Bolly yolla (30 Ergebnisse)

Hardback. Zustand: Fair. Discusses the elements of the human body. Includes suggestions for related experiments and projects.

Hardback. Zustand: Good. Discusses the elements of the human body. Includes suggestions for related experiments and projects.

Paperback. Zustand: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Allgood, Edith (illustrator). …

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Zustand: New. pp. 127.

Zustand: Good. Prospectus. 8vo. 8 pp. Finely Printed On Wove French-Fold Sheets, Black Ink, Ochre Ink used for Una & Robinson Jeffers' Monogram, Monochrome Photograph of Robinson Jeffers inside, Very Good. Includes Profile, information on this special edition, & Order Form.

Hardcover. Zustand: Fine. Hardcover. Number 82 of 220 copies of which 200 were offered for sale. Signed on the colophon by Herbert Gold and Bill Prochnow. Published by the press as the third in a series: California Writers of the Land. A collection of 26 short stories first published in 1934. Bound in brown cloth with author name in gilt to spine and a gilt image of a face on front cover. Printed on Ragston SN paper using Spectrum type. House in gray slipcase with title label to spine. Some sunning to spine and slipcase otherwise fine. Laid in is a card from the Press soliciting comments. PRI/111824. Signed.…

Zustand: Good. Broadside. 10 x 15-13/16 inches. Illustrated with two-color linoleum block print by Bob Ross. "This keepsake was printed in part at the Mendocino Festival of Books, September 19 and 20, 1987, by the Yolla Bolly Press . . . text by Gerald Donaldson, set by hand in Veronese types by James Robertson and Sal Glynn . . . printed in an edition of 180 copies on French Rives paper." Fine.…

6 drawings by Deanna Glad. One of 200 copies signed by Deanna Glad and Rod Smith, this copy unnumbered. Set in Bembo types and printed by Aaron Johnson at the Yolla Bolly Press. Oblong 8vo., original burgundy cloth, printed title label to upper cover, housed in the original green card slipcase, maroon lettering to spine. A fine copy. …

7 photographs of the press by Brian Shea printed by duo-tone offset lithography. One of 250 copies signed by the Robertsons, this no. 41, of a complete edition of 1000 copies. Written and designed by James and Carolyn Robertson. Set in Bembo and M&H types and hand printed on English Waterdord made by T.H. Saunders at the Yolla Bolly Press. 8vo., [18.5 x 27.5 cms], original sewn brown flecked Twinrocker Handmade paper covers, illustrated label of the woods to upper cover, colour titles to endpapers. A fine copy.…

1 vols. Small 4to. 1st Edition. First edition, deluxe issue. One of sixty copies numbered in Roman (of 65), specially bound and signed by the author, from a total edition of 255 copies. 1 vols. Small 4to. Published as the third of the Press' "Storytellers" series. Silk over boards, stamped in blind. Decorated endsheets. Bookplate on front pastedown, otherwise fine in slipcase First edition, deluxe issue. One of sixty copies numbered in Roman (of 65), specially bound and signed by the author, from a total edition of 255 copies. Signed. …

373 x 262 mm. (14 3/4 x 10 1/4"). 2 p.l., 101, [3] pp.With commentary by John Fowles. Bound at the press in full vellum by Renee Menge, simple gilt cross on upper cover, white leather stitches along joints. Housed in a bay laurel and cedar wood box with a plain cross carved into the lid. WITH NINE WOODCUTS BY LEONARD BASKIN. SIGNED in the colophon by Leonard Baskin and John Fowles. Anthony Burgess, "Flame into Being," pp. 174-78. As new. Expressively illustrated by Leonard Baskin, this is one of five Press Copies of an elegant fine press edition of D. H. Lawrence's provocative novella of the Resurrection. David Herbert Lawrence (1885-1930) composed "The Man Who Died" (originally titled "The Escaped Cock") in two sections in 1927-28 as he descended into his final illness. In the novel, a resurrected Jesus embraces humanity and the flesh, turning away from his previous teachings to believe that the body is more important than the spirit. DNB tells us that the book is "a work of intense nostalgia for the body," written by the slowly withering Lawrence. That this openly sacrilegious book did not spark more controversy is surprising; Lawrence biographer Burgess suggests it is due to his care never to explicitly name Jesus in the text, or perhaps because "the whole work is so masterly a piece of prose poetry that it has the capacity to disarm even the faithful." Our edition, with its elegantly simple binding and box, both decorated only with a cross, has not shied away from the connection. From 1983-2001, our publishers, Carolyn and James Robertson, created hand-printed works on the finest handmade paper at their press in Covelo, California, adjacent to the Yolla Bolly Wilderness, from which their press obviously takes its name. As noted in the introduction to "Making Books in the Woods," Stanford University Library's 2002 exhibition of the press' works, "the design of each Yolla Bolly Press book is intimately tied to the nuances of the text, and is completed with great attention to craft. . . . The Press commissions original artwork as well as fresh commentaries by contemporary authors to accompany classic texts, offering an 'interpretation of the original text in a contemporary context.'" The text here is accompanied by commentary from writer John Fowles (1926-2005) and a suite of evocative woodcuts by Leonard Baskin. One of the preeminent American artists of the 20th century, Baskin (1922-2000) considered himself primarily a sculptor, but he is best known for his woodcuts, book illustrations, and the fine books created at the Gehenna Press, which he founded in 1942, while still a student at Yale. His woodcuts and sculptures were in the figurative tradition at a time when abstract expressionism was the dominant movement in art; his defense of his style, quoted in his New York Times obituary, seems especially applicable to the etchings here: "Our human frame, our gutted mansion, our enveloping sack of beef and ash is yet a glory. Glorious in defining our universal sodality and in defining our utter uniqueness. The human figure is the image of all men and of one man. It contains all and can express all." Rugged and emotional, these depictions, like the text, depict a raw and human Jesus, using closely cropped compositions and dark, uneven lines to draw out the visceral celebration of humanity in Lawrence's work. ONE OF 35 COPIES BOUND IN VELLUM, 30 of these for sale, OURS ONE OF FIVE RESERVED for the Press (from a total edition of 130 copies, 100 of which were for sale).…