Brainard joe ed (14 Ergebnisse)

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Near Fine. First Edition. As new condition in blue boards in a Near Fine dust-jacket. 390 pages, b/w ills. throughout. Dear, dear.

Paperback. Zustand: Near Fine. No Dust Jacket. Slight wear. Crisp small paperback. ; Collection of works by notable authors and poets paying tribute to Joe Brainard, in literary annual Pressed Wafer. "Joe Brainard was an American artist and writer associated with the New York School. His prodigious and innovative body of work included assemblages, collages, drawing, and painting, as well as designs for book and album covers, theatrical sets and costumes." - Wikipedia.; 275, 6 ad pages. Illustrated by Joe Brainard cover art (illustrator).…

Paperback. Zustand: Good. First Printing. Clean pages, if modestly age-toned around outside edges; no owners' marks; soft cover has a light crease and some surface rippling along the spine, scattered spots of light surface wear, creasing across bottom free corners, age toning at spine and edges, and a small surface tear near the spine heel; otherwise sound. xiv, 155pp.…

Paperback. Zustand: VG-. Very Good Minus staple-bound mimeo, 36* pages with some age-toning esp. to extremities, minor soiling, creasing & corner-wear. *Last page missing -- which would have been blank as all contributors are accounted for.

Paperback. Zustand: Very Good. First Edition. Mimeographed staple-bound 1st edition in very good condition. 2nd issue of literary magazine, cover art by Joe Brainard. Collection of poetry and prose by many contributors. Covers are lightly toned at the edges and lightly foxed. Trace of rusting to staples. Pages are clean throughout. AD. Brainard, Joe (illustrator). Used.…

Zustand: Very Good +. First Edition. Iowa City, IA: Happy Press, 1981. Slim quarto (28cm); staple-bound illustrated wraps; [18]pp; illustrated. Wraps faded. Binding sound. Textblock, endsheets, and interior pages clean with a few pencil annotations. Very Good or better anthology of poetry "cartoonized" by Dave Morice.…

Softcover. Zustand: Near Fine. Magazine. Cover by Joe Giordano. Folio. Stapled illustrated wrappers. Near fine with some rubbing to the wraps. A poetry anthology edited by Maureen Owen with contributions from Joe Brainard, Larry Clark, Ray di, Palma, Anselm Hollo, Bruce Andrews, Guy R. Beining, Alan Bernheimer, Stephen Bett, Rachelle Bijou, Emily Borenstein, Ed Friedman, Peggy Garrison, Maria Gitin, Red Grooms, James Gustafson, Gunner Harding, Richard Harper, Avron Hoffman, Susan Howe, Joe Johnson, Ronald Koertge, Marsha Elaine Kash, Ruth Krauss, Marty Lahr, Marc Lecard, Tom Mandel, Stephen Miller, Opal L. Nations, Jerry Oleaf, Lauren Owen, Patrick Owen, Bob Perelman, Carol J. Pierman, Rochelle Ratner, John Robert III, Erik Satie, Trevor Winkfield, Simon Schuchat, George Schwanz, Richard Synder, Janet Sternburg, Rachel Towle, Jim Tracy, Jim Venit, Charlie Vermont, Francois Villon, David Moe, Barry Watten, and David Weintraub.…

[unpaginated]; 26.5 x 20 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue number 3 of Shiny International, edited by Michael Friedman. Contents include: interview with Eiko Ishioka by Tim Tucker and Steven Hall; interview with Mike Kelley by Ed Smith; interview with Fetchin Bones by Michael Friedman; interview with Arthur Russell by Todd Eberle; interview with Steve Poleskie by Steven Hall; Prose by Dennis Cooper, Peter Cherches, and Cheri Fein; poetry by Ron Padgett, Joe Brainard, Brad Gooch, David Trinidad, Eileen Myles, Jeffrey Jullich, Sal Salasin, and Tom Savage and "Photo Features" a portfolio by Allen Ginsberg, Fashion photography by Roméo / Latty with fashion by Brian Early, and band photographs by Todd Eberle of Hugo Largo, Zeitgeist, and Wednesday Week. Cover photo by Pat Kepic. Good. Rubbing of covers and light staining of recto with significant creasing to verso and water damage to covers. Light rippling to pages, contents otherwise clean and unmarked.…

Softcover. Zustand: Near Fine. First Edition. First edition. Cover by Joe Brainard. Quarto. Mimeographed sheets printed rectos only in stapled illustrated wrappers. Some minor wear at the corner and a couple very tiny tears, near fine. This is the pirated version of Pound's final cantos which forced into publication the official authorized version. This copy is an unnumbered, out-of-series copy issued without a colophon.…

Zustand: Very Good. New York: The Poetry Project, 1967. First Edition. Tall, slim folio (35.5cm); publisher's white pictorial staple bound wrappers; [35]ll. printed mimeograph on rectos only. Wrappers a bit worn and dust-soiled, textblock edges foxed, else Very Good and sound. Substantial who's who of the New York Poetry Project scene, including contributions by Ted Berrigan, Joe Brainard, Ruth Krauss, Diane Wakoski, Anne Waldman, and many others.…

Soft cover. Zustand: Very Good. 1st Edition. Very good copy. Stapled mimeographed pages. Light wear at edges.

Softcover. Zustand: VG-. Rare example of this seminal bundle of fun. Staple-bound, 8.5 x 14 inches, unpaginated with artwork on one side only of each sheet except for the last, which is blank, and is also detached from the staples. Brainard collaborates here with many of his writer friends and colleagues including Bill Berkson, Frank O'Hara, Gerard Malanga, James Schuyler, Peter Schjeldahl and Barbara Guest. Condition issues: heavy discoloration to front cover (& with one light ripply pen mark); with some chipping and creasing to edges, top staple just about detatched. Light general edge-wear to pages but nothing egregious and no rips or stains or other markings within. Interior pages quite bright. Scarce. Further images upon request.…

Paperback. Zustand: Very Good. Book. An important magazine of experimental poetry, fiction and art, published by Opal and Ellen Nations between 1970-1980 (from London to San Francisco to Vancouver); gathered here is a substantial collection of 13 of its 20 issues (nos. 14 and 19 were not published). With many American poets published, as well as British, featured contributors include: Douglas Blazek, Bob Cobbing, Allen Fisher, Jeff Nuttall, Ted Berrigan, Bernadette Mayer and others. Contents: No.1 A story by Sladek from 1966, published as the first issue of Nations' magazine; the cover collage is by Nations. Loosely inserted are three stapled foolscap sheets (folded once horizontally), apparently as issued - they comprise 5pp. of text, and Nations' website describes this issue as being 25pp.No. 3, London, 1971: 327 x 200 mm, stapled, mimeo, 40 pp. 'The Ron Padgett Issue' - poems by R.P. Cover by Joe Brainard. London, 1971. Mimeo. Limited edition of 250 copies. / No. 4, London, 1971: 330 x 202 mm, stapled, mimeo, 44 pp. Works by: Douglas Blazek, Bob Cobbing, Clark Coolidge, Tom Disch, Allen Fisher, Paul Gogarty, Opal Nations, Jeff Nuttall, John Giorno. Collage cover by Opal Nations. / No. 5, London 1971: 330 x 203 mm, stapled, mimeo, 44 pp. 'Goodies from Anne Waldman'. Cover drawing by Joe Brainard. Works by: Fagin, Brownstein, Giorno, Berkson, Warsh, Berrigan, Schiff, Mayer, Gilfillan, Padgett and Waldman. / No. 6, London, 1971: 330 x 205 mm, stapled, mimeo, 40 pp. 'The Larry Fagin Issue': Poems and collaborations by L.F. with Brownstein, John Clark, Tom Clark, Padgett, Coolidge, Berkson and Veitch. Front & back cover drawings by Glen Baxter. Limited edition of 200 copies. / No. 7, London, 1972: 330 x 202 mm, stapled, mimeo, 44 pp. Cover drawing by Bill Berkson. Works by: Glen Baxter, Allen Fisher, Maureen Owen, Lewis Warsh, Tuli Kupferberg, Andrei Codrescu, Tony Towle, Tom Veitch, Larry Eigner, Keith Abbott and others. / No. 8, 1972, edited by Allen Fisher, 208 x 295 mm, stapled sheets between card printed covers. Works by Jeff Nuttall, Opal L Nations, and others. / No.9, edited by Natons. 280x216mm. Stapled, mimeo, unpaginated. Edition of 200. Works by Aram Saroyan, Robin Crozier, Pierre Joris, Glen Baxter, Maria Gitin et al. / No. 10, San Francisco, 1972: 355 x 215 mm, stapled, mimeo, 113 pp. Edited by Andrei Codrescu; printed and published by him. Front and back covers by Nanos Valaoritis. Works by: Lewis MacAdams, Harold Norse, Tom Veitch, Opal Nations, Nanos Valaoritis, Andrei Codrescu, Claude Pelieu, Ted Berrigan, Gerard Malanga, Alice Notley, Wm. Talcott, Ron Sukenick and others. Interview with Phil Whalen/ No. 10A, September 1972, 290 x 208 mm, mimeo with perfect binding tape, edited by Allen Fisher and Dick Miller. Works by Wolf Vostell, Dieter Rot, Thomas A. Clark, Glen Baxter and others / No. 10B 1973/4. A4 208 x 295 mm, mimeo w/ card covers, perfect binding with tape, 144pp. Edited by Allen Fisher & Dick Miller. Works by Themerson, Mottram, Fisher, Butler, Griffiths, Joris, Nations, Clark, Harwood, Mayor, Cobbing et al. / No. 15, San Francisco, 1974: 291 x 220 mm, stapled, with dust jacket and covers by Opal Nations, offset, 134 pp. Works by: George Bowering, Nanos Valaoritis, Norman Mustill, Opal Nations, Ray Johnson, Irene Dogmatic, Britton Wilkie, Jack Hirschman, Kathy Acker, Tom Veitch, Cecil Hellman, Bernadette Mayer and many others. Also Arthur Craven (in translation). / No. 16, Vancouver, B.C., 1974: 215 x 144 mm (smaller format than the other 'foolscap' issues), "Etrange Faeces". Special French to English translations issue, edited by Tony Montague and Opal Nations. Front & back covers by Erro. Works by: Jarry, Apollinaire, Radiguet, Tzara, Peret, Soupault, Arp, Eluard, Desnos, Cesaire, Michaux, Artaud, Aragon, Jacob, Char, Breton, Prevert, Ponge and others. Limited edition of 500 copies. / No. 17, Vancouver, 1975: 355 x 215 mm, stapled, offset, 61 pp. Special Canadian Issue of experimental fiction and graphics.Works by: Toby MacLennan. …

Zustand: Very Good-. New York: Lorenz & Ellen Gude, 1964. First Edition, from an edition of 300 numbered copies; this copy one of an unspecified numberof unnumbered copies, (Fischer puts the whole print run around 400). Quarto; side-stapled wrappers;[69]ll., printed rectos only. Lacks final blank and rear stiff cover, as is common with this title. Rubbing and toning to wraps; curling to corners; loss to top front corner of final leaf; interior unmarked; a Good to Very Good copy of this important New York School debut. Fischer p. 24.…