Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Soft cover. Zustand: Near Fine. First Edition. 48pp. No wear. R9.
Sprache: Englisch
Verlag: Light Work/ Robert B. Menschel Media Center, Syracuse, NY, 2007
ISBN 10: 0935445544 ISBN 13: 9780935445541
Anbieter: Jeff Hirsch Books, ABAA, Wadsworth, IL, USA
Erstausgabe
First Edition. First edition. Softcover. 48 pages. Exhibition catalog for a show that ran August 14 through October 23, 2007. Essay by Laura A. Guth. Illustrated throughout with color photographs. A very good plus copy in wrappers with some slight bumping to the top right corner.
Anbieter: Jeff Hirsch Books, ABAA, Wadsworth, IL, USA
Erstausgabe
First Edition. First edition. Softcover. Text by Jeffrey Hoone and numerous others. Includes color and black and white images by Blake Fitch, Barry Anderson, KayLynn Deveney, Lisa M. Robinson, Philip Zimmermann, Kerry Skarbakka, Binh Danh, Beatrix Reinhardt, Don Gregorio Anton, Yee Ling Tang, Abigail Hadeed, Laura Heyman, Thilde Jensen, and Rishi Singhal. A fine copy in wrappers.
EUR 58,03
Anzahl: 2 verfügbar
In den WarenkorbHardcover. Zustand: Brand New. 276 pages. 11.75x9.75x1.22 inches. In Stock.
Verlag: San Francisco, CA: Haines Gallery., 2006
Anbieter: Wittenborn Art Books, San Francisco, CA, USA
Zustand: Good. 8vo. 48 pp. Stiff, printed wraps. As new. Color plates. Published on occasion of the exhibit "Binh Dahn: Ancestral Altars" from September 7 through October 14, 2006 at Haines Gallery in San Francisco, CA.
Verlag: San Francisco: Haines Gallery., 2006
Anbieter: Wittenborn Art Books, San Francisco, CA, USA
Zustand: Good. 8vo. 48 pp. Stiff, printed wraps. Very good. Color plates. Published on occasion of the exhibit "Binh Dahn: Ancestral Altars" from September 7 through October 14, 2006 at Haines Gallery in San Francisco, CA.
Zustand: New. 2023. Hardcover. . . . . . Books ship from the US and Ireland.
EUR 48,73
Anzahl: 2 verfügbar
In den WarenkorbZustand: NEW.
Verlag: San Francisco, CA.: Haines Gallery, 2006
Anbieter: Wittenborn Art Books, San Francisco, CA, USA
Zustand: Good. 8mo. Exhibition Catalogue. 48 pp. Soft Cover. Very Good. Black and White Plates.
Buch. Zustand: Neu. Neuware - A two-volume collection of materially ingenious photographs responding to identity and the American landscapeBinh Danh was born in Vietnam and immigrated to the US in 1979. Early in his career, Danh pioneered a technique of printing images directly onto plant matter, activating the plantsâ¿ chlorophyll with sunlight. Using this process, Danh printed images associated with the war in Vietnam onto the leaves of tropical plants and grasses. Of this work, Danh explains, âThis process deals with the idea of elemental transmigration: the decomposition and composition of matter into other forms. The images of war are part of the leaves, and live inside and outside of them.â Known for his innovative approach to alternative photographic processes, Binh Danh extends and reconsiders the pursuit of pioneering 19th-century photographers. For almost a decade, Danh has traveled across the American West, making daguerreotypes of scenic vistas on silver plates in a mobile darkroom he calls Louis, after Louis Daguerre. Danh imbues this scenery with his distinctly personal perspectiveâ¿namely, an attempt to negotiate his connection as a Vietnamese American with the landscape and history of the United States. The highly reflective surfaces of Danhâ¿s daguerreotypes literally mirror their surroundings, embracing viewers within the idyllic environs of national sites and landmarks. This inaugural monograph features two volumes in a slipcase, bringing together all three bodies of work and a separate book of essays and memorabilia that serves to contextualize Danh's work.
Verlag: San Francisco, CA.: Haines Gallery., 2006
Anbieter: Wittenborn Art Books, San Francisco, CA, USA
Zustand: Good. 8vo. 48 pp. Soft Cover. Color plates. Published on occasion of the exhibit 'Binh Danh: Ancestral Altars', from 7 September - 14 October 2006. Very Good.Provenance: From the collection of the Art Historian Peter Selz.