braque george (32 Ergebnisse)

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. Some dust wear to jacket. Minor shelf wear. Pages/boards clean.

128 pp.; 23 x 20.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at Franklin Furnace, New York, in 1983. Text by Donna Stein, Ron Padgett, and George Peck. Artists featured include Pablo Picasso, Jacques Villon, Georges Braque, Fernand Léger, Sonia Delauney, and others. Includes an annotated checklist of contextual materials, drawings, prints, posters, treatises, monographs, exhibition catalogues, auction catalogues, and periodicals. Also includes index to artists and index to writers. 91 black-and-white plates. Constitutes Vol. 4, No. 1 / 2 of Franklin Furnace's periodical "Flue." Very Good. Rubbing of cover edges, 3.5 cm. and 1.6 cm. creases to bottom edge of recto and 2 cm. crease to right side edge. 3 mm. tear to verso and text block edge, with light wear to contents. 1.1 cm. crease with rubbing to bottom left corner of verso and additional light rubbing and scratching. Contents otherwise clean and unmarked. Due to size and weight of this publication additional shipping charges will be required for international orders.

Softcover. Zustand: Très bon. Ancien livre de bibliothèque avec équipements. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.

Couverture souple. Zustand: Satisfaisant. In-4, broché, environ 50p. Nombreuses illustrations in et hors texte en couleurs ainsi qu'en noir et blanc. Exemplaire dans un état correct, les pages sont en parfaite état cependant la couverture présente de légères griffure et la 4eme de couverture est légèrement tâché.

266 S. Geprägtes, illustriertes Leinen mit Schutzumschlag. Sauberes Exemplar ohne Anstreichungen. Stempel auf Vorsatz. Zahlreiche Abbildungen und Tafeln. 4°. Sehr gut erhalten. Mit Beilagen. Sprache: deu.

Soft cover. Zustand: Good. Zustand des Schutzumschlags: Good. 1st Edition. Plain 15 1/8" X 11 1/4" Card Folder, Dust Jacket With Attached Flaps. 11 Folders With Mounted Plate, Text Inside, Each By One Artist And One Author. Dust Jacket With Tear At Lower Edge, Soiling Foxing And Chipping Around Top Of Spine, Foxing On Upper And Lower Rear Panel, Foxing To Flaps Where Glue Has Bled Through. Slight Browning To Edges Of Folders.

4to, (unpaginated). Original rough cloth in pictorial dustwrapper with additional protective mylar wrapper. Slight spotting on top of text block. Prefaced by the 1954 essay 'Braque, Painting and Us' by Dora Vallier. Contains 71 full colour reproductions of artworks by George Braque on paste-in plates. . First edition.

Zustand: Bon état. in-4, broché, couverture en couleurs, rhodoïd, nombreuses reproductions en noir et en couleurs et 72 numéros décrits. Bon état.

Zustand: Bon état. in-4, broché, couverture en couleurs, 46 pp., nombreuses photographies en couleurs. Bon état.

Leporello. 8 unpaginierte Seiten, 2 Abb. Guter Zustand. Ausstellungskataloge der Malerbücher im Malerbuchkabinett 1972 Size: 26 x 21 Cm. 300 Gr.

Zustand: Good. [Exhibition catalogue]. 4to. 51 pp. Soft white and green printed wraps with black lettering. Good with marginal chipping along bottom of spine and wraps and marginal creasing and offsetting from age. Mostly black and white plates with color illustrated frontis. Includes a foreword by Philip James and an essay by Douglas Cooper. Includes artist biographical chronology and select bibliography. Includes annotated list of 89 exhibited works. Catalogue created to accompany the exhibition "An Exhibition of Paintings by G. Braque", held from September 28 through November 11, 1956 at the Tate Gallery in London, England, arranged by the Arts Council of Great Britain in association with the Edinburgh Festival Society. Second Pressing. Half-title page includes signature of previous owner inscribed along top right corner of page: "Peter Selz, 1956." Scarce. From the Collection of the Art Historian Peter Selz.

Cubiertas editorial. Zustand: Muy bueno. George Braque (illustrator). Primera edición. 375 pp. todas ilustradas. Size: 28 x 21,5 Cm.

Paris : Maeght, 1973. Directeur Claude Esteban. Un volume broché (19x26 cm) sous couverture d'après Raoul Ubac, 160 pages. Illustrations hors texte en noir sur papier couché de Arpad Szenes (10) et Georges Braque (8). Bon état. Livres.

Gebundene Ausgabe, 360x280mm. Zustand: Sehr gut. 32 Seiten Das Buch ist in sehr gutem, sauberen Zustand. Gebundenes Buch mit Original-Schutzumschlag. Wir senden umgehend mit beiliegender MwSt.Rechnung. Sprache: Französisch Gewicht in Gramm: 1366.

43,4x32,5 cm (Stein/ Abb.). Nach einem Aquarell v. G. B. Offset-Farblithografie auf Velin. Inet / Wikipedia // TB // VO // BE // DLM 166 // Argenteuil 1882-1963 Paris. -Mit geglätteter Mittelfalte, sehr gutes Exemplar. Unter älterem PP montiert! Anm. zur Rechnungstellung: Die Buchpreise beinhalten die reduzierte MwSt von 7 %, diese wird gesondert ausgewiesen // Rechnungen für Kunstgegenstände wie Grafiken, Gemälde weisen gem. § 25a Abs.3 Satz 1 UStG (Differenzbesteuerung) bzw. § 25a Abs.3 Satz 2 UStG (Margenbesteuerung) keine MwSt aus (brutto = netto). 0 Gewicht in Gramm: 2001.

Soft cover. Zustand: Near Fine. 183pp.Pictorial wraps.Birdlike design. Very well preserved. Housed in a slip case that is worn on its corners. Includes 3 original lithographs: the cover, frontispiece, and title page. As well as 166 colored illustrations. The cover is illustrated and wrapped in a glassine jacket missing the spine. Georges Braque's lithographs, particularly from his later career (post-1945), are known for their rich colors, painterly textures, and exploration of recurring themes like birds, still lifes, and mythological figures, using the medium's ability to layer colors and create visual intensity, often departing from strict representation to imbue objects with symbolic, universal meaning within abstracted forms. He embraced lithography as a more painterly technique than etching, developing a distinct, vibrant style in his later years, characterized by thick, expressive strokes and complex color harmonies. Book.

Softcover. Zustand: vg- to near fine. Limited first edition. 1/4125. Small folio. 12.5x9.5". 183pp. [5]. Tan paper-covered slipcase, housing a softcover binding with a lithographically illustrated dust jacket over stiff white cardstock wrappers. Dj protected by mylar. This is #3838 from a total limited edition of 4125 copies. The publication is a complete catalogue raisonné of George Braque's lithographs, containing 3 original lithographs (covers, frontispiece and title page) and 146 lithographic reproductions in color and b/w. The lithograph's are arranged chronologically and date from 1921-1962. Each of the reproductions is protected by a coated waxpaper guard, and contains physical and historical information about the work on the opposite page. Detailed list of works at the back of the book. Text in French. Slipcase with with some light rubbing to extremities, and some light stains, scratches and smudges. Dj with very minor foxing. Mylar with some small chips at corners. Interior with minor sporadic foxing to a few pages, with images almost entirely unaffected, clean and bright. Slipcase in very good-, covers and interior in overall very good+ to near fine.

Hardcover. First Edition. Large quarto; VG; Numbered 2201 of a limited edition of 4125; Off white spine with black lettering; Book is in original glassine cover which has some small tears and a chip missing;; Wraps are toned, interior clean; 146 plates on 183 pages; Shelved in Case 11. Features three original color lithographs (Cover, frontispiece and design on title page). Text in French. 1299323. Shelved Dupont Bookstore.

Hardcover. Zustand: Very Good. Limited Edition. Pierre Reverdy, George Braque. Paris Maeght 1959. Reverdy and Braque originally met in 1910 and collaborated on many artist books together. Reverdy finished the initial transcript for La Liberte Des Mers in 1954 and Braque completed his works for the book five years later. It was officially published just a month before the death of the poet. This book is limited to 250 copies of which this copy is one of the 200 in Arches vellum paper. It is signed in justification page by Braque and Reverdy, the portfolio includes seven full page lithographs in color including the front cover, by Braque, and many illustrations to accompany Pierre Reverdy text. Complete and guarded in the original publisher chemise and slipcase. Signed by Illustrator(s).

Soft cover. Zustand: Very Good. BENOIT Pierre-André. Salut à René Char. Alès, PAB March 1955. First edition. Total edition of 99 numbered copies, from 1 to 95 on Velin de Rives, + five in Roman numbers from I to IV on China paper with an added engraving. This copy is n 60 of 95 on velin de Rives, signed and numbered by PAB (Pierre Andre Benoit) in pencil, with a reproduction of Braque drawing in the title page, and a poem in homage to René Char. In-12th 175 x 115 mm.

Soft cover. Zustand: Very Good. 1st Edition. A BRAQUE. René CHAR. First edition, in tiny format published by Pierre-André Benoit in homage to Braque. A poem by Rene Char illustrated with 3 full-page woodcuts after Georges Braque. Limited edition of 75 numbered copies, this one n. 20 signed and numbered by PAB (Pierre Andre Benoit) in pencil. Tiny format 80 x 75 mm.

Zustand: Good. 4to. Original pictorial boards. 26.5 x 35.5 cm. (10½ x 14"). French edition.153, [1] p. With 27 lithographs, many in color, 5 of them double-page; plus numerous reproductions of drawings, paintings, photographs, miniatures, etc.;boards with color illustration by Georges Braque on front cover.Major double-issue of Verve, 27 lithographs by or after Georges Braque (1); Henri Matisse (3, 1 of them double-page); Henri Laurens (2); Alberto Giacometti (2); André Masson (3, 1 of them double-page); Fernand Léger (3, 1 of them double-page); Joan Miro (3, 1 of them double-page); Borès (2); Gromaire (1); and Marc Chagall (7, 1 of them double-page). The lithographs printed by Mourlot.

Paris, Gallimard, 1952. 8vo. In the original green printed wrappers. Hinges with wear, otherwise a nice and clean copy. 56, (6) pp.

Lithographie in 8 Farben. Blattgröße 31,7 x 24 cm (12.5 x 9.25 inches) * Hochwertige lithographische Reproduktion des Originalplakates aus der Werkstatt von Mourlot (aus "Les Affiches Originales des Maitres de l'Ecole de Paris").

Lithographie in 5 Farben. Blattgröße 31,7 x 24 cm (12.5 x 9.25 inches) * Hochwertige lithographische Reproduktion des Originalplakates aus der Werkstatt von Mourlot (aus "Les Affiches Originales des Maitres de l'Ecole de Paris").

0. Paris, édition des Quatre chemins, Mars 1930, petit in-4°, 27,5 x 22 cm, fascicule agrafé , couverture original ( couverture légèrement souill. Petite perte de papier à la couverture posterière), avec entre 20 et 30 pp de texte, avec illustrations h.t., avec publicité. Ce nr. contient e.a. : un article de E.Bove sur Georges Braque. Albert Sautier '' L'Exposition d'Art Africain et d'Art Océanien ( avec 10 pp d'illustrations).

Folio. 2 lose Bogen. Alle 8 S. illustr., Titel mit farb. Orig.-Lithogr. Sprache: Deutsch.

Paris: Maeght éditeur. Directeur: Claude Esteban. 20 volumes 19x26cm, brochés sous couvertures illustrées par Raoul Ubac, illustrations en noir dans et hors texte. N°1 à 23/24, hiver 1973 - printemps-été 1981 : 24 numéros dont 4 doubles : 9/10, 13/14, 19/20 et 23/24). Importante revue de poésie lancée par Adrien Maeght après la disparition de L?Éphémère. Animée par Claude Esteban 9 ans durant, elle occupe une place majeure dans le paysage poétique de ces années-là, tant par le travail de traduction que par l?émergence d?une nouvelle génération de poètes.Contributions de Anne-Marie Albiach, Pierre Alechinsky, Antonin Artaud, Geneviève Asse, Paul Auster, Yves Bonnefoy, William Blake, Georges Braque, Pierre Chappuis, René Char, Eduardo Chillida, Jean Daive, René Daumal, André du Bouchet, Philippe Denis, Claude Dupin, Odysseus Elytis, Claude Esteban, Claude Garache, Lorand Gaspar, Juan Gris, Martin Heidegger, George Henein, Emmanuel Hocquard, Vladimir Holan, Philippe Jaccottet, Roger Laporte, Henri Lefebvre, Michel Leiris, Ossip Mandelstam, Henri Michaux, Juan Miro, Eugenio Montale, Roger Munier, Bernard Noël, Boris Pasternak, Octavio Paz, Fernando Pessoa, Pascal Quignard, Charles Racine, Alain-Christophe Restrat, Pierre Reverdy, Claude Royet-Journoud, Jean-Luc Sarré, Joseph Sima, Pierre Soulages, Arpad Szenes, Pierre Tal Coat, Antoni Tàpies, Dylan Thomas, Pierre Torreilles, Viera da Silva, Raoul Ubac, Rosemarie Waldrop, Robert Walser, Louis Zukofsky, etc. - Ensemble en très bon état. Livres.

Original lithograph. Printed by ARTE in 1963 on behalf of the Galerie Maeght in Paris. Color lithograph after Georges Braque for an exhibition at Galerie Maeght in 1967, here the special edition on Velin BFK Rives without the text of the poster. "Oiseau et Lotus" (Bird and Lotus) is a work by Georges Braque, one of the leading figures of the Cubist movement alongside Pablo Picasso. Braque's contribution to modern art, particularly through Cubism, emphasized abstraction, the breaking up of objects into fragmented shapes, and the exploration of multiple perspectives simultaneously.Though I can't provide specific details about a single artwork titled "Oiseau et Lotus" without more context, it's likely that this work would reflect Braque's characteristic use of geometric forms and muted color palettes to depict natural subjects in an abstract way.In the context of his later works, Braque moved away from the strict geometric forms of early Cubism, and started incorporating more organic shapes and elements of nature. Birds (Oiseaux) and plants (Lotus) were recurring motifs in his post-Cubist period, when he focused on the lyrical, still-life approach that is often seen in his paintings from the 1930s and 1940s. Georges Braque was a major 20th-century French painter, collagist, draughtsman, printmaker and sculptor. His most notable contributions were in his alliance with Fauvism from 1905, and the role he played in the development of Cubism. Braque's work between 1908 and 1912 is closely associated with that of his colleague Pablo Picasso. Their respective Cubist works were indistinguishable for many years, yet the quiet nature of Braque was partially eclipsed by the fame and notoriety of Picasso. Browning of former passepartout visible. Else in very good condition. 60 x 43,5 cm (23.5 x 17,25 inches).

First edition, first printing, number 29 of 150 copies signed by all the artists and authors, with each print numbered and signed by the respective artist and Robert Rey. This copy with an additional suite of 46 sheets with colour separations of Braque's print housed in separate wrappers, lettered in black. The print titles included are: Braque, "Nature morte au huitres"; Brianchon, La neige a auteuil; Chagall, La sirène; Desnoyer, Liseuses au bord de mer; Dufy, Le casino de la jetée a Nice; Laurencin, Portrait de femme en rouge; Matisse, Nature morte au magnolia; Picasso, La cassarole Émaillée; Utrillo, Le jardin de Montmagny; Van Dongen, Tête de femme; Vlaminck, Les blés dans la perche; and Waroquier, Dolori sacrum. Folio. 12 colour woodcuts after each of the artists printed on Van Gelder Zonen wove paper with one edge untrimmed. Sheet sizes: 46.5 x 36 cm. Unbound sheets printed on Van Gelder Zonen wove paper in white wrappers, titles to front cover in red. With glassine dust jacket. Housed in the publisher's blue morocco clamshell box, titles to front cover and spine gilt. All contained in the original card packing box. Closed tear to front wrapper and glassine, hinge of clamshell box split, minor foxing in places otherwise a bright unfaded set.