Birnbaum daniel et al (6 Ergebnisse)

First edition 2001. 160 pages. Illustrated mainly in colour. Paperback in dustjacket. Near fine. American video and installation artist Doug Aitken (b.1968) exploded onto the international art scene with his multi-screen work electric earth, which captivated audiences at the Venice and Whitney biennales in 1999. This work focused on the bizarre nocturnal experiences of a young man exploring the edges of Los Angeles, presenting dream-like sequences that rearrange the linear flow of narrative into a series of unforgettable, disjointed photographic tableaux. Like much of his work, it contrasts the high-tech speed of contemporary daily life with the monotony of the urban landscape. In other works he has explored the eerie, desterted atmosphere of Jonestown, Guyana, the site of the notorious mass suicide of religious cultists (monsoon, 1997); a remote diamond-mining region of Namibia, closed to outsiders since 1908 (diamond sea, 1997); and the collective dreams of India's Bollywood film industry (into the sun, 1999). Portraying some of contemporary art's most beautiful imagery, Aitken's installations encircle the viewer, creating a suspended, hyperreal portrait of contemporary life. In the survey, curator and critic Daniel Birnbaum sets Aitken's art within the context of contemporary philosophy and the work of other recent artists who have explored expanded notions of time and space. In the Interview, Frieze publisher and critic Amanda Sharp discusses the artist's working methods, while in the Focus section critic Jörg Heiser looks at Aitken's i am in you (2000), a five-screen work centring on the imaginative experiences of a young girl. For his Artist's Choice Aitken has selected a short story by Jorge Luis Borges, whose description of altered realities through the distortions of mirrors and memory echoes the artist's own interests. Artist's Writings include Aitken's retelling of an unusual story he once heard from strangers, which served as the basis for subsequent video work. We are specialists in Artists Monographs, Catalogues and Illustrated items. All items are as described and dispatched within 24 hours in a secure package. We are professional booksellers with 40 years experience, you may order with confidence. Other titles by this artist maybe in stock, please ask for our list or link.…

Taschenbuch. Zustand: Neu. SAC Journal 4: Culinary Lessons | The Space of Food, SAC Journal 4, Staedelschule Architecture Class | Charlotte/Birnbaum, Daniel/Bouchet, Mike et al Birnbaum | Taschenbuch | 192 S. | Englisch | 2018 | Spurbuchverlag | EAN 9783887785215 | Verantwortliche Person für die EU: Spurbuchverlag Inh. Paul Thomas Hinkel, Am Eichenhügel 4, 96148 Baunach, info[at]spurbuch[dot]de | Anbieter: preigu. …

Birnbaum, Daniel et al. NEO RAUCH. 144 pp., roughly 65 color plates. 4to, wraps. Maastricht, Bonnefantenmuseum in association with Ostfildern-Ruit, Hatje-Cantz, 2002. Text in English and German.

hardcover. Zustand: fine. First. Profusely illustrated throughout, mostly color. 4to, heavy gray boards printed in black and pink and with hot pink cloth spine, thick plastic slipcase. New York: Phaidon Press/ Brooklyn Museum, (2021). First edition. As new in the original mylar bag. Published for the landmark exhibition. A vibrant look at the celebrated artist and designer KAWS. Multidisciplinary artist KAWS was first known for his work as a graffiti artist and his subversive approach to popular imagery on bus shelter and phone booth advertisements. Kaws (illustrator).…

Soft cover. Zustand: Very Good. 1st Edition. Folded stiff wrappers (softcover), 144 pages : color illustrations ; 28 cm. Good/very good, age-toning towards page-edges. Text in English and German.

Hardcover. Zustand: Very Good. Cloth bound hardcover, 399p : illustrations (chiefly color) ; 31 cm. Good/very good, age-toning to page-edges, light surface soil to boards. Text in English and German. "Since winning the Turner Prize in 2000 for his 1990s oeuvre of portraits and snapshots, German-born photographer Wolfgang Tillmans has increasingly gravitated towards the abstract and material-specific properties of his medium. Following Blushes, the Freischwimmer series and the monochromatic Silver series, his most recent abstract works--of which the creased and folded Lighter series is perhaps the most significant--treat the photograph, and especially photographic paper itself, no longer as a reproductive medium, but as a material object. In Tillmans' "paper drop" photographs, the paper's physical folds and curves are photographed to produce geometric, tactile compositions. Other works oscillate more elusively between photograph and object, always thriving in the interplay. "For me, the abstract picture is already objective because it's a concrete object and represents itself," Tillmans observes; "the paper on which the picture is printed is for me an object, there is no separating the picture from that which carries it. That's why I like to show photographs sometimes framed and sometimes not, just taped to the wall." These most recent works are gathered for the first time in this book. Lighter also includes an extensive section of installation views--taken by Tillmans himself--that offers the reader a direct experience of the artist's visual cosmos as presented in recent exhibitions, including his last retrospective, which was seen at various major venues in the United States.".…