Boris kossoy (34 Ergebnisse)

Hardback. Zustand: Good. FotoFest 1992, a major festival of international photography, brought Latin American photography into focus for a wide audience. Offering a diverse selection of photographers, countries, artistic movements, and subject matter, the show revealed a photographic tradition rich in history and creativity. Drawing from the more than 1,000 images exhibited by FotoFest, this book documents the work of fifty-two photographers from ten countries. The photographs range from the opening of the Brazilian frontier in the 1880s to a secret archive of documentary images from El Salvador's recent civil war to works of specifically aesthetic intent. Many of the photographs appear here in print for the first time. Watriss's opening essay provides the curatorial overview for the book. Lois Zamora examines the roots of visual image-making in Latin American cultures. Boris Kossoy addresses the history of Latin American photography through the nineteenth century, while Fernando Castro covers the contemporary scene. With its compelling images and English-Spanish text, this book will serve as a benchmark for future studies of photography in Latin America.…

Zustand: New. Idioma/Language: Español. Toda imagen fotográfica es siempre un " registro obtenido " a partir del " proceso de creación " del fotógrafo, un " binomio indivisible " que se establece por la relación " registro/creación " , una relación que está en el origen mismo de la fotografía. A lo largo de ese proceso, la imagen es elaborada, construida técnica, cultural, estética e ideológicamente. Se trata de un sistema que debe ser desmontado para que comprendamos cómo se da esa elaboración, cómo sus elementos constituyentes se articulan. Para tal propuesta, debemos percibir la complejidad epistemológica de la imagen fotográfica como representación y documento visual. Este volumen reúne los mejores momentos de las investigaciones teóricas de Boris Kossoy: " Fotografía e historia " , " Realidades y ficciones en la trama fotográfica " y " Los tiempos de la fotografía: lo efímero y lo perpetuo " , trilogía teórica que, al proponer conceptos de un modelo metodológico de investigación y análisis crítico de las fuentes fotográficas liberados de las amarras convencionales desde siempre pensadas para los documentos escritos, proporciona nuevos y productivos modos de abordar el estudio del fenómeno fotográfico. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.…

Zustand: Good. Spine sl. sunned.

Paperback. Zustand: Brand New. 392 pages. Spanish language. 7.25x4.50x1.00 inches. In Stock.

Softcover. 2 ed. rev. e aum. 183 Seiten Zustand: keine Eintragungen. Ecken, Kanten gut. Rücken leicht beschädigt. Sprache: Spanisch Gewicht in Gramm: 300.

hardcover. Zustand: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: New. pp. 232.

First Edition. An exceptional copy; fine in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new. ; 450 pages; Description: xi, 450 p. : ill. (some col. ) ; 27 x 28 cm. Subjects: Photography, Artistic --Exhibitions. Latin America --History --19th / 20th century. Notes: English and Spanish. Includes bibliographical references (p. 377-409) and index. 2 Kg. …

Couverture rigide. Zustand: Bon état. In-8 relié 27,9 cm sur 25,9. 464 pages. Bon état d'occasion. in-8°.

Taschenbuch. Zustand: Neu. Neuware - Toda imagen fotográfica es siempre un ' registro obtenido ' a partir del ' proceso de creación ' del fotógrafo, un ' binomio indivisible ' que se establece por la relación ' registro/creación ' , una relación que está en el origen mismo de la fotografía. A lo largo de ese proceso, la imagen es elaborada, construida técnica, cultural, estética e ideológicamente. Se trata de un sistema que debe ser desmontado para que comprendamos cómo se da esa elaboración, cómo sus elementos constituyentes se articulan. Para tal propuesta, debemos percibir la complejidad epistemológica de la imagen fotográfica como representación y documento visual. Este volumen reúne los mejores momentos de las investigaciones teóricas de Boris Kossoy: ' Fotografía e historia ' , ' Realidades y ficciones en la trama fotográfica ' y ' Los tiempos de la fotografía: lo efímero y lo perpetuo ' , trilogía teórica que, al proponer conceptos de un modelo metodológico de investigación y análisis crítico de las fuentes fotográficas ùliberados de las amarras convencionales desde siempre pensadas para los documentos escritosù, proporciona nuevos y productivos modos de abordar el estudio del fenómeno fotográfico.…

Zustand: New.

Zustand: Very Good.

Paperback. Zustand: Brand New. 232 pages. 9.68x6.85x0.55 inches. In Stock.

Zustand: New.

Paperback. Zustand: New. New; Boris Kossoy resgata e comprova a realização dos experimentos precursores de Hercule Florence com métodos de "impressão de luz", que o levaram a uma descoberta independente da fotografia no interior do Brasil, a partir de 1833. O autor situa a diversidade das pesquisas e descobertas de Florence em diferentes campos, destacando, naturalmente, a participação como membro-desenhista da expedição chefiada pelo barão de Langsdorff. Kossoy demonstra que houve concretamente uma descoberta isolada da fotografia no Brasil a partir de 1833, descoberta mantida praticamente no anonimato por cerca de 140 anos. Para esta nova edição revista e ampliada, o autor acrescentou maiores dados de ordem sociocultural e histórica sobre o Brasil e a Europa no período em que Florence pesquisava. Os acréscimos feitos ao texto original incluem inúmeras notas relativas aos fatos históricos e técnicos, e estão presentes também no anexo do livro, constituídos pelos diários do inventor.; 456 pages.…

Taschenbuch. Zustand: Neu. Neuware.

Zustand: New.

Zustand: New.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. First edition, first printing. Hardcover. Gray cloth-covered boards with title stamped in gold on spine; with photographically illustrated dust jacket. Photographs by 50 Latin-American artists. Essays (in English and Spanish) by Wendy Watriss, Boris Kossoy, Fernando Castro and Lois Parkinson Zamora. Edited by Wendy Watriss and Lois Parkinson Zamora. Includes a bibliography (by Marta Sánchez Philippe), artist biographies, contributor biographies and an index. 450 pp., with 182 four-color and black-and-white illustrations. 10-1/4 x 11 inches. Fine in Fine dust jacket. From the publisher: Based on the 1992 FotoFest exhibition, which brought Latin American photography into focus for a wide public audience, this book draws from the more than 1000 images exhibited by FotoFest and documents the work of fifty photographers from ten countries. "The photographs range from the opening of the Brazilian frontier in the 1880s to documentary images from El Salvador's 1980-1992 civil war to works of specifically aesthetic and experimental intent. Many of the photographs appear here in print for the first time. Wendy Watriss's opening essay provides the curatorial overview for the book. In her essay, Lois Parkinson Zamora examines some of the roots of visual imagery in Latin American cultures. An essay by Boris Kossoy addresses the history of Latin American photography in the nineteenth century, delving into the social iconography that evolved from the mingling of indigenous and European traditions. Fernando Castro covers the contemporary scene and the debate over 'artistic' versus documentary work.Image and Memory is one of the broadest overviews of Latin American photography ever published. With its compelling images and English-Spanish text, this book will serve as a benchmark for future studies.". …

Hardcover. Zustand: Good. The large format and heavy volume is in good condition, casebound without a dust jacket.

Hardcover. Zustand: gut. 1998. Image and Memory: Photography from Latin America, 1866-1994. FotoFest In englischer Sprache. pages.

Zustand: New.

Zustand: New.

Buch. Zustand: Neu. Neuware.

Hardcover. Zustand: Brand New. 1st edition. 450 pages. 10.25x11.25x2.00 inches. In Stock.

Zustand: fine. l'article peut presenter de tres legers signes d'usure. vendeur professionnel; envoi soigne en 24/48h.

Zustand: Very Good. [Rio de Janeiro]: Edição FUNARTE, 1980. First Edition. Slim oblong quarto; publisher's cream pictorial card wrappers, French flaps; 125pp.; photographic illus. throughout. Moderate wear and dust-soil, else Very Good, internally clean and sound. Uncommon exposition on nineteenth-century Brazilian photography, generously illustrated. Text entirely in Brazilian Portuguese.…

Soft cover. Zustand: Very Good. 1st Edition. Folded stiff wrappers (softcover), 47 p. : duotone illustrations ; 22 cm. Very good, clean, no internal marks. Text in Portugese.

Zustand: Good. 4to. 450 pp. Very Good. Hard Cover. Beige cloth covered boards. Dust Jacket Very Good, with minor shelf wear. Original owner's name on first page. Color and B&W plates throughout. Heavy volume, additional shipping fee may apply.ISBN: 9780292791183.FotoFest 1992, a major festival of international photography in Houston, brought Latin American photography into focus for a wide public audience. Offering a diverse selection of photographers, countries, artistic movements, and subject matter, the shows revealed a photographic tradition rich in both history and creativity. Drawing from the more than 1,000 images exhibited by FotoFest, this book documents the work of fifty photographers from ten countries. The photographs range from the opening of the Brazilian frontier in the 1880s to documentary images from El Salvador's 1980-1992 civil war to works of specifically aesthetic and experimental intent. Many of the photographs appear here in print for the first time. Wendy Watriss's opening essay provides the curatorial overview for the book in her essay. Lois Parkinson Zamora examines some of the roots of visual imagery in Latin American cultures. An essay by Boris Kossoy addresses the history of Latin American photography in the nineteenth century, delving into the social iconography that evolved from the mingling of indigenous and European traditions. Fernando Castro covers the contemporary scene and the debate over "artistic" versus documentary work. An extensive bibliography by Marta Sanchez Philippe and artist biographies conclude the book.Contents: Acknowledgments Image and Memory: Photography from Latin America, 1866-1994 (Wendy Watriss) Photography in Nineteenth-Century Latin America: The European Experience and the Exotic Experience (Boris Kossoy) Crossover Dreams: Remarks On Contemporary Latin American Photography (Fernando Castro) PLATES Uruguay: The War of the Triple Alliance, 1865-1870 Brazil: The Opening of a Frontier, 1880-1910 Colombia: Medellin, the New City, 1897-1946 Guatemala: The Colonial Legacy, Religious Photographs, 1880-1920 Peru: Modernity in the Southern Andes: Peruvian Photography, 1908-1930 Ecuador: Old and New, 1925-1986 Argentina: A Crossing of Cultures: Four Women in Argentina, 1937-1968 Mexico: Witnesses of Time, 1987-1991: Flor Garduno Guatemala: The Imprint of Time, Nupcias de Soledad: Luis Gonzalez Palma El Salvador: In the Eye of the Beholder, The War in El Salvador, 1980-1992 Argentina and Uruguay: The Modern Landscape, 1981-1991 Brazil: Color from Brazil Brazil: Mario Cravo Neto Colombia: On the Edge, 1970-1994 Venezuela: New Visions, 1987-1990 Quetzalcoatl's Mirror: Reflections on the Photographic Image in Latin America (Lois Parkinson Zamora) Bibliography (Marta Sanchez Philippe) Artist Biographies Contributor Biographies Lenders List Index.…

1st edition. Near fine cloth copy in a very good if slightly edge-nicked and dust-toned dust wrapper, now mylar-sleeved. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description: 154 p.: ill.; 24 x 33 cm. Notes:Translation of text into English and Spanish on p. 133-154. Includes bibliographical references (p. 131-132). Subjects: Sa?o Paulo (Brazil); Pictorial works. São Paulo (Brazil) Pictorial works. Genre: Bibliography. Illustrated. 1 Kg.…