Verlag: Nashville, New York: [1966], Abingdon Press, 1966
Anbieter: Alec R. Allenson, Inc., Westville, FL, USA
Softcover. vii, 271 p.; Front. (port.); 20.5 cm. (Apex tooks ; Y-1) (Methodist union catalog B5132) [Reprinted from 1933 edition] Good in orig. tan on olive wrapper. Pages toned.
Verlag: New York, Nashville: [1965], Abingdon Press, 1965
Anbieter: Alec R. Allenson, Inc., Westville, FL, USA
Hardcover. 144 p.; 19 cm. (Methodist union catalog B5134) `I have studied under Harnack, Lietzmann and Deissmann in Germany; Goguel in France; Streeter, Cadoux, Manson, and Lightfoot in England; Lake, Hatch, and Lowstuter in the United States. I have listened in the classrooms, during Sabbatical leaves of absence, to many of the other teachers of fame, such as Barth and Bultmann of the Continent, William Manson of Scotland, and Father Corbishley, S.J., of Oxford. I am deeply appreciative of the writings and work of Albert Schweitzer. And I have read widely in a field which is so rich, however, that no man may encompass it. One might well ask why new efforts are made when so many good books exist. The answer is in the nature of psychic truth. The living contact of spirit with spirit is the continuity of Christian knowledge. Forty years of teaching and preaching give the right for this book to appear.' (p. 7 f.) -- `Each scholar, school, and Church, committed to the cause, must get the life out of the book and give it freedom again. The historical reality is over. The literary reality is encased in the documents. The existential reality in in the re-created living discipleship. This book attempts to retell the historical reality, through a study of the literary reality, because its author lives a life of gratitude in the existential reality.' (p. 9) VG orig. gray boards in lt. edgeworn dj.
Verlag: Firenze, Sansoni,, Firenze, 1977
Anbieter: Studio Bibliografico Marini, ROMA, RM, Italien
hardcover. Zustand: Ottimo (Fine). I maestri del Novecento. A cura di Alberto Busignani. Illustrato con fotografie a colori e in bianco e nero e disegni . 4to. pp. 96. . Ottimo (Fine). . . . Book.
Verlag: Milano, Mondadori, Collezione dell'Arcobaleno, Milano, 1959
Anbieter: Studio Bibliografico Marini, ROMA, RM, Italien
paperback. Zustand: Very Good. Traduzione dall'inglese di Renato Pedio. Con prefazione di Gropius all'edizione italiana. 44 illustrazioni in bianco e nero n.t. . Cm 20x14. pp. 224. . Molto buono (Very Good). . Prima edizione italiana (First Italian Edition). . Il volume raccoglie le conferenze e gli articoli più significativi scritti da Walter Gropius durante gli anni trascorsi alla facoltà di Architettura di Harvard. Prima edizione italiana (First Italian Edition). Book.
Verlag: New York : Horizon House ; [printed in USA by Bookcraft, NYC), 1943., 1943
Anbieter: Joseph Valles - Books, Stockbridge, GA, USA
Erstausgabe
Hardcover. Zustand: Very Good. 1st Edition. 384 pp. ; illustrations ; grey and beige cloth ; wear to covers ; brown lettering and design on front cover ; gold lettering on spine ; notation by previous owner on front ep ; line drawings by Marion Connelly ; a large collection of poetry, largely written during World War II, with many poignant passages : "Veils in a marihuana fantasy" (!) from Lucile Coleman's "The Prodigal Muse" ; "The little, lisping, yellow, apes / Coming in the most grotesque shapes / Brought America to her knees" from William Comeau's "The Eagle's Scream" ; "Transfusing my blood with avid tooth / They thus renew their vampire youth" from Lucile Coleman's "Dirge of a War Nurse" ; "I shall know peace / When I walk alone in other years / With eyes grown dry from ex cess tears / When dreams and plans are past / And I am free of you / At last" from Charles Forde's "Finality" ; detailed biographical listings for each poet at back, many probably now the only source of information on several of them ; foxing ; Poet s include : Clarence Adams, Ralph Sturtevant Adams, Alvarita Ashe, Isabel Allam, Elam Allen, Charles T. Alexander, Mary B. Anderson, Florence Archer, Sallie Arnold, Athena, Selina Avery, Helen Axtell, Dorothy Baer, Fanny Hazelton Baker, Henry G. Baker, Ella Ballew, Walter Bardeck, Anne Barlow, Maude Barragan, Florence Bartsch, Ruth Bassett, Anita Bassford, Joseph Bean, William Beckett, Florence Beebe, Faye Benbow, Harriet Blackwell, Bennie Bledsoe, Lura Boles, Stella Boren, Nancy Boston, Berni ce Bradford, Johnielu Bradford, Marguerite Brennan, Grace Brown, Elizabeth Browne, Hazel Bruner, Adelaide Bunn, Vena Burt, Adah Byrnes, Janet Cade, Maud Cain, Elise Campbell, Ethel Carlson, Leona Carlson, Janet Carney, Mandfred Carter, Arthur Chaam beau, Ida Chamberlain, Petronella Chapp, Gladys Chasey, Lorene Childress, Charlotte Chittick, Forrest Gordon Clark, Maude Clark, Martha Cochran, Lucile Coleman, Edna Collins, Veda Collins, William Comeau, Isabel Conant, Virginia Conway, S. Arthur Cook, Gertrude Cooper, Peggy Copeland, A. Bertha Cote, John Cotter, Mabelle Cottle, Josephine Courtright, Mildred Creath, J E Crews, Kathryn Cross, Laaura Cudahy, Miriam Dabbs, Lorene Dandridge, Grace Day, Prentice Douglas, Frances Dowell, John Gray Duncan, Georgia Moore Eberling, Alletah Glasier, Ida Clarice Gowan, Florence Rupert Graves, E J Grigsby, Gertrude Hanson, Ruth Hazelton, John Herget, William Sidney Hillyer, Anne George Hudgins, Eleanor Hughes, Annis Humphries, Enid Daniel Jones, Ber nice De Hart Kelley, Thomas Brockholst Livingston, Henry Luoma, Dorothy Lewis Maddux, Ralph Duane McKinnis, Helen Meier, Anne Methvin, Della Miller, Martha Norburn, Eugene Okarma, Elizabeth Winston Sheehan, Bess Foster Smith, Peggy Opal Snyder, Bern ard Tankersley, Lillian Carson Terhune, Anne Trousdale, Leonard Charles Van Noppen, Allen E. Woodall, Leander Zimmerman, etc ; G. Book.