blum harry (15 Ergebnisse)

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Very Good. Series: Phoenix Books. xxiii 108p paperback, cover in excellent condition, clean pages, firm binding, name to endpaper, spine not creased Language: English.

Paperback. 322 S.; mit zahlr. Abb. u. Ill.; 15 x 21 cm, Querformat. Akzeptabler Zustand. Bibliotheksexemplar mit Stempeln auf Seitenschnitt. Fußschnitt fleckig. Sprache: Deutsch Gewicht in Gramm: 600.

32 x 22 cm. Ca. 20 S. ISBN:Keine. . Kartoniert / Soft cover. No jacket. Guter Zustand / Good condition. 1. Auflage. Sprache: de. * Versandfertig innerhalb von 20 Stunden! Meri3. (Knz). Jpg.

paperback. Zustand: Sehr gut. 324 Seiten; 5. Auflage 2005. Umschlag an den Rändern leicht berieben/bestossen. Innenteil tadellos - wohl u n g e l e s e n (?) - keine Risse, Knicke, Anmerkungen. ! Altersbedingt leicht nachgedunkelt! KEIN Mängelexemplar! Versand aus München V3549 Sprache: Deutsch Gewicht in Gramm: 1.

Softcover. Ehem. Bibliotheksexemplar mit Signatur und Stempel. GUTER Zustand, ein paar Gebrauchsspuren. Ex-library with stamp and library-signature. GOOD condition, some traces of use. Sprache: Englisch Gewicht in Gramm: 550.

56 pp.; 41 x 29 cm.; loose leaves; black-and-white & color; edition size 1000; unsigned and unnumbered; offset-printed; Faux periodical / artist's publication published by Aleksandra Mir on September 11, 2002, on the occasion of her 35th birthday and the first anniversary of 9/11 in order to reclaim the day, featuring contributions from over 100 friends and colleagues. Contents include: "Editorial," by Aleksandra Mir; "Happy Birthday from the Lighthouse," by Peter Hill; "To the Editor," by Tim Griffin; "Emergency Love," by Adam McEwen; "Nobody Gives a Shit," comic by Dan Perjovsch; "How to Ride the Bus," by Jennifer Bronstein; "Bike Wreck," by Dan Wilken; "Artists'' Shocking 9/11 Predictions Bring Laughs to New York Celebs at Christie''s ''Central Asian Furniture Show'' and Charity Fundraiser! 700 People in Attendance!;" "Inventory list of my father''s compulsive collection of airline silverware between 1989 - 1997," by Cornelia Schbleck; "B irthday," by Raimar Stange; "Bring in the Clowns: Andy Smith of The Moscow State Circus interviewed by Polly Staple;" "Sydney in September," by Simon Rees; "Long Photographs," by Emil Goh; "Pink Tank;" "The Usher," by Cedar Lewisohn; "The best thing that happened to me in 2002 was that Theo my cousin became a goth and his mate Corrin became a punk," by Tasha Amini; "The World Still Turns," by Kathy Temin; "Alien Sighting," by Samuel Blum; "McCartney & Narcissus," by Gabriel Fowler; "Punching Through the Clouds," Miles Boyce after Mies Van der Rohe; "Crash America," by Ken Hollings; "The World''s Greatest Rebel - at 88," by Andrew Wilson; "Structure Kills," text and photos by hobbypopMUSEUM; "First Woman Takes North Pole!," by I. Hope Halperin; "Cities, Holiday Hotspots and Commerce Zones Rethink Slogans," by Jarrett Mitchell; "Advertisement," by Cecily Brown; "Family Takes Break," by Michelle Grabner; "Tire on Fire," by Brad Killam; "The Housitter''s Club in More Trouble with the Law than Oak Park Homeowners," by Amy Park Saxe; "I read ''Big Asteroid Leaves Scientists Unruffled'', Was Ruffled," by Curtis Whaley; "Abstract Sculpture from Park to Somewhere Else," by Wade Guyton; "September 11 Memorial," by Jeffry Vallance; "The Event Forces Us to Think," by Roger Cook; "11th September," by Kathrin Boehm; a drawing by Claude Closky; "You Deserve to Break Something; "Virulent Images," by Leif Elggren; "QRU (Wuick Response Unit)," by Gavin Wade & Garrick Jones; newspaper clipping submission by Piotr Uklanski; an image by Richard Kern; "Holiday Column," by Aleksandra Mir; a text by Andy Stillpass; "I Remember," by Kaethe Cherney; a text by James Angus; "That Horoscope," by Onome Ekeh; "Skyjack Sunday Over Europe;" "The Long Haul," by Russel Storer; "Strategic Questions," curated by Gavin Wade; "What is Negative? Why?," by Alexsandra Mir for Gavin Wade; "Top Tips," by Kate Fowle; "The Masterpiece," comic by Olivia Plender; "Aldous Eveleigh''s exhibition.;" Image with caption by Harry Staple; image by Milos Manetas; "Re: FWD: A Statement of Conscience," signed by multiple artists including Laurie Anderson, Ida Applebroog, Noam Chomsky, Eve Ensler, Leon Golub and many others; "A Cockney Poem," by Matthew Arnatt; "Curtain," by Paul Noble; "Kisses Honeywagon - The Novel;" "Page Twenty-Six," by Wallace Robertson; "Guarding the dog and the cows," by Antje Majewski and Ingo Niermann; photograph by Gurvan Madec; "woman is." by Dave Beech; "Barman Joe Latimore chronicles the underbelly of New York''s nitelife;" "Ubiquitous Recluse Revives the Eternal," by Johnny Gato; "In Memoriam: Katri Vala," by Cecilia Stenbom and Minna L. Henriksson; "Chalk Circles," by Katri Vala; "Book Review: The Selected Letters of Marianne Moore," by IB; "Suicide Note," by Nanogod; comic by Roberto Cuoghi; "Beware of Windows!," by Stefan Saffer; texts by Jonas Maria Schul; "Recipes," by Coeinna Durland; "My Friend Najla''s Babaganoush," by Jennifer Higgie; "Eulogy for the Living," by Christian Holstad; "Oh Superman," Karl Holmquist after Laurie Anderson; "Birthday Party part III," by Mika Hannula and more. Backcover: "I (Bomb) NY," by Bernadette Corporation. "September 11, 2002. Enjoying my hot-off-the-press Daily on Avenue B with a cup of burned deli coffee. New York''s Hometown Newspaper was printed in an edition of 1,000 on the first anniversary of 9-11, to reclaim my birthday on the same day The newspaper contains articles, poems, drawings, ads, and all sorts of stupid beautiful shit solicited from over 100 physical artist friends and univocally accepted under the open editorial policy as birthday gifts. The back I BOMB NY logo is by the Bernadette Corporation. Looking back though, it is interesting how certain mainstream politicians have taken all our avant-garde strategies, DADA, Punk, Fiction, Surrealism, Performance, Wigs, even FAKE NEWS (homage: Yves Klein), squeezed the dear soul out of them, and weaponized them for their delinquent purposes. If that is really the case of our times, then what is the role of an artist today? Discuss." -- Artist's statement Very Good / Fine. Light yellowing of covers, light bumping of bottom edge and slight curl to spine. Otherwise clean and unmarked. Due to large size of this publication additional shipping charges will be required for international orders.

Taschenbuch. Zustand: Gut. 324 Seiten 124116 (S) Sprache: Deutsch Gewicht in Gramm: 508.

Zustand: leido. Estudio. Versión castellana Carlos Hernández de la Torre. Rústica. 11x19. 1972. 254.

Zustand: Good. Chicago: The Univerisyt of Chicago Press, 1953. 1st edition. Sm 4to Hardcover. viii+107pp. Good book and Poor dust jacket. Light edgewear. Chipping to the crown, foot and corners. Board edges faded. Page edges and pages age toned. Dust jacket edgeworn with heavy chipping to the crown, foot and cover edges. Front inside flap nearly detached. Light soiling to the covers. Inquire if you need further information.

Zustand des Schutzumschlags: dj. First Edition. First Printing. Octavo (22cm); red cloth spine over black paper-covered boards, with titling and decorations stamped in gilt and blind embossed to spine and front cover; yellow topstain; dustjacket; 375pp. Publisher's order slip laid in, with light residue to front endpaper where previously affixed. Trace foxing to edges of textblock; Very Good+. Dustwrapper, designed by Charles Goslin, unclipped (priced $4.95), with trivial surface wear, and tanning to extremities and verso; Very Good. Focuses on a fictional village in 1943 Sicily, and generational conflict leading to invasion, evacuation, and occupation. [83908].

Zustand: Cubierta deslucida. 254 pág Tapa blanda, rústica Cubierta deslucida Ensayo económico sobre el impuesto progresivo. Traducción de Carlos Hernández de la Torre.

Vintage publicity photograph from the 1947 film, showing actress Rita Hayworth in a strapless, beaded gown. Ribbon copy typescript credit for photographer Robert Coburn on the verso. Based on Harry Segall's 1938 play "It Was Like That," and sequel to the 1941 film "Here Comes Mr. Jordan." The Greek goddess Terpsichore comes to Earth in order to gain a role in a Broadway comedy about Greek mythology, determined to correct the play's inaccuracies. 8 x 10 inches. Near Fine, with a light diagonal crease at the top right corner.

Vintage promotional photograph from the French release of the 1947 American film, showing Rita Hayworth. Columbia Films stamp on the verso. Sequel to the 1941 film "Here Comes Mr. Jordan." Terpsichore, the Greek Muse of dance and chorus, comes down to Earth to fight a Broadway producer who intends to portray the Muses as bawdy and man-crazed. 8 x 10 inches. Very Good or better, moderately toned, with pinholes to three margins.

Blum, Harry (1924-87). (1) A transformation for extracting new descriptors of shape. Reproduced typescript. 17, [5]pp. Bedford, MA: Data Sciences Laboratory, Air Force Cambridge Research Laboratories, 1964. 280 x 218 mm. Original printed wrappers. With: (2) Symposium on models for the perception of speech and visual form. Collection of documents including 21 typed or reproduced abstracts of papers; 11 letters; the preliminary program for the conference; 16-page list of attendees; and related drafts, photocopies, etc. Approx. 100 sheets total. N.p., 1964. 280 x 218 mm. In folder labeled "Symp. on model for perception / Submitted abstracts & papers." Very good. First Printing. Blum, a specialist in biological and visual shape description, is best known for two key concepts in image processing: The medial axis; i.e., the set of all points on an object having more than one closest point on the object's boundary, and the grassfire transformation; i.e., the computation of the distance from a pixel to the border of a region. He introduced these concepts in his 1964 paper, "A transformation for extracting new descriptors of shape," which was presented at the Air Force Cambridge Research Laboratory's 1964 symposium on models for the perception of speech and visual form. The paper was published three years later in the proceedings of the symposium (1967). Blum began his work on shape analysis while employed at the AFCRL's Data Sciences Lab, where he worked from 1960 to 1967. Blum came up with the idea for the AFCRL's 1964 symposium and was one of the conference's principal organizers. .