Van de Walle on Low LETTER FROM BERLIN Harald Fricke on the Shift to Mitte LETTER FROM BERLIN Jochen Becker on Development Projects LETTER FROM BERLIN Diedrich Diederichsen on Heiner Müller LETTER FROM BERLIN J. Hoberman on Berlin Film Festival HOTLIST Mark Van de Walle on Americana Websites TOP TEN Greil Marcus' Real Life Rock COLUMNS FEATURES REVIEWS SMOKING MIRRORS: THE PHOTOGRAPHS OF MIGUEL RIO BRANCO David Levi Strauss CRITICAL REFLECTIONS Max Kozloff, Introduction by David Frankel GOOD-AS-DEADFELLAS: THE FILMS OF TAKESHI KITANO Howard Hampton THE HANG OF IT Hans-Ulrich Obrist with Pontus Hulten OPENINGS: FRANCES STARK Dennis Cooper COLUMNS FEATURES REVIEWS David Rimanelli on Robert Overby Bruce Hainley on The Eye of Sam Wagstaff Adrian Rifkin on Face à l histoire Alexandra Munroe on Contemporary Art in Asia: Traditions/Tensions Rudolf Kuenzli on Making Mischief: Dada Invades New York NEW YORK Barry Schwabsky on Agnes Martin Frances Richard on Rudolf Stingel Jan Avgikos on Yasumara Morimura Donald Kuspit on Paula Rego Sydney Pokorny on Sharon Lockhart David Frankel on Patricia Cronin RoseLee Goldberg on Terra Bomba George Baker on Richard Serra George Baker on Jeff Nelson Alexander Alberro on Martha Rosler Joshua Decter on Piotr Uklanski Tom Moody on Bill Davenport David Levi Strauss on Darrel Ellis PHILADELPHIA Eileen Neff on Sarah McEneaney DALLAS Michael Odom on Tatsuo Miyajima SAN FRANCISCO Daniela Salvioni on Katharina Fritsch LOS ANGELES Bruce Hainley on Elizabeth Peyton ATHENS Mark Van de Walle on PUSH-UPS LISBON Alexandre Melo on Rigo 96 BARCELONA Menene Gras Balaguer on Pep Agut ROME Mario Codognato on Lucavalerio NAPLES Marco Meneguzzo on Remo Salvadori GRENOBLE Giorgio Verzotti on Allen Ruppersberg VIENNA Christian Kravagna on Elke Krystufek MUNICH Justin Hoffmann on David Lamelas BERLIN Noemi Smolik on Michel Majerus LONDON James Hall on Tony Cragg.

Encuadernación de tapa blanda. Zustand: Muy bien. Zustand des Schutzumschlags: Muy bien. Issue edited by Tim Griffin. Essays "Passages: Daniel Birnbaum on Harald Szeemann," by Daniel Birnbaum; "Books: Mel Bochner on Donald Judd," by Mel Bochner; "Books: Pamela M. Lee on Andrea Fraser," by Pamela M. Lee; "Film: Keith Sanborn on Chris Marker," by Keith Sanborn; "Film: Daniel Birnbaum on 'The Ister,'" by Daniel Birnbaum; "Performance: Matt Saunders on Jonathan Meese's 'Mother Parsifal,'" by Matt Saunders; "Performance: Johanna Burton on Tracy + the Plastics," by Johanna Burton; "Slant: Joe Scanlan on Social Space and Relational Aesthetics," by Joe Scanlan; "On Site: Robert Lumley on the Fondazione Merz," by Robert Lumley; "Top Ten," by Josephine Meckseper; "Being There: Art and the Politics of Place," by Anne M. Wagner; "The Lay of the Land: An Experiment in Art and Community in Thailand," by Daniel Birnbaum; "Tristan da Cunha," by Tacita Dean; "Navigating the New Territory: Art, Avatars, and the Contemporary Mediascape," by David Joselit; "A Text About High Desert Test Sites," by Lisa Anne Auerbach and Andrea Zittel; "True Beauty: A Talk with the Center for Land Use Interpretation's Matthew Coolidge," by Jeffrey Kastner; "Remote Possibilities: A Roundtable Discussion on Land Art's Changing Terrain," by Claire Bishop, Lynne Cooke, Pierre Huyghe, Pamela M. Lee, Rirkrit Tiravanija, Andrea Zittel, and Tim Griffin (moderator); "El Diario del Fin del Mundo: A Journey that Wasn't"; "1000 Words: Catherine Yass," by Mark Godfrey; "World Apart: The Films of Jia Zhangke," by J. Hoberman; "An Eye for an Ear: Art and Music in the Twentieth Century," by Harry Cooper; "Openings: Roberto Cuoghi," by Alison M. Gingeras. Reviews by Jeffrey Kastner, Johanna Burton, Robert Rosenblum, Lane Relyea, Michael Fried, Michael Wilson, Brian Sholis, Emily Hall, Donald Kuspit, Lisa Pasquariello, Elizabeth Schambelan, Martha Schwendener, Jan Avgikos, Barry Schwabsky, Domenick Ammirati, RoseLee Goldberg, James Yood, Patricia Briggs, Glen Helfand, Maria Porges, Bruce Hainley, Jan Tumlir, Christopher Miles, Jennifer Allen, Massimo Carboni, Marco Meneguzzo, Cathryn Drake, Jean-Max Colard, Miriam Rosen, Nina Möntmann, Noemi Smolik, Wolf Jahn, Sven Lütticken, Liutauras Psibilskis, Ronald Jones, Martin Herbert, Rachel Withers. Cover: Andrea Zittel.

387 pp.; 28.5 x 22.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue and documentation of preparation for exhibition held in 1971. Large-scale book documenting the thrills and chills of when artists and scientists [or corporations] joined together by the Los Angeles County Museum of Art attempted to produce collaborative works. Amazingly self-critical of the failures [and limited success] of the program. Full documentation of each of the invited artists in narrative, blow-by-blow detail. Includes sections on Stephen Antonakos, Avigdor Arikha, Michael Asher, John Baldessari, Iain Baxter, Larry Bell, Max Bill, Ronald Bladen, George Brecht, James Byars, Greg Card, Anthony Caro, John Chamberlain, Christo, Ron Cooper, François Dallegret, Channa Davis, Ron Davis, Walter de Maria, Mark di Suvero, Jean Dubuffet, Jean Dupuy, frederick Eversley, Oyvind Fahlstrom, Dan Flavin, Sam Francis, Hans Haacke, Newton Harrison, Erich Hartmann, Robert Irwin, Donald Judd, Aleksandra Kasuba, Ellsworth Kelly, Philip King, R.B. Kitaj, Piotr Kowalski, Rockne Krebs, Wesley Duke Lee, Les Levine, Roy Lichtenstein, Len Lye, Jackson MacLow, Robert Mallary, Charles Mattox, John McCracken, Glenn McKay, Boyd Mefferd, Michael Moore, Robert Morris, Bruce Nauman, Claes Oldenburg, Jules Olitski, Eduardo Paolozzi, Otto Piene, Pulsa, Jeff Raskin, Robert Rauschenberg, Jess Reichek, Vjencenslav Richter, James Rosenquist, James Seawright, Richard Serra, Tony Smith, Robert Smithson, Karlheinz Stockhausen, Takis, Gerhard Trommer, James Turrell, Victor Vasarely, Stephan Von Huene, Peter Voulkos, Andy Warhol, Robert Watts, Martial Westburg, Robert Whitman, and William T. Wiley. Black-and-white illustrations throughout. Fair / Good. 1.6 cm. tear to top edge of recto. Significant rubbing of cover edges. 18 cm. scratch to recto. 7.5 cm., 17.6 cm., 6.5 cm., 7 cm., and 2.5 cm. creases to verso. Light soiling of text block edge. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Paperback. Zustand: Fair. First Edition. A very rare and wonderful early Alice Cooper memento from just before the band knocked it out of the park with their School's Out album later in 1972. Includes piano sheet music, lyrics and guitar chords for these songs: Ballad of Dwight Frye; Be My Lover; Black Ju Ju; Caught in a Dream; Dead Babies; Desperado; Eighteen; Hallowed By My Name; Halo of Flies; Is It My Body; Killer; Long Way To Go; Second Coming; Under My Wheels; Yeah, Yeah, Yeah; You Drive Me Nervous. Fantastic cover color photos. Includes several pages of photos and fascinating text. Store ink stamp on title page, otherwise contents clean and unmarked. Average external wear. Binding beginning to let go. ; Sm 4to.