bingzhen (9 Ergebnisse)

Couverture rigide. Zustand: Comme neuf.

Hardcover. Zustand: Very Good. No Jacket. 1st Edition. Elsevier 2003 hardback, PART A 0NLY, 645 Pages, has a crease to bottom front cover corner and first few pages otherwise in EXCELLENT CLEAN TIGHT ORDER LIKE NEW. Full refund if not satisfied. 24 hour despatch. Will go via Surface Mail outside Europe.

Paperback. Zustand: Brand New. 724 pages. 9.50x6.50x1.64 inches. In Stock.

Soft cover. Zustand: Fine. No Jacket. 1 v. (unpaged) : ill. ; 27 cm. ; Sale code: 6027 QICHANG/ Place of sale: New York ; OCLC: 477122841 ; color photographic stiff paper wrappers ; prices realized laid in ; features works by Zhao Mengfu, Jie Jisi, Ni Zan, hu Tinghui, Zheng Yuanyou, Dai Jin, Shen Zhou, Wu Wei, Tang Yin, Zhu Yunming, Wen Zhengming, Chen Shun, Qiu Ying, Qian Gu, Yu Yuanlun, Fan Dongming, Dong Qichang, Chen Jiru, Qian Gong, Huang Biao, Guan Si, Zhang Ruitu, Wang Duo, Lan Ying, Huang Xiangjian, Wang Jian, Xie Bin, Gao Cen, Li Yin, Mei Qing, Da Chongguang, Lai Jing, Zha Shibiao, Sheng Maojun, Zhang Qi, Wu Hong, Ma Quan, Qin Ji, Ye Xin, Fu Shan, Huang Daoqian, Jiang Shijie, Luo Mu, Fa Rouzhen, Wang Hui, Ma Yuanyu, Li Shan, Jiao Bingzhen, Wang Gang, ao Qipei, Jiang Tingxi, Hua Yan, Jin Nong, Zhang Ruoai, Zheng Xie, Huang Shen, Zhang Ruocheng, Dong Bangda, Wang Chen, Qian Feng, Yuan Ying, Fang Xun, Luo Ping, Pan Gongshou, Jiang Wenzai, Sun Shigao, Xi Gang, Tie Bao, Yuan Pei, Zhai Jichang, Weng Luo, Zhu Haonian, Shen Rong, Tang Yifen, Mao Zhou, Qu Yingshao, Su Renshan, Dai Xi, He Shaoji, Su Liupeng, Peng Yulin, Ren Yi, Wu Changshuo, Gu Linshi, Zeng Xi, Qi Baishi, Pu Ru, Pu Jin, Fu Baoshi, Feng Zhikai, Ding Yanyon, Zhang DaiqianLin FengmianWang Kangle, He Haixia, Xu Zhe, Li Xiongcai, Wu Guanzhong, Zhang Shoucheng, Cheng Shifa ; FINE. Book.

71 Seiten + [58] Seiten Album des Kaisers Kangxi in Faksimile. Umschlag mit leichten Gbrsp. 60879 Sprache: Französisch Gewicht in Gramm: 1400 37 cm x 27,5 cm, O.Leinen mit O.Umschlag.

gebundene Ausgabe. Zustand: Sehr gut. 120 Seiten Text Französisch/Mandarin - Einband und Schnitt leicht berieben/verstaubt - Buch sonst in Topzustand, innen wie neu und ungelesen - Jeder Lieferung liegt eine ordentliche Rechnung mit ausgewiesener MwSt. bei Sprache: Französisch Gewicht in Gramm: 1700.

Couverture rigide. Zustand: bon. R100068045: 2003. In-Folio. Relié. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 71 pages augmentées d'illustrations en couleurs dans le texte + environ 50 pages d'illustrations en couleurs - petite déchirure sur le 2eme plat de la jaquette. Avec Jaquette. . . Classification Dewey : 895-Littérature d'Asie.

Folio (295 x 385 mm). 6 pp. woodblock-printed calligraphic preface and 46 full-page black-and-white woodblock illustrations, each with an integral poem, mounted on pale blue silk in an accordion-style album. Original silk brocade-covered boards. First edition of one of the most famous Chinese illustrated Books. Jiao Bingzhen's "Yuzhi Gengzhi Tu", cut by Zhu Gui after the court painter's designs and printed with imperial poems in facsimile calligraphy, survives here in the scarcer red-seal issue and in its original brocade boards. - Commissioned by the Kangxi Emperor and printed at the Wuying Dian in 1696, the work transformed Lou Shou's 12th-century sequence on rice cultivation and sericulture into a Qing court monument of didactic imagery, pairing twenty-three agricultural scenes with twenty-three scenes of silk production. The imperial verses, presented in woodcut imitation of calligraphy, turn the album into an explicit statement of sovereign concern for agrarian order and textile production. - The illustrations are among the earliest and most celebrated Qing images to absorb Western pictorial devices through Jesuit mediation at court, above all in their handling of perspective and spatial recession. At the same time, they preserve a distinctly Chinese vision of labour, landscape, and domestic industry, making the album a seminal witness to the encounter between technical knowledge and imperial ideology. After 1700, Kangxi's modernized 'Gengzhi Tu' became the authoritative model for later Chinese editions and manuscript copies, radiating far beyond the book itself into porcelain, painting, lacquer, wallpaper, and jade carving. The series thus stands at the intersection of book history, the history of technology, and the visual culture of the early Qing court. - This copy retains an historical inscription dated 21 July 1842, recording its removal from a "large Joss House" (folk temple) at "Chin Kiang Foo" immediately after the British capture of Zhenjiang during the First Opium War, lending the album an unusually vivid and specific 19th-century survival history. - In remarkably good condition, with minimal signs of ageing and very little foxing. Covers show minor wear to the edges and some rubbing to the brocade, but retaining good colour. Remounted at a later date, probably in the early 19th century. - 1) "S. F.", who inscribed the back cover on 21 July 1842 that the album had been taken from a large joss house in "Chin Kiang Foo" on the day after the British capture of Zhenjiang during the First Opium War. - 2) Christie's, London, 14 May 2013, The Hanshan Tang Reserve Collection, lot 97. - 3) European private collection. - Sören Edgren, Chinese Rare Books in American Collections (New York, 1984), pp. 120f., no. 38. Impressions de Chine (Paris, 1992), pp. 142f., no. 87. Moyin Caihui Gengzhi Tu (Beijing, 1999). Visible Traces (New York, 1999), pp. 72-75, no. 17. From Beijing to Versailles (Hong Kong, 1997), pp. 214-221, nos. 79-82.

8vo (176 x 274 mm). 2 vols. A total of (4) pp. of French text, 46 double-page black-and-white lithographic illustrations, each with an accompanying page of descriptive text in English and French, and (8) pp. of Chinese text. Original publisher's stitched silk wrappers, the tilling volume in green, the weaving volume in purple. Preserved in a later navy cloth chitsu. The first lithographic version of one of the most famous Chinese illustrated books, the Gengzhi Tu, here preserved in its complete two-volume form and in original coloured silk covers. - First commissioned by the Kangxi emperor and issued in its canonical Qing form in 1696 after designs by Jiao Bingzhen, the work translates the older Song model associated with Lou Shu into a courtly visual cycle of agrarian order, showing in 23 scenes the stages of rice cultivation and in a further 23 the processes of sericulture, silk spinning, weaving, and the making of garments. - This 1879 Shanghai edition reproduces the full sequence in reduced format by means of lithography, with the 1696 preface and with the poems rendered into English and French, repositioning a dynastic classic for a late nineteenth-century audience. The bilingual explanatory texts suggest publication not only as a work of Chinese cultural memory, but also as a vehicle of interpretation for the expatriate community in treaty-port Shanghai. - The imagery is of signal importance well beyond the history of the book. Jiao Bingzhen's cycle stands among the defining monuments of Qing illustrated printing and among the clearest instances of Jesuit-inflected pictorial method entering imperial visual culture; its compositions proved enduringly influential in painting, porcelain, lacquer, jade, and other decorative media. - As a Dianshizhai production, the present set also belongs to the early history of Chinese lithographic publishing, where new reproductive technology was enlisted to reframe celebrated works of the woodblock tradition. The survival of both volumes, rarely encountered together, with their decorative silk wrappers still retaining strong colour, gives this copy particular appeal. - Occasional light foxing; stitching to the tilling volume loosened. Altogether in excellent condition. Housed in a later cloth case for protection.