Bochner jay (33 Ergebnisse)

Hardback. Zustand: Fair. In An American Lens, Jay Bochner looks at a series of milestones in the development of the American avant-garde that capture a pivotal period in artistic consciousness. He focuses on the multiple roles of Alfred Stieglitz -- as influential gallery owner, photographer, and impresario of the emerging art scene -- at a series of significant moments in his career. These close-ups offer a more intense and expanded understanding of the subject than the familiar long view.Bochner uses these scenes to recreate for today's readers the birth of modernism in America--what it was like to be an audience for the art of the early avant-garde. Moving from frame to frame, he shows us, for example, a single photograph by Stieglitz of a snowy night in 1893 and a short description by Stephen Crane of just such a snowfall; the preparation, the reception, and the aftermath of the famous Armory Show of modern art in 1913; Gertrude Stein's portraits in prose; New York at the dawn of Dada, with Paul Strand, Francis Picabia, and others; and the intersecting paths of Mina Loy, William Carlos Williams, and Marcel Duchamp in 1917. Bochner also examines Stieglitz's three great photographic series: his photographs of Georgia O'Keeffe, of clouds, and of skyscrapers. These sections of the book include many Stieglitz photos, including some rarely seen portraits of O'Keeffe.Stieglitz as impresario and artist achieved an almost mythical status, which some recent critics have worked to deflate -- casting him, for example, as Svengali to Georgia O'Keeffe's spellbound Trilby. Engaging in neither idolatry nor demolition, Bochner looks instead for the truth about the man and the myth. The scenes from American art in An American Lens create a new version of Stieglitz's biography, allowing us to reread his life and the life of his times by focusing intently on what is visible and not so visible in the art he left behind.…

Hardback. Zustand: Good. In An American Lens, Jay Bochner looks at a series of milestones in the development of the American avant-garde that capture a pivotal period in artistic consciousness. He focuses on the multiple roles of Alfred Stieglitz -- as influential gallery owner, photographer, and impresario of the emerging art scene -- at a series of significant moments in his career. These close-ups offer a more intense and expanded understanding of the subject than the familiar long view.Bochner uses these scenes to recreate for today's readers the birth of modernism in America--what it was like to be an audience for the art of the early avant-garde. Moving from frame to frame, he shows us, for example, a single photograph by Stieglitz of a snowy night in 1893 and a short description by Stephen Crane of just such a snowfall; the preparation, the reception, and the aftermath of the famous Armory Show of modern art in 1913; Gertrude Stein's portraits in prose; New York at the dawn of Dada, with Paul Strand, Francis Picabia, and others; and the intersecting paths of Mina Loy, William Carlos Williams, and Marcel Duchamp in 1917. Bochner also examines Stieglitz's three great photographic series: his photographs of Georgia O'Keeffe, of clouds, and of skyscrapers. These sections of the book include many Stieglitz photos, including some rarely seen portraits of O'Keeffe.Stieglitz as impresario and artist achieved an almost mythical status, which some recent critics have worked to deflate -- casting him, for example, as Svengali to Georgia O'Keeffe's spellbound Trilby. Engaging in neither idolatry nor demolition, Bochner looks instead for the truth about the man and the myth. The scenes from American art in An American Lens create a new version of Stieglitz's biography, allowing us to reread his life and the life of his times by focusing intently on what is visible and not so visible in the art he left behind.…

Zustand: Good. First Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. First Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. …

Zustand: Very Good. First Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. …

Zustand: Good. First Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Hardcover. Zustand: Used-Very Good. dj. First Edition. Cloth, dj. Minor shelf wear.

Zustand: As New. Like New condition. Like New dust jacket. A near perfect copy that may have very minor cosmetic defects.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1050grams, ISBN:9780262524889.

Zustand: Très bon. Nos envois se font avec suivi, pour tout problème n'hésitez pas à nous contacter pour trouver une solution.

Zustand: Bon. Ancien livre de bibliothèque avec équipements. Edition 1989. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Edition 1989. Ammareal gives back up to 15% of this item's net price to charity organizations.…

Hardcover. Zustand: Very Good. No Jacket. 1st Edition. This copy is in very good condition. A very good clean copy.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: Very Good. . Avance Uncorrected Page Proof. From the collection of Tom Verlaine. Verlaine was a guitarist, singer, and songwriter who was a founding member of the seminal punk rock band Television. He was known for his innovative guitar playing and songwriting, and he is considered to be one of the most important and influential musicians of the past 50 years.…

1st ed. Text: ENGLISH (Gutes sauberes Exemplar - ungelesen / good clean book) Sprache: Englisch Gewicht in Gramm: 1200 OPappband (mit Schutzumschlag) / Hardcover (with dust-jacket).

Zustand: New. pp. 424.

Zustand: Very Good. From the Library of John Russell Taylor.

Hardcover. Zustand: Used; Good. ***Simply Brit*** Welcome to our online used book store, where affordability meets great quality. Dive into a world of captivating reads without breaking the bank. We take pride in offering a wide selection of used books, from classics to hidden gems, ensuring there is something for every literary palate. All orders are shipped within 24 hours and our lightning fast-delivery within 48 hours coupled with our prompt customer service ensures a smooth journey from ordering to delivery. Discover the joy of reading with us, your trusted source for affordable books that do not compromise on quality.…

Zustand: New.

Zustand: New. In English.

Zustand: New. In English.

Zustand: Very Good.

Zustand: AS NEW. Etat de NEUF / AS NEW condition 9782753520929 9782753520929 1059C 2.

Paperback. Zustand: Used - Very Good. NA2576, PC3711, 0.985 gr. 9782753520929. Pliure mineure au coin supérieur droit avec répercussion sur les pemières pages du livre n'affectant en rien le texte. Pour le reste le livre est à l'état de neuf. Alfred Stieglitz (1864-1946) fut non seulement un photographe majeur, mais, comme galeriste et éditeur, il a été l'un des pivots de l'histoire artistique et littéraire du début du XXe siècle. New York, entre 1900 et la Grande Guerre, fut au coeur des activités de l'avant-garde internationale dans les arts et la poésie. Si l'on connaît mieux les écrivains américains à Paris dans les années vingt, tels Hemingway ou Fitzgerald, ou les artistes de l'abstraction expressionniste après 1945 aux États-Unis, les deux phénomènes prennent leurs sources autour de la galerie 291 de Stieglitz, avec les premiers poèmes de William Carlos Williams, les abstractions d'Arthur Dove et Marsden Hartley, et les Ready-Mades de Duchamp. Le Modernisme classique se crée à Londres avec Eliot et Pound, mais aussi sur des bases déjà très expérimentales, à New York, dans les poèmes de Mina Loy ou les premiers textes publiés de Gertrude Stein. Avant le célèbre Armory Show, Stieglitz exposait dans sa galerie Rodin, Picasso et Matisse. Promoteur des peintres américains et européens des premières avant-gardes, éditeur de Caméra Work, Alfred Stieglitz a joué un rôle de passeur ou de « carrefour » des influences culturelles de part et d'autre de l'Atlantique. Tous les enjeux (esthétiques, politiques, culturels) ultérieurement apparus prennent leur source dans cette période qu'il incarne au point que notre « modernité », dans toute sa complexité, aurait pu s'appeler le Siècle de Stieglitz. À Cerisy-la-Salle, en juillet 2010, un nombre important de spécialistes américains et français se sont donné rendez-vous pour débattre de la Photo-Sécession, du Pictorialisme, des peintres du cercle de Stieglitz (Sheeler, Stella, Weber, Demuth, Hartley, de Zayas, Morgan Russell, Georgia O'Keeffe, Dove), de Picabia, Duchamp et Arthur Cravan, des débuts de Dada, des écritures avant-gardistes, de Gertrude Stein et Mina Loy, du mélange des arts et des rapports du texte à l'image, de la culture de masse et de la société commerçante, autour de ce sujet foisonnant qu'est la culture new-yorkaise de 1890 à la fin des années 1930. Cet événement scientifique et sa publication ont reçu le label et le soutien de la Terra Foundation for American Art, de l'Institut des Amériques et du Ministère de la Culture (pour la traduction simultanée).…

189 S. Hardcover mit Schutzumschlag. Sauberes Exemplar ohne Stempel oder Anstreichungen. Zahlreiche Abbildungen und Tafeln. Stempel auf Vorsatz. Schutzumschlag an Kante des hinteren Buchdeckels leicht fleckig. Sonst sehr gut erhalten. Sprache: eng.

Zustand: New. 1978. paperback. . . . . . Books ship from the US and Ireland.

Soft cover. Zustand: Very Good. No Jacket. The MIT Press, Cambridge, Massachusetts, 2005, pb, no creasing to spine, some light wear to the corners of the covers, pages clean and bright, a good tight secure binding [B4710][Box xx].

American Federation of Arts in association with D.A.P.New York 2003. 189, (3) pp. Hardcover with d/w. Illustrated. Fine condition.

Taschenbuch. Zustand: Neu. Blaise Cendrars | Discovery and Re-Creation | Jay Bochner | Taschenbuch | Einband - flex.(Paperback) | Englisch | 1978 | University of Toronto Press | EAN 9781487572167 | Verantwortliche Person für die EU: Mare Nostrum Group B.V., Doelen 72, 4831 GR BREDA, NIEDERLANDE, gpsr[at]mare-nostrum[dot]co[dot]uk | Anbieter: preigu. …

Zustand: New.