bochner john (25 Ergebnisse)

hardcover. Zustand: Very Good. Unmarked hardcover in unclipped jacket.

96 pp.; 28 x 21 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held in 1976. Essay by Bernice Rose. Artists include Carl Andre, Art & Language, Joseph Beuys, Mel Bochner, James Lee Byars, John Cage, Christo, Chuck Close, Hanne Darboven, Jim Dine, Mark di Suvero, Oyvind Fahlström, Dan Flavin, Richard Hamilton, Michael Heizer, Eva Hesse, David Hockney, Jasper Johns, Donald Judd, Ellsworth Kelly, Sol LeWitt, Roy Lichtenstein, Robert Mangold, Piero Manzoni, Brice Marden, Agnes Martin, Robert Morris, Bruce Nauman, Claes Oldenburg, Blinky Palermo, Panamarenko, Larry Poons, Robert Rauschenberg, Bridget Riley, Dorothea Rockburne, Robert Ryman, Fred Sandback, Richard Serra, Robert Smithson, Frank Stella, Jean Tinguely, Richard Tuttle, Cy Twombly, Andy Warhol, and Lawrence Weiner. Includes notes to the text. Very Good. Light yellowing and rubbing of cover edges with a 3 cm. area of staining from removed pricing sticker on verso and light bumping of bottom edge of verso. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Softcover. Zustand: ex library-good. Annals of Mathematics Studies No. 33. 257 p. 26 cm. Orange card covers. Ex library with labels on lower spine and inside rear cover, ink stamps on top edge and title page. Spine faded with small tears in ends. Stains on rear page.

304 pp.; 23.8 x 22 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Monograph by Achille Bonito-Oliva with editorial coordination by Corinna Ferrari. Artists include Marina Abramovic, Vito Acconci, Vincenzo Agnetti, Laurie Anderson, Carl Andre, Giovanni Anselmo, Eleanor Antin, Art & Language, Michael Asher, David Askevold, Gabor Attalai, Michael Badura, Jo Baer, Marco Bagnoli, John Baldessari, Martin Barré, Robert Barry, Lothar Baumgarten, Didier Bay, Bernd and Hilla Becher, Bill Beckley, Larry Bell, Lynda Benglis, Joseph Beuys, James Bishop, Mel Bochner, Alighiero Boetti, Mari Boeyen, Marinus Boezem, Christian Boltanski, George Brecht, K.P. Brehmer, Marcel Broodthaers, Stanley Brouwn, Trisha Brown, Gunter Brüs, Chris Burden, Daniel Buren, Victor Burgin, James Lee Byars, André Cadere, Pier Paolo Calzolari, Peter Campus, Louis Cane, Enrico Castellani, Mark Camille Chaimowitz, Alan Charlton, Sandro Chia, Christo, Francesco Clemente, Chuck Close, Hanne Darboven, Walter De Maria, Agnes Denes, Jan Dibbets, Richard Estes, Valie Export, Robert Filliou, Dan Flavin, Simone Forti, Terry Fox, Hamish Fulton, General Idea, Gilbert & George, Philip Glass, Dan Graham, Robert Grosvenor, Hans Haacke, Duane Hanson, Michael Heizer, Eva Hesse, Dick Higgins, Nancy Holt, Rebecca Horn, Douglas Huebler, Robert Irwin, Ray Johnson, Joan Jonas, Donald Judd, Allan Kaprow, On Kawara, Ellsworth Kelly, Edward Kienholz, Yves Klein, Joseph Kosuth, Jannis Kounellis, David Lamelas, La Monte Young, Marian Zazeela, Barry Le Va, Les Levine, Sol LeWitt, Richard Long, George Maciunas, Robert Mangold, Piero Manzoni, Brice Marden, Agnes Martin, Gordon Matta-Clark, Mario Merz, Annette Messager, Mary Miss, Meredith Monk, Robert Morris, Antonio Muntadas, Bruce Nauman, N.E. Thing Co., Barnett Newman, Dennis Oppenheim, Nam June Paik, Michelangelo Pistoletto, Arnulf Rainer, Yvonne Rainer, Ad Reinhardt, Gerhard Richter, Terry Riley, Dieter Rot [aka Dieter Roth], Alan Ruppersberg, Edward Ruscha, Robert Ryman, Lucas Samaras, Richard Serra, Charles Simonds, Robert Smithson, Keith Sonnier, Nancy Spero, Daniel Spoerri, Frank Stella, Richard Tuttle, Wolf Vostell, Andy Warhol, and Lawrence Weiner. Includes author biography. Texts in English, French, and German. Very Good. Small chip to bottom edge of dust-jacket at spine. Light bumping of cover and page corners. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

94 pp.; 27 x 26.5 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; December 1972 issue of Artforum, edited by John Coplans. Contents include: "Mel Bochner: The Constant as Variable," by Robert Pincus-Witten; "American Geometric Abstraction in the Late Thirties," by John Elderfield; "Oskar Schlemmer Sculpture," by Karin von Maur; "Notes on Recent Dance," by Don McDonagh; "Pivot," by Robert Dunn; "Performance, A Conversation," by Stephen Koch; "A Note on Bernhard and Hilla Becher," by Carl Andre; "Man Ray as Film Maker," by Steven Kovács; "Los Angeles: The Ecology of Evil, " by Peter Plagens; "Bonnard Drawings," by Joseph Masheck and "Reviews," by Joseph Masheck, April Kingsley, Bruce Boice, Lizzie Borden, and Carter Ratcliff. Cover: Mel Bochner. Good. Edge wear including bumping and rubbing with a 5 mm. tear to top edge of recto near spine and a 2 mm. tear to right side edge of recto. Scratching of covers. Light yellowing of pages. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Zustand: Gut. kartoniert The papers in this volume were read at the Conference on Partial Differential Equations sponsored by the National Academy of Sciences - National Research Council, October 1952. Originalkarton, leicht angeschmutzt und mit Gebrauchsspuren, kleinen Knicken. Der Kopfschnitt ist gedunkelt. Die Seiten sind sauber mit allenfalls kleinen Gebrauchsspuren. Der Text ist in Maschinenschrift gesetzt. Beiträge von S. Bergman, L. Bers, S. Bochner, F.E. Browder, J.B. Diaz, A. Douglis, F. John, P.C. Rosenbloom, P.D. Lax, J. Leray, C. Loewner, A.N. Milgram, C.B. Morrey, L. Nirenberg, M.H. Protter. Sprache / Language: en 257 Seiten. ca. 25,3 x 17,8 cm.

Softcover. Zustand: Sehr gut. 1. Auflage. Z : 272 Seiten, zahlreiche Abbildungen - - Anliegen des Buches ist es, die zeitgenössische Fotografie als gleichberechtigten Beitrag zur Gegenwartskunst zu zeigen, diese aktuelle Entwicklung historisch einzubinden und an die Leistung der Avantgarde des frühen 20. Jahrhunderts zu erinnern. Mit dem Blick zurück nach vorn werden die Errungenschaften der Fotografie für die bildende Kunst umfassend dargestellt. Werken von Man Ray, Lászlo Moholy-Nagy und August Sander stehen 74 Positionen mit meist umfangreichen Werkblöcken aus den Jahren 1959 bis 2007 gegenüber. Das Buch ist nicht nur ein umfassender und verführerischer Fotoband, sondern arbeitet auch theoretisch den Wandel des Mediums zwischen Fotografie und Kunst, zwischen Dokumentation und ästhetischer Konstruktion heraus. Fotografien von / Photographs by: John Baldessari, Bernd und / and Hilla Becher, Mel Bochner, Jan Dibbets, Rineke Dijkstra, William Eggleston, Valie Export, Hans-Peter Feldmann, Gilbert & George, Andreas Gursky, Candida Höfer, Jürgen Klauke, Annie Leibovitz, Sol LeWitt, Robert Mapplethorpe, Gordon Matta-Clark, Bruce Nauman, Peter Piller, Thomas Ruff, Ed Ruscha, Gregor Schneider, Cindy Sherman, Thomas Struth, Wolfgang Tillmans, Jeff Wall, Christopher Williams und viele andere.

Zustand: NEW.

S : 64 pp., numerous b/w illustrations - Catalogue published in conjunction with an exhibition held at The Gemeentemuseum Den Haag, July 25 - August 30, 1970. Includes installation views, reproductions of preliminary drawings, various writings by the artist, an inventory of projects, plans, and proposals, as well as writings by artists, critics, and contemporaries such as Carl Andre, Dan Flavin, and Lucy R. Lippard.

Hardcover Nov 02, 2003. Zustand: gebraucht; wie neu. Nummeriertes Exemplar, ungebraucht.

Paperback. Zustand: Brand New. 257 pages. 11.00x8.50x0.75 inches. In Stock.

pbk. Zustand: Near Fine. Near Fine softcover, 498 pages, just the faintest of edge-wear to covers, interior flawless.

498 pp.; 21 x 15 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Extensive book of critical texts by and about Sol LeWitt edited by Adachiara Zevi including "Sol LeWitt in Two and Three Dimensions" by Zevi; "Texts by Sol LeWitt," which includes LeWitt's texts "I Find it Difficult to Write a Statement.," "The Cube," "Ziggurats," "Serial Project No. 1 (ABC)," "Paragraphs on Conceptual Art," "La Sfida del Sistema / Inquiry on the Artistic Situation in the U.S.A. and in France" interview with Anna Nosei Weber and Otto Hahn, "Some Points Bearing on the Relationship of Works of Art to Museums and Collectors," "Some Points Bearing on the The Museum of Modern Art and its Relationship to Artists and the General Community," "Sentences on Conceptual Art," "Wall Drawings," "The Draftsman and the Wall.," "Ruth Vollmer: Mathematical Forms," "Doing Wall Drawings," "Comments on an Advertisement Published in Flash Art, April 1973," "The LeWitt Riddle" interview by Susan Rand Brown, "Excerpts from a Correspondence, 1981-1983" with Andrea Miller-Keller, "Sol LeWitt Works" interview with Phyllis Rosenzweig, "Sol LeWitt Interviewed" interview with Andrew Wilson. Also includes "Critical Essays About Sol LeWitt": "Sol LeWitt Drawings 1968-1969" by Barbara Reise texts by Carl Andre, Terry Atkinson, Mel Bochner, John N. Chandler, Enno Develing, Dan Flavin, Dan Graham, Coosje van Bruggen, Eva Hesse, Michael Kirby, Rosalind Krauss, Ira Licht, Lucy R. Lippard, Dick van der Net, Hans Strelow, Lawrence Weiner, Filiberto Menna, Lawrence Alloway, Donald B. Kuspit, Joseph Masheck, Bernice Rose, Robert Rosenblum, Jan Debbaut, Alexander van Grevenstein, Ann-Sargent Wooster, Lisa Liebmann, Tommaso Trini, Jeremy Lewison, Germano Celant, Marjorie Welish, Bruno Corà, Irving Sandler, Andrea Miller-Keller, Ingrid Mössinger, Kim Levin, Trevor Fairbrother, Rudi Fuchs, Franz W. Kaiser, and David Batchelor. Also includes extensive bibliography compiled by Susanna Singer with index. Good / Very Good. 4.5 cm. dog-ear to verso corner and moderate bumping of upper left corner. Additional edge wear including six 2 mm. stains on edges of text block. Discrete small rubber stamp logo inside rear cover, otherwise contents clean and unmarked.

726 pp.; 27 x 20.7 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Large-scale exhibition catalogue published in conjunction with show held June 6 - August 29, 1999. Essays by Vicente Todolí, João Fernandes, Miguel Wandschneider, Germano Celant, Robert Pincus-Witten, Antje von Graevenitz, Marita Sturken, Maria José Fazenda. Includes artists:Helena Almeida, Armando Alves, Giovanni Anselmo, António Areal, Richard Artschwager, John Baldessari, Manuel Baptista, Georg Baselitz, Eduardo Batarda, Lothar Baumgarten, Bernd & Hilla Becher, René Bertholo, Joseph Beuys, Mel Bochner, Christian Boltanski, Joaquim Bravo, Marcel Broodthaers, James Lee Byars, Fernando Calhau, Alberto Carneiro, Zulmiro de Carvalho, Manuel Casimiro, Lourdes Castro, António Charrua, Lygia Clark, Noronha Da Costa, José Escada, Öyvind Fahlström, Hans-Peter Feldmann, Robert Filliou, Robert Frank, Hamish Fulton, Gilbert & George, Imi Giese, Luis Gordillo, Dan Graham, José de Guimarães, Hans Haacke, Richard Hamilton, Ana Hartherly, Eva Hesse, Peter Hutchinson, Jörg Immendorff, António Manuel, Jorge Martins, Gordon Matta-Clark, Cildo Meireles, Mario Merz, Robert Morris, Ree Morton, Antonio Muntadas, Bruce Nauman, Rolando Sá Nogueira, Maria Nordman, Hélio Oiticica, Claes Oldenburg, Dennis Oppenheim, Blinky Palermo, António Palolo, Lygia Pape, A.R. Penck [Ralf Winkler], Jorge Pinheiro, Adrian Piper, Michelangelo Pistoletto, Sigmar Polke, Júlio Pomar, Vítor Pomar, Robert Rauschenberg, Paula Rego, Gerhard Richter, José Rodrigues, Joaquim Rodrigo, James Rosenquist, Dieter Roth, Susan Rothenberg, Edward Ruscha, Reiner Ruthenbeck, Julião Sarmento, António Sena, Richard Serra, Joel Shapiro, Nikias Skapinakis, Robert Smithson, Keith Sonnier, Ângelo de Sousa, Salette Tavares, Paul Thek, Francesc Torres, Richard Tuttle, Ana Vieíra, João Vieira, Pires Vieira, Andy Warhol, Lawrence Weiner, Gilberto Zorio, Vito Acconci, Eleanor Antin, David Askevold, Artur Barrio, Lynda Benglis, Chris Burden, Peter Campus, Merce Cunningham, Juan Downey, Valie Export, Hermine Freed, Anna Bella Geiger, Mako Idemitsu, Joan Jonas, Shigeko Kubota, David Lamelas, Paul McCarthy, Ana Mendieta, Susan Mogul, Nam June Paik, Charlemagne Palestine, Yvonne Rainer, Ulrike Rosenbach, Martha Rosler, Miralda Rossell, Gerry Schum, Paul Sharits, Michael Snow, T.R. Uthco, William Wegman, Hannah Wilke. Includes chronology, checklist and biographies for participating artists. Texts in English and Portuguese. Very Good. Light wear to covers and cover corners with light soiling from dust to page edges. Creasing of spine and 8 mm. tear to spine edge. Contents clean and unmarked. Due to very large size and weight additional shipping charges may be required.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "Q & A: David Colman on the Radical Face of Fashion, " by David Colman; "Books: Linda Nochlin on Simon Schama's 'Landscape and Memory,'" by Linda Nochlin; "Press: Homi Bhabha on the New Black Intellectual," by Homi Bhabha; "Weather Report: Andrew Ross on the Highland Vogue," by Andrew Ross; "Film: Mark Van de Walle on Abel Ferrara's 'The Addiction,'" by Mark Van de Walle; "Real Life: R. U. Sirius' Top Ten," by R. U. Sirius; "Preview: The Tate at Bankside, Richard Flood talks with Nicholas Serota; "Brook adams on New Art from London," by Brooks Adams; "Letter from London," by Richard Shone; "Letter from London: Martin Maloney on the Class of '95," by Martin Maloney; "Jon Savage on the Britpop Scene," by Jon Savage; "Perfectly Awful," by Hilton Als and Andre Walker; "Gianni Versace: 'Evening Ensemble," by Richard Martin; "Langfroid: A Project for Artforum," by Helmut Lang, photographs by Juergen Teller, Introduction by Olivier Zahm; "Critical Reflections," by Richard Shiff with and introduction by David Carrier; "Plastic Made Perfect: Measuring Mondrian," by Robert Rosenblum, Mel Bochner, Robert Mangold, Benjamin H. D. Buchloh, Lydia Dona, David Sylvester, and Jonathan Laser; "Openings: Toba Khedoori," by Neville Wakefield. Reviews by Olivier Zahm, John Ash, Bruce Hainley, Anthony Iannacci, Barry Schwabsky, Donald Kuspit, Keith Seward, Thad Ziolkowski, Joshua Decter, Jenifer P. Borum, Ingrid Schaffner, Faye Hirsch, Steven Drukman, Nico Israel, Eileen Neff, Judith Russi Kirshner, Joan Seeman Robinson, Lane Relyea, Amy Gerstler, John K. Grande, Juan Vicente Aliaga, Giorgio Verzotti, Hans Rudolf Reust, Christian Kravagna, Justin Hoffmann, Noemi Smolik, Harald Fricke, Bojana Pejic, Thomas McEvilley, and Daniel Birnbaum. Cover: Piet Mondrian.

248 pp.; 27.5 x 23 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held November 22, 1989 - February 18, 1990. Preface by Suzanne Pagé. Essays by Claude Gintz, Benjamin H.D. Buchloh, Charles Harrison, Gabriele Guercio, and Seth Siegelaub. Includes bibliography. Illustrated in black-and-white. First edition includes text, in English, by Joseph Kosuth in response to Buchloh's essay printed on sticker and affixed to page 54. Artists include: Art & Language, Michael Asher, John Baldessari, Robert Barry, Mel Bochner, Alighiero e Boetti, Marcel Broodthaers, Stanley Brouwn, Daniel Buren, Victor Burgin, Andre Cadere, Hanne Darboven, Jan Dibbets, Marcel Duchamp, Dan Flavin, Dan Graham, Hans Haacke, Eva Hesse, Douglas Huebler, Jasper Johns, On Kawara, Yves Klein, Joseph Kosuth, Sol LeWitt, Piero Manzoni, Robert Morris, Bruce Nauman, Claes Oldenburg, Roman Opalka, Adrian Piper, Robert Rauschenberg, Edward Ruscha, Robert Smithson, Bernar Venet, Lawrence Weiner, Ian Wilson, and Art & Project. Texts in English and French. Good. Bumping of corners and cover edges with adjacent creasing. Yellowing and dust soiling of covers with additional 4.2 cm. area of soiling to verso. Light bumping of page corners. Contents clean and unmarked. Includes "compliments of" card from the Musée d'Art Moderne de la Ville de Paris, in French. This copy includes the tipped-in text by Joseph Kosuth, "Joseph Kosuth Responds to Benjamin Buchloh" [in English], affixed to page 54. Due to large size and weight additional shipping charges will be required for international orders.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Issue edited by John Coplans. Essays "Mel Bochner: The Constant as Variable," by Robert Pincus-Witten; "American Geometric Abstraction in the Late Thirties," by John Elderfield; "Oskar Schlemmer Sculpture," by Karin von Maur; "Notes on Recent Dance," by Don McDonagh; "Pivot," by Robert Dunn; "Performance, A Conversation," by Stephen Koch; "A Note on Bernhard and Hilla Becher," by Carl Andre; "Man Ray as Film Maker," by Steven Kovács; "Los Angeles: The Ecology of Evil, " by Peter Plagens; "Bonnard Drawings," Joseph Masheck. Reviews by Joseph Masheck, April Kingsley, Bruce Boice, Lizzie Borden, Carter Ratcliff. Cover: Mel Bochner.

58 pp.; 31 x 23.3 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed June 1966 issue of Arts Magazine. Cover features Marisol's group of fifteen sculptures, "The Party," 1965-1966. Contributors include Gordon Brown, "A Propos: Primary Structures" by Rolf-Gunter Dienst, Fritz Neugass, Corinne Robins, Alfred Werner, Amy Goldin, Mel Bochner, "Marta Minujin: A Latin Answer to Pop" by Jacqueline Barnitz, John Lucas, Bruce Glaser, Norman Narotzky, and Basil Langton. Includes reviews of work by Jacqueline Barnitz, William Berkson, Mel Bochner, Gordon Brown, Colta Feller, Amy Goldin, Harvey Stahl, Richard Swain, Sidney Zimmerman, and Marisol. Good. Light overall wear. Discoloration at bottom and right edge of covers. Contents clean and unmarked.

66 pp.; 30.5 x 23.3 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed March 1967 issue of Arts Magazine. Cover features image of Buckminster Fuller's photographic 'sketch,' Terra City, part of "Projects for Macrostructures." Contributors include Nicolas Calas, John Lucas, "Making the Scene" by Lil Picard, Laila Damiano, David Rosand, John Bailey, John Lahr, "Films" by Robert Frank, "The Beach Boys" by Mel Bochner, Frederic Tuten, "A Minimal Future: Union-Made" by John Perreault, "Models and Moments" by Dan Graham, Thomas Messer, W. Roger Rearick, "Art as Spectacle" by Dore Ashton, David Raddock, Gordon Brown, Edouard Roditi, "The Art of Suply and Demand" by Jill Johnston, and Herb Aach. Good. Light overall wear to cover and edges. Letter "E" written in ink and light staining on recto. Contents clean and unmarked.

[44] pp.; 27.5 x 10.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with joint presentation by Art Metropole and Printed Matter at Art Basel, Basel, Switerzland, June 12 - 17, 1991. Cover artwork by Richard Prince and Lawrence Weiner. Curated by AA Bronson, John Goodwin. Artists include Carl Andre, David Antin, Eleanor Antin, Ida Applebroog, John Armleder, Art & Language, John Baldessari, Robert Barry, Lothar Baumgarten, Iain Baxter, Ingrid Baxter, Joseph Beuys, Barbara Bloom, Mel Bochner, Alighiero E. Boetti, Christian Boltanski, George Brecht, Marcel Broodthaers, Stanley Brouwn, David Buchan, Chris Burden, Daniel Buren, Michael Buthe, James Lee Byars, Genevieve Cadieux, Guiseppe Chiari, Christo, Francesco Clemente, Robert Cumming, Jan Dibbets, Marcel Duchamp, Hans-Peter Feldmann, File, Robert Filliou, Ian Hamilton Finlay, Fluxus, Robert Fones, Katharina Fritsch, Hamish Fulton, General Idea, Gilbert & George, Dan Graham, Rodney Graham, Jenny Holzer, Douglas Huebler, Image Bank, International Situationist, Joe Jones, Allan Kaprow, Anselm Kiefer, Martin Kippenberger, Michael Kirby, Yves Klein, Bengt af Klintberg, Joseph Kosuth, Barbara Kruger, Louise Lawler, Sol LeWitt, George Maciunas, Allan MacKay, Jackson Mac Low, Liz Magor, Christian Marclay, Lise Melhorn-Boe, Mario Merz, Robert Morris, Multiples Inc., Ian Murray, Maurizio Nannucci, Bruce Nauman, Hermann Nitsch, Claes Oldenburg, Yoko Ono, Dennis Oppenheim, Meret Oppenheim, Nam June Paik, Robert Rauschenberg, Steve Reich, Dieter Rot [Dieter Roth], Jerome Rothenberg, Edward Ruscha, Carolee Schneemann, Becky Singleton, Robert Smithson, SMS [Shit Must Stop], Michael Snow, Valerie Solanis, Jesus Raphael Soto, Jana Sterbak, Rosemarie Trockel, Ben Vautier, Bernar Venet, Andy Warhol, Robert Watts, Krzysztof Wodiczko, Wolf Vostell, La Monte Young and Zaj. "An Exhibition of Artists' Books and Multiples from the Permanent Collection of Art Metropole. LEARN TO READ ART is an exhibition of 287 published works by artists from the postwar period to the present. Although the contemporary artist's book emerged early in the twentieth century, it was not until the sixties that it came into its own as a medium ideally suited to the needs of Fluxus and Conceptual artists of the period thus our exhibition picks up this thread of history in the postwar years and follows it into that period of intense evolution which was the sixties and early seventies." ?- AA Bronson, General Idea, from introduction. Reference : No. 54 in "The Book on Books on Artists' Books" by Arnaud Desjardin. London, England : The Everyday Press, 2011, pp. 35. Very Good. Yellowing of recto edges with 6 cm. of yellowing across top of verso. Dust soiling to covers with light wear to corners including a 2 cm. dog-ear to top left of verso. Contents clean and unmarked.

64 pp.; 26 x 26 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held July 25 - August 30, 1970. Includes writing on LeWitt's work by Carl Andre, Terry Atkinson, Mel Bochner, John N. Chandler, Enoo Develing, Dan Flavin, Dan Graham, Coosje Kapteyn-van Bruggen, Eva Hesse, Michael Kirby, Rosalind Krauss, Ira Licht, Lucy R. Lippard, Dick van der Net, Barbara M. Reise, Hans Strelow and Lawrence Weiner. Also includes list of projects, plans and proposals, biography, bibliography and exhibition history. The exhibition was dedicated to Eva Hesse, who passed away a few months before the opening of the exhibition. Catalogue design by LeWitt. Text in English. Poor. THIS COPY SIGNED BY DAN GRAHAM in pen on page 24. Significant wear to covers including rubbing, bumping and creasing. 5 mm. tear to recto, 2.5 cm. tear to right side edge of recto with 5 mm. of loss. Corners of covers and pages are rounded from wear. Paper over spine edge is missing and has been haphazardly repaired with clear tape which has yellowed and is torn and missing in places. Handling wear to pages and 5.8 cm. of water damage to bottom right corner of pages with additional rippling from moisture damage to bottom edge.

First edition. Softcover. Exhibition catalog for a show that ran October 16 through November 19, 1970. Acknowledgements by gallery director Dianne Perry Vanderlip. Includes a laid in 10 page text booklet with Les Levine's "The Information Fall-Out." Artist in the show were: Vito Acconci, John Baldessari, Mel Bochner, Michael Findlay, Dan Graham, Peter Hutchinson, Ray Johnson, Joseph Kosuth, Les Levine, Billy Adler, John Margolies, Bruce Nauman, Dennis Oppenheim, Michael Snow, John Van Saun, Bernar Venet, and Robert Smithson. A clean very near fine copy in stapled wrappers. An uncommon and important document in nicer than usual condition.

[4] pp.; 30 x 30 cm.; black-and-white; edition size 20; unsigned and unnumbered; offset-printed Vinyl 33-1/3 LP record issued as exhibition catalogue for show held November 1 - December 14, 1969. "Shortly after its opening, the Museum of Contemporary Art planned an exhibition to record the trend, incipient then and pervasive today, toward conceptualization of art. This exhibition, scheduled for the spring of 1968 and abandoned because of technical difficulties, consisted of works in different media, conceived by artists in this country and Europe and executed in Chicago on their behalf. The telephone was designated the most fitting means of communication in relaying instructions to those entrusted with fabrication of the artists' projects or enactment of their ideas. To heighten the challenge of a wholly verbal exchange, drawings, blueprints or written descriptions were avoided." - Jan van der Marck from record jacket. Artists on LP include: Siah Armajani, Richard Artschwager, John Baldessari, Iain Baxter, Mel Bochner, George Brecht, Jack Burnham, James Lee Byars, Robert H. Cumming, Francoise Dallegret, Jan Dibbets, John Giorno, Robert Grosvenor, Hans Haacke, Richard Hamilton, Dick Higgins, Davi Det Hompson, Robert Huot, Alani Jacquet, Ed Kienholz, Joseph Kosuth, Les Levine, Sol LeWitt, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, Richard Serra, Robert Smithson, Guenther Uecker, Stan Van Der Beek, Bernar Venet, Frank Lincoln Viner, Wolf Vostell, William Wegman, William T. Wiley. The 2008 screenprinted gatefold cover, produced by Specific Object, is an exacting reproduction of original 1969 offset printed cover, which incorporates an installation image on the back cover, and extensive introductory text and additional texts on each participating artist. References : "Record As Artwork 1959 - 73" by Germano Celant. London, United Kingdom : Royal College of Art Gallery, 1973. "Bruce Nauman : Disappearing Acts" by Kathy Halbreich, Thomas Beard, Briony Fer, Nicolás Guagnini, Rachel Harrison, Ute Holl, Suzanne Hudson, Julia Keller, Liz Kotz, Ralph Lemon, Glenn Ligon, Catherine Lord, Roxana Marcoci, Magnus Schaefer, Felicity Scott, Martina Venanzoni, Taylor Walsh, Jeffrey Weiss. New York, NY : The Museum of Modern Art, 2018, pp. 49. Fine. Original 1969 vinyl LP housed in 2008 screenprinted facsimile album cover. Vinyl in good condition, jacket is New.

[4] pp.; 30 x 30 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Vinyl 33-1/3 LP record issued as the exhibition catalogue for show held November 1 - December 14, 1969. "Shortly after its opening, the Museum of Contemporary Art planned an exhibition to record the trend, incipient then and pervasive today, toward conceptualization of art. This exhibition, scheduled for the spring of 1968 and abandoned because of technical difficulties, consisted of works in different media, conceived by artists in this country and Europe and executed in Chicago on their behalf. The telephone was designated the most fitting means of communication in relaying instructions to those entrusted with fabrication of the artists' projects or enactment of their ideas. To heighten the challenge of a wholly verbal exchange, drawings, blueprints or written descriptions were avoided." - Jan van der Marck from record jacket. Artists on LP include Siah Armajani, Richard Artschwager, John Baldessari, Iain Baxter, Mel Bochner, George Brecht, Jack Burnham, James Lee Byars, Robert H. Cumming, Francoise Dallegret, Jan Dibbets, John Giorno, Robert Grosvenor, Hans Haacke, Richard Hamilton, Dick Higgins, Davi Det Hompson, Robert Huot, Alani Jacquet, Ed Kienholz, Joseph Kosuth, Les Levine, Sol LeWitt, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, Richard Serra, Robert Smithson, Guenther Uecker, Stan Van Der Beek, Bernar Venet, Frank Lincoln Viner, Wolf Vostell, William Wegman, William T. Wiley. Artist notes and texts on gatefold interior. References : "Record As Artwork 1959 - 73" by Germano Celant. London, United Kingdom : Royal College of Art Gallery, 1973. "Bruce Nauman : Disappearing Acts" by Kathy Halbreich, Thomas Beard, Briony Fer, Nicolás Guagnini, Rachel Harrison, Ute Holl, Suzanne Hudson, Julia Keller, Liz Kotz, Ralph Lemon, Glenn Ligon, Catherine Lord, Roxana Marcoci, Magnus Schaefer, Felicity Scott, Martina Venanzoni, Taylor Walsh, Jeffrey Weiss. New York, NY : The Museum of Modern Art, 2018, pp. 49. Good. Mild bump to top left corner of jacket and light surface wear to album covers and spine including scratching and scuffing. 2.5 cm. and 3 cm. of soiling to recto. Yellow spitting to verso. Yellowing and dust soiling to inside of album cover. Light scratching of record. This is a copy of the original album jacket and original vinyl LP.

[4] pp.; 30 x 30 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Vinyl 33-1/3 LP record issued as the exhibition catalogue for show held November 1 - December 14, 1969. "Shortly after its opening, the Museum of Contemporary Art planned an exhibition to record the trend, incipient then and pervasive today, toward conceptualization of art. This exhibition, scheduled for the spring of 1968 and abandoned because of technical difficulties, consisted of works in different media, conceived by artists in this country and Europe and executed in Chicago on their behalf. The telephone was designated the most fitting means of communication in relaying instructions to those entrusted with fabrication of the artists' projects or enactment of their ideas. To heighten the challenge of a wholly verbal exchange, drawings, blueprints or written descriptions were avoided." - Jan van der Marck from record jacket. Artists on LP include Siah Armajani, Richard Artschwager, John Baldessari, Iain Baxter, Mel Bochner, George Brecht, Jack Burnham, James Lee Byars, Robert H. Cumming, Francoise Dallegret, Jan Dibbets, John Giorno, Robert Grosvenor, Hans Haacke, Richard Hamilton, Dick Higgins, Davi Det Hompson, Robert Huot, Alani Jacquet, Ed Kienholz, Joseph Kosuth, Les Levine, Sol LeWitt, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, Richard Serra, Robert Smithson, Guenther Uecker, Stan Van Der Beek, Bernar Venet, Frank Lincoln Viner, Wolf Vostell, William Wegman, William T. Wiley. Artist notes and texts on gatefold interior. References : "Record As Artwork 1959 - 73" by Germano Celant. London, United Kingdom : Royal College of Art Gallery, 1973. "Bruce Nauman : Disappearing Acts" by Kathy Halbreich, Thomas Beard, Briony Fer, Nicolás Guagnini, Rachel Harrison, Ute Holl, Suzanne Hudson, Julia Keller, Liz Kotz, Ralph Lemon, Glenn Ligon, Catherine Lord, Roxana Marcoci, Magnus Schaefer, Felicity Scott, Martina Venanzoni, Taylor Walsh, Jeffrey Weiss. New York, NY : The Museum of Modern Art, 2018, pp. 49. Good. Mild bump to top left corner of jacket and light surface wear to album covers and spine. LP's vinyl is clean showing only light wear. LP has been played and tested and has no material defects. This is a copy of the original album jacket and original vinyl LP.