Brown phillips ernest (10 Ergebnisse)
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PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
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- Hardcover
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Catalogue of an Exhibition of Drawings and Paintings by Feliks Topolski and Paintings by Oliver Hill
Ernest Brown & Phillips, Ltd. and Feliks Topolski and Oliver Hill
Verlag: The Leicester Galleries 1946, London, 1946
- Softcover
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Wraps. Zustand: Very Good. 12 pp. Original printed paper wrappers. Clean copy. List of works for the exhibition. No illustrations, as issued. 16mo.
- Softcover
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Taschenbuch. Zustand: Neu. Neuware - This is a catalogue documenting an exhibition of cartoons by Max Beerbohm held in April and May of 1913. Known for his witty caricatures and satirical drawings, Beerbohm captured the essence of Edwardian society and its prominent figures. This catalogue offers a glimpse into the artistic styl…e and social commentary that defined Beerbohm's work during this period. A valuable resource for art historians, cartoon enthusiasts, and anyone interested in early 20th-century social satire, this catalogue preserves a record of a significant exhibition and showcases the enduring appeal of Beerbohm's unique artistic vision. Explore the collection and discover the sharp wit and artistic skill that made Max Beerbohm a celebrated figure in the world of caricature.
- Hardcover
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Buch. Zustand: Neu. Neuware - This is a catalogue documenting an exhibition of cartoons by Max Beerbohm held in April and May of 1913. Known for his witty caricatures and satirical drawings, Beerbohm captured the essence of Edwardian society and its prominent figures. This catalogue offers a glimpse into the artistic style and s…ocial commentary that defined Beerbohm's work during this period. A valuable resource for art historians, cartoon enthusiasts, and anyone interested in early 20th-century social satire, this catalogue preserves a record of a significant exhibition and showcases the enduring appeal of Beerbohm's unique artistic vision. Explore the collection and discover the sharp wit and artistic skill that made Max Beerbohm a celebrated figure in the world of caricature.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Verlag: Institute of Contemporary Art, University of Pennsylvania Philadelphia, PA, 1969
- Softcover
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[32] pp.; 22.2 x 22.2 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held October 1 - November 9, 1969. Essay by Joan C. Siegfried. Includes exhibition checklist. Artists include Terry Allen, Frederick Anderson, Jer…emy Anderson, Bernard Aptekar, Robert Arneson, Gene Beery, Wallace Berman, Peter Bodnar, Roger Brown, Roy De Forest, Oyvind Fahlström, Edward C. Flood, William Geis, David Gilhooly, Gerald Gooch, Robert Gordy, Red Grooms, Sue Hall, Philip Hanson, Robert Hudson, Jess, R.B. Kitaj, Nicholas Krushenick, Roy Lichtenstein, Alden Mason, James Melchert, Gladys Nilsson, James Nutt, Claes Oldenburg, Eduardo Paolozzi, Ed Paschke, Peter Phillips, Christina Ramberg, Mel Ramos, Suellen Rocca, Barbara Rossi, Peter Saul, William Schwedler, David Smyth, Norman Steigelmeyer, Ernest Trova, Andy Warhol, H.C. Westermann, William T. Wiley, Karl Wirsum, Ray Yoshida, Arlo Acton, Robyn Martin, and Giovanni Ragusa. Covers designed by Edward C. Flood. Very Good. Light rubbing of covers and cover edges and spine and bumping of top and bottom right corners. 2.3 cm. of water staining to the bottom of pages 27-32 at spine. Contents otherwise clean and unmarked.
[Epstein; Ethelbert White] Printed pamphlet.] Catalogue. Landscapes in Oil and Water-colour by Ethelbert White. A New Carving, "Lazarus" and other Recent Sculpture by Jacob Epstein.
[Ernest Brown & Phillips Ltd, The Leicester Galleries, Leicester Square, London; Ethelbert White; Jacob Epstein]
Verlag: March ; Claridge Lewis & Jordan Ltd. 68-70 Wardour Street W.1. London, 1950
- Softcover
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16mo, 8 pp. On art paper. In yellow printed wraps printed in orange. Good, with minor spotting around staples. Thirty-six items by White on pp.2-5, preceded by a biographical note. Twenty-five items by Epstein on pp.6-7, headed by 'LAZARUS (Carving in Hopton Wood stone)'. Scarce: only two copies on COPAC, and none on viaLibri.
- Softcover
- Erstausgabe
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First edition. Small square 4to. Original buff printed wrappers, stapled as issued; staple just the slightest bit rusty, a few small dents to extremities of upper wrapper, but a very good copy indeed, nearly fine. 14, [2]pp. London, Ernest Brown & Phillips, the Leicester Galleries. October, One of the rarest books in the Lawrenc…e canon, not to be confused with the exhibition of 1927 which included all the pictures from Seven Pillars of Wisdom. This first exhibition only featured the portraits of Middle Eastern sitters by Eric Kennington, including a few which weren?t used in Lawrence?s epic work. Lawrence commissioned Kennington to travel to the Middle East in order to draw the principal figures of the Arab Revolt. Though now famous for illustrating the Seven Pillars, Kennington first executed the portraits when Lawrence's masterpiece was "an unpublished book of mine . . . loose notes . . . an outside view, from an odd angle." (p.7). Of the sitters, many of whom were great friends of his, Lawrence writes that Kennington faced a considerable challenge: "he was drawing odd people, who are very impatient of those they think fools, men without ties, or duties, or claims, rank individualists who cling to their barren country that they may owe nothing to any man, and be owed nothing in return." (p.60). The catalogue, in its various editions, also helped introduce Lawrence to other influential figures within the visual arts, such as H.S. Ede, best known for the house and art collection Kettle's Yard in Cambridge. Ede, who had previously dismissed Lawrence as a war monger, was so struck by the prefatory note that he sent Lawrence a letter, thus beginning a long epistolary friendship (later published as Shaw-Ede by the Golden Cockerell Press in 1942). Extremely rare in commerce, with no copies in auction records. The book avoided the attention of Duval, Gorman-Reed and Baxter; O'Brien, however, included it in his consummate bibliography. It is also institutionally scarce, with LibraryHub locating five examples in the UK, at the Courtauld, Oxford (Bodley has the Lawrence copy itself), Paul Mellon Centre, Tate and the V&A. The British Library list the 1927 catalogue separately, but either don't have or don't list the 1921. OCLC adds two more, at Harvard and the University of Texas (according to Wilson the manuscript of Lawrence's introduction is also at Texas). O'Brien, A032.
