billy bengston (42 Ergebnisse)

Paperback. Zustand: Very Good. 1st Edition. Pages unmarked. Covers moderately worn. Binding square & firm. Book.

Over 100 Color & B/w Illustrations (illustrator). First Edition. First edition. Oblong softcover. 143 pages. Published in conjunction a traveling exhibition Preface and acknowledgements by Linda L. Cathcart and Christiana Orr-Cahall. Features text contributions by Jane Livingston, Karen Tsujimoto, Henry T. Hopkins, and Maurice Tuchman. Includes numerous illustrations, chronology, checklist, list of previous exhibitions, and a selected bibliography. A fine copy in French style wrappers.

Zustand: Very Good. Very Good condition. (Art, Art Exhibition, Art Catalog) A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.

Illustrated Wrappers. Zustand: Very Good +. Color Plates (illustrator). First Edition. 14 pp. Color illustrated catalogue of an exhibition sponsored by the bank.

256; 29.7 x 22.8 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at the Museum of Contemporary Art, Los Angeles, December 6, 1992 - March 7, 1993. Traveled to the Museum of Contemporary Art, Chicago, April 3 - June 20, 1993 and the Whitney Museum of American Art, New York, July 16 - October 3, 1993. Edited by Russell Ferguson. Texts by David Deitcher, Stephen C. Foster, Dick Hebdige, Linda Norden, Kenneth E. Silver and John Yau. Artists include Billy Al Bengston, Jim Dine, Jean Follett, Joe Goode, Grace Hartigan, Jess, Robert Indiana, Jasper Johns, Allan Kaprow, , Roy Lichtenstein, Claes Oldenburg, Mel Ramos, Robert Rauschenberg, James Rosenquist, Edward Ruscha, Peter Saul, Wayne Thiebaud, Cy Twombly, Andy Warhol. Includes index, bibliography and artists' exhibition histories. Very Good / Fine. Very light rubbing of covers and subtle yellowing of page edges from age, otherwise Fine. Due to large size and weight additional shipping charges may be required for international orders.

Soft Cover. Zustand: Fine. This is a fine softcover copy with no wear at all. Completely clean. This catalog was prepared to accompany the exhibition at Venus in New York from September 29 to November 2, 2016. No text. Illustrated in black & white with photographs of Billy Al Bengston racing his B.S.A. motorcycle from 1960-66. Photographs taken by Ken Price and Walter Mahony. All of Billy Al Bengston's paintings are illustrated in color. Checklist of the exhibition. 10" high X 6" wide. This book will be securely packed and shipped with tracking.

Mit einem Text von Karen Tsujimoto. Übersetzung: Christian Sabisch, Wuppertal. AK. Galerie Neuendorf, Frankfurt am Main, Frühjahr 1993. Ostfildern: Dr. Cantz, 1993. farb. illustr. OBrosch. 94 Seiten mit zahlr. teils ganzs. abb. sowie Bio- und Bibliographie. - 30 x 24,5. * Erstausgabe mit handschriftlicher Bleistift-Widmung des Künstlers auf dem Vorsatzblatt. - Sehr gut erhalten !

First edition. 63 pp. Fine in illustrated wrappers. One of 500 copies. Text by Mary Agnes Donoghue. Color reproductions and b&w photographs.

Vintage catalog for an exhibition held from June 6 through July 13, 1980, at Otis/Parsons Gallery in Los Angeles. Illustrated in black-and-white. Faint rubbing near the binding, else about Fine in saddle-stapled wrappers.

Paperback. Zustand: Near fine in wraps. First Edition. 22 x 28cm near fine exhibition catalogue with pink wrappers. Starts with 'A Visual Preface' a double page spread showing colour reproductions of works in miniature from 1958 to 1989.

Soft cover. Zustand: Good. 1st Edition. Good copy in spiral bound soft cover. Front cover is creased. Now protected in archival sleeve.

24 pp.; 20.4 x 16.6 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held June 6 - July 13, 1980. Introduction by Hal Glicksman. Text by Howard Singerman. Artists include Al Aguilar, Charles Arnoldi, Billy Al Bengston, Scott Burton, John Chamberlain, Ron Cooper, Robert Mangurian, Guy Dill, Laddie John Dill, Paul Donin, Greg Ericson, Frank Gehry, Percy Gibbar, George Herms, James Isermann, Mark Keisermann, Kim MacConnel, Margaret Neilsen, Roland Reiss, Sheila W. Ross, Robert Schiffmacher, Eugene Sturman, Paula Sweet, Bob Wilhite, and Rita Yokoi. Includes an exhibition checklist. Very Good. Black ink stamp inside bottom left corner inside front cover which reads "The Functional Art Store, P.O. Box 69800, Los Angeles, CA 90069." Light rubbing and yellowing of covers. Contents otherwise clean and unmarked.

108 pp.; 21.6 x 19.6 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held February 17 - March 14, 1981. Texts by Laurence Dreiband, Peter Plagens, Michael Kurcfeld, and Walter Gabrielson. Artists include Laurence Dreiband, Walter Gabrielson, Peter Plagens, Lita Albuquerque, Peter Alexander, Martha Alf, Chuck Arnoldi, Don Bachardy, Joel Bass, Billy Al Bengston, Tony Berlant, Doug Bond, Paul Brach, William Brice, Jerrold Burchman, Carole Caroompas, Karen Carson, Judy Chicago, Max Cole, Ron Cooper, Mary Corse, Ron Davis, James DeFrance, Tony DeLap, Richard Diebenkorn, Laddie Dill, Paul Dillon, Dan Douke, Bruce Everett, Llyn Foulkes, Sam Francis, Joe Goode, Scott Grieger, D.J. Hall, Marvin Harden, Charles Christopher Hill, Patrick Hogan, Richard Joseph, Craig Kauffman, Claude Kent, Peter Liashkov, Ron Linden, Peter Lodato, John Mandel, Jay McCafferty, David Mocarski, Ed Moses, James Murray, John Okulick, Margit Omar, Edward Ruscha, Miriam Schapiro, Don Sorenson, Masami Teraoka, Joyce Treiman, James Valerio, Guy Williams, Tom Wudl, and Norman Zammitt. Includes images of artworks included in the exhibition as well as photographs of the artists. Good. 1.6 cm. and 6 mm. tears to bottom edges of spine with additional rubbing of spine edges. Rubbing and dust soiling of covers with 1 cm., 1 mm., and 4 mm. areas of soiling to recto. Loosening of glue binding along inside of front and back covers, text block still attached to spine.

24 pp.; 20.4 x 16.6 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held June 6 - July 13, 1980. Introduction by Hal Glicksman. Text by Howard Singerman. Artists include Al Aguilar, Charles Arnoldi, Billy Al Bengston, Scott Burton, John Chamberlain, Ron Cooper, Robert Mangurian, Guy Dill, Laddie John Dill, Paul Donin, Greg Ericson, Frank Gehry, Percy Gibbar, George Herms, James Isermann, Mark Keisermann, Kim MacConnel, Margaret Neilsen, Roland Reiss, Sheila W. Ross, Robert Schiffmacher, Eugene Sturman, Paula Sweet, Bob Wilhite, and Rita Yokoi. Includes an exhibition checklist. Very Good / Fine. 5 mm. yellow stain to recto. Light yellowing and rubbing to covers along spine edge. Contents clean and unmarked.

4°, gebundene Ausgabe, 367 Seiten, Das Buch ist in einem sehr guten Zustand. 9783947563395 Sprache: Englisch Gewicht in Gramm: 2029.

Hardcover. Zustand: NF. Hardback in Near Fine condition with Near Fine dust jacket . 8.84 X 0.96 X 11.2 inches. 272 pages. Quick shipping, excellent customer service. All books carefully packaged in boxes and ship with tracking information.

Spiral-bound. Zustand: Good. spiral bound pocket edition with inscription inside cover.

First Edition. 11 x 15 cm 62 pp with colour illustrations. Card cover with plastic ringbinder as issued, minor mark to cover o.w. very good. Published on the occasion of the exhibition at the James Corcoran Gallery.

72 pp.; 28 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held in dual venues : "The Eighties" at MIT List Visual Arts Center, Cambridge, MA, December 19, 1987 - February 7, 1988 and "Pioneers" at Bank of Boston Gallery, Boston, MA, November 23, 1987 - January 15, 1988. Artists included at MIT: Judie Bamber, Nancy Burton, David Bunn, Barbara Carrasco, Brad Dunning, Tim Ebner, Nancy Evans, Michael Gonzalez, John L. Graham, Connie Hatch, Jim Isermann, Mike Kelley, Liz Larner, Daniel J. Martinez, Patrick Nagatani, Luciano Perna, Lari Pittman, Stephen Prina, Ernest Scott, Jim Shaw, Mitchell Syrop, Andrée Tracey, and Christopher Williams. Artists at Bank of Boston included: ASCO, Michael Asher, Billy Al Bengston, John Baldessari, Chris Burden, Edward Kienholz, Kenneth Price, Bruce Nauman, Allen Ruppersberg, Edward Ruscha, Betye Saar, and "Futura" an installation by Jim Isermann. Essays by Friis-Hansen, Dennis Cooper, Rita Valencia, Benjamin Weissman, and "a conversation between two Los Angeles art critics" by Christopher Knight and Howard Singerman. Illustrations, biographies, checklist, and selected general readings. Very Good. Light rubbing of covers and bumping of corners. Contents clean and unmarked.

Green Printed Wrappers. Zustand: Fine. Zustand des Schutzumschlags: No Dust Jacket. Frontispiece Portrait; 20 Color Plates (illustrator). First Edition. 62 Pp. One Of A Stated Printing Of 3000 Copies Printed For The Showing At The James Corcoran Gallery In 1977. Author Chronology And Bibliographyy At End. This Example Warmly Inscribed By Bengston To An Art Professor And His Wife, An Art Teacher, "For . And . / Con Amour/ B. A. B. / J.L. E. ______________________ Ac / 5 22 77", The Whole Laid Out As A Constructed Design In Four Lines Across The Top Of The First Blank Page. A Particularly Special Inscription For An Item Which Is Scarce, Perhaps Becaue Of Its Small Size, And Seldom Found Signed. Inscribed by Author(s).

Soft cover. Zustand: Fine. Unpaginated [32pp] artist's book. Mock woodgrain-patterned card wrappers latigo-bound with leather ties, B&W photograph of the artists mounted on front cover, signed/initialed by both Ruscha and Bengston above and below photograph, respectively. Bengston's business card and photograph of Ruscha's business card stapled to last page. One of 1000 copies, each hand-bound by Ruscha and Bengston. Apart from some faint toning at inside edges of covers, a very fine copy. Signed by Author(s).

Soft cover. Zustand: Near Fine. Over 100 Color & B/w Illustrations (illustrator). 1st Edition. 1968/1988. Set of two books (Billy and Billy II), each signed, inscribed and dated 2003 on acetate dust jackets. Billy: First edition, first printing (1968). Inscribed and signed by Bengston, "For the sweetest of Malibu kooks / Billy Al Bengston / AKA Moondoggie." Soft cover. Sandpaper wrappers with the title "Billy" in pink flocking on cover, bound with machine screws and nuts, with a pink satin ribbon page marker. Paintings by Billy Al Bengston. Text by James Monte. Includes a list of plates, exhibition history and bibliography. Designed by Ed Ruscha. Unpaginated (64 pp.), with 10 four-color and 36 black and white plates and additional illustrations printed in Los Angeles by Toyo Press. 9 x 11 inches. This first edition was limited to 2,500 copies. Published on the occasion of the 1968 exhibition "Billy Al Bengston" at the Los Angeles County Museum of Art (installation designed by Frank Gehry). No ISBN. [Cited in Andrew Roth, ed., The Open Book. (Göteborg, Sweden: Hasselblad Center in association with Steidl Verlag, Göttingen, Germany, 2004).] Very scarce. Billy II: (Paintings of Three Decades): First edition, first printing (1988). Inscribed and signed by Bengston, "To the cool Malibu kooks / Billy Al Bengston / AKA Moondoggie." Soft cover. Photographically illustrated French-fold wrappers. Paintings by Billy Al Bengston. Text by Jane Livingston, Karen Tsujimoto, Henry T. Hopkins and Maurice Tuchman. Includes a chronology, exhibition checklist, selected exhibitions and a selected bibliography. Designed by Dana Levy. 144 pp. (including two 2-page gatefolds), with 60 four-color plates and numerous black-and-white illustrations. 9-5/8 x 10 inches. This first edition was limited to 7,500 copies. Published on the occasion of an exhibition organized by the Contemporary Arts Museum, Houston, and The Oakland Museum. ISBN: 0877014736. Billy: Near Fine (moderate wear to the extremities, front cover slightly curled, 1/8-inch chip to upper edge of front cover, 1/8-inch closed tear to upper edge of front cover, pin hole at lower right front corner [affecting all pages]). Billy II: (Paintings of Three Decades): Near Fine (moderate surface wear and wear to the extremities, faint crease to back cover, first two pages stuck together, sticker residue on first page, pin hole at lower right corner [affecting all pages]). Featuring one of Ruscha's most inventive book designs, with the front cover being a sheet of 100-grit sandpaper and the back cover a coarser 50-grit sheet. The contrasting pink flocked title provides yet another witty articulation of Ruscha's and Bengston's collaborative sensibilities as demonstrated in their book Business Cards, published the same year. Signed by Author.

81 pp.; 21.5 x 30.4 cm.; staple bound; black-and-white & color; edition size 6200; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show "The Museum as Site : Sixteen Projects," the second exhibtion in the two-part exhibition "Art in Los Angeles," held July 21 - October 4, 1981. Curated by Stephanie Barron. Photographs by Robbert Flick. Artists included in the "Museum as Site: Sixteen Projects" exhibition are Robert Irwin, Lloyd Hamrol, Terry Schoonhoven, Karen Carson, Jay McCafferty, Robert Graham, Michael Asher, Michael Brewster, John Baldessari, Roland Reiss, Richard Jackson, Michael C. McMillen, Jonathan Borofsky, Alexis Smith, Chris Burden, and Eric Orr. Includes exhibition histories and exhibition floorplans. Includes the floorplan for the first "Art in Los Angeles" exhibition "Seventeen Artists in the Sixties," curated by Maurice Tuchman, which included artists Larry Bell, Billy Al Bengston, Wallace Berman, Ronald Davis, Richard Diebenkorn, Sam Francis, Joe Goode, David Hockney, Craig Kauffman, Edward Kienholz, John McLaughlin, Edward Moses, Bruce Nauman, Kenneth Price, Edward Ruscha, and Peter Voulkos. Good / Very Good. Rubbing of cover edges. Vertical creasing across recto and verso. Light scratching of covers. 2 cm. original pricing sticker on recto. 3.5 cm. dog-ear to top left corner of verso. Light bumping of top right corner of page. Contents clean and unmarked.

30x24,5 cm, 94 S., OKart., EA, vom Künstler signiert Aufgrund der EPR-Regelung kann in folgende Länder KEIN Versand mehr erfolgen: Bulgarien, Finnland, Frankreich, Griechenland, Luxemburg, Österreich, Polen, Rumänien, Schweden, Slowakei, Spanien.

AK Galerie Neuendorf, Frankfurt 1993. 4°. 94 S. OBr. Mit zahlr. Abb.

Chronicle Books, San Francisco 1988. Large square 8vo. 143 pages. Orig. cover. Very Good-. Corners slightly dented.

Hardcover/Softcover. SE-6376 #Cat# Ehemaliges Bibliotheksexemplar mit entsprechenden Merkmalen in gutem Zustand. Sprache: Deutsch Gewicht in Gramm: 550.

First edition. Oblong 8vo. [64 pp]. Offsetting to first unprinted leaf, else near fine in screw-bound sandpaper wrappers. Introduction by James Monte. Design by Ed Ruscha. Profusely illustrated.

Soft cover. Zustand: Near Fine. 1st Edition. Loosely inserted and a rare survivor on a light gauge paper: '67X The Authorized Version, BENGSTON BIO', a tongue-in-cheek single sheet biography summarising a magical realist past and satirising the artist bio genre not least by way of the consumer condition. Excerpt: 'News travels fast; collectors came to mock and left with pictures. With the elan which has become his hallmark, Billy shrewdly invested his profit in shoes. Helplessly, his peers wondered how it was possible to afford a '47 Indian, a Cushman Deliveromat and a Rollasage panel truck'. 23 x 27.5 cm. The notorious exhibition catalogue with sandpaper covers designed by Ruscha and show-casing Bengston's work for his solo exhibition held at the Los Angeles County Museum of Art, Lytton Hall, November 26, 1968 - January 12, 1969. Unsigned and unnumbered; 1/2500 issued. There are minor storage compression marks high and low to front near fore-edge (as per image) of otherwise Fine copy; they coincide with the steel bolts to binding.

First edition. 22,3 x 14,4 cm. 32 unpaginierte S. OKarton mit montiertem Foto, Lederschlaufenbindung. Sehr gutes Exemplar. In Zusammenarbeit mit Billy Al Bengston entstandenes Künstlerbuch mit Fotografien von Larry Bell. Auf dem Umschlag von Bengston und Ruscha handschriftlich signiert, mit einer montierten Fotografie eines Polaroids von Bell versehen. Die Erzählung in Fotografien schildert recht zusammenhangslos den Austausch von Visitenkarten unter den beiden Künstlerfreunden Bengston und Ruscha, dokumentiert mittels Fotografien des weiteren Freundes Bell, manifestiert durch jeweils hinzugefügte Datumsstempel. Neben den 21 Fotografien sind auf der vorletzten Seite des Buches 2 Visitenkarten der Künstler eingeheftet. Erschienen in einer einmaligen Auflage von 1000 Exemplaren. [Vgl. Edward Ruscha : Editions 1959 - 1999; B11; Dziewior: Reading Ed Ruscha, S. 114-118 vollständig abgebildet; Künstler-Bücher I, S.136, Nr. 7].