brittan charles (13 Ergebnisse)

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Brittan, Charles E; Brock, Charles E (illustrator). 520pp, sixteen tipped-in colour illustrations (inc. frontispiece). Blue cloth-covered boards, gilt design and titles on front and spine. Bumped spine ends. Top text block edge dusty, other edges untrimmed. Free endpapers tanned. Internally neat, clean, bright and tight. Dust jacket protected with Mylar wrapper fitted without the use of tape or adhesives. The tale of brave John Ridd and his beloved Lorna - set in an age when outlaws roamed Exmoor Hills. Illustrations by Charles E Britain; Figure subjects by Charles E Brock. . 4to.

Hardcover. Zustand: Very Good. Brittan, Charles E; Brock, Charles E (illustrator). Not dated but c 1930. 520pp. 4to. Gilded decoration to front buckram board, elaborately extended to spine. Deckled edges. Tipped in colour plate frontispiece and 16 other colour plate illustrations tipped in. Magnificently handsome volume, still bright and crisp (some pages uncut). Boards very slightly rubbed at corners and tanning to endpapers only. Short tear on title page, not affecting text. Illustrations specially prepared for this edition. Beautiful book. 0.

Gilt Decorated Blue Cloth. Zustand: Fair. Zustand des Schutzumschlags: Fair. Charles E Brittan and Charles E Brock (illustrator). x, 520pp, illustrated with 16 tipped-in colour plates, specially prepared for this work, landscapes by Charles E Brittan and figure subjects by Charles E Brock, foxed throughout, free endpapers tanned, some offsetting from the dust jacket flaps, some ink stains to top edge, other edges not trimmed, glazed royal blue cloth with gilt lettering and decoration to spine and upper board, printed blue paper dust jacket with oval coloured illustration to front cover, spine tanned and ends chipped and worn. PLEASE NOTE THAT THIS IS A LARGE BOOK AND WE MAY NEED TO ASK FOR EXTRA POSTAGE FOR A NON-UK BUYER. Size: 10.25 x 7.75 Inches. 19th Century Literature.

Cloth. Zustand: Good. No Jacket. Charles E. Brittan, Charles E. Brock (illustrator). 3rd Edition. Lovely Dulverton edition of Lorna Doone. Bound in blue cloth with black lettering and decoration to the cover featuring a coloured plate. Spine sunned and worn, with no loss but much fading. Front cover is discoloured in two places and gently dented at the top edge. Book block in very good condition overall, featuring coloured plates protected by tissue. Gilt top edge, uncut fore-edge and foot. Some plates shaken.

Hardcover. Zustand: Very Good. No Jacket. Charles E Brittan and Charles E Brock (illustrator). Very handsome book in clean fresh blue buckram covers with bright gilt titles and ornate armorial device to spine and with bright gilt titles and decoration to front. Internally very good; owner's name neatly to flyleaf; sixteen beautiful tipped-in full colour plates; binding tight; free of foxing except for some on closed page ends; many pages unseparated from the printer although where subsequent separation has been effected this has been careless at times resulting in chips to page edges; fore and lower edges untrimmed. No dust jacket. No date c 1930. A very attractive book.

Blue/gilt hardback cloth cover. Zustand: Good. Reprint. G : in Good condition without dust jacket. Endpapers browned with off-setting. Sporadic foxing extending to fore-edge. Minor creasing to occasional plates. Pages untrimmed. 260mm x 200mm (10" x 8"). 520pp. Tipped in colour prints.

Zustand: Very Good. Hard back binding in publisher's original royal blue cloth covers, gilt title, author lettering and designs to the spine and to the front cover. 4to 10'' x 8''. Lorna Doone, was first published in 1869, it is a romance based on a group of historical characters and set in the late 17th century in Devon and Somerset, particularly around the East Lyn Valley area of Exmoor. Contains [x] 520 printed pages of text with 16 tipped-in colour plates with the landscapes by Charles E. Brittan and figure subjects by Charles E. Brock. Just a little foxing to the early end papers, light rubbing to the covers and in Very Good clean condition, spine not faded, no dust wrapper. Member of the P.B.F.A. DEVONSHIRE (Dumnonia).

Cloth. Zustand: Very Good. Charles E. Brittan; Charles E. Brock (illustrator). A beautifully illustrated edition of this charming work from Blackmore. Illustrated with frontispiece and fifteen tipped-in colour plates. Collated complete. A romance novel following a group of historical characters in Devon and Somerset which became popular amongst male and female readers alike. Written by Richard Doddridge Blackmore, a prolific English novelist of the nineteenth century remembered for the strong sense of regional setting in his works. Illustrated with landscapes by Charles E. Brittan, an English artist and watercolourist, and figure subjects by Charles Edmund Brock, an English painter, line artist, and book illustrator. In the original blue cloth binding. Externally, smart with light rubbing and bumping to the extremities. Fading to the spine with a tide mark to the rear board. Internally, firmly bound. Pages are very bright with light scattered spotting and age toning to the endpapers. Pencil inscription to the front endpapers. Very Good. book.

Cloth. Zustand: Very Good. Charles E. Brock; Charles E. Brittan (illustrator). A beautifully illustrated edition of this charming work from Blackmore with tipped-in plates. Circa 1930.Illustrated with a frontispiece and fifteen tipped-in colour plates. Collated, complete. A romantic novel following a group of historical characters in Devon and Somerset which became popular amongst male and female readers alike. Written by Richard Doddridge Blackmore, a prolific English novelist of the nineteenth century remembered for the strong sense of regional setting in his works. Illustrated with landscapes by Charles E. Brittan, an English artist and watercolourist, and figure subjects by Charles Edmund Brock, an English painter, line artist, and book illustrator. In the publisher's original cloth. Externally, mostly smart with bumping to the spine head and tail. Shelf wear to the extremities. The odd mark to the boards. Internally, firmly bound. Pages clean and bright with very slight age toning and the odd spot to first and last few leaves. Frontispiece tipped-in plate slightly folded / creased but in-tact. Very Good. book.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Good. Charles E Brittan; Charles E Brock (illustrator). Dulverton Edition. ND. c.1910. Hard to find in d/j. Larger format edition, with 16 colour illustrations, plus cover-mounted portrait, by Brittan and Brock. Cover design is as 1910 edition and clearly predates 1920 edition design. Roughcut pages toned to edges and occasional minor spotting, but in general all in good internal order. No inscriptions. Decorated boards lightly bumped and a little sunned to extremities with general fading to spine. Good unclipped d/j also with mounted colour portrait, dulled to edges and spine with some wear and vertical crease to front panel. Now in removable protective sleeve. 4to. x, 520pp.

4°, Ledereinband. Original full green leather binding with gilt title and decoration to the cover and spine, top edge gilt, uncut. 12`` x 10``. Limited Edition Number 22 of 250 copies. Contains [x] 520 printed pages of text with 16 captioned tissue-guarded colour plates. Spine little faded, otherwise a fine copy. Sprache: Englisch Gewicht in Gramm: 2550.

Zustand: Very Good. A fine depiction of two tigers during the 19th century. Charles E. Brittan was an English artist particularly noted for his pictures of animals and active during the 19th century. , Image Size : 377x280 (mm), 14.84x11.02 (Inches), Platemark Size : , Paper Size : , Hand Colored, Wood Engraving.

ARCADIA ART Charles Edward Brittan jun. (1870 Plymouth - 1949). Hochmoorlandschaft im Nebel. Gouache, signiert unten links "Charles E. Brittan", 18 x 34,5 cm (Passepartout Innenmaß), 45 x 62 cm (Rahmen). Unter Glas gerahmt. zum Werk Der Betrachter blickt wie in einer Weitwinkelperspektive auf die Landschaft. Dabei weitet sich der spärliche Bewuchs des schottischen Hochlandheidekrauts - gleichsam stellvertretend für das Sehfeld - keilförmig in das Bild hinein, um die Bildgrenzen sogleich seitlich zu übersteigen. Durch diese Weitung des Blicks wirken bereits die Gegenstände des allernächsten Vordergrundes entfernt, obwohl sie vor der zusehends diffundierenden Landschaft beinahe greifbar scheinen. Der perspektivisch erwirkte Entzug verleiht der Landschaft einen visionären Charakter, der durch die bläulichen, sich bis in den Vordergrund hinein verbreitenden Nebelschwaden ebenso verstärkt wird wie durch die Schafe, die sich mit zunehmender Entfernung zusehends als visuelle Anhaltspunkte verlieren. Dieser visionäre Zug kulminiert schließlich in der Erscheinung der langgezogenen, weich geschwungenen Bergsilhouetten und den sich darüber offenbarenden Lichtphänomenen, die ebenso nahe gegenwärtig wirken wie der diffundierende gelb-brauntonige Vordergrund. Auf kongeniale Weise setzt Charles Edward Brittan hier Bildidee der Romantik um, die Caspar David Friedrich in seinen, die Landschaftsmalerei auf ein ganz neues Niveau hebenden metaphysischen Landschaftsbildern entwickelt hat. Der in das Bild hineingerichtete Blick verschwimmt, damit sich aus dem der visuellen Wahrnehmung jenseitigen Bereich heraus etwas an der Grenze der Wahrnehmung zu formieren vermag, das eine Ahndung der übersinnlichen Sphäre eröffnet. zum Künstler Charles Edward Brittan wurde von seinem gleichnamigen Vater ausgebildet und malte vor allem Landschaftsbilder und Tierdarstellungen, war darüber hinaus aber auch als Illustrator tätig. Vorwiegend in Devon ansässig, schuf er dort seine besonders geschätzten Ansichten des Dartmoores, dessen vielfältige charakteristische Atmosphäre er bildlich einzufangen verstand. Auswahlbibliographie Huon L. Mallalieu: The dictionary of British watercolour artists up to 1920, Woodbridge 1976. Melissa Hardie (Hg.): Artists in Newlyn and West Cornwall. 1880 - 1940, Bristol 2009. Buch.