Brooks peter ed (15 Ergebnisse)

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,850grams, ISBN:9781405170253.

Hardcover with dust jacket. Previous owner's name penned on ffep. Wear on upper edge of text. Otherwise VG 325 pp.

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In fair condition, suitable as a study copy. Dust jacket in fair condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:0198266480.…

Hardcover. Zustand: Fair. Zustand des Schutzumschlags: Fair. 1st Edition. xii 256pp hardback, burgundy cloth gilt in tape-secured wrapper in a clear removable plastic sleeve, frontis portrait, ex-library with usual stamps and labels.

Hardcover, no dust jacket. Ex-library. Boards are edge worn and scuffed. Yellowed to end pages. 346 pages. 346 pp.

Hardcover. Zustand: Very Good. 1st Edition. vi 346pp hardback, grey cloth gilt, frontispiece portrait, ownership signature to ffep, very good in a good wrapper.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. 1st Edition. vi 346pp hardback, grey cloth gilt in wrapper, frontis portrait, gift inscription to ffep, very good in a good wrapper.

169 pp. Very good plus in printed wrappers with tanned spine and a small tear. "The Child's Part" issue.

Beacon Press, Boston 1972. 169, (2) pp. Paperback. Good condition.

Hardcover. Red faux-morocco, gilt arms on cvr; dw protected & taped down,+ duplicate dw. No.196 (of ?1500 copies). Incl Gibson on stained glass (158pp); BS Johnson on gilds (163pp).

Illustrated. Beacon Press, Boston 1972. 169 pages. Softcover. Pencilunderlining. [#215943].

4°, 175 (+7) S. Okart. mit Einklappdeckeln. Mit zahlreichen farbigen und SW-Abb. - Einband mit geringen Gebrauchsspuren, insgesamt gut erhalten. /Aus dem Inhalt: Essay: Hintergrund, Die Räriehäuser, Der umschlossene Raunm, Materialien, Natur, Schaffensströme, Menschliche Werte / Selected Buildings and Projects / Biography and Executed Work. HINWEIS: Versand nach Deutschland und die EU (14-täglich) ab Konstanz EU-verzollt: Keine Gebühren für den Empfänger! / IMPORTANT: Shipments to EU-Countries duty-payd from Germany: No fees to the consignee! / IMPORTANTE: Spedizioni verso paesi UE sdoganate dalla Germania: nessuna tassa per il destinatario! Sprache: Englischg, Sprache: Deutsch, Sprache: Französisch 1600 gr.…

Zustand: New. 2002. Hardcover. . . . . . Books ship from the US and Ireland.

Oxford: Clarendon Press, 1983. Hardback with dustjacket, (xii) 325 p. (spine of dustjacket faded).

Paperback. Zustand: Fine. Book. STRUCTURE AND FUNCTION IN TIME, edited and compiled by Rosetta Brooks, (Works by) John Latham, John Stezaker, John Blake, Peter Gidal, John Hilliard, Sunderland Arts Centre, Sunderland, 1975. 292 x 210mm, 30pp in printed wraps. Printed as part of the exhibition 'Structure and Function in Time 'organised by the curator Rosetta Brooks. Brooks also contributed the preface. Texts by the artists including John Latham: 'Time Base and Determination in Events'; John Stezaker: 'Temporality and Radicality'; John Blake: 'Arrest'; Peter Gidal: 'On Film Print' and notes; John Hilliard: 'Notes from 1968-70, Notes from 1070-71'. Concludes with 6 pages of artist diagrams and text by Latham ('Genealogy of Family Tree of Concept') and Stezaker ('Who, What, Why?/The Tale, The Telling of the Tale, The Moral'). Illustrated with black and white reproductions. The catalogue represents an important historical document as it was never officially released due to issues between the artists, the curator and the publisher. No copies on Copac or held in any library as of October 2013. A significant group show of Avant Garde artists working in Britain, many concerned with film, video, time and space. See: Rees, A L, 'Projecting Back - UK film and video installation in the 1970s', Millennium Film Journal, Vol.52, 2009. 'The following year (1973) was perhaps the apex of this first phase of artists' film and video, with "Structures & Codes" at the Royal College of Art showing films by John Blake, Peter Gidal and David Lamelas alongside media art by John Stezaker, John Latham and Stephen Willatts. "Structure and Function in Time," curated by Brooks at the Sunderland Arts Centre, included many of the same artists. But this phase was soon over. Even though the influential journal Studio International devoted special issues to film (1975) and video (1976), many of the conceptualists, such as Hilliard, had already abandoned film. By contrast, the artists grouped around the LFMC had defined film as their principal medium. This led to a split and a redrawing of the borders around the use of film by artists. The consequences were to last for the next thirty years.' Rees, A L, 'Projecting Back - UK film and video installation in the 1970s', Millennium Film Journal, Vol.52, 2009.…