block laurie (22 Ergebnisse)

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Fair. Student. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way. Workbook.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. pp. 176.

Paperback. Zustand: Brand New. 163 pages. 9.50x7.50x0.50 inches. In Stock.

Zustand: New.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: New. In.

Paperback. Zustand: Brand New. 163 pages. 9.50x7.50x0.50 inches. In Stock.

Zustand: NEW.

Zustand: New. &Uumlber den AutorLAURIE BLOCK, MS, RDN, CDE, is a registered dietitian and certified diabetes educator practicing in New York City and San Diego, California. Laurie specializes in diabetes with a particular interest in type 1. S.

92 pp.; 27.9 x 21.6 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; 1984 issue of High Performance, The Performance Art Quarterly, edited by Linda Frye Burnham. Contents include: "Laurie Anderson Goes for the Throat," by Mark Dery; "The Why and How of Collaboration," by Susan Block; "Pat Oleszko," by Carl Heyward; "The Evolution of Obsession," by Margot Mifflin, Yayoi Kusama Interviewed on Her Psychosomatic Art; "Linda Burnham Reports;" "Performance in the '80s: The TV Generation: Lin Hixson, Molly Cleator, Tim Miller" by Jacki Apple; "Glamour as Environmental Art," by Moe Meyer; "Michael Kelley," by Kathi Norklun; "From a Whisper to a Shout: Suzanne Lacy Talks About a Network for Women's Voices," by Margot Mifflin; "The Catalist Olympics," by Lewis MacAdams; "In Dogged Pursuit of the World's Greatest Artist," by Linda Burnham; "The D.B.D. Experience," by Linda Burnham; "The White House as an Alternative Space," by Steven Durland; "A Dream of Life and Death: Jac Mote's Performance Installations," by Angelo Funicelli; "Los Angeles Music, Dance, Film & Video: 'The L.A. New Music Web (Part 1),' by Marina LaPalma, 'L.A. Also Dances,'" by Martin A. David; "Film & Video Resources," by Linda Burnham; "Portfolio: Million Dollar Flea Market," by Elaine Hindin; "Letters;" "Hot Shorts;" "SubGenius Dept.;" "Viewpoint" and "Tacit," by Steven Durland. Front Cover: Peggy Margaret and Lance Loud in "Hey John, Did You Take the El Camino Far?" Back Cover: Rachel Rosenthal in "Gaia, Mon Amour." Very Good. Light rubbing of cover edges. 3.1 cm. crease to top left corner of recto. Light bumping of corners. Contents clean and unmarked.

Hardcover. Zustand: Fine. First Edition. Hardcover. UNIQUE COPY WITH A SET OF THE 26 ORIGINAL PENCIL DRAWINGS BY ALAN JAMES ROBINSON. There were 300 copies of this book published; 200 were regular copies, 50 were deluxe copies with quarter leather binding and 50 others bound in full leather. The deluxe editions were issued with a set of proofs of the wood engravings and a set of proofs of the line-cut initials, with a large calligraphic manuscript initial beneath each image. The wood engraving proofs are lettered and signed by Robinson, and the line-cut proofs are signed both by Robinson and the calligrapher, Elizabeth Curtis. This copy shows some variation from the copies described in the prospectus. The colophon has been signed and numbered VI of L and internally seems to be a straightforward copy of the deluxe full leather edition. The binding varies somewhat from that pictured in the prospectus but uses many of the same elements. Also, the chemise is thicker that the regular chemise because it contains the 26 pencil drawings. This may have been a special copy prepared by Robinson for a particular subscriber/collector. This wonderful abecedary illustrates each letter of the alphabet with a masterful wood engraving by Robinson. Each animal is described at the bottom of its page in texts chosen primarily from the earliest first-hand accounts of the animal depicted. The descriptions are printed in red. The printed source of each text is identified, and at the end of the book there is a detailed and useful bibliography of these sources. A page with a small, different illustration of the animal precedes each animal's page, with the calligraphic letter written in red by Curtis. The animals depicted are often wondrous and strange, and some, such as the basilisk, may never have actually existed. This is a two volume folio (including a chemise containing an additional suite of illustrations, and the group of original pencil drawings). The bound volume is in full red morocco, done by David Bourbeau of the Thistle Bindery. The covers have a large central, slightly sunken panel, with the title in red and black and with a Sea Turtle device blocked in blind (Cheloniidae is the name for a species of sea turtles). The proofs contained in the chemise are unbound as issued within the original red morocco-backed, linen cloth covered boards. Both volumes are housed in a red morocco-backed cloth covered box, with the spine lettered and dated in gilt and a small Sea Turtle device in blind. "The blocks were cut by the artist at the Cheloniidae Press & printed by Harold P. McGrath in the summer of 1982. Mackenzie-Harris set the types in monotype with some hand-setting by Arthur Larson. The text was compiled and annotated by Laurie Block. The hand calligraphy is by Betsy Curtis. The paper is Rives lightweight" (from the colophon). The 8-page prospectus is laid in. A remarkable production from this press. In fine condition. PRI/020112. Signed.

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