brabant jan (6 Ergebnisse)

Zustand: Good. Originele geà llustreerde linnen band met goudopdruk, 8vo.; Voor- en achterplat vlekkig en licht sleets langs hoeken en randen; voorste scharnier gebroken; boekblok gebruind; foxing door de tekst.

Gross-8°. 7, 36 S. mit einer gefalteten Karte. Original-Broschur. Umschlag nur wenig lichtrandig u. teils etwas abgegriffen bzw. angestossen. (Toponymica. Bijdragen en Bouwstoffen. II, 4) SW: Ortsnamen, Namenkunde, Flandern, Aalst.

Paperback. Zustand: Poor. Verkleuring. Twee delen, dubbele kolomdruk, omslagen erg beschadigd, oorspronkelijk verschenen in wekelijkse afleveringen. Dutch.

Couverture souple. Zustand: bon. R260153646: 1959. In-12. Broché. Etat d'usage, Couv. légèrement passée, Dos plié, Quelques rousseurs. 206 pages. Premier plat illustré en couleurs. . . . Classification Dewey : 840-Littératures des langues romanes. Littérature française.

Prima exemplaar met lichte gebruikssporen. Inhoud INLEIDING Chris Van Kerckhove P. 7 THEÏSME Piet Van Brabant GOD IS P. 19 Anita Weyts QUAKERISME P. 27 AGNOSTICISME Jan Broeckx OVER DE ZEKERHEDEN VAN HET ONZEKERE P. 43 Gerda Dieltiens GETUIGENIS P. 53 Piet Van Praet , EEN BEELD VAN GOD P. 59 Else Walraevens AGNOSTISCH A-THEÏSME P. 75 ATHEÏSME Jaap Kruithof ATHEÏSTISCHE RELIGIOSITEIT P. 85 Hubert Dethier HET NIHILISME ALS GEESTELIJKE HORIZON VAN DE 19DE - 205T EEUW P. 95 Diderik Batens RADICAAL ATHEÏSME P. 129 Julien Klener OVER GOD EN JODEN OF IS DE SCHRIJVER EEN VRIJZINNIG JOOD? P. 163 Willem Elias NIET-RELIGIEUS ATHEÏSME P. 171 Ludo Abicht ATHEÏSME AGNOSTICISME RELIGIE P. 191 AAN GENE ZIJDE VAN DE ENKELVOUDIGE GOD Shitoku Adriaan Peel BOEDDHISME P. 203 Tony Van Loon WAT MET GOD? OF DE GODEN IN HET HUMANISTISCH PAGANISME P. 213.

3 vol. : [unpaginated] ; [unpaginated] ; [unpaginated]; 3 vol. : 13.5 x 16.9 cm. (each); glue bound; black-and-white; edition size 700; unsigned and unnumbered; offset-printed; Three volume publication documenting the exhibition Sonsbeek ''71 held in and around Park Sonsbeek. Book produced as graduation projects by Paul Bonger and Rick Vermeulen at art school in Rotterdam, now know as Willem de Kooning Academy. Introduction by Bonger and Vermeulen. Artists include Vito Acconci, Bas Jan Ader, Carl Andre, Ben d''Armagnac, Richard Artschwager, Bruce Baillie, Douwe Jan Bakker, Joseph Beuys, Ronald Bladen, Marinus Boezem, Stanley Brouwn, Daniel Buren, Javacheff Christo, Tony Conrad, Hanne Darboven, Walter de Maria, Ad Dekkers, Ger Dekkers, Jan Dibbets, Ger van Elk, Pieter Engels, Groep Enschede, E.R.G., Hans Eykelboom, Barry Flanagan, Fluxus, Hollis Frampton, Ernie Gehr, Dan Graham, Robert Grosvenor, Michael Heizer, Douglas Huebler, Ken Jacobs, joepat, Donald Judd, On Kawara, W (Imi) Knoebel, Hans Koetsier, Axel van der Kraan, Peter Kubelka, George Landow, Standish Dyer Lawder, Sol LeWitt, Richard Long, Mass Moving, Yutaka Matsuzawa, Mario Merz, Jack Moore, Robert Morris, Bruce Nauman, Robert Nelson, Groep Noord-Brabant, Claes Oldenburg, Dennis Oppenheim, Nam June Paik, Panamarenko, Egbert Philips, Emilio Prini, Klaus Rinke, Peter Roehr, Ulrich Rückriem, Edward Ruscha, Fred Sandback, Jean-Michel Sanejouand, Wim T. Schippers, Richard Serra, Paul Sharits, Eric Siegel, Tony Smith, Robert Smithson, Kenneth Snelson, Michael Snow, Koert Stuyf, Ellen Edinoff, Shinkichi Tajiri, Sajiki Tenjo, Yokoyama, Carel Visser, André Volten, Hans de Vries, Lex Wechgelaar, Lawrence Weiner, Joyce Wieland, Annemiek Backer, Marijke Boon, Cor Blok, Pieter Brattinga, K. Schippers, B. van Garrel, Ton Haak, Les Levine, Titia Tybout, Odufré Joes and Wim Crouwel. Texts in English and Dutch. "The tripartite catalogue Sonskeek [sp] ''72 arose from the notes and photos we made of a project that we executed during the period November ''71 - June ''72. What was the starting point of the project? Of all the Sonsbeek exhibitions in ''49- ''52- ''55- ''59 and ''66 one could or one can find back all the sculptures; although not in the original place, in the park, they are to be seen somewhere. Yet the transiency of the projects and objects as exposed during the manifestation ''Sonsbeek buiten de perken'' for us was a reason to trace back what happened to these projects and objects. Doing this we considered ourselves as visitors who came after the closing of the manifestation. We visited the original place of the object/project, made photographs and described it and did so with the present place as well. E.g. from the gigantic wedge by Ronald Bladen at the place in park Sonsbeek hardly anything could be found, except a slight difference in colour of the pavement. The wedge itself we discovered in pieces against the wall of a shed of a firm in Arnhem. Most of the projects and objects we also found back in totally different state: at rubbish dumps, on heaps of scrap- iron, dismantled and packed in boxes, in peoples homes on the cupboard. In some cases nothing was to be found back. We sent a stencil to the 35 filmmakers asking them to send a photo and a description of the present place of their films. Description and photo were their part in our project, the original place always being the place at the lawn where in a tent the films have been shown, during the manifestation. From some filmers we didn?t get an answer within a certain period, then the second card is dropped out. Some artists played a part by the publication they got in one of both Sonsbeek cataloques. When their project had a relation with a location, we visited it and made a photo, if not, we reproduced the concerning pages out of the cataloques. The definite form of the three booklets as they now appear, is the result of collecting and combining the 360 cards on one side a photo, on the other side the description. We thank everyone who helped us to realize this project." -- Paul Bonger and Rick Vermeulen from book''s English introduction. Good. Curl to bottom right quadrant of the three volumes. Rubbing, scratching and light edge wear to covers. Volume 1 has 6.2 cm., 1 cm. and 1 mm. areas of surface tearing to verso. Volume 2 has 10 cm. area of surface tearing to recto. Contents of all volumes are clean and unmarked.