billops (17 Ergebnisse)

Zustand: New.

Zustand: New.

Zustand: New. &Uumlber den AutorTanisha Nicole Billops was raised in San Jose, California, where she lived with her mother, brother, and grandparents. From her grandmother she learned the value of education, and she holds both a bachelor of arts i.

Paperback. Zustand: Good. No Jacket. Wear commensurate with age and use. Clean unmarked copy. Light bumping visible to corners of covers and ends of spine strip. Light scuffing and smudging to covers and spine strip. This could have light cosmetic flaws, but remains in good condition. No dust jacket included with this book. Secure packaging for safe delivery.

Taschenbuch. Zustand: Neu. Neuware - The Fight of My Life is for those who are in the middle of a spoken promise and the manifestation. This is for those who have done all they can, the right and the wrong, the good and the bad, are now standing still, but find that their legs are becoming weak because they have been standing for so long. This is for those who have become frustrated in the waiting. The obstacles that you face were never meant to kill you. They were only intended to make you stronger, and while sometimes they may seem to have the upper hand, and they may seem to be wiping the life out of you, stand confident in knowing that there is life in you yet. There is only one way out of this battle and that is alive. This is the fight of your life, but it was designed for you to win.

Taschenbuch. Zustand: Neu. Neuware.

Taschenbuch. Zustand: Neu. Neuware - The influx of technology into Silicon Valley brought unaccustomed luxuries to many residents, along with a craving for fast money and sex. As a young single mother, Tanisha Nicole Billops worked in this flashy setting for years. But at age twenty-seven, she found herself in financial ruin, contemplating suicide. What went so wrong so quickly.

Softcover. Zustand: Near Fine. Exhibition catalog. Foreword by Kellie Jones. Square octavo. [36]pp. Stapled wrappers. Hint of spine sunning and corners a touch bumped, near fine. A catalog for a showing of work by African-American sculptures - curated by artist Howard McCalebb - held at the Kenkeleba House, which was founded in 1974 to support African-American culture. Among the artists included in the exhibit were Camille Billops, Melvin Edwards, David Hammons, Maren Hassinger, Sana Musasama, Helen Ramsaran, and Bonnie Rychlak.

4°, OPb., OSu. Profusely Illustrated (illustrator). 85 S. Ill. Schutzumschlag gebräunt, bestoßen und mit einigen Randeinrissen; Seiten papierbedingt gebräunt; ansonsten wohlerhalten. - The dust jacket is slightly browned, with some scuffs and tears along the edges; the pages are slightly browned due to the paper; otherwise in good condition. ISBN: 0871001527 Sprache: Englisch Gewicht in Gramm: 1200.

Profusely Illustrated (illustrator). Original-Broschur, 4°, 85 Seiten. With a Foreword by Toni Morrison Umschlag gebräunt und etwas fleckig, Kanten bestossen, sonst gut.

Soft cover. Zustand: Very Good. James Van Der Zee (illustrator). 1st Edition. Illlustrated wraps are mostly clean, with sepia text and photo illustration. Wraps show some edgewear, a scratch to the back cover. Corners are softened. See photos. Spine has sepia text and is bright with bumped ends. Binding is secure. End papers show little sign of age or wear. Illustrations are bright and clear. Interior is gently age-toned. Inside pages are free of writing and intentional marks. Text block edges are foxed. See photos.** PS2025.0702** 85 pages. 9 x 10.5 inches** A Very Good copy of this now uncommon book that records death and the rituals surrounding it. Photo-illustrated wraps printed in sepia are very good, with a scratch visible to the back cover. The interior is a little toned, with generously sized photographs and very readable text.** The photographs by James Van Der Zee (1886-1983), together with poetry by Owen Dodson and the conversational text captured by Camille Billops, "reveal the history of a time in Harlem, now past, when society cared for both the living and the dead, the belief that we must preserve a standard of pride representing order high in spiritual and temporal values." The setting is Harlem, but stress is laid on the universality of human experience.** "Postage for oversized and international shipping will be calculated by size and weight. AbeBooks shipping quotes are ESTIMATES only. Seller Inventory #010263"**.

Hardcover. Zustand: VG+. First Edition. 4to, 86pp. Printed wraps. Numerous sepia plates. Text in English. Funeral rites and photographs from Harlem during the first half of the twentieth century. From the inside flap- "The Harlem Book of the Dead with its photographs, poems and text are more than representational reflections of mourning rites. They reveal the history of a time in Harlem, now past, when society cared for both the living and the dead, in the belief that we must preserve a standard of pride representing order high in spiritual and temporal values. There is a purging of sorrow in the very pageantry of funerals. Carelessness about death might reflect carelessness about life. The examples of ritual as presented in this volume are as universal as death - and there are Harlem's everywhere.".

Hardcover. Zustand: Fine. First edition. Octavo. 56pp. Stapled illustrated wrappers. Fine. Poems by James Hatch and Victoria Sullivan, with illustrations by noted African-American artist and sculptor Camille Billops, who is married to Hatch. Very uncommon. *OCLC* locates five copies.

First edition in paperback, issued simultaneously with the hardcover edition. Photographs by James Van Der Zee. 4to. Original printed card wrappers. New York, Morgan & Morgan. Book of funerary photographs by the renowned photographer James Van Der Zee who is best-known for documenting the ?Harlem Renaissance? with his stylised portraits, using unique retouching techniques and staging which echoed Victorian and Edwardian traditions. His funerary photos of the people of Harlem are accompanied here with writing by Camille Billops and poetry by Owen Dodson. Toni Morrison provided a foreword to the book and a story behind one of the photographs in the collection was influence for Morrison?s novel Jazz (1992).  A near fine copy, a little browning and rubbing to the extremities. .

Dobbs Ferry, N.Y., Morgan & Morgan, [1978]. 85 pp. B./w. / sepia photographs by James Van Der Zee. Orig. softcover. 8vo. - A neat copy. Near fine.Includes an introduction by Toni Morrison. - -James Van Der Zee (June 29, 1886 - May 15, 1983) was an African-American photographer best known for his portraits of black New Yorkers. He was specialized in funerals. This book includes many of his photographs, with his comments. The text, by Camille Billops, is primarily an interview with the artist at the age of 91. Includes poetry, by Owen Dodson, inspired by some of the photos.

First edition. Photographs by James Van Der Zee. 4to. Original brown leather, spine and front cover lettered in gilt, dust jacket. New York, Morgan & Morgan. Inscribed and signed by James Van Der Zee, Dodson, and Billops to the front free endpaper. Book of funerary photographs by the renowned photographer James Van Der Zee who is best-known for documenting the ?Harlem Renaissance? with his stylised portraits, using unique retouching techniques and staging which echoed Victorian and Edwardian traditions. His funerary photos of the people of Harlem are accompanied here with writing by Camille Billops and poetry by Owen Dodson. Toni Morrison provided a foreword to the book and a story behind one of the photographs in the collection was also a strong influence for Morrison?s novel Jazz (1992).  A near fine copy, dust jacket with small tear to front cover with small tape repair at verso, and browning to the top edge. .

Limited Edition. First edition, first printing. Number 42 of 60 copies, signed by James Van der Zee, Owen Dodson and Camille Billops on the front pastedown dated 11/12/78. [viii], 85 pp. Bound in publisher's brown cloth lettered in gilt. Near Fine with light wear at spine ends and corners, small ink stain at right edge of front free endpaper, and light toning to contents. In a Near Fine unclipped dust jacket with a few small closed tears to edges, crease and spot of age staining at bottom corner of front flap, and miniscule stain to base of spine at verso. Throughout his legendary career as a Harlem Renaissance portrait photographer, James Van Der Zee documented life and, in these instances, death. A unique and poignant monograph of funerary portraits that draw the viewer into a sorrowful pageantry of loved ones lost. Each portrait is seamlessly paired with an allegorical persona poem written in a fictitious voice of the dead. Rare in the signed limited hardcover edition.