Sprache: Englisch
Verlag: Manchester University Press, 2019
ISBN 10: 1526139464 ISBN 13: 9781526139467
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Sprache: Englisch
Verlag: Manchester University Press, 2012
ISBN 10: 0719075947 ISBN 13: 9780719075940
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Sprache: Englisch
Verlag: Manchester University Press, 2012
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In den WarenkorbPAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: Manchester University Press, 2019
ISBN 10: 1526139464 ISBN 13: 9781526139467
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In den WarenkorbPAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: Manchester University Press, 2019
ISBN 10: 1526139464 ISBN 13: 9781526139467
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In den WarenkorbZustand: New. In.
Sprache: Englisch
Verlag: Manchester University Press, 2012
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In den WarenkorbZustand: New. In English.
Sprache: Englisch
Verlag: Manchester University Press, Manchester, 2008
ISBN 10: 0719075939 ISBN 13: 9780719075933
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In den Warenkorb8vo. pp vi, 223. Red illustrated dust jacket with white lettering. Publisher's black boards lettered in gilt at spine. ISBN: 9780719075933 Very good, a little rubbed at spine ends. In very good dust jacket with some light surface marking.
Sprache: Englisch
Verlag: Manchester University Press, 2019
ISBN 10: 1526139464 ISBN 13: 9781526139467
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Zustand: New. 2019. Reprint. Paperback. . . . . . Books ship from the US and Ireland.
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In den WarenkorbZustand: New. pp. 111 + 107 + 14 Illus.
Sprache: Englisch
Verlag: Manchester University Press, 2012
ISBN 10: 0719075947 ISBN 13: 9780719075940
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Zustand: New. 2012. Paperback. . . . . . Books ship from the US and Ireland.
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In den WarenkorbPaperback. Zustand: Brand New. 223 pages. 8.50x5.50x0.75 inches. In Stock.
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In den WarenkorbPaperback. Zustand: Brand New. reprint edition. 219 pages. 8.50x5.50x0.75 inches. In Stock.
Sprache: Englisch
Verlag: Manchester University Press, 2008
ISBN 10: 0719075939 ISBN 13: 9780719075933
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In den WarenkorbZustand: New. pp. vi + 223.
Sprache: Englisch
Verlag: Manchester University Press, 2008
ISBN 10: 0719075939 ISBN 13: 9780719075933
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In den WarenkorbHRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: Manchester University Press, 2008
ISBN 10: 0719075939 ISBN 13: 9780719075933
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HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: Manchester University Press, 2017
ISBN 10: 1526113449 ISBN 13: 9781526113443
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HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
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In den WarenkorbHRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: Manchester University Press, 2008
ISBN 10: 0719075939 ISBN 13: 9780719075933
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In den WarenkorbZustand: New. In.
Sprache: Englisch
Verlag: Manchester University Press, 2017
ISBN 10: 1526113449 ISBN 13: 9781526113443
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In den WarenkorbZustand: New. In.
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In den WarenkorbHardcover. Zustand: Brand New. 223 pages. 8.50x5.75x1.00 inches. In Stock.
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In den WarenkorbHardcover. Zustand: Brand New. 224 pages. 8.75x5.50x1.00 inches. In Stock.
Sprache: Englisch
Verlag: Manchester University Press, 2008
ISBN 10: 0719075939 ISBN 13: 9780719075933
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. A book which looks at how trauma is replayed in horror cinema, allowing different audiences in different nation states to engage with recent trauma Num Pages: 232 pages. BIC Classification: APFA. Category: (UU) Undergraduate. Dimension: 216 x 138 x 25. Weight in Grams: 406. . 2008. hardcover. . . . . Books ship from the US and Ireland.
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Gebunden. Zustand: New. A book which looks at how trauma is replayed in horror cinema, allowing different audiences in different nation states to engage with recent trauma -- .Über den AutorrnrnLinnie Blake is Senior Lecturer in Film in Manchester Metropolitan.
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 162,67
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In den WarenkorbZustand: New. In.
Sprache: Englisch
Verlag: Manchester University Press Jul 2008, 2008
ISBN 10: 0719075939 ISBN 13: 9780719075933
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Neuware - The wounds of nations explores the ways in which horror films allows international audiences to deal with the horrors of recent history - from genocide to terrorist outrage, nuclear war to radical political change. Far from being mere escapism or titillation, it shows how horror (whether it be from 1970s America, 1980s Germany, post-Thatcherite Britain or post-9/11 America) is in fact a highly political and potentially therapeutic film genre that enables us to explore, and potentially recover from, the terrors of life in the real world.Exploring a wide range of stylistically distinctive and generically diverse film texts, Blake proffers a radical critique of the nation-state and the ideologies of identity it promulgates, showing that horror cinema can offer us a disturbing, yet perversely life affirming, means of working through the traumatic legacy of recent times.
Sprache: Englisch
Verlag: Manchester University Press, 2017
ISBN 10: 1526113449 ISBN 13: 9781526113443
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. A comprehensive study of how different Gothic forms have adapted, engaged with and represented the neoliberal agenda across the globe. Editor(s): Blake, Linnie; Monnet, Agnieszka Soltysik. Series: International Gothic Series. Num Pages: 224 pages. BIC Classification: AP; DSB; JFC; JFD. Category: (G) General (US: Trade); (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 216 x 138. . . 2017. 1st Edition. Hardcover. . . . . Books ship from the US and Ireland.
EUR 175,20
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In den WarenkorbZustand: New. This book argues that, in its increasing use of hand-held techniques, the motifs of surveillance and found footage and the trope of digital haunting , contemporary horror cinema reflects - and exploits - the anxieties of our age.Klappentextrn.
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EUR 231,31
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In den WarenkorbZustand: New. This book argues that, in its increasing use of hand-held techniques, the motifs of surveillance and found footage and the trope of 'digital haunting', contemporary horror cinema reflects - and exploits - the anxieties of our age. Editor(s): Reyes, Xavier Aldana; Blake, Linnie. Series: International Library of the Moving Image. Num Pages: 224 pages. BIC Classification: APFN. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 168 x 242 x 28. Weight in Grams: 498. . 2015. hardcover. . . . . Books ship from the US and Ireland.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 264,49
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In den WarenkorbHardcover. Zustand: Brand New. 224 pages. 9.50x6.25x1.00 inches. In Stock.
Sprache: Englisch
Verlag: Bloomsbury Publishing PLC Okt 2015, 2015
ISBN 10: 1784530255 ISBN 13: 9781784530259
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Neuware - In recent years, the ways in which digital technologies have come to shape our experience of the world has been an immensely popular subject in the horror film genre. Contemporary horror cinema reflects and exploits the anxieties of our age, in its increasing use of hand-held techniques and in its motifs of surveillance, found footage (fictional films that appear 'real': comprising discovered video recordings left behind by victims/protagonists) and 'digital haunting' (when ghosts inhabit digital technologies). This book offers an exploration of the digital horror film phenomenon, across different national cultures and historic periods, examining the sub-genres of CCTV horror, technological haunting, snuff films, found footage and torture porn. Digital horror, it demonstrates, is a product of the post 9/11 neo-liberal world view - characterised by security paranoia, constant surveillance and social alienation. Digital horror screens its subjects via the trans-national technologies of our age - such as the camcorder and CCTV - and records them in secret footage that may, one day, be found.