breer robert (30 Ergebnisse)

Hörbuch (DVD). Zustand: Sehr gut. 1. Auflage. Z : 15 x 21,5 cm, Box with a DVD (103 min.) and a 64 pages booklet. - With films by Francis Alÿs, Robert Breer, Paul Bush/Lisa Milroy, Michael Dudok de Wit, Brent Green, Takashi Ishida, Susanne Jirkuff, William Kentridge, Avish Khebrehzadeh, Jochen Kuhn, Zilla Leutenegger, Arthur de Pins, Qubo Gas, Christine Rebet, Robin Rhode, Georges Schwizgebel, David Shrigley, Tabaimo, Naoyuki Tsuji, and Kara Walker.

Zustand: Fine. New York. 1973 first edition. Film Culture issue for Spring 1973. Breer articles on pp. 23-72. Fine, no ownership marks.

Zustand: Fine. Unmailed postcard. [2] pp.; 15.8 x 10.5 cm.; loose card[s]; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Postcard / announcement published in conjunction with the world premier screening of "rushes" by Peter Moore of Karlheinz Stockhausen's Originale held at Anthology Film Archives, December 17, 1989. Commemorating the silver anniversary of the performances at the 2nd Annual New York Avant Garde Festival, September 1964, held December 17, 1989. Starring Charlotte Moorman, Allan Kaprow, Robert Breer, Robert Delford Brown, Lette Eisenhauer, Allen Ginsburg, Dick Higgins, Alvin Lucier, Jackson Mac Low, Max Neuhaus, Nam June Paik and James Tenney. Featuring a black-and-white publicity still for "Orginale" taken by Peter Moore in 1964.

Zustand: very good. Le livre peut montrer des signes d'usure dus a une utilisation constante, etre marque, porter des marques d'identification ou presenter plusieurs dommages esthetiques mineurs. vendeur professionnel; envoi soigne en 24/48h.

Couverture souple. Zustand: Bon. Edition originale. Reliure souple d'éditeur, plats illustrés, 17 x 24,5 cm, 544 pages. Edition originale. 442 illustrations en couleurs et noir et blanc. Texte en anglais. uvres de John Altoon, Keith Arnatt, Robert Arneson, Ruth Asawa, Alice Aycock, Morton Bartlett, Gianfranco Baruchello, Thomas Bayrle, Gene Beery, Karl Benjamin, Forrest Clemenger Bess, Scott a. a. Bibus, Douglas Blau, Bill Bollinger, Ian Breakwell, Robert Breer, Sarina J. Brewer, Heidi Bucher, Lowry Burgess, Cameron, James Castle, Joe Coleman, Bill Daniel, Peter Dean, Baby Dee, Jacqueline Fahey, John Fare, Lorser Feitelson, Stano Filko, Roland Flexner, Peter Fritz, Franck Gaard, Jan Groover, Frederick Hammersley, Margaret Harrison, Barkley Hendricks, Edi Hila, Jess Hilliard, Mark Hogancamp, Dorothy Iannone, Will Insley, Jess, Stephen Kaltenbach, Tina Keane, Patrick Keiller, Sister Mary Corita Kent, Konrad Klapheck, Hilma af Klint, Leonard Knight, Christopher Knowles, Július Koller, Panos Koutrouboussis, Jirí Kovanda, Evgenij Kozlov, Jaroslaw Kozlowski, Harry Kramer, Jim Krewson, Ferdinand Kriwet, Tetsumi Kudo, Emma Kunz, Manfred Kuttner, Paul Laffoley, Suzy Lake, Ketty La Rocca, Michael Bernard Loggins, Helen Lundeberg, Manon, Robert Marbury, John Patrick McKenzie, David Medalla, Dan Miller, Richard Allen Morris, Ree Morton, David Novros, Lorraine O'Grady, OHO, Niko, Pirosmani, Charlotte, Posenenske, Emilio Prini, Noah Purifoy, Miriam Schapiro, Michael Schmidt, Jean-Frederic Schnyder, Colin Self, Stuart Sherman, Sylvia Sleugh, Barbara T. Smith, Francisco Sobrino, Anita Steckel, Harold Stevenson, Myron Stout, Ionel Talpazan, Al Taylor, James "Son" Thomas, Miroslav Tichý, Betty Thompkins, Cleveland Turner, Jeffery Vallance, Stan VanDerBeek, Daan van Golden, Eugene Von Bruenchenheim, Ian Wallace, Melvin Way, Emmett Williams, The Philadelphia Wireman, Paul Wunderlich. Dos légèrement insolé, sinon très bon état.

Softcover. Zustand: Sehr gut. 1. Auflage. B : 160 Seiten. 116 Farb- und S/W-Abbildungen. - Im Fokus steht die epochale Gruppenausstellung kinetischer Kunst, die unter dem Titel Le Mouvement 1955 in der Pariser Galerie Denise René stattfand. Sie präsentierte Werke junger Künstler, darunter Jesús Rafael Soto, Jean Tinguely, Victor Vasarely sowie deren Vorbilder Marcel Duchamp und Alexander Calder und legte einen Grundstein für die Popularität der Kinetik als künstlerische Ausdrucksform.

Exhibition catalog for an installation of work by avant-garde film director Robert Breer held at the Galeria Bonino from November 14 to December 9, 1967. The catalog deals with Breer's "floats," three-dimensional geometric shapes that the director would construct, then roll down a street as one would a float in a paradethough typically Breer chose rural roads as a means of offsetting the sheer modernity of his objects. This catalog ends with a list of Breer's exhibitions between 1926-1967. Near Fine in saddle stapled wrappers, with light rubbing.

Zustand: Good. [Exhibition catalogue]. 4to. [10 pp.]. Soft, stapled turquoise and blue wraps with black lettering and white borders. Very good. Black and white plates. Includes artist chronology. Catalogue created to accompany the exhibition "Robert Breer: More Floats", held from November 14 through December 9, 1967 at Galeria Bonino in New York, NY. Scarce. From the Collection of the Art Historian Peter Selz.

[4] pp.; 21.5 x 14 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Single fold program for Billy Klüver's memorial celebration held at Judson Memorial Church, New York City, March 19, 2004. Speakers included Madeline Piel, Jonathan Piel, Elsa Garmire, Theodore W. Kheel, John Giorno, Mimi Gross, Pauline Oliveros, Robert Whitman, Robert Breer, Julie Martin and Becky Howland. Sound by Robert Rauschenberg, Simone Forti and David Tudor. Verso features a reproduction of E.A.T. Aims from 1967. Good. Overall handling wear and yellow staining to recto within a 8 x 13.5 cm. area and scattered across verso. Contents clean and unmarked.

First Edition. First Edition. An early animation flipbook by Robert Breer, published on the occasion of the World Retrospective of Animation Cinema in 1967. A highly abstract piece, offset printed in black, white, and yellow, devoted to quickly altering geometric forms. 4 x 2.5 inches, with side-stapled card wrappers. Very Good plus, with light use from previous flipping.

Complete set of four matching exhibition catalogs for a staggered series of installations by avant-garde film director Robert Breer, held at the Galeria Bonino in New York between 1965 and 1970. The first catalog is for an exhibition at the gallery titled "Constructions and Films," and was held in early 1965, noted as Exhibition No. 10. The other three catalogs deal with exhibitions of Breer's "floats," three-dimensional geometric shapes that the director would construct, then roll down a street as one would a float in a paradethough typically Breer chose rural roads as a means of offsetting the sheer modernity of his objects. Each catalog ends with a list of Breer's exhibitions to date. These three exhibitions, titled "Floats," "More Floats," and "93 Floats," were held at the gallery in 1966, 1967, and 1970, and are labeled Exhibition Nos. 18, 29, and 44, respectively. All four volumes Near Fine or better, each in saddle stapled wrappers, with light occasional rubbing.

[1] pp.; 28 x 21.5 cm.; color; edition size unknown; unsigned and unnumbered; mimeograph Singe sided program for films presented at Film-Makers' Cinematheque on December 21, 1964. Films presented included "Newsreel" by Andy Warhol, "Little Stabs at Happiness" by Ken Jacobs, "Fleming Faloon" by George Landow, "Faucets" and "Wrestling" by Marie Menken, "Jeromelu" by Naomi Levine (with Red Grooms, Mimi Gross, Gerard Malanga and Jack Smith) and "Yes" by Levine, "Dionysius" by Charles Boultenhouse, and "Eyewash" by Robert Breer. Program printed in black, blue and red. Very Good. Few scattered light handling marks and flatten folds.

Zustand: VG. no date no place. Appears to be 1966 , University Museum, Berkeley, California. 8p. of bw photo plates of Breer's art. VG.

[2] pp.; 35.5 x 27.9 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Double sided announcement poster published in conjunction with a series of performances held in East Hampton, South Hampton, and Amanganset, Long Island, August 25 - 27, [1969], and September 1 - 2, [1969]. Performances and films by Max Neuhaus, Morton Feldman, John Cage, Tony Conrad, Twyla Tharp, Sara Rudner, Theresa Dickinson, Margery Tupling, Robert Breer, Robert Whitman, Terry Riley, and Trisha Brown (Schlicter). Good / Very Good. Folded in half. Light bumping of corners and along left side of poster. 7 cm. x 2 mm. narrow strip of light yellowing to verso edge.

[1] pp.; 27.9 x 21.5 cm.; loose leaves; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Two-sided Poster / program for the 3rd Annual New York Festival of the Avant Garde held at Judson Hall, New York, August 25 - September 11, 1965. Organized by Charlotte Moorman. Performances and contributions by Charlotte Moorman, Robert Ashley, David Behrman, George Brecht, Robert Breer, Karlheinz Stockhausen, Allan Kaprow, Nam June Paik, Takehisa Kosugi, Jackson Mac Low, Erik Satie, James Tenney, John Cage, Luc Ferrari, Philip Corner, Robert Filliou, Jacob Glick, Don Heckman, Malcolm Goldstein, Al Hansen, Gary Harris, Dick Higgins, Burton Kaplan, Benjamin Patterson, La Monte Young, Wolf Vostell, Dieter Roth, Yoko Ono, Alfred E. Hansen, Morton Feldman and many others. Fair. Folded in three with tears, yellowing, bumping and folding of edges. Tears measure: 1.4 cm., 1 cm., 4 mm., 3 mm., 9 mm., 6 mm., 5 mm with an additional four 1 mm. tears to edges. 1.4 cm. dog-ear to lower left corner and 7 cm. dog-ear to lower right corner with additional folds and bumping to corner. 7 mm. dog-ear to upper left corner and 1.2 cm. fold to upper right corner.

[1] pp.; 78.2 x 17.7 cm.; loose leaves; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Poster for the Sixth Annual New York Festival of the Avant Garde which took the form of a parade down Central Park West in New York City on September 14, 1968, from 7pm to 10pm. Organized by Charlotte Moorman. Artists include Ay-o, Jacque Bekaert, Robert Breer, Robert Burridge, Luis Camnitzer, Philip Corner, Douglas Davis, Ken Dewey, John Giorno, Don Heckman, Al Hansen, Dick Hogle, Takehiko Iimura, Joe Jones, Allan Kaprow, Robin Kenyatta, Kenneth Knowlton, Gilles Larrain, Les Levine, Jackson Mac Low, Max V. Mathews, Tom Molholm, Preston McClanahan, Jim McWilliams, Max Neuhaus, Peter Neumann, Michael Noll, Ralph Ortiz, John Pierce, Dick Preston, Ely Ramen, Steve Rettew, Jean Claude Risset, Carolee Schneemann, Willoughby Sharp, Bob Schuller, Ed Summerlin, Jean Toche, John Van Saun, Joyce Wieland, Kenneth Werner, Emmett Williams and Jud Yalkut. Good. Folded in eight, as issued, for mailing. Mailed copy with mailing marks and wear. Light bumping of corners. Two small thumb tack holes to poster: one near the center of the upper edge and one near center of the bottom edge.

Vintage reference photograph from the 1962 experimental short film, showing Swedish-American artist Claes Oldenburg and his wife, the artist Pat Muschinski, outside of their home in the countryside. Mimeo label snipe affixed to the verso. From the archive of film historian and author Joel Finler. Director Robert Breer was best known for his abstract, avant-garde films, which combined painting, hand-drawn rotoscoping, 16mm and 18mm footage, and photographs. 10 x 8 inches. Near Fine.

[3] pp.; 73 x 18.3 cm.; loose leaves; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Poster for the Fourth Annual New York Festival of the Avant Garde held at The Central Park Conservatory Pond, New York, September 9, 1966, from 6am until midnight. Organized by Charlotte Moorman. Performances and contributions by Charlotte Moorman, Yoko Ono, Benjamin Patterson, Larry Loonin, Frederic Rzewski, Pietro Grossi, Leo Nilson, Ralph Lundsten, Don Heckman, Dick Higgins, La Monte Young, Robert Moran, Philip Corner, Toshi Ichiyanagi, Takehisa Kosugi, Hans G. Helms, Jackson Mac Low, Spencer Holst, David Hazleton, Emmett Williams, Mordecai-Mark Mac Low, Richard Huelsenbeck, David Anton, Jerome Rothenberg, Carol Berge, Diter Rot, Ludwig Gosewitz, Lamberto Pignotti, Chieko (Mieko) Shiomi, Bazon Brock, Tomas Schmit, Kurt Schwitters, Allan Kaprow, Alison Knowles, Bob Watts, Christo, Stefan Wolpe, Kenji Kobayashi, Howard Lebow, Cecil Taylor, Jimmy Lyons, Ken McIntyre, Mike Mantler, Henry Grimes, Allan Silva, Tony Williams, Jacob Glick, Shigeko Kubota, Allison Knowles, Jerry Agel, James Tenney, Joseph Beuys, Karlheinz Stockhausen, Karl Erik Welin, George Jeffers, Earle Brown, Giuseppe Chiari, Bill Dixon, Judith Dunn, Wolf Vostell, Robert Breer, Gary Harris, Elaine Summers, Hans Richter, Takahiko Iimura, USCO, George Brecht, John Cage, Charles Frazier, Jim McWilliams, Robert Burridge, Robert Ashley, Al Hansen, Bici Hendricks, Geoffrey Hendricks, Barbara Moore, Peter Moore, Gordon Mumma, Max Neuhaus, Nam June Paik, Lil Picard, Raffaele, Ely Raman and Carolee Schneemann. Good. Folded in eight, as issued, for mailing. Mailed copy with mailing marks and wear. 2.4 cm. dog-ear to bottom right corner of recto with bumping, light bumping of bottom left corner, and 1.2 cm. dog-ear to upper right corner with 7.7 cm. area of bumping. Multiple light fingerprint marks on verso.

[1] pp.; 35.4 x 21.5 cm.; loose leaves; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Program for 24 hour performances held during the 5th Annual New York Avant Garde Festival presented by Charlotte Moorman in cooperation with the New York City Department of Marine and Aviation, September 29 - 30, 1967. Performers included Charlotte Moorman, Ay-o, Robert Breer, Robert Burridge, Christo, Ellen Chuse, Philip Corner, Ken Dewey, Bill Dixon, Judith Dunn, Charles Frazier, Jimmy Giuffre, Malcolm Goldstein, Don Heckman, Al Hansen, Gary Harris, Geoffrey Hendricks, Bici Hendricks, Dick Hogle, Takehiko Iimura, Ken Jacobs, Ray Johnson, Sheila Jordan, Allan Kaprow, Robin Kenyatta, Takehisa Kosugi, Jackson MacLow, Carol Marcy, Max V. Mathews, James H. McWilliams, Marta Minujin, Max Neuhaus, Ralph Ortiz, Nam June Paik, Lil Picard, Sun Ra, Ely Raman, Steve Rettew, Carolee Schneemann, Michael Snow, Ed Summerlin, Cecil Taylor, James Tenney, Jean Toche, Uni-Trio, USCO, John Van Saun, Frank Lincoln Viner, Bob Watts, and Jud Yalkut performing works by dozens of artists including John Cage, Chieko Shiomi, Joseph Beuys, La Monte Young and many others. Fair. Folded in eight. Extensive handling wear with overall creasing and crinkling of the page. 6 mm. dog-ear to upper right corner and 12.7 cm. dog-ear to upper left corner. 2 cm. rip at bottom edge of sheet along fold.

[1] pp.; 74 x 18.5 cm.; accordion; duotone; edition size unknown; unsigned and unnumbered; offset-printed Promotional poster for the 7th Annual New York Avant Garde Festival presented by Charlotte Moorman held September 28 - October 4, 1969. Performers included Charlotte Moorman, Jon Aldefer, Billy Apple, Ay-o, Norman Bauman, David Behrman, Lois Bernard, Robert Breer, Darlene Butsch, Luis Camnitzer, Jackie Cassen, Jaropolk Cigash, Michael Cooper, Philip Corner, Arthur Corwin, Ian Crofts, Douglas Davis, Lindsay Decker, Ken Dewey, Juan Downey, Sean Emmett, Jeni Engel, Charles Frazier, Frank Gillette, Jimmy Giuffre, Michael Gurian, Al Hansen, Gary Harris, Don Heckman, Piero Heliczer, Bici Hendricks, Geoffrey Hendricks, Jon Hendricks, Dick Hogle, Richard Hyatt, Yukihisa Isobe, Ken jacobs, Poppy Johnson, Ray Johnson, Joe Jones, Kenneth Knowlton, Gilles Larrain, Fred Lieberman, Ernst Lurker, Jackson Mac Low, Max V. Mathews, Preston McClanahan, Jim McWilliams, Peter Neumann, Henry Niese, Andrew Noren, Ralph Ortiz, Nam June Paik, Benjamin Patterson, Lil Picard, John Pierce, Dick Preston, Ely Raman, Jim Raridon, Earl Reiback, Jean Claude Risset, Sal Romano, Paul Ryan, Ira Schneider, Michael Snow, Rudi Stern, Tal Streeter, Sandra Sutton, Aldo Tambellini, Jean Toche, Jerry Tublin, John van Alstine, John Van Saun, Frank Lincoln Viner, Gerald Vis, Laurence Warshaw, Todd Watts, Joyce Wieland, Kenneth Werner, Pat Willard, David Wise, Ted Wolf, Jud Yalkut, and Gary Zeller performing works by Les Levine, Allan Kaprow, Philip Corner, Stan Brakhage, Jean Toche and many others. Very Good. Hand addressed mailed copy with mailing marks and wear including two 7 mm. tears to bottom edge along closure on either side of 1.6 cm. stain from removed tape. 1 cm. glue staining on verso from closure. Otherwise clean and unmarked.

[2] pp.; 84.5 x 55.2 cm.; duotone; edition size unknown; unsigned and unnumbered; offset-printed Oversized folded promotional poster for the 8th Annual New York Avant Garde Festival presented by Charlotte Moorman, held at the 69th Regiment Armory, New York, November 19, 1971. Artists included Otto Piene, Eric Siegel, Shirley Clarke, Nam June Paik, Shuya Abe, Frank Lincoln Viner, Douglas Davis, Ralph Hocking, Ken Dominick, Pulsa, Steina and Woody Vasulka, Morton Subotnick, Stefan Tcherepnin, Richard Teitelbaum, Lil Picard, Jud Yalkut, Ed Emshwiller, Stan Vanderbeek, Christo, Yoko Ono, John Lennon, Joe Jones, Robert Watts, Frank Gillette, John Reilly, Rudi Stern, Robert Breer, Ken Dewey, Geoff Hendricks, Ralph Ortiz, Tosun Bayrak, Bici Forbes, Gary Rieveschl, Jackson Mac Low, Philip Corner, Frederic Rzewski, Gregory Battcock, Shigeko Kubota, Joey Skaggs, Al Hansen, Emmett Williams, Jim McWilliams, Joseph Beuys, John Cage, Dick Higgins, Toshi Ichiyanagi, Allan Kaprow, Takehisa Kosugi, Pauline Oliveros, Faith Ringgold, Carolee Schneemann, Aldo Tambellini, Jean Toche, Ben Vautier, Wolf Vostell and many others. Photo by Peter Moore. Very Good. Folded in eight as issued. 2 cm. and 1.5 cm. yellowing on verso from removed tape with additional 7.4 cm. and 2.3 cm areas of yellow soiling. 24.5 cm. area of creasing and bumping along centerfold. Otherwise clean and unmarked.

[1] pp.; 35.4 x 21.5 cm.; loose leaves; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Program for 24 hour performances held during the 5th Annual New York Avant Garde Festival presented by Charlotte Moorman in cooperation with the New York City Department of Marine and Aviation, September 29 - 30, 1967. Performers included Charlotte Moorman, Ay-o, Robert Breer, Robert Burridge, Christo, Ellen Chuse, Philip Corner, Ken Dewey, Bill Dixon, Judith Dunn, Charles Frazier, Jimmy Giuffre, Malcolm Goldstein, Don Heckman, Al Hansen, Gary Harris, Geoffrey Hendricks, Bici Hendricks, Dick Hogle, Takehiko Iimura, Ken Jacobs, Ray Johnson, Sheila Jordan, Allan Kaprow, Robin Kenyatta, Takehisa Kosugi, Jackson MacLow, Carol Marcy, Max V. Mathews, James H. McWilliams, Marta Minujin, Max Neuhaus, Ralph Ortiz, Nam June Paik, Lil Picard, Sun Ra, Ely Raman, Steve Rettew, Carolee Schneemann, Michael Snow, Ed Summerlin, Cecil Taylor, James Tenney, Jean Toche, Uni-Trio, USCO, John Van Saun, Frank Lincoln Viner, Bob Watts, and Jud Yalkut performing works by dozens of artists including John Cage, Chieko Shiomi, Joseph Beuys, La Monte Young and many others. Good. Folded in eight with light edge-wear, a 6 mm. ink mark on recto and 2 cm. area of light yellow soiling.

[2] pp.; 63.5 x 19 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Two-sided Poster / program for the 3rd Annual New York Festival of the Avant Garde held at Judson Hall, New York, August 25 - September 11, 1965. Organized by Charlotte Moorman. Performances and contributions by Charlotte Moorman, Robert Ashley, David Behrman, George Brecht, Robert Breer, Karlheinz Stockhausen, Allan Kaprow, Nam June Paik, Takehisa Kosugi, Jackson Mac Low, Erik Satie, James Tenney, John Cage, Luc Ferrari, Philip Corner, Robert Filliou, Jacob Glick, Don Heckman, Malcolm Goldstein, Al Hansen, Gary Harris, Dick Higgins, Burton Kaplan, Benjamin Patterson, La Monte Young, Wolf Vostell, Dieter Roth, Yoko Ono, Alfred E. Hansen, Morton Feldman and many others. Good. Hand addressed mailed copy. Folded in eight for mailing with mailing marks and mailing wear. Light edge-wear including 1 mm. tear to poster edge. Double parallel fold lines along three of the eight folds. 10 cm. of pencil writing to verso, otherwise clean and unmarked.

[1] pp.; 58.2 x 27.6 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Program for the Fourth Annual New York Festival of the Avant Garde held at The Central Park Conservatory Pond, New York, September 9, 1966, from 6am until midnight. Organized by Charlotte Moorman. Performances and contributions by Charlotte Moorman, Yoko Ono, Benjamin Patterson, Larry Loonin, Frederic Rzewski, Pietro Grossi, Leo Nilson, Ralph Lundsten, Don Heckman, Dick Higgins, La Monte Young, Robert Moran, Philip Corner, Toshi Ichiyanagi, Takehisa Kosugi, Hans G. Helms, Jackson Mac Low, Spencer Holst, David Hazleton, Emmett Williams, Mordecai-Mark Mac Low, Richard Huelsenbeck, David Anton, Jerome Rothenberg, Carol Berge, Diter Rot, Ludwig Gosewitz, Lamberto Pignotti, Chieko (Mieko) Shiomi, Bazon Brock, Tomas Schmit, Kurt Schwitters, Allan Kaprow, Alison Knowles, Bob Watts, Christo, Stefan Wolpe, Kenji Kobayashi, Howard Lebow, Cecil Taylor, Jimmy Lyons, Ken McIntyre, Mike Mantler, Henry Grimes, Allan Silva, Tony Williams, Jacob Glick, Shigeko Kubota, Allison Knowles, Jerry Agel, James Tenney, Joseph Beuys, Karlheinz Stockhausen, Karl Erik Welin, George Jeffers, Earle Brown, Giuseppe Chiari, Bill Dixon, Judith Dunn, Wolf Vostell, Robert Breer, Gary Harris, Elaine Summers, Hans Richter, Takahiko Iimura, USCO, George Brecht, John Cage, Charles Frazier, Jim McWilliams, Robert Burridge, Robert Ashley, Al Hansen, Bici Hendricks, Geoffrey Hendricks, Barbara Moore, Peter Moore, Gordon Mumma, Max Neuhaus, Nam June Paik, Lil Picard, Raffaele, Ely Raman, and Carolee Schneemann. Designed by George Maciunas. Good. Folded in sixteen with wear along fold lines and light soiling on verso along fold lines. 1.6 cm. dog-ear to bottom right corner and bumping of bottom left corner and edge. Light bumping of upper left corner of recto and 6 cm. area of light soiling to verso.

Zustand: Near Fine. First Edition. Publisher's stiff printed wraps bound by two black plastic screws. First edition. Near Fine with very faint creasing to front wrap, a little shelf wear to rear wrap. From the collection of "design guru" and notable collector of postmodern objects Jim Walrod with his emboss on the first page. This rare flipbook was produced for the Manchester band New Order, whose avant-garde dance music epitomized the postmodern blending of high and mass culture, for one of their biggest hits: the moody techno song "Blue Monday." Copies were sent out for friends of the Hacienda, Factory Records' head honcho Tony Wilson's Situationist-inspired nightclub. It was co-designed by William Wegman, famous for his portraits of his own dogs. Filmmaker Robert Breer created an animation of one of Wegman's Weimaraners to be flipped through (presumably along with the song) in a kind of "manual video." Music videos were all the rage at the time. Madchester, Wegman's Weimaraners, Factory Records, music videos, The Hacienda-- peak '80s style was achieved here.

[2] pp.; 56 x 21.5 cm.; duotone; edition size unknown; unsigned and unnumbered; offset-printed Double sided oversized flyer / poster / calendar for Yam Festival events presented at Smolin Gallery, New York, May 1 - 31, 1963. Design credited to George Brecht and Robert Watts. Calendar notes events held daily through the course of the month of May. Also indexes "Yam Day" events staged on May 11 - 12 at the Hardware Poet's Palyounse featuring works by George Brecht, Robert Watts, Ben Patterson, Dick Higgins, Mary Ashley, Robert Ashley, Philip Krumm, Carolyn Fozznick, Robert Breer, Earle Brown, Joseph Byrd, John Cage, Barney Childs, Philip Corner, Lucia Dlugosqewski, Robert Filliou, Malcolm Goldstein, Al Hansen, Spencer Holst, Terry Jennings, Ray Johnson, Jill Johnston, Joe Jones, Alison Knowles, Arthur Køpcke, Takehisa Kosugi, Gary Kuehn, Peter Longazo, George Maciunas, Jackson Mac Low, Robert Morris, Robin Page, Yvonne Rainer, Diter Rot [Dieter Roth], Tomas Schmit, Robert Swisshelm, James Tenney, Stan Van Der Beek, James Waring, Diane Wakoski, Emmett Williams, Christian Wolff, and La Monte Young. Reference : No. 75 in "Extra Art : A Survey of Artists' Ephemera 1960 - 1999" by Steven Leiber, Ralph Rugoff, Anne Moeglin-Delcroix, Todd Alden, Ted Purves. San Francisco / Santa Monica, CA : California College of Arts and Crafts [CCAC] / Smart Art Press, 2001, pp. 68. Fair / Poor. Folded once as issued. Losses along edges and closed separation along fold. Discoloration along fold. Moving away from edges the work is in Good condition. See image for accurate rendering of condition issues. Sold "as-is.".

No Binding. Zustand: Very Good. 1st Edition. Koln, Germany: Galerie Ricke, 1969. Exhibition Announcement. 5 13/16 x 8 4/16 . Very good. Minor creasing and edgewear. Foxing to back. Postage stamp, hand-applied rubber stamp and address. Galerie Ricke announcement for group show featuring Lothar Baumgarten, Bill Bollinger, Robert Breer, Alan Cote, Jan Dibbets, Mike Heizer, Ralph Humphrey, Don Judd, Steve Kaltenbach, Ronnie Landfield, Clarke Murray, and Robert Watts. Backside announces Soeben erschienen: New York Ten/69 , a series of multiples by Alan Cote, David Diao, Ronnie Landfield, Lee Lozano, Brice Marden, William Pettet, Alan Shields, Kenneth Showall, Lawrence Stafford, and Peter Young. "Don Judd", before he reverted back to "Donald".

E.Brief (1 S. 4°) mit Datum, Unterschrift signiert Ohne Ort, 4.VII.1968 - an den Psychologen und Graphologen Fritz Schweighofer mit einer Handschriftenprobe.

Montreal: La Cinematheque canadienne. 1967. 10.5 x 6.5 cm. Flip book in original paper covers; approx 100 leaves creating an animated sequence of abstract shapes printed in black and yellow; very good. First edition, printed as part of the World Retrospective of Animation Cinema. The American artist Robert Breer (1926-2011) was renowned for his experiments in animation. Known as the "kinetic poet of the avant garde" he worked across many of the great movements of the twentieth century and within a huge array of genres. His films often feature abstract images careering across the screen, a style which is represented in this flip book.

Paris: Galerie Denise Rene. 1955. 12 x 9 cm. Flip book in original black paper covers; approx 100 leaves creating an animated sequence of abstract shapes; very good. First edition, inscribed by Breer to Hans Richter. This book was published for the pioneering "Le Mouvement" exhibition at Galerie Denise Rene, which was the first kinetic art show in Paris. The American artist Robert Breer (1926-2011) was renowned for his experiments in animation. Known as the "kinetic poet of the avant garde" he worked across many of the great movements of the twentieth century and within a huge array of genres. His films often feature abstract images careering across the screen, a style which is represented in this flip book.Breer first signed with Denise Rene in 1955 and found himself at the epicentre of the Parisian avant garde. Partly inspired by his father's work as an engineer for Chrysler, he found that his art was most successful when it dealt with movement and moved away from painting to film-making and other more kinetic forms. He was a natural fit for "Le Mouvement", in which he and other important avant garde figures such as Victor Vasarelt and Pontus Hulten displayed their experiments in motion and caused an artistic sensation.Provenance: first leaf inscribed by Breer to Hans Richter, the Dadaist painter, film-maker and art historian. As a film-maker Breer acknowledged a debt to Richter: "Of course, I was excited to meet Hans; his early abstract "Rhythmus" films from the 1920s, their play with figure and ground, clearly influenced my early "Form Phases" series." (Interview with Michelle Kuo). With note from former owner clarifying provenance.