Brown deforrest (12 Ergebnisse)

Zustand: as new. Wie neu/Like new.

Softcover. 432 pages. A fine copy in wrappers. As new and still in the publisher's shrinkwrap.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Brand New. 80 pages. 7.00x4.50x1.20 inches. In Stock.

paperback. Zustand: New. Condition Notes: New from the publisher.

Taschenbuch. Zustand: Sehr gut. Gebraucht - Sehr gut Ungelesenes, vollständiges Exemplar; in sehr gutem Zustand, leichte Lagerspuren, als Mängelexemplar gekennzeichnet -What is there to hope for today How does hope manifestitself at a time when a linear understanding of the future,of growing prosperity, security, and progress is canceled How can hope be thought beyond market-driven forms ofworldbuilding Is there a third approach in which hope asa critical practice opens a path to alternative futures After Techno Globalization Pandemic and Kingdom of the Ill,HOPE is the third chapter of the long-term project TECHNOHUMANITIES, exploring the urgent questions of what itmeans to be a global citizen in the present-day dependencybetween ecology, technology, and economy. HOPE bringstogether a wide range of artistic positions from differentgenerations that see the end of future as the start of newbeginnings and an incentive to validate more circular andre-generative practices as a source of wonder and collectivemovement. 248 pp. Deutsch, Englisch, Italienisch.…

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In English.

Paperback. Zustand: Brand New. 80 pages. 7.00x4.50x1.20 inches. In Stock.

Zustand: New.

Taschenbuch. Zustand: Neu. Neuware - In this critical history, DeForrest Brown, Jr 'makes techno Black again' by tracing the music's origins in Detroit and beyondIn Assembling a Black Counter Culture, writer and musician DeForrest Brown, Jr, provides a history and critical analysis of techno and adjacent electronic music such as house and electro, showing how the genre has been shaped over time by a Black American musical sensibility. Brown revisits Detroit's 1980s techno scene to highlight pioneering groups like the Belleville Three before jumping into the origins of today's international club floor to draw important connections between industrialized labor systems and cultural production. Among the other musicians discussed are Underground Resistance (Mad Mike Banks, Cornelius Harris), Drexciya, Juan Atkins (Cybotron, Model 500), Derrick May, Jeff Mills, Robert Hood, Detroit Escalator Co. (Neil Ollivierra), DJ Stingray/Urban Tribe, Eddie Fowlkies, Terrence Dixon (Population One) and Carl Craig. With references to Theodore Roszak's Making of a Counter Culture, writings by African American autoworker and political activist James Boggs, and the 'techno rebels' of Alvin Toffler's Third Wave, Brown approaches techno's unique history from a Black theoretical perspective in an effort to evade and subvert the racist and classist status quo in the mainstream musical-historical record. The result is a compelling case to 'make techno Black again.' DeForrest Brown, Jr is a New York-based theorist, journalist and curator. He produces digital audio and extended media as Speaker Music and is a representative of the Make Techno Black Again campaign.…