Borges jorges luis (12 Ergebnisse)

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

hardcover. Zustand: Used; Good. Dispatched, from the UK, within 48 hours of ordering. This book is in good condition but will show signs of previous ownership. Please expect some creasing to the spine and/or minor damage to the cover.

Soft cover. 1st Edition. First edition, first printing. Soft cover. Printed white wrappers, with photographically illustrated dust jacket. Photographs, video and text by Doug Aitken. Interview with the artist by Amanda Sharp. Essays by Daniel Birnbaum, Jörg Heiser, and an excerpt from Jorges Luis Borges. Includes a chronology, bibliography and a list of illustrations. 160 pp., with four-color plates throughout. 11-1/2 x 10 inches. Fine in Near Fine dust jacket (light surface marks, else Fine). From the publisher: "American video and installation artist Doug Aitken (b.1968) exploded onto the international art scene with his multi-screen work electric earth, which captivated audiences at the Venice and Whitney biennales in 1999. This work focused on the bizarre nocturnal experiences of a young man exploring the edges of Los Angeles, presenting dream-like sequences that rearrange the linear flow of narrative into a series of unforgettable, disjointed photographic tableaux. Like much of his work, it contrasts the high-tech speed of contemporary daily life with the monotony of the urban landscape.In other works he has explored the eerie, desterted atmosphere of Jonestown, Guyana, the site of the notorious mass suicide of religious cultists (monsoon, 1997); a remote diamond-mining region of Namibia, closed to outsiderssince 1908 (diamond sea, 1997); and the collective dreams of India's Bollywood film industry (into the sun, 1999). Portraying some of contemporary art's most beautiful imagery, Aitken's installations encircle the viewer, creating a suspended, hyperreal portrait of contemporary life. In the survey, curator and critic Daniel Birnbaum sets Aitken's art within the context of contemporary philosophy and the work of other recent artists who have explored expanded notions of time and space. In the Interview, Frieze publisher and critic Amanda Sharp discusses the artist's working methods, while in the Focus section critic Jörg Heiser looks at Aitken's i am in you (2000), a five-screen work centring on the imaginative experiences of a young girl. For his Artist's Choice Aitken has selected a short story by Jorge Luis Borges, whose description of altered realities through the distortions of mirrors and memory echoes the artist's own interests. Artist's Writings include Aitken's retelling of an unusual story he once heard from strangers, which served as the basis for subsequent video work.".…

In 8, pp. 176. Br. ed. Fra i contributi: Jorge Luis Borges, Zoologia fantastica; Attilio Bertolucci, In that nightingale's language; Leo Longanesi, Dieci minuti di vita; Enrico Fulchignoni, 3 poesie civili-3 poesie cinematografiche; Gianni Rodari, Poesia lepidaria; ecc. ITA.

Encuadernación de tapa blanda. Zustand: Bien. 1ª Edición. México. Editorial Siglo XXI. 1967. 92p. 2h. Rústica. Primera edición. Firma en hoja de respeto por el poeta Raúl Vera Ocampo. Buen estado.