borget auguste (18 Ergebnisse)

Zustand: New. In.

4to, 126pp. Original cloth in dustrwrapper, showing the most minimal of wear. Numerous b/w and full colour reproduction's Borget's sketches China throughout. A near-fine copy.

Zustand: New. In.

Zustand: New. In.

Zustand: New.

Soft cover. Zustand: Fine. 1st Edition. 159 pages : illustrations (some colour) ; 30 cm. text in French.

Taschenbuch. Zustand: Neu. Neuware - Ce livre raconte les aventures de Borget en Chine dans les années 1830, un monde et une culture étrangères aux européens de l'époque. Observateur minutieux de la société chinoise de l'époque et des mentalités qui y régnaient, Borget nous livre un témoignage aussi surprenant que captivant.

rigide. Zustand: Bon. Par Old Nick, ouvrage illustré par Auguste Borget, E.O., 1 vol. in-8 relié demi-chagrin noir, filet doré en mors, H. Fournier, couvertures conservées, Paris, 1845, VI pp (faux-titre, titre et tables des sommaires) et 396 pp. avec 50 planches hors texte, y compris le frontispice et un fac-similé sur papier rouge. Rare exemplaire de l'édition originale bien complet des couvertures d'origine, "illustrée sur le premier plat d'un motif imprimé en or sur fond quadrillé, texte imprimé en bleu ; le second plat est orné d'un cadre imprimé en or avec, à l'intérieur, imprimée en bleu, la nomenclature des ouvrages illustrés par Grandville" (Carteret). Cet exemplaire de premier tirage de ce bel ouvrage illustré de nombreuses gravures sur bois, dont 50 planches hors texte, y compris le frontispice et un fac-similé sur papier rouge. Bon état pour cet illustré romantique classique (couv. très lég. frottée, qq. lég. rouss.). Carteret, III, 451 ; Vicaire, III, 757 ; Brivois, 312 Langue: Français.

Half-Leather (Hardcover). Zustand: Very Good. Auguste Borget (illustrator). 1st Edition. Half-leather / marble binding, the spine with title and gold decorations, 23 x 16 cm, 396 pp., French, 1st edition, illustrations by Auguste Borget, book condition: Very good [This description may have been translated by AI.].

Zustand: Good. 25 x 31cm. 9 of 10 3-color lithographs. contemmpory hald cloth and marbled boards with leather label.Best known for his work in China.In-4 oblong reliure bradel demi-percaline grise, pièce de titre en mar. bleu sur le plat.Couverture illustrée d'une vignette reproduite en fac-similé. [4] pp. (introduction), 9 (sur 10) joliesplanches lithographies et 10 ff. de légende. (Manque la planche de l'Allée de Mesdames).Petites rousseurs éparses. --Chaque planche, dessinée et lithographiées par Borget, est précédée d'un texte rédigé par le peintre dans lequel il évoque sa découverte du paysage ou du lieu qu'il représente et donne quelques rensignements historiques sur ces derniers : Portail de l'Inspection des eaux - rue Lucas ; Pont suspendu sur l'Allier ; Fontaine des Célestins ; Ruines des Célestins ; Vallée de l'Allier depuis les Célestins ; Source de l'Hôpital ; Etablissement thermal ; Source de la Gande Grille ; Bords du Sichon ; Vallée du Sichon près des Grivats ; Paysage dans les Malavaux, vallée du Jolan. ?

First London edition; folio; additional pictorial lithograph title dated 1842, 32 tinted lithograph views on 25 sheets by Eugene Ciceri after Borget, list of plates and 11 pages of descriptive letterpress, marginal light spotting, publisher's moirà fine ribbed cloth, rebacked brown morocco, a very good copy. Borget's fine lithographic views of China, including five of Hong-Kong, and others relating to Macao and Canton. The plates are remarkable for the lack of that 'feeling of superiority of the Chinese, so characteristic of accounts from the 1840s. The artist observes with a fresh eye' (Lust). An important and early record of the landscape and people of Hong Kong, Macao, and Canton. Borget, who was a pupil of Jean-Antoine Gudin and a close friend of Honorà de Balzac, journeyed around the world in 1836, travelling through South America and Hawaii before reaching the China coast in August 1838. In the autumn of 1838, fellow artist William Prinsep went sketching with Borget in Macao, remarking that he found the Frenchman's portfolio 'rich with scenes from South America, Sandwich Islands and China, and he was a pleasant fellow into the bargain.' He continued his circumnavigation in July 1839 with a visit to Manila and then sailed for India via Singapore and the Straits of Malacca, eventually returning to Paris in the summer of 1840. Abbey (Travel), 540; Cordier I, 79-80; Lust 211.

Royal folio (402 x 563 mm). 26 pp. text. With lithographed title-page (text), tinted lithographed title-page (illustrated), 2 lithographed dedication leaves, lithographed list of plates, and 32 tinted lithographs on 25 plates by Eugène Ciceri, after drawings by Borget. Protective guardleaves. Contemporary leather over cloth sides, title gilt to spine. First edition of this set of thirty-two magnificent views of China after drawings by the notable French artist Auguste Borget (1808-77), a close friend of Honoré de Balzac. Borget travelled through Asia from 1838 to 1840; his perceptive sketches include views in the area of Hong Kong (4), Macao (13), and Canton (12). "The feeling of superiority to the Chinese, so characteristic of accounts from the 1840s, is absent here. The artist observes with a fresh eye" (Lust). Explanations to all views are found in the letterpress text in the form of letters by Borget. A second edition in English was published in the same year under the title "Sketches of China and the Chinese". - Some foxing, as common, especially to text leaves, due to paper stock. Waterstains to the margins of the final eight plates. A detailed list of plates is available on request. - Abbey, Travel 540. Cordier, Sinica, 79f. Cf. Lust 2111 (English ed.). Not in Walravens.

in-8, reliure percaline frottée, tranches dorées, 396p, illustré par Auguste Borget, légères rousseurs.

Tinted lithograph. Sheet measures 14 7/8" x 21 5/8". Image measures 9 1/4" x 16 1/4" The title translating to "Temple, Pagoda, and Village On The Canals of the Interior from Macau to Canton", this print depicts a serene cityscape from the entrance into Canton [Guangzhou], along a canal. The artist wrote, "we passed close by a temple, built on a little jetty, which was reached by a stair, descending into the river." Figures are seen rowing boats in the canal and sitting along the jetty. On the opposite bank appears to be a village and a tall pagoda. Further down the canal we can see larger ships docked. The print is in good condition with wide margins as issued. Stains at corner margins, and one chip to bottom left corner, not affecting the image. The French artist Auguste Borget (1809-1877) exhibited often in the Paris Salon, but he is best known for his drawings of China, made into lithographs by Eugene Ciceri and published in 1942 in a book titled La Chine et les Chinois[China and the Chinese]. Bourget visited the country aboard the ship "Psyche" to Canton and the surrounding regions in 1838 and 1839 as part of a world tour, and found it to be one of his favorites. This print evidences his love of the country and its culture.

Tinted lithograph. Sheet measures 15" x 21 5/8". Image measures 16" x 10". This lovely drawing depicts a Chinese boat anchored in the Hong-Shang river, with smaller boats surrounding - presumably for trade. In the background are more small boats lining the river bank, traditional buildings standing behind a series of walls, and in the distance a tall pagoda sits at the top of a hill. On September 9, 1838, the artist described the scene; "At last day broke as we cast anchor before the Custom House of Hong-Shang, [.] and boats began to arrive in great numbers. By and bye many pushed off from the shore, and so great was the movement in the part of the river where we were stationed, that I took it for the market-place of the city, which stretches itself on both sides of the river. The most important part, situated on the left bank, is built on a hill, crowned by a fine tall pagoda." The print is in good condition with wide margins as issued. Minor foxing and stains. Very minor wear to margins, not affecting the image. The French artist Auguste Borget (1809-1877) exhibited often in the Paris Salon, but he is best known for his drawings of China, made into lithographics by Eugene Ciceri and published in 1842 in a book titled Chine et les Chinoise [China and the Chinese]. Bourget visited the region between 1838 and 1839, as part of a world tour aboard the ship "Psyche", and found it to be one of his favorites. This print evidences his love of the country and its culture.

Tinted lithograph. Sheet measures 15" x 21 5/8". Top image measures 6 3/4" x 11 1/2". Bottom image measures 8" x 11 1/4". An interior from Macao and a vista of Hong Kong are included together. The top image features the interior view of the Great Temple of Macao, of which Borget writes "It is so difficult to describe Chinese objects in European language, that I have not yet dared to speak to you of the great temple of Macao - the greatest marvel which I have yet seen. Almost daily I visit this temple - the Chinese name of which, Neang-ma-ko, signifies the Old Temple of the Lady." The temple is known in the present-day as A-Ma Temple, from which the name Macao is thought to be derived". In his writings, Borget vividly describes the architectural details of the temple, as visible in the image. The bottom image depicts an ornate tomb, with a small village visible in the background. The village sits on "a neck of land" separating the Hong Kong bay from the Kowloon bay, both of which can be seen in Borget's drawing. The bays are surrounded by lush vegetation, rolling hills, and the mountains of Hong Kong in the distance. The print is in good condition with wide margins as issued. Chips and tears to the margins, , stains upper right and left not affecting the image. The French artist Auguste Borget (1809-1877) exhibited often in the Paris Salon, but he is best known for his drawings of China, made into lithographs by Eugene Ciceri and published in 1842. Bourget visited the country as part of a world tour and found it to be one of his favorites. He traveled aboard the ship "Psyche" to Canton and the surrounding regions in 1838 and 1839. Hard to find.

Hard Cover. Zustand: Good. Instituto Cultural de Macau. 1990. De 55x39 cm. Com 60, 52 págs. Encadernação do editor com a lombada em percalina e as pastas em tecido com gravações a ouro. Acondicionada em caixa própria de cartão. Ilustrado com 33 estampas sobre folhas de papel couché muito encorpadas e protegidas por papel vegetal. São reproduções das gravuras da edição original, litografadas por Eug. Cicéri e impressas por Lemercier, Benard & C. Exemplar de uma tiragem de 1000. Texto bilingue em português e chinês. Reedição de um conjunto de 32 litografias publicadas pela primeira vez em Paris, em 1842, realizadas a partir dos desenhos executados por Borget durante a sua estadia de dez meses em Macau, entre Outubro de 1838 e Julho de 1839.Após o prefácio de José de Bettencourt, são apresentados fragmentos de cartas inéditas de Borget, traduzidos em português e chinês, que traçam uma memória explicativa dos desenhos e das ocasiões que possibilitaram a sua execução. Estes textos correspondem à primeira numeração do livro, seguindo-se as reproduções na segunda. Magnífica obra que retrata com grande beleza os paradigmas estéticos e culturais das civilizações orientais. Auguste Borget (Issoudun, 1808 - Bourges, 1877) foi aluno de Boichard pére e de Théodore Gudin. A sua obra espalhada por muitos museus da Europa, América e Ásia foi inspirada por longas viagens efectuadas pelo artista. Estreou-se no Salão de 1836, onde continuou a expor com grande êxito até 1859. No fim da vida tornou-se Irmão de São Vicente de Paulo e viveu retirado em Bourges. Language: Bilingue / Bilingual Location/localizacao: M-grande formato-4/5-6.

Lithograph. Image measures 12.5" x 17'. Sheet measures 15" x 21.75". This print depicts the courtyard of the Hoi Tong Monastery, a Buddhist temple in Guangzhou, China. At the time of the artists visit, this temple, sometimes called the Sea Screen Temple, had recently been ceded to the British in the aftermath of the First Opium War. Monks are scattered around the grounds, some sitting in the shade and others attending to the temples famously fat pigs. Far in the background, a group of monks may be practicing kung-fu, which was taught at the monastery. The Sea Screen Temple was one of Auguste Borgets favorite Chinese sites to visit, and his delicate yet active rendering of the scene conveys the peaceful quality of the courtyard he loved so much. I have visited the great temple several times, he wrote, the noise outside the temple was so great and the silence inside the temple was so solemn, that I believed myself transported to another world. This print is in very good condition with wide margins as issued. Minor chips to the lower margin and some corners not affecting the image. Bright white paper makes for a lovely and clear image. The French artist Auguste Borget (1809-1877) exhibited often in the Paris Salon, but he is best known for his drawings of China, made into lithographs by Eugene Ciceri and published in 1842 in a book titled La Chine et les Chinois [China and the Chinese]. Bourget visited the country aboard the ship "Psyche" to Canton and the surrounding regions in 1838 and 1839 as part of a world tour, and found it to be one of his favorites. This print evidences his love of the country and its culture.