bruce e jacobs (3 Ergebnisse)

Zustand: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. 1st ed., 1st printing ; xix, 127 pages : illustrations ; 26 cm ISBN 9780252015533, 0252015533 OCLC 17676686 LCCN 88004825 LC KF5692 .C67 1989 Dewey 346.73045 and 347.30645 ; grey cloth in pictorial dustjacket ; Contents : Aesthetics in the Museum and in the Courthouse -- East side, west side all around the town (and nation) -- The case for coherence -- Aesthetics at any price opr no aesthetics at all -- The case for legal aesthetics -- Aesthetics and the Legal System -- The swinging pendulum -- A blessed union? -- A return to first principles -- Legal Aesthetics and legal institutions -- Icons and Aliens -- A format for aesthetics controversies -- The aesthetics impulse: Beauty as a nonstarter -- Aesthetics and Process Values -- Legal language and lay language -- Process and end-state values: Pathways to accommodation -- Epilogue -- Notes -- Index ; Discusses issues surrounding the daily war being fought in cities across the country--developmental change and business growth versus historic preservation. Can there be a meeting of the minds beween those who strive to preserve our environment and historical landmarks and those who continue to try to meet the needs of a changing society? publisher's promotional materials laid in, associated with a Kiwanis Club presentation to Memphis area Law alumni ; SIGNED letter to attorney Richard W. Foster from the author with comments upon the city of Memphis, laid-in with envelope ; John Costinis was dean of the Vanderbilt Law School who previously taught in the urban design, historic preservation and property fields on the law faculties of New York University and Illinois. A frequent contributor of essays on design and land use topics to legal and lay publications, Costonis was also the author of Space Adrift, Landmark Preservation and the Marketplace, a seminal study of the use of incentive zoning to finance the preservation of endangered urban landmarks. ; Allan Jacobs was was a professor of environmental design, University of California at Berkeley and the former director of planning, Department of City Planning, San Francisco ; includes discussions about the Zucchini on Park Avenue, East Side buildings on Manhattan's West Side, Billboards along a scenic Arizona highway, Sodium vapor lamps in downtown Bronxville, An international style tower atop the Beaux Arts Grand Central Terminal, a Con Ed pumping station on Storm King Mountain, the Transamerica Building in San Francisco, McDonald's Speedee Service Drive-in, Goodyear Airdock, Isaac I Rice Mansion, Upper East Side Historic District, ; inlcudes numerous New Yorker cartoons and black and white photographs ; FINE/FINE. Signed by Author(s). Book.

3 vol. : [unpaginated] ; [unpaginated] ; [unpaginated]; 3 vol. : 13.5 x 16.9 cm. (each); glue bound; black-and-white; edition size 700; unsigned and unnumbered; offset-printed; Three volume publication documenting the exhibition Sonsbeek ''71 held in and around Park Sonsbeek. Book produced as graduation projects by Paul Bonger and Rick Vermeulen at art school in Rotterdam, now know as Willem de Kooning Academy. Introduction by Bonger and Vermeulen. Artists include Vito Acconci, Bas Jan Ader, Carl Andre, Ben d''Armagnac, Richard Artschwager, Bruce Baillie, Douwe Jan Bakker, Joseph Beuys, Ronald Bladen, Marinus Boezem, Stanley Brouwn, Daniel Buren, Javacheff Christo, Tony Conrad, Hanne Darboven, Walter de Maria, Ad Dekkers, Ger Dekkers, Jan Dibbets, Ger van Elk, Pieter Engels, Groep Enschede, E.R.G., Hans Eykelboom, Barry Flanagan, Fluxus, Hollis Frampton, Ernie Gehr, Dan Graham, Robert Grosvenor, Michael Heizer, Douglas Huebler, Ken Jacobs, joepat, Donald Judd, On Kawara, W (Imi) Knoebel, Hans Koetsier, Axel van der Kraan, Peter Kubelka, George Landow, Standish Dyer Lawder, Sol LeWitt, Richard Long, Mass Moving, Yutaka Matsuzawa, Mario Merz, Jack Moore, Robert Morris, Bruce Nauman, Robert Nelson, Groep Noord-Brabant, Claes Oldenburg, Dennis Oppenheim, Nam June Paik, Panamarenko, Egbert Philips, Emilio Prini, Klaus Rinke, Peter Roehr, Ulrich Rückriem, Edward Ruscha, Fred Sandback, Jean-Michel Sanejouand, Wim T. Schippers, Richard Serra, Paul Sharits, Eric Siegel, Tony Smith, Robert Smithson, Kenneth Snelson, Michael Snow, Koert Stuyf, Ellen Edinoff, Shinkichi Tajiri, Sajiki Tenjo, Yokoyama, Carel Visser, André Volten, Hans de Vries, Lex Wechgelaar, Lawrence Weiner, Joyce Wieland, Annemiek Backer, Marijke Boon, Cor Blok, Pieter Brattinga, K. Schippers, B. van Garrel, Ton Haak, Les Levine, Titia Tybout, Odufré Joes and Wim Crouwel. Texts in English and Dutch. "The tripartite catalogue Sonskeek [sp] ''72 arose from the notes and photos we made of a project that we executed during the period November ''71 - June ''72. What was the starting point of the project? Of all the Sonsbeek exhibitions in ''49- ''52- ''55- ''59 and ''66 one could or one can find back all the sculptures; although not in the original place, in the park, they are to be seen somewhere. Yet the transiency of the projects and objects as exposed during the manifestation ''Sonsbeek buiten de perken'' for us was a reason to trace back what happened to these projects and objects. Doing this we considered ourselves as visitors who came after the closing of the manifestation. We visited the original place of the object/project, made photographs and described it and did so with the present place as well. E.g. from the gigantic wedge by Ronald Bladen at the place in park Sonsbeek hardly anything could be found, except a slight difference in colour of the pavement. The wedge itself we discovered in pieces against the wall of a shed of a firm in Arnhem. Most of the projects and objects we also found back in totally different state: at rubbish dumps, on heaps of scrap- iron, dismantled and packed in boxes, in peoples homes on the cupboard. In some cases nothing was to be found back. We sent a stencil to the 35 filmmakers asking them to send a photo and a description of the present place of their films. Description and photo were their part in our project, the original place always being the place at the lawn where in a tent the films have been shown, during the manifestation. From some filmers we didn?t get an answer within a certain period, then the second card is dropped out. Some artists played a part by the publication they got in one of both Sonsbeek cataloques. When their project had a relation with a location, we visited it and made a photo, if not, we reproduced the concerning pages out of the cataloques. The definite form of the three booklets as they now appear, is the result of collecting and combining the 360 cards on one side a photo, on the other side the description. We thank everyone who helped us to realize this project." -- Paul Bonger and Rick Vermeulen from book''s English introduction. Good. Curl to bottom right quadrant of the three volumes. Rubbing, scratching and light edge wear to covers. Volume 1 has 6.2 cm., 1 cm. and 1 mm. areas of surface tearing to verso. Volume 2 has 10 cm. area of surface tearing to recto. Contents of all volumes are clean and unmarked.