bowen thomas j (20 Ergebnisse)

Paperback. Zustand: Very Good. First Edition. 192pp. Light cover wear. L9.

Zustand: New. In.

Zustand: New. In.

Paperback. Zustand: Brand New. 92 pages. 9.00x6.00x0.21 inches. In Stock.

Zustand: New. In.

Zustand: New. In.

Kartoniert / Broschiert. Zustand: New.

Gebunden. Zustand: New.

Taschenbuch. Zustand: Neu. Neuware - This comprehensive grammar and dictionary is an essential resource for anyone interested in the Yoruba language. It covers everything from basic sentence structure to the nuances of pronunciation and meaning. With clear explanations and numerous examples, it is the perfect guide for both beginners and advanced learners alike.

Taschenbuch. Zustand: Neu. Neuware.

Buch. Zustand: Neu. Neuware.

Buch. Zustand: Neu. Neuware.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "Q & A: Jeffrey Slonim on Pet Piles," by Jeffery Slonim; "Letter from Paris: Pascaline Cuvelier [and] Olivier Zahm on A.P.C," by Pascaline Cuvelier and Olivier Zahm; "Preview: Florine Stettheimer at the Whitney: Jutta Koether talks with Elisabeth Sussman," by Jutta Koether; "Preview: Florine Stettheimer at the Whitney: Brooks Adams on the Florine Scene," by Brooks Adams; "Film: Brian D'Amato on Robert Longo's Johnny Mnemonic," by Brian D'Amato; "Gadget Love: R. U. Sirius reviews J. C. Herz's Surfing the Internet," by Gadget Love; "Music: Christina Kelly on Jenny Toomey," by Christina Kelly; "Real Life Rock: Greil Marcus' Top Ten," by Greil Marcus; "Goth to Dance: Donald Kuspit talks with Georg Baselitz," by Donald Kuspit; "Critical Reflections: Dale Hickey with an introduction by Peter Schjeldahl," by Dale Hickey and Peter Schieldahl; "Venezia / Venezuela: A Project for Artforum by Meyer Vaisman with an introduction by Jesús Fuenmayor," by Meyer Vaisman and Jesús Fuenmayor; "Diary of a Sad Housewife: Collier Schorr talks with Todd Haynes," by Collier Schorr; "Art of Living: James Meyer talks with Gregg Bordowitz," by James Meyer; "Into the Blue: Yves Klein: Comic Relief," by Nan Rosenthal; "Into the Blue: Yves Klein: Klein and Poses," by Benjamin H. D. Buchloh; "Openings: Maurizio Cattelan," by Olivier Zahm. Book reviews by John Ash, Yve-Alain Bois, Jean-Pierre Criqui, Arthur C. Danto, Jeffery Deitch, Bruce Hainley, bell hooks, Wayne Koestenbaum, Rhonda Lieberman, Richard Martin, Patrick McGrath, D. A. Miller, Michael Musto, Peter Schjeldahl, Richard Shiff, Richard Stone, Justin Spring, Carol Squiers, and Mim Udovitch. Reviews by Jan Avgikos, Peter Bowen, Barry Schwabsky, Andrew Solomon, Joshua Decter, Donald Kuspit, David Rimanelli, Keith Seward, Ingrid Schaffner, Faye Hirsch, Dan Cameron, John Ash, Ronny Cohen, Steven Drukman, Nico Israel, Joan Seeman Robinson, Laurie Palmer, Rosetta Brooks, Benjamin Weissman, Thomas McEvilley, John K. Grande, José Luis Brea, Menene Gras Balaguer, Massimo Carboni, Mario Codognato, Michael Tarantino, Jérôme Sans, Anne Dagbert, Elizabeth Janus, Yilmaz Dziewior, Noemi Smolik, Daniel Birnbaum, and Michael Archer. Cover: Florine Stettheimer.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "Q & A: Jeffrey Slonim on Pet Piles," by Jeffery Slonim; "Letter from Paris: Pascaline Cuvelier [and] Olivier Zahm on A.P.C," by Pascaline Cuvelier and Olivier Zahm; "Preview: Florine Stettheimer at the Whitney: Jutta Koether talks with Elisabeth Sussman," by Jutta Koether; "Preview: Florine Stettheimer at the Whitney: Brooks Adams on the Florine Scene," by Brooks Adams; "Film: Brian D'Amato on Robert Longo's Johnny Mnemonic," by Brian D'Amato; "Gadget Love: R. U. Sirius reviews J. C. Herz's Surfing the Internet," by Gadget Love; "Music: Christina Kelly on Jenny Toomey," by Christina Kelly; "Real Life Rock: Greil Marcus' Top Ten," by Greil Marcus; "Goth to Dance: Donald Kuspit talks with Georg Baselitz," by Donald Kuspit; "Critical Reflections: Dale Hickey with an introduction by Peter Schjeldahl," by Dale Hickey and Peter Schieldahl; "Venezia / Venezuela: A Project for Artforum by Meyer Vaisman with an introduction by Jesús Fuenmayor," by Meyer Vaisman and Jesús Fuenmayor; "Diary of a Sad Housewife: Collier Schorr talks with Todd Haynes," by Collier Schorr; "Art of Living: James Meyer talks with Gregg Bordowitz," by James Meyer; "Into the Blue: Yves Klein: Comic Relief," by Nan Rosenthal; "Into the Blue: Yves Klein: Klein and Poses," by Benjamin H. D. Buchloh; "Openings: Maurizio Cattelan," by Olivier Zahm. Book reviews by John Ash, Yve-Alain Bois, Jean-Pierre Criqui, Arthur C. Danto, Jeffery Deitch, Bruce Hainley, bell hooks, Wayne Koestenbaum, Rhonda Lieberman, Richard Martin, Patrick McGrath, D. A. Miller, Michael Musto, Peter Schjeldahl, Richard Shiff, Richard Stone, Justin Spring, Carol Squiers, and Mim Udovitch. Reviews by Jan Avgikos, Peter Bowen, Barry Schwabsky, Andrew Solomon, Joshua Decter, Donald Kuspit, David Rimanelli, Keith Seward, Ingrid Schaffner, Faye Hirsch, Dan Cameron, John Ash, Ronny Cohen, Steven Drukman, Nico Israel, Joan Seeman Robinson, Laurie Palmer, Rosetta Brooks, Benjamin Weissman, Thomas McEvilley, John K. Grande, José Luis Brea, Menene Gras Balaguer, Massimo Carboni, Mario Codognato, Michael Tarantino, Jérôme Sans, Anne Dagbert, Elizabeth Janus, Yilmaz Dziewior, Noemi Smolik, Daniel Birnbaum, and Michael Archer. Cover: Florine Stettheimer.

unbound. Zustand: very good. J.T. Bowen (illustrator). Portrait. Lithograph with original hand coloring. Page measures 20" x 14". A few small tears around edges and one larger repaired tear at top of page. Slight tape residue along top and bottom edges. Beautiful portrait from the folio edition of McKenney and Hall's "History of the Indian Tribes of North America". As Superintendent of the Indian Trade Bureau, Thomas McKenney wanted to document the rapidly disappearing culture of the American natives. He activated the project, sponsored by the War Department, by commissioning writer James Hall and Charles Bird King, a renowned American portraitist. King painted the prominent Indians while they visited Washington D.C. as treaty delegates. Most of the original oil paintings were destroyed by fire in the Smithsonian Museum in 1865. These lithographs, published 1842-58, are all that remain and are still hailed as one of the best visual records of influential Native Americans of the nineteenth century. As a boy, Ka-na-pi-ma was educated in Catholic schools both in America and Italy, but returned to his home and became chief of his nation. He signed the treaty between the Ottawa and the United States giving up vast amounts of land.

unbound. Zustand: very good. J.T. Bowen (illustrator). Portrait. Lithograph with original hand coloring. Page measures 19 x 13.75". Beautiful portrait from the folio edition of McKenney and Hall's "History of the Indian Tribes of North America". As Superintendent of the Indian Trade Bureau, Thomas McKenney wanted to document the rapidly disappearing culture of the American natives. He activated the project, sponsored by the War Department, by commissioning writer James Hall and Charles Bird King, a renowned American portraitist. King painted the prominent Indians while they visited Washington D.C. as treaty delegates. Most of the original oil paintings were destroyed by fire in the Smithsonian Museum in 1865. These lithographs, published 1842-58, are all that remain and are still hailed as one of the best visual records of influential Native Americans of the nineteenth century. Ong Pa Ton Ga is remembered for his poignant words at the funeral of an elderly Sioux chief in 1815. This funeral, which showed great respect to the Sioux, had been arranged by General William Clark, the Indian superintendent from St. Louis. Light overall toning and offsetting. Chip to lower left corner. Slight tape residue along top and bottom edges. One of many Native American portraits in our collection.

unbound. Zustand: very good. J.T. Bowen (illustrator). Portrait. Lithograph with original hand coloring. Page measures 20.25" x 14.25". Chip to top edge and right corners. Small tears to edges and faded from the sun. From the folio edition of McKenney and Hall's "History of the Indian Tribes of North America". As Superintendent of the Indian Trade Bureau, Thomas McKenney wanted to document the rapidly disappearing culture of the American natives. He activated the project, sponsored by the War Department, by commissioning writer James Hall and Charles Bird King, a renowned American portraitist. King painted the prominent Indians while they visited Washington D.C. as treaty delegates. Most of the original oil paintings were destroyed by fire in the Smithsonian Museum in 1865. These lithographs, published 1842-58, are all that remain and are still hailed as one of the best visual records of influential Native Americans of the nineteenth century. Wa-Kawn, first a follower of Tecumseh, later made many accommodations with the white man but died from alcohol consumption. His widow became an anti alcohol activist.

unbound. Zustand: very good. J.T. Bowen (illustrator). Portrait. Lithograph with original hand coloring. Page measures 20.25" x 14". Beautiful portrait from the folio edition of McKenney and Hall's "History of the Indian Tribes of North America". As Superintendent of the Indian Trade Bureau, Thomas McKenney wanted to document the rapidly disappearing culture of the American natives. He activated the project, sponsored by the War Department, by commissioning writer James Hall and Charles Bird King, a renowned American portraitist. King painted the prominent Indians while they visited Washington D.C. as treaty delegates. Most of the original oil paintings were destroyed by fire in the Smithsonian Museum in 1865. These lithographs, published 1842-58, are all that remain and are still hailed as one of the best visual records of influential Native Americans of the nineteenth century. Sha-Ha-Ka was known for his friendship with the explorers Lewis and Clark who met him in the villages near the Missouri River in what is now North Dakota. The chief was persuaded to go to Washington D.C. with them where he was subsequently paraded around eastern cities as a typical savage from the Wild West. Overall toning and offsetting. Light scattered foxing and staining. Slight tape residue along top edge. One of many Native American portraits in our collection.

unbound. Zustand: very good. J.T. Bowen (illustrator). Portrait. Lithograph with original hand coloring. Page measures 20.5" x 14.25". Beautiful portrait from the folio edition of McKenney and Hall's "History of the Indian Tribes of North America". As Superintendent of the Indian Trade Bureau, Thomas McKenney wanted to document the rapidly disappearing culture of the American natives. He activated the project, sponsored by the War Department, by commissioning writer James Hall and Charles Bird King, a renowned American portraitist. King painted the prominent Indians while they visited Washington D.C. as treaty delegates. Most of the original oil paintings were destroyed by fire in the Smithsonian Museum in 1865. These lithographs, published 1842-58, are all that remain and are still hailed as one of the best visual records of influential Native Americans of the nineteenth century. Stum_Ma_Nu was from the Chinook, or Flatheads, tribe of Washington near the Columbia River. Overall toning and offsetting. Slight stain along right edge. Small chips to lower left and upper right corners. One of many Native American portraits in our collection.

unbound. Zustand: very good. J.T. Bowen (illustrator). Portrait. Lithograph with original hand coloring. Page measures 19.25" x 13.75". Beautiful portrait from the folio edition of McKenney and Hall's "History of the Indian Tribes of North America". As Superintendent of the Indian Trade Bureau, Thomas McKenney wanted to document the rapidly disappearing culture of the American natives. He activated the project, sponsored by the War Department, by commissioning writer James Hall and Charles Bird King, a renowned American portraitist. King painted the prominent Indians while they visited Washington D.C. as treaty delegates. Most of the original oil paintings were destroyed by fire in the Smithsonian Museum in 1865. These lithographs, published 1842-58, are all that remain and are still hailed as one of the best visual records of influential Native Americans of the nineteenth century. Wat-Che-Mon-Ne, also known as the Orator, was known for his peacemaking between warring tribes. Overall toning and offsetting. Slight tape residue along top edge and light scattered staining. One piece from our collection of Native American portraits.