Brown cecily (51 Ergebnisse)

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Acceptable. General wear, a good reading copy. shelf wear. bumped edges. worn spine Hardcover.

paperback. Zustand: fine. Illustrated in color. 57 pages. Thin, square 4to, red printed wrappers. New York: Gagosian Gallery, (2003). A fine copy. Exhibition catalogue 19 February - 16 March, 2002. Cecily Brown (illustrator).

First Edition. First edition and first printing. Hardcover. Exhibition catalog for a show that ran January 22 through February 26, 2005 in New York and March 31 through May 27, 2006 in London. Features an essay by Johanna Drucker. Includes numerous color illustrations, a list of previous exhibitions, biographical information, and a selected bibliography. An about good copy in paper covered boards with a cloth spine and corners but with some evidence of moisture to the bottom edge of the last ten pages or so but no impact on the text or images. No dust jacket as issued. A solid reference copy.…

Zustand: Good. illustrated edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Zustand: fine. Zustand des Schutzumschlags: fine. Color reproductions throughout. 158 pages. Square 4to, matte pictorial wrappers, matching pictorial d.w. New York: Phaidon, (2020). A fine copy in a fine dust wrapper. BROWN, Cecily (illustrator).

Paperback. Zustand: Brand New. american media, inc. - digest variant edition. 272 pages. 8.75x6.00x0.50 inches. In Stock.

56 pp.; 41 x 29 cm.; loose leaves; black-and-white & color; edition size 1000; unsigned and unnumbered; offset-printed; Faux periodical / artist's publication published by Aleksandra Mir on September 11, 2002, on the occasion of her 35th birthday and the first anniversary of 9/11 in order to reclaim the day, featuring contributions from over 100 friends and colleagues. Contents include: "Editorial," by Aleksandra Mir; "Happy Birthday from the Lighthouse," by Peter Hill; "To the Editor," by Tim Griffin; "Emergency Love," by Adam McEwen; "Nobody Gives a Shit," comic by Dan Perjovsch; "How to Ride the Bus," by Jennifer Bronstein; "Bike Wreck," by Dan Wilken; "Artists'' Shocking 9/11 Predictions Bring Laughs to New York Celebs at Christie''s ''Central Asian Furniture Show'' and Charity Fundraiser! 700 People in Attendance!;" "Inventory list of my father''s compulsive collection of airline silverware between 1989 - 1997," by Cornelia Schbleck; "B irthday," by Raimar Stange; "Bring in the Clowns: Andy Smith of The Moscow State Circus interviewed by Polly Staple;" "Sydney in September," by Simon Rees; "Long Photographs," by Emil Goh; "Pink Tank;" "The Usher," by Cedar Lewisohn; "The best thing that happened to me in 2002 was that Theo my cousin became a goth and his mate Corrin became a punk," by Tasha Amini; "The World Still Turns," by Kathy Temin; "Alien Sighting," by Samuel Blum; "McCartney & Narcissus," by Gabriel Fowler; "Punching Through the Clouds," Miles Boyce after Mies Van der Rohe; "Crash America," by Ken Hollings; "The World''s Greatest Rebel - at 88," by Andrew Wilson; "Structure Kills," text and photos by hobbypopMUSEUM; "First Woman Takes North Pole!," by I. Hope Halperin; "Cities, Holiday Hotspots and Commerce Zones Rethink Slogans," by Jarrett Mitchell; "Advertisement," by Cecily Brown; "Family Takes Break," by Michelle Grabner; "Tire on Fire," by Brad Killam; "The Housitter''s Club in More Trouble with the Law than Oak Park Homeowners," by Amy Park Saxe; "I read ''Big Asteroid Leaves Scientists Unruffled'', Was Ruffled," by Curtis Whaley; "Abstract Sculpture from Park to Somewhere Else," by Wade Guyton; "September 11 Memorial," by Jeffry Vallance; "The Event Forces Us to Think," by Roger Cook; "11th September," by Kathrin Boehm; a drawing by Claude Closky; "You Deserve to Break Something; "Virulent Images," by Leif Elggren; "QRU (Wuick Response Unit)," by Gavin Wade & Garrick Jones; newspaper clipping submission by Piotr Uklanski; an image by Richard Kern; "Holiday Column," by Aleksandra Mir; a text by Andy Stillpass; "I Remember," by Kaethe Cherney; a text by James Angus; "That Horoscope," by Onome Ekeh; "Skyjack Sunday Over Europe;" "The Long Haul," by Russel Storer; "Strategic Questions," curated by Gavin Wade; "What is Negative? Why?," by Alexsandra Mir for Gavin Wade; "Top Tips," by Kate Fowle; "The Masterpiece," comic by Olivia Plender; "Aldous Eveleigh''s exhibition.;" Image with caption by Harry Staple; image by Milos Manetas; "Re: FWD: A Statement of Conscience," signed by multiple artists including Laurie Anderson, Ida Applebroog, Noam Chomsky, Eve Ensler, Leon Golub and many others; "A Cockney Poem," by Matthew Arnatt; "Curtain," by Paul Noble; "Kisses Honeywagon - The Novel;" "Page Twenty-Six," by Wallace Robertson; "Guarding the dog and the cows," by Antje Majewski and Ingo Niermann; photograph by Gurvan Madec; "woman is." by Dave Beech; "Barman Joe Latimore chronicles the underbelly of New York''s nitelife;" "Ubiquitous Recluse Revives the Eternal," by Johnny Gato; "In Memoriam: Katri Vala," by Cecilia Stenbom and Minna L. Henriksson; "Chalk Circles," by Katri Vala; "Book Review: The Selected Letters of Marianne Moore," by IB; "Suicide Note," by Nanogod; comic by Roberto Cuoghi; "Beware of Windows!," by Stefan Saffer; texts by Jonas Maria Schul; "Recipes," by Coeinna Durland; "My Friend Najla''s Babaganoush," by Jennifer Higgie; "Eulogy for the Living," by Christian Holstad; "Oh Superman," Karl Holmquist after Laurie Anderson; "Birthday Party part III," by Mika Hannula and more. Backcover: "I (Bomb) NY," by Bernadette Corporation. "September 11, 2002. Enjoying my hot-off-the-press Daily on Avenue B with a cup of burned deli coffee. New York''s Hometown Newspaper was printed in an edition of 1,000 on the first anniversary of 9-11, to reclaim my birthday on the same day The newspaper contains articles, poems, drawings, ads, and all sorts of stupid beautiful shit solicited from over 100 physical artist friends and univocally accepted under the open editorial policy as birthday gifts. The back I BOMB NY logo is by the Bernadette Corporation. Looking back though, it is interesting how certain mainstream politicians have taken all our avant-garde strategies, DADA, Punk, Fiction, Surrealism, Performance, Wigs, even FAKE NEWS (homage: Yves Klein), squeezed the dear soul out of them, and weaponized them for their delinquent purposes. If that is really the case of our times, then what is the role of an artist today? Discuss." -- Artist's statement Very Good / Fine. Light yellowing of covers, light bumping of bottom edge and slight curl to spine. Otherwise clean and unmarked. Due to large size of this publication additional shipping charges will be required for international orders.…

First edition, first printing. Fine paperback exhibition catalogue.

Hardcover. Zustand: Very Good. Some scuffing to boards.

Hardcover. Zustand: Very Good. Attractive copy of this out of print catalog of Cecily Brown, issued alongside a show in 2011. 120 pages with text in English and Korean, a ton of color illustrations in high quality. This copy excellent. Binding solid, sturdy, tight, square. Interior is bright, clean, crisp, as new with no marks or damage. No DJ as issued. Cloth boards clean and firm. Sun faded along the spine and edges, as well as heavily faded on the front cover at the upper 1/3rd. Still a lovely copy. …

kart. Zustand: Sehr gut. 48 Seiten, 25 farb. Abb. / 48 pp. w. 25 col. ill. Sehr guter, fast tadelloser Zustand. / Very good, almost flawless copy. - BEIGELEGT eine Karte des Herausgebers Bruno Brunnet an Kaspar König. / ENCLOSED a card from the editor Bruno Brunnet to Kaspar König. / Deutsch mit englischer Übersetzung / German with english translation. / DE: Ausstellungskatalog; CFA Contemporary Fine Arts Berlin: 17/9 - 29/10/2022. --- Cecily Rose Brown (* 1969 in London) ist eine britische Malerin, die in New York lebt und arbeitet und zu den bedeutendsten zeitgenössischen Künstlerinnen der Gegenwart zählt. Ende der 1990er Jahre erregten ihre großformatigen, expressiven Bilder mit erotischen Szenen Aufsehen. "Ich benutze erotische Fotografien, um den Körper zu studieren. Dabei interessiert mich der emotionale Gehalt dieser Vorlagen", so beschreibt Cecily Brown ihre malerische Vorgehensweise. In ihren an der Grenze zwischen Abstraktion und Figuration liegenden Bildern werden organische Formen und Menschen angedeutet und gelegentlich nur durch leuchtendes Rosa, Rot, Orange und Ocker wiedergegeben. Browns Werk ist unter anderem beeinflusst von Nicolas Poussin, Édouard Manet, William Hogarth sowie Francis Bacon und Willem de Kooning. In den jüngeren Bildern widmete sich Brown zunehmend der Darstellung von Landschaften, trennte sich auch hierbei nie völlig von ihren erotischen Motiven. Cecily Brown wird von bedeutenden Museen wie dem Solomon R. Guggenheim Museum, New York, dem Whitney Museum of American Art, New York und der Tate Gallery, London, gesammelt. Sie gilt als erfolgreiche Künstlerin einer neuen expressiven Malerei. (wiki) // INHALT: Daniel Kehlmann, mit "Die Vermessung der Welt" (2006) der international erfolgreichste deutsche Schriftsteller der letzten Jahre, schreibt in diesem eleganten Büchlein über die neuesten Gemälde von Cecily Brown: "Um es nüchterner zu formulieren: Cecily Browns Kunst zeigt, wie oberflächlich und uninteressant der scheinbare Gegensatz zwischen Objekt und Abstraktion ist. Zweifellos hat der Konstruktivismus in einem Punkt recht: Aus einem Wirrwarr von Eindrücken setzen wir selbst, nach unseren eigenen, nicht gerade zuverlässigen Regeln, ein fragiles Modell zusammen. Schließlich beobachten wir unsere Umgebung nicht einfach, wir bewegen uns durch sie hindurch, unsere Außenwelt zerfällt also ständig, ordnet sich immer wieder neu an, und nur die ständige Arbeit unseres Bewusstseins hält den Anschein von Konsistenz aufrecht. Cecily Brown verfremdet die Welt nicht, sie malt sie, wie sie tatsächlich ist, ein Spiel aus Farben und Schatten." (snoeck) / EN: Exhibition catalogue; CFA Contemporary Fine Arts Berlin: 17/9 29/10/2022. / CONTENT: Daniel Kehlmann, the most internationally successful German writer in recent years with »Measuring the World« (2006), writes about Cecily Browns latest paintings in this elegant booklet: »To put it more soberly: Cecily Browns art shows how superficial and uninteresting the apparent opposition between object and abstraction is. Undoubtedly, constructivism is right about one thing: Out of a jumble of impressions, according to our own not exactly reliable rules, we ourselves assemble a fragile model. After all, we dont simply observe our surroundings, we move through them, thus our external world is perpetually disintegrating, rearranging itself in ever-changing ways, and only the constant work of our consciousness maintains the appearance of consistency. Cecily Brown doesnt defamiliarize the world, she paints it as it actually is, a play of color and shadows.« (snoeck) ISBN 9783864424045 Sprache: Englisch Gewicht in Gramm: 257.…

Zustand: New. In English.

Hardcover. Zustand: Brand New. 272 pages. 11.30x10.25x0.04 inches. In Stock.

Zustand: New.

23 x 24 cm 57 pp with colour illustrations throughout. wrappers with flaps, fine copy.

paperback. Zustand: near fine. Illustrated in color. Unpaginated. Slim, oblong 4to, metallic printed wrappers. New York: Gagosian Gallery, (2000). A near fine copy. Cecily Brown (illustrator).

Hardback. Zustand: Very good. 25 x 30cm 126pp very good hardback exhibition catalogue. Considered one of the foremost painters of her generation, Brown is best known for her vivid, gestural paintings which toy between abstraction and figuration in turn. For this exhibition, Brown developed a new body of work responding to Blenheim s history as an English country estate and its world-renowned permanent collection of paintings, tapestries and decorative arts. The catalogue includes exclusive installation photography, an interview of Brown by Blenheim Art Foundation director Michael Frahm, and catalogue essays by Anders Kold and Dr Carol Jacobi.…

Hardcover. Zustand: Brand New. 272 pages. 11.30x10.25x0.04 inches. In Stock.

Hardcover. Zustand: gut. 2010. Welche Story? Die überbordende Fleischlichkeit, etwa in den unverblümten Kopulationsdarstellungen, dazu ein Stil, als seien Lucien Freud und Francis Bacon in einem blutigen Duell aneinander geraten, das reichte bisher für eine kurze Charakterisierung des Werkes der in New York lebenden, 1969 in London geborenen Malerin Cecily Brown. Damit hat sie in den vergangenen Jahren ordentlich für Wirbel gesorgt und sich Respekt verschafft. Die neuen Bilder, die nun in der Kestnergesellschaft Hannover erstmals zur Ausstellung kommen und in diesem Band alle abgebildet sind, erscheinen in ihrem Malduktus und in ihrer Farbigkeit soweit zwar vertraut, doch hat sich plötzlich ganz überraschend der Malgegenstand der Künstlerin ein wenig gedreht. Nun lässt sie die Betrachter auch in den Genuss einer weiter gefassten Abstraktion kommen, fügt ihrem explosiv humanen Ausdruck Momente freier Beobachtbarkeit hinzu, die ihre Aussagekraft komplettieren und fast hat man das Gefühl, das wäre folgerichtig sie weitergebracht haben. Wahrscheinlich schreibt deshalb Michael Schober im Kunstforum International (Jan./Feb. 2011) davon, es ginge nicht darum, »dass sich scheinbar amorphe Pinselbewegungen zum identifizierbaren Gegenstand formieren. Und auch nicht darum, auf Cecily Browns Malerei wie auf ein Suchspiel zu reagieren. Sondern darum, diese Bilder als das zu erkennen, was sie sind. Als eine in hohem Maße reife und makellose Malerei von großem Raffinement und großer Delikatesse, mit der sich Brown mühelos in die Reihe der wichtigsten Farbmaler der Geschichte einreiht.« Ausstellungen: Kestnergesellschaft Hannover, 3/9/20107/11/2010 GEM Museum of Contemporary Art, Den Haag, 20/11/201027/2/2011 Sprache englisch; deutsch Maße 240 x 280 mm Einbandart gebunden Kunst Musik Theater Malerei Plastik Bautechnik Architektur ISBN-10 3-940953-60-1 3940953601 ISBN-13 978-3-940953-60-5 9783940953605 Cecily Brown: Based on a true story Görner, Veit; Meyer, Kathrin; Cook, Angus Brown, Cecily In deutscher Sprache. 104 pages. 240 x 280 mm.…

Softcover. Zustand: Gut. 336 S. !!Ecken des Buchdeckels sind angestossen!! Gutes Exemplar, geringe Gebrauchsspuren, Cover/SU berieben/bestoßen, innen alles in Ordnung. Z260921ah41 ISBN: 9781592578788 Sprache: Englisch Gewicht in Gramm: 333.

Louisiana, Museum of Modern Art, Humlebæk 2018. 174 pages. Richly illustrated in colour. Original softcover. Very light general wear. Very good.

SOFTCOVER. Zustand: As New. 1st Edition. Extra large 4to. in blue cloth backed pink boards with blue cloth corner pieces, gilt lettering to spine and front cover, 91pp, colour plates (some folding), etc . [CONDITION: NEW unread and unmarked copy ] . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Paperback. Zustand: Near fine in wraps. First Edition. 20 x 27cm 80pp near fine exhibition catalogue with a text: 'Girls Eating Birds' by Linda Norden together with colour reproductions.

Hardcover. Zustand: Very good. First Edition. 29 x 29cm 264pp very good hardback exhibition catalogue with peach coloured boards, single page colour reproductions throughout with an essay by Dore Ashton: 'Cecily Brown En Route'. Has the typed name label of London gallerist Victoria Gelfand-Magalhaes attached to top of the front free end paper. A heavy book, may need extra postage.…

Louisiana, Museum of Modern Art, Humlebæk 2018. 174 pages. Richly illustrated in colour. Original softcover. Near fine.