borland maureen (18 Ergebnisse)

Zustand: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. First edition. Ex library. Light wear to boards. Content is clean and bright. Good DJ with some edge wear and in a portective cover.

Zustand: Good. First edition. Good condition paperback with minimal wear. Contents are clean and bright throughout with no markings.

Hardback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

First Edition. Fine cloth copy in an equally fine dust-wrapper. Particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description; 319 p. : ill. ; 24 cm. Includes bibliographical references (p. 291-312) and index. Subjects; Ross, Robert Baldwin 1869-1918 Biography. Wilde, Oscar 1854-1900 Friends and associates. Art critics Great Britain Biography. English literature 19th century. 3 Kg.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Good. 1st Edition. 320pp hardback, black boards gilt in wrapper, bw plates, some light water stain to bottom of rear wrapper else good.

1st edition, hardback, large 8vo, 319pp, illustrated, slight browning on page edges, text clean and binding sound, no inscriptions, Very Good / Very Good dustwrapper. ISBN: 1852910852.

Hardcover. Zustand: Fine. First Edition with dust jacket - rare and collectable - will send out 1 st class post.

Hardcover. Zustand: Very Good. J. D. S. MacColl's multifaceted career as a painter, poet, and critic is explored through this detailed account, highlighting his contributions to early 20th-century art and literature. The book offers a comprehensive overview of MacColl's creative endeavors and critical insights, providing valuable context for understanding his influence within modernist circles. From the library of John Russell Taylor.

Cloth. Zustand: Fine. Zustand des Schutzumschlags: Very Good. First Edition. MacColl never had a vocation, he drifted into employment situations. A painter of exquisite watercolours, it was poverty which usually drove him away from his beloved painting and made him seek paid employment. In 1890 he was appointed the art critic on the Spectator and moved to the Saturday Review in 1898. Readers were soon aware of the power of his 'fearless and fertile pen'. He urged the government to be more generous in its sponsorship of the arts and it was as a result of further campaining by MacColl that the National Art Collections Fund was formed in 1903. In 1906 Hardback First edition with Black and white plates. MacColl was offered the post of keeper of the National Gallery of British Art (the Tate) and was happy to exchange writing for an administrative role. He then accepted an appointment as Curator of the Wallace Collection where, to the consternation of the Trustees, he immediately rehung the Collection and rewrote the official catalogue. (We carry a wide selection of titles in The Arts, Theology, History, Politics, Social and Physical Sciences. academic and scholarly books and Modern First Editions, Reference books ,and all types of Academic Literature.) Size: 8vo - over 7¾" - 9¾" tall. Hardback.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Very Good. First Edition. MacColl never had a vocation, he drifted into employment situations. A painter of exquisite watercolours, it was poverty which usually drove him away from his beloved painting and made him seek paid employment. In 1890 he was appointed the art critic on the Spectator and moved to the Saturday Review in 1898. Readers were soon aware of the power of his 'fearless and fertile pen'. He urged the government to be more generous in its sponsorship of the arts and it was as a result of further campaining by MacColl that the National Art Collections Fund was formed in 1903. In 1906 Hardback First edition with Black and white plates. MacColl was offered the post of keeper of the National Gallery of British Art (the Tate) and was happy to exchange writing for an administrative role. He then accepted an appointment as Curator of the Wallace Collection where, to the consternation of the Trustees, he immediately rehung the Collection and rewrote the official catalogue. (We carry a wide selection of titles in The Arts, Theology, History, Politics, Social and Physical Sciences. academic and scholarly books and Modern First Editions, Reference books ,and all types of Academic Literature.).

Cloth. Zustand: Fine. Zustand des Schutzumschlags: Very Good. First Edition. MacColl never had a vocation, he drifted into employment situations. A painter of exquisite watercolours, it was poverty which usually drove him away from his beloved painting and made him seek paid employment. In 1890 he was appointed the art critic on the Spectator and moved to the Saturday Review in 1898. Readers were soon aware of the power of his 'fearless and fertile pen'. He urged the government to be more generous in its sponsorship of the arts and it was as a result of further campaining by MacColl that the National Art Collections Fund was formed in 1903. In 1906 Hardback First edition with Black and white plates. MacColl was offered the post of keeper of the National Gallery of British Art (the Tate) and was happy to exchange writing for an administrative role. He then accepted an appointment as Curator of the Wallace Collection where, to the consternation of the Trustees, he immediately rehung the Collection and rewrote the official catalogue. (We carry a wide selection of titles in The Arts, Theology, History, Politics, Social and Physical Sciences. academic and scholarly books and Modern First Editions, Reference books ,and all types of Academic Literature.) Size: 8vo - over 7¾" - 9¾" tall. Hardback.

Cloth. Zustand: Fine. Zustand des Schutzumschlags: Very Good. First Edition. MacColl never had a vocation, he drifted into employment situations. A painter of exquisite watercolours, it was poverty which usually drove him away from his beloved painting and made him seek paid employment. In 1890 he was appointed the art critic on the Spectator and moved to the Saturday Review in 1898. Readers were soon aware of the power of his 'fearless and fertile pen'. He urged the government to be more generous in its sponsorship of the arts and it was as a result of further campaining by MacColl that the National Art Collections Fund was formed in 1903. In 1906 Hardback First edition with Black and white plates. MacColl was offered the post of keeper of the National Gallery of British Art (the Tate) and was happy to exchange writing for an administrative role. He then accepted an appointment as Curator of the Wallace Collection where, to the consternation of the Trustees, he immediately rehung the Collection and rewrote the official catalogue. (We carry a wide selection of titles in The Arts, Theology, History, Politics, Social and Physical Sciences. academic and scholarly books and Modern First Editions, Reference books ,and all types of Academic Literature.) Size: 8vo - over 7¾" - 9¾" tall. Hardback.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Very Good. First Edition. MacColl never had a vocation, he drifted into employment situations. A painter of exquisite watercolours, it was poverty which usually drove him away from his beloved painting and made him seek paid employment. In 1890 he was appointed the art critic on the Spectator and moved to the Saturday Review in 1898. Readers were soon aware of the power of his 'fearless and fertile pen'. He urged the government to be more generous in its sponsorship of the arts and it was as a result of further campaining by MacColl that the National Art Collections Fund was formed in 1903. In 1906 Hardback First edition with Black and white plates. MacColl was offered the post of keeper of the National Gallery of British Art (the Tate) and was happy to exchange writing for an administrative role. He then accepted an appointment as Curator of the Wallace Collection where, to the consternation of the Trustees, he immediately rehung the Collection and rewrote the official catalogue. (We carry a wide selection of titles in The Arts, Theology, History, Politics, Social and Physical Sciences. academic and scholarly books and Modern First Editions, Reference books ,and all types of Academic Literature.).

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Has some light general reading/shelfwear - otherwise this is a clean, tight copy. Quick dispatch from the UK. Book.

4°, clothbinding, dust jacket, 319 pp., Ill. Dust jacket little bit worn and with fingerprints, paper speckled from old age, margin notes by former owner on several pages (pencil), owner`s stamp on the inside of the back cover; overall condition acceptable. 1852910852 Mit offener Rechnung beliefern wir gerne Buchhandlungen, Bibliotheken, Antiquariate, Schulen, Galerien und Institutionen. Bei neuen uns noch unbekannten privaten Kunden erlauben wir uns die Bitte um Vorauskasse. Wir bitten um Ihr Verständnis. Sprache: Englisch Gewicht in Gramm: 750.